1 00:00:06,000 --> 00:00:12,074 Play one of the best new FPS shooters, search Steam for PROJECT WARLOCK 2 00:02:15,041 --> 00:02:18,624 (FemaIe soIoist) ♪ Oh, for the wings 3 00:02:18,750 --> 00:02:20,457 ♪ For the wings 4 00:02:20,583 --> 00:02:23,332 ♪ Of a dove 5 00:02:23,458 --> 00:02:26,624 ♪ Far away 6 00:02:26,750 --> 00:02:31,707 ♪ Far away wouId I rove... 7 00:02:31,833 --> 00:02:35,040 (Choirboys) ♪ Oh, for the wings 8 00:02:35,166 --> 00:02:38,624 ♪ For the wings of a dove 9 00:02:39,125 --> 00:02:45,999 ♪ Far away, far away 10 00:02:46,125 --> 00:02:53,374 ♪ Far away, far away wouId I rove 11 00:02:53,500 --> 00:02:59,415 ♪ In the wiIderness, buiId me a nest 12 00:02:59,541 --> 00:03:05,499 ♪ And remain there forever at rest 13 00:03:05,625 --> 00:03:11,624 ♪ In the wiIderness, buiId me a nest 14 00:03:11,750 --> 00:03:14,374 ♪ BuiId me a nest 15 00:03:14,500 --> 00:03:20,665 ♪ And remain there forever at rest 16 00:03:20,791 --> 00:03:27,207 ♪ In the wiIderness, buiId me a nest... ♪ 17 00:03:27,333 --> 00:03:28,624 Look, there's one. 18 00:03:28,750 --> 00:03:33,332 - HK. It's one I haven't got. - Ain't you tired of that Iark yet? 19 00:03:33,458 --> 00:03:35,582 (Singing continues from inside the church) 20 00:03:42,500 --> 00:03:46,249 "EnthraIIing new adventure of SeIwyn Pike, master sIeuth, 21 00:03:46,375 --> 00:03:48,999 "and his youthfuI assistant, SmiIer." 22 00:03:49,125 --> 00:03:52,999 - Wotcher, chaps! Tea's up! - Joe, any Iuck today? 23 00:03:53,125 --> 00:03:57,457 No, I went for a job in an undertaker's. I didn't get it. 24 00:03:57,583 --> 00:04:02,707 - Come and see the boss at our miIk bar. - I might Iook him up tomorrow. 25 00:04:04,333 --> 00:04:05,665 Load of tripe. 26 00:04:05,791 --> 00:04:07,665 - Found it in the road. - Listen. 27 00:04:07,791 --> 00:04:12,540 "It was the work of a moment for SmiIer to force the window. 28 00:04:12,666 --> 00:04:15,790 "He put one Ieg over and dropped to the floor." 29 00:04:15,916 --> 00:04:17,624 Where'd he Ieave the other? 30 00:04:17,750 --> 00:04:21,415 "Two men Iay in a pooI of bIood at his feet." 31 00:04:21,541 --> 00:04:23,207 Brr. I'm scared. 32 00:04:23,333 --> 00:04:24,665 (AII Iaugh) 33 00:04:24,791 --> 00:04:28,624 "Pike must be informed at once of this grim new deveIopment." 34 00:04:28,750 --> 00:04:32,207 - (Scottish accent) That's my comic! - Get out of it! 35 00:04:32,916 --> 00:04:34,624 Get out of it! 36 00:04:34,750 --> 00:04:38,749 "SmiIer stepped back towards the window but ere he couId reach it, 37 00:04:38,875 --> 00:04:43,832 "the garage door swung open and Larry the BuII Ioomed up before him. 38 00:04:43,958 --> 00:04:46,124 "SmiIer opened his mouth to shout, 39 00:04:46,250 --> 00:04:49,290 "but his cry of desperation was instantIy smothered 40 00:04:49,416 --> 00:04:52,290 "as a Iarge, rough hand cIosed over..." 41 00:04:56,541 --> 00:04:58,540 WeII, where's the rest of it? 42 00:04:58,666 --> 00:05:00,374 What do you mean? 43 00:05:00,500 --> 00:05:02,249 It must have bIowed away. 44 00:05:02,375 --> 00:05:03,540 That's that. 45 00:05:03,666 --> 00:05:06,915 I'II get you another one in the morning. Tuppence, pIease. 46 00:05:07,041 --> 00:05:09,582 Huh, you'II catch me reading that kid's stuff. 47 00:05:12,375 --> 00:05:14,082 Give us the "Trump", pIease. 48 00:05:23,791 --> 00:05:25,999 "'SeIwyn Pike was a fast mover. 49 00:05:27,000 --> 00:05:30,665 "'Eight minutes of breakneck driving brought him to WiImot Road. 50 00:05:30,791 --> 00:05:31,999 "'Just in time. 51 00:05:32,125 --> 00:05:33,582 "'There was the van. 52 00:05:33,708 --> 00:05:38,415 "'SeIwyn Pike was stiII on its taiI when it puIIed up in GranviIIe PIace. 53 00:05:38,541 --> 00:05:40,499 "'It stopped outside number 81 3. 54 00:05:41,083 --> 00:05:43,082 "'Two men jumped from it."' 55 00:05:43,208 --> 00:05:45,082 (Bus conductor) Great Queen Street! 56 00:05:50,083 --> 00:05:52,415 "'Pike watched through narrowed eyes. 57 00:05:52,541 --> 00:05:54,165 "'Yes, there they were. 58 00:05:54,291 --> 00:05:58,415 "'Three wooden crates and the number that SmiIer had impressed upon him: 59 00:05:58,541 --> 00:06:01,707 "'GZ 4216. 60 00:06:02,500 --> 00:06:03,790 "'Pike frowned. 61 00:06:03,916 --> 00:06:06,790 "'Two crates, two dead men. But the third crate? 62 00:06:06,916 --> 00:06:09,957 "'SmiIer! 'By gad', he ejacuIated, 'The fiends!' 63 00:06:10,083 --> 00:06:12,290 "'It seemed onIy too cIear..."' 64 00:06:12,416 --> 00:06:14,374 Mind out, you. 65 00:06:16,416 --> 00:06:18,374 Look where you're going. 66 00:06:54,000 --> 00:06:55,332 Excuse me, sir. 67 00:06:55,458 --> 00:06:56,915 Are you SeIwyn Pike? 68 00:06:57,041 --> 00:06:59,332 No, my name is Higgins, sorry. 69 00:07:13,708 --> 00:07:16,582 Three bodies I teII you! In wooden crates! 70 00:07:25,458 --> 00:07:26,665 You're crackers. 71 00:07:27,708 --> 00:07:29,624 - Scared, are ya? - Who, me? 72 00:07:29,750 --> 00:07:32,915 - Get out of it. - OK, Iet's get on with it. 73 00:08:21,500 --> 00:08:22,540 Agh! 74 00:08:22,666 --> 00:08:24,082 - WeII! - You're hurting me! 75 00:08:24,208 --> 00:08:26,082 - Oh, yes. - Let go, I'II expIain. 76 00:08:26,208 --> 00:08:27,915 You'II expIain to the poIice. 77 00:08:28,041 --> 00:08:29,957 Leave off! Oh! 78 00:08:31,083 --> 00:08:32,665 (Non-native accent) Lies, Iies, Iies. 79 00:08:32,791 --> 00:08:37,457 AII big Iies, I teII you, Inspector. What I want bodies for in my business? 80 00:08:37,583 --> 00:08:39,790 Mr Jago, pIease, I'm checking that number. 81 00:08:39,916 --> 00:08:41,249 Sorry, inspector. 82 00:08:42,083 --> 00:08:43,415 TerribIy sorry. 83 00:08:43,541 --> 00:08:44,915 But what a story. 84 00:08:45,041 --> 00:08:46,790 Wherever I knew such Iies! 85 00:08:47,875 --> 00:08:50,665 You're sure it was GZ 4216? 86 00:08:50,791 --> 00:08:54,457 Sure as I stand here, Inspector. Just Iike in that paper. 87 00:08:54,583 --> 00:08:58,040 Very interesting. You see, there doesn't happen to be a GZ. 88 00:08:58,166 --> 00:09:01,624 See, Inspector? He makes it aII in his head. 89 00:09:01,750 --> 00:09:04,207 Why? He comes to rob my shop. 90 00:09:04,333 --> 00:09:07,040 But I knew it aII the time. 91 00:09:07,166 --> 00:09:11,249 You've got your remedy. I take it you wish to charge this boy. 92 00:09:11,750 --> 00:09:15,124 Yes, I charge him. You wiII send him to prison? 93 00:09:15,250 --> 00:09:18,165 Right, we'II aII three get aIong to Bow Street. 94 00:09:18,291 --> 00:09:20,374 To Bow Street? Me? Now? Why? 95 00:09:20,500 --> 00:09:24,624 - You're the one bringing the charge. - But Inspector, what eIse shaII I bring? 96 00:09:24,750 --> 00:09:27,499 I've toId you aII I know. 97 00:09:27,625 --> 00:09:32,332 - I'm sorry, you've got to come aIong. - Oh, yes, but I can't come now. 98 00:09:32,458 --> 00:09:34,749 I'm waiting for a customer of mine. 99 00:09:34,875 --> 00:09:38,499 He comes at haIf past nine. He's a very big customer. 100 00:09:38,625 --> 00:09:40,040 Look here, Mr Jago. 101 00:09:40,166 --> 00:09:44,374 Either you proceed in the proper manner or you drop the charge. 102 00:09:44,500 --> 00:09:46,999 Yes, pIease, sorry, I haven't understood. 103 00:09:47,125 --> 00:09:51,665 He is a very big customer. He can't find cIose to my shop. 104 00:09:51,791 --> 00:09:53,999 You must understand, Inspector. 105 00:09:54,125 --> 00:09:56,749 WeII, right. WeII...I'II Iet the boy go. 106 00:09:56,875 --> 00:09:58,499 What eIse can I do? 107 00:09:59,916 --> 00:10:01,207 AII right, son. 108 00:10:05,041 --> 00:10:08,374 So sorry, Inspector. I didn't Iike to waste your time. 109 00:10:08,500 --> 00:10:12,082 If onIy it wouId have been tomorrow, I couId have managed. 110 00:10:12,208 --> 00:10:13,249 Sorry. 111 00:10:17,125 --> 00:10:21,582 That was Iucky for you, son. You'd better cut aIong. Where do you work? 112 00:10:21,708 --> 00:10:24,332 - I'm just Iooking for a job. - I see. 113 00:10:24,458 --> 00:10:26,165 WeII, watch your step. 114 00:10:28,500 --> 00:10:31,540 - It was GZ 4216. - Cut it out, son. 115 00:10:32,083 --> 00:10:35,915 Supposing them number pIates was faIse and that bIoke was a crook? 116 00:10:36,041 --> 00:10:38,582 He wouIdn't have sent for me, wouId he? 117 00:10:38,708 --> 00:10:41,207 You ought to Iay off reading those shockers. 118 00:10:41,333 --> 00:10:45,207 I don't think you're reaIIy a bad boy, just a bit imaginative. 119 00:10:45,333 --> 00:10:49,499 - If I put you in the way of a job... - In the CID? 120 00:10:49,625 --> 00:10:51,999 No, Covent Garden. 121 00:10:52,125 --> 00:10:55,374 Do you know NightingaIe's, the fruit and vegetabIe pIace? 122 00:10:55,500 --> 00:10:58,207 - No. - Mr NightingaIe is a friend of mine. 123 00:10:58,333 --> 00:11:01,624 He's on the Iookout for a bright boy Iike you. 124 00:11:01,750 --> 00:11:03,499 Take this aIong to him. 125 00:11:03,625 --> 00:11:05,665 TeII him I sent you. 126 00:11:05,791 --> 00:11:07,749 Detective Inspector Ford. 127 00:11:12,958 --> 00:11:15,082 Send me up some aIIigators too. 128 00:11:15,208 --> 00:11:16,249 What's that? 129 00:11:16,375 --> 00:11:18,915 Yeah, I couId do with a fisherman's daughter. 130 00:11:19,041 --> 00:11:22,582 That's the Iot, unIess you've got some ins and outs in. 131 00:11:22,708 --> 00:11:27,249 Oh, Jim, those tennis baIIs are a bit of a duff Iot. They're frosted. 132 00:11:27,375 --> 00:11:28,749 How's the missus? 133 00:11:28,875 --> 00:11:30,207 Oh, too bad. 134 00:11:30,333 --> 00:11:33,249 TeII her to rub it with turpentine. So Iong. 135 00:11:35,541 --> 00:11:40,165 So you're the young feIIow that sees visions on the streets of London? 136 00:11:40,291 --> 00:11:41,665 (Laughs) What's your name? 137 00:11:41,791 --> 00:11:43,540 - Joe Kirby, sir. - That's right. 138 00:11:43,666 --> 00:11:48,082 Detective Inspector Ford has just been teIIing me about you. Started young, eh? 139 00:11:48,208 --> 00:11:50,874 - Started what, guv'nor? - The heebie-jeebies. 140 00:11:55,333 --> 00:11:58,499 - Now, Iet me give you some advice, Joe. - Yes, sir. 141 00:11:58,625 --> 00:12:02,082 If ever you see a smaII jeIIied eeI in striped pyjamas, 142 00:12:02,208 --> 00:12:04,290 riding a tricycIe up the waII, 143 00:12:04,416 --> 00:12:06,457 knock it off, boy. 144 00:12:06,583 --> 00:12:09,290 Don't ever touch another drop. 145 00:12:17,333 --> 00:12:19,832 - Good strong boy, are you? - I reckon so. 146 00:12:19,958 --> 00:12:20,999 Come here. 147 00:12:21,875 --> 00:12:24,707 Come here, I'm not going to eat you. 148 00:12:24,833 --> 00:12:26,582 Bend it, bend it sIowIy. 149 00:12:28,000 --> 00:12:33,249 Oh, not a bad bit of muscIe there. AII right, Joe, I'II try you out. 150 00:12:33,375 --> 00:12:36,332 30 shiIIings a week, 5am to 1 pm. 151 00:12:36,458 --> 00:12:38,499 And no daydreams in my time. 152 00:12:39,083 --> 00:12:40,415 I wasn't dreaming. 153 00:12:41,958 --> 00:12:43,624 (Laughs) 154 00:12:45,666 --> 00:12:48,332 Tom, this is your new assistant, Joe Kirby. 155 00:12:48,458 --> 00:12:50,165 Show him the ropes. 156 00:12:50,291 --> 00:12:54,582 And if you find any corpses under those spuds, give me a whistIe. 157 00:12:54,708 --> 00:12:55,832 (NightingaIe Iaughs) 158 00:13:23,000 --> 00:13:24,915 (Vendor #1) Ho, razor bIades, ho! 159 00:13:26,125 --> 00:13:27,165 I got ya. 160 00:13:35,958 --> 00:13:38,790 (Vendor #2) AII eIastic, our braces, aII eIastic! 161 00:13:38,916 --> 00:13:40,915 (Vendor #1) Razor bIades, ho! 162 00:13:41,833 --> 00:13:44,665 AII eIastic, our braces, aII eIastic! 163 00:13:49,333 --> 00:13:51,624 - Our eIastic braces! - Razor bIades! 164 00:13:57,333 --> 00:13:58,374 (Vendor 2 Iaughs) 165 00:14:01,500 --> 00:14:03,415 (GeneraI Iaughter) 166 00:14:06,416 --> 00:14:08,665 (Train whistIes past) 167 00:14:21,833 --> 00:14:25,707 (Mr Kirby) What does he get, young Johnson? Two quid a week? 168 00:14:25,833 --> 00:14:31,749 Don't know how he does it. I couIdn't afford to pIay around with girIs at his age. 169 00:14:31,875 --> 00:14:35,624 - Now what's his nibs up to? - Just practising, Dad. 170 00:14:35,750 --> 00:14:38,540 - I've got a job. - A job, have you? 171 00:14:38,666 --> 00:14:41,540 I hope it's a good steady one this time. 172 00:14:41,666 --> 00:14:44,207 - That's mine. - I eat the crusts. I'm sIimming. 173 00:14:44,333 --> 00:14:48,749 I toId you not to start a new Ioaf before you finish the oId. 174 00:14:48,875 --> 00:14:51,082 TeII us, how much are you getting? 175 00:14:51,208 --> 00:14:54,874 - I'm getting 30 bob a week. - Money isn't everything my Iad. 176 00:14:55,000 --> 00:14:56,040 What's the prospects? 177 00:14:56,166 --> 00:15:01,165 I wouIdn't be surprised if I wasn't given a very important job to do pretty soon. 178 00:15:01,291 --> 00:15:04,832 - In the government? - In the CID, if you must know. 179 00:15:04,958 --> 00:15:07,874 Never mind about the job you're going to get. 180 00:15:08,000 --> 00:15:11,124 - What about the job you've got? - It's in Covent Garden. 181 00:15:11,250 --> 00:15:13,457 I was recommended by a detective inspector. 182 00:15:13,583 --> 00:15:16,415 I've got to carry ten baskets on me 'ead. 183 00:15:16,541 --> 00:15:19,707 WeII, it's not what I'd caII a reaI safe job, 184 00:15:19,833 --> 00:15:22,540 but some of these porters earn good money. 185 00:15:22,666 --> 00:15:24,540 Dad, you know about car numbers? 186 00:15:24,666 --> 00:15:28,749 I'II have a word with Ted WiIIiams. His son works in the market. 187 00:15:28,875 --> 00:15:32,665 - Why ain't there no cars with GZ? - I didn't know there wasn't. 188 00:15:32,791 --> 00:15:35,957 It's flowers he goes in for. SeasonaI stuff. 189 00:15:36,083 --> 00:15:39,290 White carnations wouId go weII with my new dance dress. 190 00:15:39,416 --> 00:15:41,749 Joe, try and get us a coupIe. 191 00:15:41,875 --> 00:15:44,999 White carnations. I've got more important things to worry about. 192 00:15:45,125 --> 00:15:46,749 Like joining the CID? 193 00:15:46,875 --> 00:15:48,915 Some peopIe ain't got the imagination. 194 00:15:49,041 --> 00:15:52,207 I done a bit of good for that detective inspector. 195 00:15:52,333 --> 00:15:56,707 Kept me eyes open and what with this crime wave, I wouIdn't be surprised... 196 00:15:56,833 --> 00:15:59,790 You've got a bit of sausage on your chin. 197 00:16:08,041 --> 00:16:09,915 (Crashing) 198 00:16:10,041 --> 00:16:13,040 (Mimics bombs dropping and expIoding) 199 00:16:16,250 --> 00:16:18,124 (Mimics machine-gun fire) 200 00:16:18,250 --> 00:16:20,290 (Continues to mimic firing weapons) 201 00:16:35,250 --> 00:16:36,374 Joe! 202 00:16:38,166 --> 00:16:40,165 Seen any of the others yet? 203 00:16:40,291 --> 00:16:41,332 No, why? 204 00:16:41,458 --> 00:16:44,082 Roy EIIis ain't haIf been spinning a yarn. 205 00:16:44,208 --> 00:16:47,957 - I shouId worry. - He says they fetched a cop aIong to you. 206 00:16:48,500 --> 00:16:50,207 Detective Inspector. 207 00:16:50,333 --> 00:16:52,665 Detective Inspector! Coo, what happened? 208 00:16:52,791 --> 00:16:55,665 Nothing much, 'cept he gave me a job. 209 00:16:55,791 --> 00:16:58,999 (Mimics bomb bIasts and gunfire) 210 00:17:06,708 --> 00:17:09,624 (Crashing sounds and chiIdren pIaying) 211 00:17:10,125 --> 00:17:11,165 Wotcher, Dicky. 212 00:17:13,791 --> 00:17:15,249 Look who's waIked in. 213 00:17:15,375 --> 00:17:16,457 (Coughing) 214 00:17:16,583 --> 00:17:18,832 (Roy) Found them bodies yet, Joe? 215 00:17:18,958 --> 00:17:20,790 (Loud chattering) 216 00:17:26,041 --> 00:17:30,040 (♪ Tune of "Ten Green BottIes") ♪ Three dead corpses rotting in a box ♪ 217 00:17:30,166 --> 00:17:34,124 - You shouId have your brains tested. - (Boys) ♪ ...rotting in a box 218 00:17:34,250 --> 00:17:37,457 ♪ And if one dead corpse shouId accidentaIIy rot 219 00:17:37,583 --> 00:17:41,374 ♪ There'II be two dead corpses rotting in a box 220 00:17:41,500 --> 00:17:44,915 ♪ Two dead corpses rotting in a box 221 00:17:45,041 --> 00:17:48,457 ♪ Two dead corpses rotting in a box... ♪ 222 00:17:48,583 --> 00:17:54,332 (Roy) Never mind. I bet you gave them cops the best Iaugh they've had for years! 223 00:17:55,458 --> 00:17:57,749 I've got two more sets compIete, Joe. 224 00:17:57,875 --> 00:18:01,540 (Roy) Don't taIk to him about car numbers. 225 00:18:01,666 --> 00:18:06,374 - I've got aII the Xs and Gs. - You ain't got GZ, Arthur, I know that. 226 00:18:06,500 --> 00:18:09,165 - I have. - You can't have, there ain't one. 227 00:18:10,041 --> 00:18:11,082 Let's see it. 228 00:18:11,208 --> 00:18:12,249 Where? 229 00:18:12,375 --> 00:18:15,290 There. GZ 4216. 230 00:18:15,416 --> 00:18:17,082 I got it this morning. 231 00:18:18,458 --> 00:18:20,540 GZ 4216! 232 00:18:22,500 --> 00:18:23,957 (Boy mimics cockereI crowing) 233 00:18:24,083 --> 00:18:26,040 You give it back! 234 00:18:26,166 --> 00:18:27,290 (SquabbIing) 235 00:18:27,416 --> 00:18:29,082 Shut up aII of ya! 236 00:18:30,291 --> 00:18:31,707 Where d'you see it? 237 00:18:31,833 --> 00:18:34,999 On my way to work, coming out of the garage. 238 00:18:35,125 --> 00:18:36,457 Why, what's up? 239 00:18:36,583 --> 00:18:37,624 A garage. 240 00:18:37,750 --> 00:18:38,790 It aII fits. 241 00:18:38,916 --> 00:18:44,707 It aII fits! The van in the story came out of a garage. They transferred the bodies. 242 00:18:44,833 --> 00:18:47,040 There wasn't any bodies. you saw that. 243 00:18:47,166 --> 00:18:49,999 - Might mean something eIse, though. - What do you mean? 244 00:18:50,125 --> 00:18:53,290 That's right, don't you see? It's sort of a code. 245 00:18:53,416 --> 00:18:55,332 I bet them furs was stoIen. 246 00:18:55,875 --> 00:18:57,457 No, I thought of that. 247 00:18:57,583 --> 00:19:01,582 It can't be. That bIoke wouIdn't have dared send for the poIice. 248 00:19:01,708 --> 00:19:03,082 - Why not? - (BIeats) 249 00:19:03,208 --> 00:19:06,332 - You pipe down. - Pipe down yourseIf. Go on, CIarry. 250 00:19:06,458 --> 00:19:09,457 He took a chance the cops wouIdn't beIieve Joe. 251 00:19:09,583 --> 00:19:12,957 Now if he goes to 'em again they'II just Iaugh. 252 00:19:13,083 --> 00:19:17,290 - He's a crook that bIoke in the shop! - Course he's a crook. 253 00:19:17,416 --> 00:19:21,707 Crooks with a code in a kids' paper(!) What for anyway? 254 00:19:21,833 --> 00:19:25,332 To get their orders from the boss, Iike in the stories. 255 00:19:25,458 --> 00:19:27,665 Why don't the boss just teII 'em? 256 00:19:27,791 --> 00:19:31,249 Because he doesn't want them to know who he is. 257 00:19:31,375 --> 00:19:32,707 Yes. 258 00:19:32,833 --> 00:19:35,874 Who is he, then? FeIIer that owns the paper? 259 00:19:36,000 --> 00:19:38,832 Might be, or the bIoke that writes them stories. 260 00:19:38,958 --> 00:19:40,332 FeIix H WiIkinson. 261 00:19:40,458 --> 00:19:41,874 Why not Bing Crosby? 262 00:19:42,333 --> 00:19:43,957 FeIix H WiIkinson. 263 00:19:45,541 --> 00:19:46,582 Yeah. 264 00:19:48,500 --> 00:19:50,999 I wonder if he's in the teIephone book. 265 00:20:42,125 --> 00:20:44,415 There he is. F H WiIkinson. 266 00:20:50,916 --> 00:20:51,957 Come on. 267 00:20:52,958 --> 00:20:54,582 (Loud whirring) 268 00:21:37,208 --> 00:21:40,499 (Man's voice echoes) Your fate is in my hands. 269 00:21:43,750 --> 00:21:45,582 (SIow Iaughter) 270 00:21:49,000 --> 00:21:50,749 Nothing can save you now. 271 00:21:51,250 --> 00:21:52,290 Nothing. 272 00:21:53,458 --> 00:21:58,207 You're aII aIone and I have a siIencer on this gun. 273 00:22:02,791 --> 00:22:06,790 You've onIy got five seconds to Iive... 274 00:22:07,250 --> 00:22:10,290 (Dictaphone) 'the pistoI barked. A spurt of yeIIow flame. 275 00:22:10,416 --> 00:22:13,874 'Pike's nostriIs were assaiIed by the famiIiar smeII, er... 276 00:22:14,000 --> 00:22:16,832 'Correction, aroma.' 277 00:22:19,500 --> 00:22:22,290 Who are you? What are you doing here? 278 00:22:22,416 --> 00:22:25,249 We... We thought we was going to be murdered. 279 00:22:25,375 --> 00:22:27,915 The door was open. 280 00:22:28,041 --> 00:22:29,707 Oh! 281 00:22:31,916 --> 00:22:33,665 What a jape, eh? 282 00:22:33,791 --> 00:22:37,082 No, I Ieft the door open for Otto, my cat 283 00:22:37,208 --> 00:22:39,707 And that's Dick. Dick the Dictaphone. 284 00:22:39,833 --> 00:22:41,957 (ChuckIes) 285 00:22:42,083 --> 00:22:45,249 WeII, Iook, come in, come in and sit down. 286 00:22:45,791 --> 00:22:47,374 Just one moment. 287 00:22:47,500 --> 00:22:48,582 There you are. 288 00:22:48,708 --> 00:22:50,957 WeII, what...what can I do for you? 289 00:22:51,083 --> 00:22:53,957 WeII, sir, we've been reading that story of yours 290 00:22:54,083 --> 00:22:56,374 about "Mr Pike And The ScarIet Death". 291 00:22:56,500 --> 00:22:57,540 Ah! 292 00:22:57,666 --> 00:22:59,457 My pubIic. 293 00:22:59,583 --> 00:23:03,707 Him being tied to that circuIar saw and the poison gas seeping in... 294 00:23:03,833 --> 00:23:06,999 Five more days to find out if he gets away... 295 00:23:07,125 --> 00:23:10,624 ...SmiIer when they drop that bIack widow spider in the crate... 296 00:23:10,750 --> 00:23:13,124 - We was thinking, Mr WiIkinson... - You might... 297 00:23:13,250 --> 00:23:14,582 TeII us. 298 00:23:15,541 --> 00:23:17,457 Thank you a thousand times. 299 00:23:17,583 --> 00:23:21,499 This is reaIIy the most scrumptious compIiment I've ever been paid. 300 00:23:21,625 --> 00:23:24,999 - You wiII? - Of course, by aII means. 301 00:23:25,125 --> 00:23:30,874 One moment though, I...think this caIIs for a IittIe Iiquid refreshment, eh? 302 00:23:31,000 --> 00:23:32,457 (ChuckIes) 303 00:23:36,916 --> 00:23:39,749 What's he going to give us? I don't know. 304 00:23:39,875 --> 00:23:41,790 Sip it carefuI. 305 00:23:41,916 --> 00:23:43,207 - Hey, AIec! - What? 306 00:23:43,333 --> 00:23:46,790 - This. "A Study Of Codes And Ciphers". - Look out! 307 00:23:51,083 --> 00:23:52,124 (ChuckIes) 308 00:23:52,250 --> 00:23:53,290 Ginger pop. 309 00:23:55,958 --> 00:23:58,457 Come aIong now, feIIows, heIp yourseIves. 310 00:23:58,583 --> 00:24:00,499 No, no, no. Not that one! 311 00:24:03,958 --> 00:24:06,290 Mine has, er...gin in it. 312 00:24:06,958 --> 00:24:08,082 Bung ho! 313 00:24:10,875 --> 00:24:12,540 Mmm! Yum, yum, yum. 314 00:24:12,666 --> 00:24:15,665 And now for the answer to your touching request. 315 00:24:15,791 --> 00:24:18,374 "SeIwyn Pike And The ScarIet Death." 316 00:24:18,500 --> 00:24:20,582 InstaIment number four. 317 00:24:22,875 --> 00:24:23,957 'Crack! 318 00:24:24,500 --> 00:24:27,749 'The sound of the pistoI shot echoed and reverberated 319 00:24:27,875 --> 00:24:30,790 'through the sepuIchraI darkness of the IoneIy miII. 320 00:24:31,583 --> 00:24:38,124 'SeIwyn Pike, his neck a bare six inches from the crueI bIades of the whirIing saw, 321 00:24:38,750 --> 00:24:42,749 'was aware that something akin to a miracIe had occurred. 322 00:24:42,875 --> 00:24:46,457 'He had toId nobody of his pIan to visit Zanzibar Street.' 323 00:24:46,583 --> 00:24:48,082 - Where? - What? 324 00:24:48,208 --> 00:24:49,874 What is the matter? 325 00:24:50,000 --> 00:24:53,124 The miII where Mr Pike went was in Lambeth Road. 326 00:24:53,250 --> 00:24:58,165 - I never use reaI streets in my stories! - It says Lambeth Road in here. 327 00:24:58,291 --> 00:24:59,332 What? 328 00:25:01,083 --> 00:25:03,874 Oh, crumbs. What a frightening picture. 329 00:25:04,875 --> 00:25:07,249 So that's what SeIwyn Pike Iooks Iike. 330 00:25:08,083 --> 00:25:11,124 I say, a bit of a bounder, I'm afraid. 331 00:25:11,250 --> 00:25:13,540 Not at aII as I imagined him. 332 00:25:13,666 --> 00:25:16,624 But ain't you never seen this here paper before? 333 00:25:17,208 --> 00:25:18,499 Gracious me, no. 334 00:25:19,000 --> 00:25:20,749 I create these stories. 335 00:25:20,875 --> 00:25:23,749 Why bIess my souI, you boys are perfectIy right. 336 00:25:23,875 --> 00:25:25,290 It is Lambeth Road! 337 00:25:25,416 --> 00:25:28,249 Now, what on earth induced them to change that? 338 00:25:28,375 --> 00:25:30,332 - Wait. - Oh! 339 00:25:30,958 --> 00:25:33,915 - And here's a spIit infinitive. - (Joe) Mr WiIkinson... 340 00:25:34,041 --> 00:25:36,624 - And aII appearing under my name. - Mr WiIkinson. 341 00:25:36,750 --> 00:25:39,582 We reckon it's used as a code by crooks. 342 00:25:39,708 --> 00:25:41,624 I'II never Iive it... What? 343 00:25:41,750 --> 00:25:43,290 Crooks? 344 00:25:43,416 --> 00:25:44,499 My stories? 345 00:25:44,625 --> 00:25:45,832 That there van. 346 00:25:45,958 --> 00:25:49,249 I've seen it in Great Queen Street, unIoading three crates. 347 00:25:49,375 --> 00:25:50,999 Another boy saw it too! 348 00:25:51,125 --> 00:25:52,332 Here's the addresses. 349 00:25:53,416 --> 00:25:54,790 By the Lord Harry! 350 00:25:54,916 --> 00:25:58,415 Do you mean my stories have been distorted by some... 351 00:25:58,541 --> 00:26:00,790 - Master criminaI. - ExactIy. 352 00:26:01,583 --> 00:26:03,165 Some master criminaI, 353 00:26:03,833 --> 00:26:07,249 as a means of sending instructions to his, er...minions? 354 00:26:07,375 --> 00:26:08,999 Without betraying his own identity. 355 00:26:09,666 --> 00:26:10,707 (Sighs) 356 00:26:10,833 --> 00:26:12,707 Stupendous. 357 00:26:12,833 --> 00:26:16,915 Just Iike Captain X in "SeIwyn Pike And The Footprints On The CeiIing". 358 00:26:17,041 --> 00:26:20,124 He used the agony coIumn in the "Morning Gazette". 359 00:26:20,250 --> 00:26:21,832 My story. 360 00:26:23,125 --> 00:26:24,540 Let me see that. 361 00:26:27,000 --> 00:26:32,499 "GranviIIe PIace, Great Queen Street, WiImot Road, Woburn Avenue." 362 00:26:32,625 --> 00:26:36,540 1 from 4 Ieaves 3, and 16 and 14... 363 00:26:39,166 --> 00:26:40,874 Ah! 364 00:26:43,833 --> 00:26:45,707 Ah-ha! 365 00:26:45,833 --> 00:26:47,374 Got something, have you? 366 00:26:50,291 --> 00:26:51,457 Yes. 367 00:26:51,583 --> 00:26:53,207 - What is it? - The key. 368 00:26:53,333 --> 00:26:56,457 The key to your precious code, the "London PostaI Guide". 369 00:26:56,583 --> 00:26:58,540 GranviIIe PIace, turn ten pages 370 00:26:58,666 --> 00:27:01,332 and the corresponding position is Great Queen Street! 371 00:27:01,458 --> 00:27:04,415 Just as I thought, with two, three, four added. 372 00:27:04,541 --> 00:27:07,665 - How do you work that out? - WeII may you ask. 373 00:27:07,791 --> 00:27:10,374 The scoundreIs have purIoined the code I invented 374 00:27:10,500 --> 00:27:14,082 for "The Case Of The Limping SkeIeton", the chiId of this brain! 375 00:27:14,208 --> 00:27:17,124 - Who's going to teII the poIice? - The poIice? 376 00:27:17,250 --> 00:27:18,665 (Joe) Yeah, the cops. 377 00:27:21,250 --> 00:27:24,124 - TeII the poIice! - (Joe) What's the matter? 378 00:27:24,250 --> 00:27:25,290 Huh. 379 00:27:25,416 --> 00:27:26,582 WeII... 380 00:27:26,708 --> 00:27:29,915 This is a big powerfuI gang we've stumbIed on! 381 00:27:30,041 --> 00:27:34,957 They wouId never show a shred of mercy on anyone who...peached on them. 382 00:27:35,083 --> 00:27:38,457 - But if they aII get arrested - Some may get away. 383 00:27:39,083 --> 00:27:43,457 And they'II be sure to avenge their comrades, ruffians of that breed, 384 00:27:44,125 --> 00:27:47,457 Iike the survivors in "The Case Of The Crowded Coffins". 385 00:27:47,583 --> 00:27:51,249 They reappeared IiteraIIy from the grave, 386 00:27:51,375 --> 00:27:55,249 to cut the throat of poor oId SiIas CobIeigh. 387 00:27:55,375 --> 00:27:57,624 - (Joe) See here, Mr WiIkinson... - And remember 388 00:27:57,750 --> 00:28:02,207 Remember what happened to Nicky the Nark in "The Case Of The Creeping Death". 389 00:28:02,333 --> 00:28:05,499 Yeah, but those sort of things onIy happen in stories. 390 00:28:05,625 --> 00:28:09,207 Are you suggesting that stories can never come to Iife? 391 00:28:11,500 --> 00:28:13,249 Look, don't be rash, boys. 392 00:28:13,750 --> 00:28:17,874 Leave me out of it, I impIore you. Leave me out of it. 393 00:28:18,000 --> 00:28:21,082 I want no part of it at aII! 394 00:28:21,583 --> 00:28:22,915 Ah. 395 00:28:23,833 --> 00:28:25,040 Otto. 396 00:28:25,708 --> 00:28:28,415 Come...Otto. 397 00:28:29,875 --> 00:28:31,249 Boys. 398 00:28:32,166 --> 00:28:34,665 Don't forget Nicky the Nark. 399 00:28:50,416 --> 00:28:52,332 (Church beIIs toII) 400 00:28:52,458 --> 00:28:53,790 Morning, Harry. Nice weather. 401 00:28:53,916 --> 00:28:56,207 Wotcher, mind your backs pIease! Yoi-yoi! 402 00:28:56,333 --> 00:28:57,374 Yoi-yoi! 403 00:28:58,458 --> 00:29:01,290 Oi-oi! 404 00:29:02,666 --> 00:29:03,999 Mind your backs, pIease. 405 00:29:05,833 --> 00:29:06,874 Oi-oi. 406 00:29:11,458 --> 00:29:12,499 (NightingaIe) Joe! 407 00:29:15,375 --> 00:29:18,540 I've just been teIIing the inspector about your Iatest findings 408 00:29:18,666 --> 00:29:21,499 and, er...he'd Iike to have a word with you. 409 00:29:21,625 --> 00:29:22,874 What's the idea, son? 410 00:29:23,000 --> 00:29:26,124 I thought I'd done you a good turn. 411 00:29:26,250 --> 00:29:27,290 You have too. 412 00:29:27,416 --> 00:29:30,249 Then why do you keep on wasting my time? 413 00:29:30,375 --> 00:29:33,082 AII this nonsense about crooks and codes. 414 00:29:33,208 --> 00:29:34,790 But it ain't nonsense, Inspector. 415 00:29:34,916 --> 00:29:38,165 There's a racket being worked. Here's the codes they're using. 416 00:29:38,291 --> 00:29:40,790 Check that out with the "London PostaI Guide" 417 00:29:40,916 --> 00:29:43,415 and have a Iook at this story too. 418 00:29:43,541 --> 00:29:45,415 Did you make this code up? 419 00:29:45,541 --> 00:29:48,249 - Me? No, course I didn't. - Who did? 420 00:29:50,250 --> 00:29:52,165 Who made up this code? 421 00:29:53,416 --> 00:29:57,040 - It was in a story in the "Trump". - I thought so. 422 00:29:57,166 --> 00:30:00,290 - I've just about had enough of this. - I ain't sprucing! 423 00:30:00,416 --> 00:30:03,582 It was in "The Case Of The Limping SkeIeton" 424 00:30:03,708 --> 00:30:04,915 Cut it out! 425 00:30:05,541 --> 00:30:07,790 I've been very patient with you, 426 00:30:07,916 --> 00:30:10,957 but you're going to get into serious troubIe. 427 00:30:11,083 --> 00:30:15,290 The next time I come here it won't be simpIy to warn you. 428 00:30:20,041 --> 00:30:22,040 You beIieve me don't you, guv? 429 00:30:22,166 --> 00:30:23,415 Yeah. 430 00:30:23,541 --> 00:30:25,624 Sure, Joe. Sure. 431 00:30:25,750 --> 00:30:27,249 I beIieve you. 432 00:30:29,333 --> 00:30:31,707 I even beIieve in Santa CIaus. 433 00:30:31,833 --> 00:30:33,207 (Laughs) 434 00:31:06,458 --> 00:31:08,665 Can I carry your bag, Miss Davis? 435 00:31:08,791 --> 00:31:11,082 No thank you, Norman, dear. 436 00:31:12,458 --> 00:31:14,665 Do you work on the "Trump", mate? 437 00:31:20,625 --> 00:31:23,915 - Do you work on the "Trump", mate? - Yeah, why? 438 00:31:24,583 --> 00:31:27,415 Have you got a date with her or something? 439 00:31:27,541 --> 00:31:30,290 No, sometimes we go the same way, see. 440 00:31:31,666 --> 00:31:33,415 Why? What do you want? 441 00:31:33,541 --> 00:31:37,290 - A peek at next week's story in advance. - You ain't asking much. 442 00:31:37,416 --> 00:31:39,624 Wait tiII you've heard what I know. 443 00:31:41,333 --> 00:31:43,499 (Train whistIe) 444 00:31:43,625 --> 00:31:46,457 I reckon Joe ought to have his head examined, 445 00:31:46,583 --> 00:31:48,790 bIowing the gaff to some CamberweII kid. 446 00:31:48,916 --> 00:31:50,540 And bringing him aIong here. 447 00:31:50,666 --> 00:31:53,499 How eIse couId we find who's changing the stories? 448 00:31:53,625 --> 00:31:54,915 We'd be proper stuck. 449 00:31:55,041 --> 00:31:58,415 For aII we know, that kid's in the racket hisseIf. 450 00:31:58,541 --> 00:32:00,499 Joe says he's aII right. 451 00:32:00,625 --> 00:32:03,290 Did I ask you? We don't want you. 452 00:32:03,416 --> 00:32:05,457 - Who said so? - I said so! 453 00:32:05,583 --> 00:32:07,582 (Mimics seaguII cries) 454 00:32:08,041 --> 00:32:09,082 Here they come. 455 00:32:14,458 --> 00:32:15,499 (Chattering) 456 00:32:19,541 --> 00:32:21,415 BIimey, dapper IittIe beggar, ain't he? 457 00:32:21,541 --> 00:32:26,332 (Puts on posh accent) I say, what a shocking pIace to bring a feIIow to! 458 00:32:26,458 --> 00:32:30,707 Turn it up, Roy. This is him, feIIers. Norman PeIIey. 459 00:32:32,541 --> 00:32:33,582 Come on. 460 00:32:33,708 --> 00:32:35,707 Who's the crook on your paper? 461 00:32:37,625 --> 00:32:39,665 Be nice to know, wouIdn't it? 462 00:32:39,791 --> 00:32:42,624 There's no one at the office aItering them stories. 463 00:32:42,750 --> 00:32:45,874 I made sure. And it can't be the comps. 464 00:32:46,000 --> 00:32:50,290 - That means the printers. - And Joe said it couIdn't be WiIkinson. 465 00:32:50,416 --> 00:32:54,374 - Now who are we Ieft with? - It doesn't matter about that now. 466 00:32:54,500 --> 00:32:56,832 We've got next week's paper. 467 00:32:56,958 --> 00:32:59,165 - He gave it to me. - In code? 468 00:32:59,291 --> 00:33:01,790 - We worked it out. - Is there a job? 469 00:33:01,916 --> 00:33:04,624 Them crooks are going to bust into Ritchie's. 470 00:33:04,750 --> 00:33:06,082 In the West End? 471 00:33:06,208 --> 00:33:08,499 What, that big pIace in Oxford Street? 472 00:33:08,625 --> 00:33:09,665 (Excited shouting) 473 00:33:09,791 --> 00:33:12,957 That's it. Ritchie's, the big department store in Oxford Circus. 474 00:33:13,083 --> 00:33:15,707 - Get out! - How does the next bit start? 475 00:33:15,833 --> 00:33:19,582 - Buzz off, this ain't no reading circIe. - Get on with it, then. 476 00:33:19,708 --> 00:33:21,582 There's Tattoo Jack and his gang 477 00:33:21,708 --> 00:33:25,082 and they're going to break in, eight o'cIock tomorrow night. 478 00:33:25,208 --> 00:33:28,832 Thanks to Norman, we've got haIf a day's start to pIan. 479 00:33:28,958 --> 00:33:31,790 They won't get a dekko at this untiI tomorrow morning. 480 00:33:43,125 --> 00:33:44,415 Boxing. 481 00:34:03,375 --> 00:34:07,040 (Reads sIowIy, Iike a chiId) "It was apparent to SmiIer 482 00:34:07,166 --> 00:34:09,124 "that he had been...misIed 483 00:34:09,250 --> 00:34:13,999 "for...the newcomer...was...Tattoo Jack!" 484 00:34:14,125 --> 00:34:15,165 Right. 485 00:34:15,291 --> 00:34:19,999 That's aII we want to know. Tattoo Jack is doing the job this week. 486 00:34:20,125 --> 00:34:21,957 Working tonight, dear? 487 00:34:22,083 --> 00:34:26,249 - No, not me. Tattoo Jack. - Good, we can go to the pictures. 488 00:34:26,958 --> 00:34:28,540 OK, boys. 489 00:34:28,666 --> 00:34:29,957 We're running tonight. 490 00:34:30,083 --> 00:34:32,957 - Why? Who's doing the job? - Tattoo Jack. 491 00:34:33,083 --> 00:34:34,415 Must be something speciaI. 492 00:34:37,916 --> 00:34:38,957 (Phone rings) 493 00:34:41,833 --> 00:34:43,415 Detective Sergeant FothergiII. 494 00:34:44,500 --> 00:34:45,540 Who? 495 00:34:46,291 --> 00:34:47,332 I see. 496 00:34:47,458 --> 00:34:48,499 Carry on. 497 00:34:49,291 --> 00:34:50,332 MacIean. 498 00:34:51,666 --> 00:34:53,082 This evening? 499 00:34:53,208 --> 00:34:56,124 Do you mean Ritchie's at Oxford Circus? 500 00:34:56,250 --> 00:34:57,290 Yes. 501 00:34:57,791 --> 00:35:00,832 Yes, thanks for the tip. We'II foIIow that up. 502 00:35:01,625 --> 00:35:03,749 - WaIIis, Meadows. - Sergeant? 503 00:35:03,875 --> 00:35:05,749 Anonymous tip-off, for what it's worth. 504 00:35:05,875 --> 00:35:08,999 - PossibIe job at Ritchie's. - Do you want us to go? 505 00:35:09,125 --> 00:35:11,374 Yes, I'II come with you. Eight o'cIock. 506 00:35:11,500 --> 00:35:14,874 - Any idea who? - Bunch of kids, so the nark said. 507 00:35:26,750 --> 00:35:28,707 - Detective Sergeant FothergiII. - OK, sir. 508 00:36:03,791 --> 00:36:06,915 (CIocks chime) 509 00:37:09,833 --> 00:37:12,415 'Six stone, two pounds.' 510 00:37:14,541 --> 00:37:15,624 (CIock chimes) 511 00:37:17,541 --> 00:37:19,665 '17 stone, 4 pounds.' 512 00:37:21,041 --> 00:37:22,374 (CIattering) 513 00:37:23,416 --> 00:37:25,290 (Grunting) 514 00:37:25,416 --> 00:37:27,790 (GeneraI cries of panic) 515 00:37:28,791 --> 00:37:31,040 '30 stone, 5 pounds.' 516 00:37:31,166 --> 00:37:32,415 (Boys shout and cIamour) 517 00:37:32,541 --> 00:37:38,290 '40 stone.' 518 00:37:38,416 --> 00:37:40,207 (Running out of power) '40...stone.' 519 00:37:41,208 --> 00:37:43,082 '...40...stone.' 520 00:37:43,208 --> 00:37:45,249 (CIamouring continues) 521 00:37:46,583 --> 00:37:50,790 - Come 'ere! - Dicky, heIp me! 522 00:37:50,916 --> 00:37:52,624 (Dicky) I've got him! 523 00:37:52,750 --> 00:37:54,332 (Boy) Oi! Come on! 524 00:37:55,416 --> 00:37:57,249 (CIamouring continues) 525 00:37:59,333 --> 00:38:00,749 Keep hoId of him! 526 00:38:00,875 --> 00:38:02,249 (CIarry) In here! 527 00:38:02,375 --> 00:38:04,290 'Ere, get off me! 528 00:38:07,291 --> 00:38:09,499 Get him, Joe! 529 00:38:10,166 --> 00:38:11,665 Let me go! Ow! 530 00:38:11,791 --> 00:38:13,415 Lay off! Stop it! 531 00:38:13,541 --> 00:38:14,999 (Shouting continues) 532 00:38:15,125 --> 00:38:16,874 Get hoId of him! 533 00:38:17,000 --> 00:38:18,582 That net there! Come on. 534 00:38:21,958 --> 00:38:23,999 Joe, get him on the floor. 535 00:38:25,791 --> 00:38:27,249 (Scream) 536 00:38:27,375 --> 00:38:28,832 Oi, get down! 537 00:38:28,958 --> 00:38:31,249 (Shouting continues) 538 00:38:36,708 --> 00:38:39,207 (Shouting) Let me out of here, pIease! 539 00:38:39,333 --> 00:38:41,624 HeIp, heIp! 540 00:38:41,750 --> 00:38:42,790 HeIp! 541 00:38:42,916 --> 00:38:44,290 (WhistIe bIows) 542 00:38:45,541 --> 00:38:46,915 - What's up? - Kids! 543 00:38:47,041 --> 00:38:51,665 Big kids, IittIe kids, tough kids, thousands of them aII over the pIace! 544 00:38:51,791 --> 00:38:54,040 (Confused shouting) 545 00:38:57,625 --> 00:39:00,707 - (AIec) Let me go! - (PoIiceman) Hey! 546 00:39:00,833 --> 00:39:02,207 What's going on here? 547 00:39:02,333 --> 00:39:06,249 Here y'are, we caught the Iot. 548 00:39:07,083 --> 00:39:09,582 - PhiIIips! - Sergeant FothergiII! 549 00:39:10,375 --> 00:39:13,832 Don't stand there gaping, man! Get us out of this! 550 00:39:13,958 --> 00:39:15,290 Beat it, beat it! 551 00:39:15,416 --> 00:39:17,040 Beat it, out that way! 552 00:39:17,166 --> 00:39:18,957 (Night watchman whistIing) 553 00:39:19,083 --> 00:39:20,457 Come here! 554 00:39:21,500 --> 00:39:24,624 - (PoIiceman) Right, Sergeant. - We've got them trapped! 555 00:39:24,750 --> 00:39:27,374 For Pete's sake, get me out of this! 556 00:39:27,500 --> 00:39:31,749 (Night watchman's whistIe continues) 557 00:39:33,583 --> 00:39:35,207 We're done for. 558 00:39:35,333 --> 00:39:36,749 Oi, come 'ere, quick! 559 00:39:38,166 --> 00:39:41,749 - Give us heIp. Anybody got a torch? - I've got one, Roy. 560 00:39:42,916 --> 00:39:44,582 (Hurried whispers) 561 00:39:44,708 --> 00:39:46,624 Last one put the Iid back. 562 00:39:47,333 --> 00:39:48,540 (Echoed mutterings) 563 00:39:48,666 --> 00:39:51,457 (Roy) Get down there before the cops come! 564 00:39:51,583 --> 00:39:53,457 - Come on! - Get down there! 565 00:40:25,375 --> 00:40:29,415 - Coo, don't it pong. - What do you expect in a sewer? VioIets? 566 00:40:32,166 --> 00:40:34,040 This is where my dad works. 567 00:40:37,541 --> 00:40:39,415 Where do we go from here? 568 00:40:39,541 --> 00:40:42,165 Where do you want to go? PiccadiIIy? Strand? 569 00:40:42,291 --> 00:40:44,249 They run just Iike the streets. 570 00:40:45,458 --> 00:40:46,749 WeII, come on. 571 00:40:58,833 --> 00:41:00,915 (Echoed chatter) 572 00:41:10,083 --> 00:41:13,582 They can't have got out this way. They must be somewhere. 573 00:41:13,708 --> 00:41:15,582 Might have doubIed back inside, sir. 574 00:41:15,708 --> 00:41:19,165 Take a Iook round the basement. I'II try the furnace room. 575 00:41:19,291 --> 00:41:23,374 Get on the bIower and warn the patroI car to keep a Iookout. 576 00:41:23,500 --> 00:41:24,749 You come with me. 577 00:42:18,958 --> 00:42:21,582 - (Shouts) Here it is! - (Boys) Hurray! 578 00:42:21,708 --> 00:42:23,332 (Joe) Good oId Roy! 579 00:42:23,458 --> 00:42:24,499 (Excited shouting) 580 00:42:32,291 --> 00:42:33,332 (Grunts) 581 00:42:33,458 --> 00:42:35,165 - What's up? - It's stiff. 582 00:42:39,750 --> 00:42:41,124 (Both grunt) 583 00:42:44,375 --> 00:42:46,499 (Panting) 584 00:42:47,291 --> 00:42:48,540 It's no use. 585 00:42:54,333 --> 00:42:56,040 We'd better find another one. 586 00:43:03,291 --> 00:43:04,874 It's aII right, AIec. 587 00:43:05,416 --> 00:43:07,374 We'II get out, won't we Joe? 588 00:43:07,500 --> 00:43:08,540 What? 589 00:43:08,666 --> 00:43:10,040 Oh, sure. 590 00:43:10,625 --> 00:43:11,665 Come on. 591 00:43:23,291 --> 00:43:26,499 I can't go on, I can't go on, I can't! 592 00:43:26,625 --> 00:43:29,165 - It won't be for Iong, AIec. - I can't! 593 00:43:29,291 --> 00:43:30,832 I can't, I can't! 594 00:43:30,916 --> 00:43:32,915 (Crying) I can't, I can't! 595 00:43:33,083 --> 00:43:34,540 (Chatter) 596 00:43:35,291 --> 00:43:36,915 Shut up, aII of you! 597 00:43:37,041 --> 00:43:38,415 (Shouting dies down) 598 00:43:39,500 --> 00:43:42,332 - Let's have a go at it. - It's no use. 599 00:43:48,833 --> 00:43:50,665 (Radio) 'FY caIIing 12A. 600 00:43:50,791 --> 00:43:53,540 'Oxford Circus, vicinity of Ritchie's. 601 00:43:54,125 --> 00:43:55,457 'Number of boys seen ' 602 00:44:06,500 --> 00:44:07,915 Cor, fresh air. 603 00:44:27,375 --> 00:44:30,249 My mum didn't haIf go off the deep end. 604 00:44:30,375 --> 00:44:33,499 I toId my oId man I rescued a kid from the canaI. 605 00:44:33,625 --> 00:44:36,915 - Did he beIieve you? - Dunno. He cIouted me. 606 00:44:37,041 --> 00:44:39,915 They can't send me to borstaI, I'm too young. 607 00:44:40,041 --> 00:44:42,540 Oh, shut up. Nobody is going to borstaI. 608 00:44:42,666 --> 00:44:45,499 Break into a West End store, beat up the watchman, 609 00:44:45,625 --> 00:44:49,082 tie down the cops and expect to get away with it? 610 00:44:49,208 --> 00:44:52,457 - Don't make me Iaugh. - How're they going to know? 611 00:44:52,583 --> 00:44:54,499 Don't take any notice, Joe. 612 00:44:54,625 --> 00:44:58,207 Them coppers wasn't after us, they was after the crooks. 613 00:44:58,333 --> 00:45:01,165 - Then why didn't the crooks turn up? - Joe! 614 00:45:01,291 --> 00:45:02,332 Joe! 615 00:45:02,458 --> 00:45:06,165 There's a coupIe of coppers standing round by the ruins. 616 00:45:06,750 --> 00:45:08,332 I did, I see 'em! 617 00:45:08,458 --> 00:45:13,040 What did I teII you? Come on, I'm getting out of here quick. 618 00:45:13,166 --> 00:45:14,665 Where's that water? 619 00:45:14,791 --> 00:45:19,332 - You going, Roy? Where you going? - Any pIace'd be heaIthier than here. 620 00:45:19,458 --> 00:45:23,915 - Why don't they come here and get us, eh? - Figure that out for yourseIf. 621 00:45:24,041 --> 00:45:26,540 That CamberweII paI of yours is a nark. 622 00:45:26,666 --> 00:45:30,124 - He knows about the ruins, don't he? - The dirty IittIe rat. 623 00:45:31,208 --> 00:45:35,582 - What are we going to do? - (Mimics CIarry) What are we going to do? 624 00:45:37,125 --> 00:45:39,499 If we couId find them crooks... 625 00:45:39,625 --> 00:45:42,457 Or maybe we ought to go to the poIice. 626 00:45:44,375 --> 00:45:45,915 Shove it down there, Dicky. 627 00:45:46,083 --> 00:45:48,290 - Out of the way. - Who you shoving? 628 00:45:48,416 --> 00:45:50,332 Take your fancy ideas somewhere eIse. 629 00:45:55,041 --> 00:45:56,832 (Shouting and cIamouring) 630 00:45:56,916 --> 00:45:58,124 (CIarry) Hit him! 631 00:46:00,708 --> 00:46:02,665 Come on, Joe! 632 00:46:03,750 --> 00:46:04,874 Hit him, Joe! 633 00:46:05,000 --> 00:46:07,707 Dicky, you bring that bowI back, this minute. 634 00:46:07,833 --> 00:46:12,790 Go on, bash him, bash him! 635 00:46:15,000 --> 00:46:17,207 BIimey, Iook who's here! 636 00:46:17,333 --> 00:46:18,874 Norman the nark! 637 00:46:19,416 --> 00:46:21,124 (Norman) Joe! 638 00:46:21,250 --> 00:46:23,124 Hey, feIIers, turn it up! 639 00:46:23,708 --> 00:46:25,249 Joe! 640 00:46:25,833 --> 00:46:29,624 - Norman! What's up? - I've got a cIue. I've seen WiIkinson. 641 00:46:29,750 --> 00:46:31,040 - You have? - Yeah. 642 00:46:31,166 --> 00:46:34,290 - My boss wanted the story earIy. - Did you get it? 643 00:46:34,416 --> 00:46:35,790 - Lap it up. - No. 644 00:46:35,916 --> 00:46:40,915 WiIkinson says he posted it Iast night, he aIways puts it in the post on Sundays. 645 00:46:41,041 --> 00:46:45,124 - (Joe) So what? - We don't ever get it before Tuesday. 646 00:46:46,458 --> 00:46:48,665 - Are you sure of that, Norman? - Course. 647 00:46:48,791 --> 00:46:52,915 Miss Davis opens it and I take it to the oId man. 648 00:46:53,041 --> 00:46:57,040 - Miss Davis. Does she open aII Ietters? - Yes, but she's aII right. 649 00:46:57,166 --> 00:46:59,374 - Not so fast... - It can't be her. 650 00:46:59,500 --> 00:47:01,624 - Is she good-Iooking? - She's a smasher. 651 00:47:02,750 --> 00:47:05,249 'Ere, come off it. What's the idea? 652 00:47:05,375 --> 00:47:08,207 - I swear... - How do you reckon she works it? 653 00:47:08,333 --> 00:47:11,790 Supposing she puts the story in her pocket first thing Monday. 654 00:47:11,916 --> 00:47:17,040 She can take it home, muck it about and send it back by Iast post. 655 00:47:17,166 --> 00:47:18,749 I'II bet ya that's it! 656 00:47:19,250 --> 00:47:22,832 - That dirty, doubIe crossing... - Now we've got to get some evidence. 657 00:47:22,916 --> 00:47:23,999 He's off again. 658 00:47:24,125 --> 00:47:25,749 It's our big chance, AIec. 659 00:47:25,875 --> 00:47:29,332 If we can find them crooks, we don't have to worry. 660 00:47:29,458 --> 00:47:32,290 - Where does this bird Iive, Norman? - Hampstead way somewhere. 661 00:47:32,416 --> 00:47:35,374 - I'II try and find out. - Might make her suspicious. 662 00:47:35,500 --> 00:47:37,415 - We'II traiI her. - Six o'cIock tomorrow. 663 00:47:37,541 --> 00:47:40,915 - Yeah. - Biggest Ioad of buII I've ever heard. 664 00:47:42,916 --> 00:47:44,332 Poor oId Roy. 665 00:47:44,458 --> 00:47:46,457 He don't finish work untiI seven. 666 00:47:49,250 --> 00:47:52,874 - Coming on my bus, Miss Davis? - Yes, Norman, I am tonight. 667 00:48:05,500 --> 00:48:08,249 Hurry aIong, hurry aIong, pIease! One more onIy. 668 00:48:10,333 --> 00:48:14,582 Oh no, you go, Norman. You've got further to go than me. 669 00:48:18,250 --> 00:48:21,249 - What did you do that for? - Where's she gone? 670 00:48:21,375 --> 00:48:23,874 - We've Iost her now. - I couIdn't heIp it. 671 00:48:24,000 --> 00:48:26,624 - That's a fine thing! - Let's get off. 672 00:48:26,750 --> 00:48:28,915 It's no use yeIping, get off quick. 673 00:48:29,083 --> 00:48:30,499 (Shouting) 674 00:48:31,666 --> 00:48:33,207 - Look out! - Watch out! 675 00:48:33,333 --> 00:48:36,332 (Joe) Across the road, feIIers, hurry up! 676 00:48:41,083 --> 00:48:42,249 There she is. 677 00:49:53,708 --> 00:49:54,749 (Joe) Taxi! 678 00:49:54,875 --> 00:49:56,415 Taxi! Taxi, oi! 679 00:49:56,541 --> 00:49:57,582 Taxi! 680 00:49:59,666 --> 00:50:06,374 Hey, taxi! 681 00:50:07,041 --> 00:50:08,082 (Joe) Taxi! 682 00:50:11,166 --> 00:50:13,332 - Taxi! - Taxi! 683 00:50:13,458 --> 00:50:14,665 Taxi! 684 00:50:24,625 --> 00:50:25,749 That's torn it. 685 00:50:25,875 --> 00:50:29,915 - No it hasn't, we'II take a bus. - Where to, you siIIy IittIe shrimp? 686 00:50:30,083 --> 00:50:32,290 Number 31 , Moyne Road. 687 00:50:32,416 --> 00:50:34,665 That's where the Iady toId the driver. 688 00:50:34,791 --> 00:50:36,832 I was hoIding the taxi door. 689 00:50:36,916 --> 00:50:38,165 Cor! 690 00:50:38,291 --> 00:50:39,332 Good oId AIec! 691 00:50:39,458 --> 00:50:40,499 Come on! 692 00:51:08,083 --> 00:51:09,582 Shh! 693 00:51:15,625 --> 00:51:17,040 (Whispers) Go on, AIec. 694 00:51:37,291 --> 00:51:38,915 What do you want here? 695 00:51:39,541 --> 00:51:42,415 Can you spare something for the choir outing? 696 00:51:42,541 --> 00:51:43,749 What choir? 697 00:51:44,291 --> 00:51:46,124 St Mark's, Miss. 698 00:51:46,250 --> 00:51:48,832 Haven't I seen you somewhere before? 699 00:51:48,916 --> 00:51:50,874 I don't know. 700 00:51:52,416 --> 00:51:54,665 I expect you've seen me in church. 701 00:51:54,791 --> 00:51:56,415 (Tapping of typewriter keys) 702 00:51:59,791 --> 00:52:04,207 Ah yes, that must be it. Come aIong in, dear. I'II get my bag. 703 00:52:04,333 --> 00:52:07,082 I want to teII you about the outing. 704 00:52:07,208 --> 00:52:09,707 - You shaII. Come aIong. - No, I'II stop here. 705 00:52:09,833 --> 00:52:11,707 Oh no you won't. 706 00:52:13,666 --> 00:52:15,915 This was the one they use. 707 00:52:16,041 --> 00:52:17,790 - We've got her. - Look out! 708 00:52:20,833 --> 00:52:22,540 I get it. 709 00:52:22,666 --> 00:52:24,290 I thought as much. 710 00:52:25,916 --> 00:52:28,582 We'II see what the poIice have to say. 711 00:52:30,041 --> 00:52:33,374 - (Joe) Good oId Dicky! - (CIarry) Round the chair, Dicky! 712 00:52:33,500 --> 00:52:35,124 I'II break your necks! 713 00:52:35,250 --> 00:52:37,540 Lay off, wiII you? Cut it out! 714 00:52:37,666 --> 00:52:40,415 You'II get five years and the cat! 715 00:52:40,541 --> 00:52:42,999 Take your fiIthy paws off me. 716 00:52:46,000 --> 00:52:50,999 (Miss Davis) WeII, what happens now? 717 00:52:56,250 --> 00:52:57,540 What now, Joe? 718 00:53:07,000 --> 00:53:10,207 Don't you think you're going to get away with this. 719 00:53:13,625 --> 00:53:14,832 (WhistIes) 720 00:53:17,916 --> 00:53:19,082 What's happened? 721 00:53:20,041 --> 00:53:21,499 We've tied her up. 722 00:53:23,250 --> 00:53:24,540 What? 723 00:53:27,041 --> 00:53:29,290 Here, quick. Have a Iook at this. 724 00:53:30,083 --> 00:53:32,624 Was them stories done on the same machine? 725 00:53:32,750 --> 00:53:34,040 I don't know. 726 00:53:36,125 --> 00:53:38,290 Supposing she's seen me with you. 727 00:53:38,416 --> 00:53:42,165 - What am I going to say to her? - She won't be there. 728 00:53:42,291 --> 00:53:46,374 - You can taIk, I've got a job to Iose. - What's that bird's name? 729 00:53:46,500 --> 00:53:47,832 Her? Rhona Davis. 730 00:53:47,916 --> 00:53:50,749 Why is this addressed to Miss Rhona Watson? 731 00:53:50,875 --> 00:53:53,999 Why don't she use her right name at your office? 732 00:53:54,125 --> 00:53:58,832 I'm going to ring my boss and teII him we're reaIIy on to something. 733 00:53:58,916 --> 00:54:02,915 - That's right, come on! - Dicky, AIec, watch her, make her taIk! 734 00:54:03,041 --> 00:54:04,749 You get back on guard! 735 00:54:10,416 --> 00:54:12,457 Do we go back in there? 736 00:54:12,583 --> 00:54:14,374 You heard what he said. 737 00:54:15,625 --> 00:54:17,624 We've got to make her taIk. 738 00:54:17,750 --> 00:54:19,290 CouIdn't we tickIe her? 739 00:54:19,916 --> 00:54:21,332 Don't taIk siIIy. 740 00:54:21,458 --> 00:54:24,915 But it worked fine in "The Case Of The Cross-Eyed Chinaman". 741 00:54:26,875 --> 00:54:29,082 No guv, I'm in a caII box. 742 00:54:29,208 --> 00:54:32,207 SpeedweII 9446, it's about two minutes from her pIace. 743 00:54:32,333 --> 00:54:37,374 I'm going to ring up Inspector Ford. Stop where you are and I'II caII you back. 744 00:54:37,500 --> 00:54:41,749 They'II be OK. You stick where you are and don't Ieave that box. 745 00:54:41,875 --> 00:54:43,165 Good Iad. 746 00:54:44,250 --> 00:54:45,290 HeIIo. 747 00:54:45,791 --> 00:54:47,124 HeIIo, Exchange. 748 00:54:47,250 --> 00:54:48,290 HeIIo? 749 00:54:48,750 --> 00:54:51,874 You're going to taIk if I stay here aII night! 750 00:54:53,125 --> 00:54:54,665 Who's your boss? 751 00:54:55,333 --> 00:54:56,374 (Sighs) 752 00:54:58,916 --> 00:55:00,915 I'II scar you for Iife! 753 00:55:01,041 --> 00:55:03,582 Oh, why don't you go home to Mother? 754 00:55:07,166 --> 00:55:09,790 And you too, you siIIy IittIe squirt. 755 00:55:12,625 --> 00:55:16,874 I don't know, it made OId Ming Po taIk aII right. 756 00:55:17,000 --> 00:55:20,915 Go off to your paIs. They knew what was good for them. 757 00:55:21,083 --> 00:55:23,290 They Ieft you to carry the can. 758 00:55:23,416 --> 00:55:27,665 I wouIdn't Iike to be in your shoes when my paIs turn up. 759 00:55:28,458 --> 00:55:29,665 AIec, come here. 760 00:55:30,166 --> 00:55:33,624 They won't be Iong now, I'm expecting them any minute. 761 00:55:34,375 --> 00:55:35,832 Water torture. 762 00:55:35,916 --> 00:55:39,082 Then you'II know what it means to be tough. 763 00:55:39,208 --> 00:55:40,499 (Sneers) 764 00:55:47,541 --> 00:55:48,624 (Screams) 765 00:55:50,625 --> 00:55:51,999 (Screaming) Get it away! 766 00:55:52,125 --> 00:55:53,832 - Stop it. - Take it away! 767 00:55:53,916 --> 00:55:56,999 - Do you want to taIk? - Yes, yes! 768 00:55:58,541 --> 00:56:00,040 (Stops screaming) 769 00:56:01,708 --> 00:56:05,499 - OK, who runs your racket? - It's... 770 00:56:05,625 --> 00:56:06,749 (Man) DonaId Duck. 771 00:56:13,583 --> 00:56:16,207 - You there, undo those cords. - Yes, sir. 772 00:56:28,000 --> 00:56:29,374 Get a move on. 773 00:56:29,500 --> 00:56:31,540 Hurry, hurry, come on. 774 00:56:35,250 --> 00:56:36,290 Got him! 775 00:56:45,625 --> 00:56:46,915 - Joe, Joe! - What's happened? 776 00:56:47,041 --> 00:56:49,540 - A bIoke turned up. - One of the crooks. 777 00:56:49,666 --> 00:56:52,207 I knocked him coId. Dicky's tied him up. 778 00:56:52,333 --> 00:56:54,457 LoveIy grub. That'II show Ford. 779 00:56:54,583 --> 00:57:00,540 - NightingaIe is trying to contact him. - We're not going to wait now, are we? 780 00:57:00,666 --> 00:57:04,165 WeII, I don't know He toId me not to move. 781 00:57:04,291 --> 00:57:08,374 You gave him the address, he'II find his way aII right, come on! 782 00:57:14,291 --> 00:57:16,332 (Car revving) 783 00:57:16,458 --> 00:57:17,874 Look! 784 00:57:37,333 --> 00:57:38,832 Oh, they've got Dicky! 785 00:57:49,291 --> 00:57:52,124 We'II never see him again, I know we won't. 786 00:57:52,250 --> 00:57:54,874 He might have run for it. 787 00:57:55,000 --> 00:57:57,499 We never ought to have Ieft him. 788 00:57:57,625 --> 00:57:59,749 They'II find him in the river. 789 00:57:59,875 --> 00:58:01,249 Nark it, can't ya? 790 00:58:01,375 --> 00:58:02,707 Get a move on! 791 00:58:30,333 --> 00:58:31,915 Who's going to teII her? 792 00:58:32,666 --> 00:58:34,207 Joe, I suppose. 793 00:58:35,208 --> 00:58:37,457 You don't think it's a woman's job? 794 00:58:37,583 --> 00:58:39,915 - She don't Iike me. - She hates me. 795 00:58:46,916 --> 00:58:47,915 Hey, Joe! 796 00:58:48,083 --> 00:58:49,374 Dicky! 797 00:58:49,500 --> 00:58:52,915 I got in the back of their car! 798 00:58:53,083 --> 00:58:56,374 They're packing up, getting aII their stuff out of London. 799 00:58:56,500 --> 00:58:58,832 - We thought you were dead. - Pipe down. 800 00:58:58,916 --> 00:59:01,082 King's Cross, that's where they went. 801 00:59:01,208 --> 00:59:04,165 The bIoke I tied up's gone to GIasgow. 802 00:59:04,291 --> 00:59:05,874 Where've they got the stuff? 803 00:59:06,000 --> 00:59:09,040 I know where they're shifting it. BaIIard's Wharf. 804 00:59:09,166 --> 00:59:12,374 Cor, if you'd have seen me crouching there beside them... 805 00:59:12,500 --> 00:59:16,124 (Dicky's mother) Here, what's aII this? I might have known it. 806 00:59:16,250 --> 00:59:19,915 You ought to be ashamed of yourseIf hanging round the streets! 807 00:59:20,041 --> 00:59:21,707 Grr, the oId mare! 808 00:59:21,833 --> 00:59:23,374 Don't bother about her. 809 00:59:24,458 --> 00:59:26,374 BaIIard's Wharf. 810 00:59:28,916 --> 00:59:32,415 How many crooks' names do you remember out of the "Trump"? 811 00:59:32,541 --> 00:59:33,749 Forget the "Trump". 812 00:59:33,875 --> 00:59:37,582 - What's Ford going to do? - I've got a big idea. 813 00:59:37,708 --> 00:59:40,040 - Again? - Give him a chance, Norman. 814 00:59:40,166 --> 00:59:42,540 Larry the BuII and SIimy Sam. 815 00:59:42,666 --> 00:59:46,832 HoIy Noakes and Chopper WiIson that used to bump off bIondes. 816 00:59:46,916 --> 00:59:48,082 Come on, Norman. 817 00:59:48,208 --> 00:59:49,582 PopIar Pete. 818 00:59:49,708 --> 00:59:53,165 He tried to chuck SeIwyn Pike into a bath of acid. 819 00:59:53,750 --> 00:59:54,999 What is this idea? 820 00:59:55,125 --> 00:59:58,874 Benjamin CutIer, Eddie The Moose and Smoky Andrews. 821 00:59:59,000 --> 01:00:03,540 He tried to pIug SmiIey with a poisoned dart in "Death Comes At Midnight". 822 01:00:03,666 --> 01:00:05,415 Smoky Andrews. 823 01:00:06,208 --> 01:00:09,915 Ford wiII have to beIieve us if we round up this Iot. 824 01:00:11,000 --> 01:00:12,499 Us round 'em up? 825 01:00:12,625 --> 01:00:14,624 Us and a Iot of others. 826 01:00:14,750 --> 01:00:18,832 Listen, the heads know the game's up, see. But the other bIokes don't. 827 01:00:18,916 --> 01:00:21,499 They'II be Iooking in their "Trump" next week. 828 01:00:21,625 --> 01:00:22,749 For their orders. 829 01:00:22,875 --> 01:00:23,915 That's it. 830 01:00:24,041 --> 01:00:27,540 Listen, couId you pinch WiIkinson's story out of the post tomorrow? 831 01:00:27,666 --> 01:00:30,790 - Same as Rhona used to? - I suppose I can, but... 832 01:00:30,916 --> 01:00:32,790 You've got nothing to worry about. 833 01:00:32,916 --> 01:00:35,415 There'II be another story aIong at your office. 834 01:00:35,541 --> 01:00:37,749 - Are you going to write it? - Me? 835 01:00:38,375 --> 01:00:39,624 No. 836 01:00:40,333 --> 01:00:42,707 No, I won't do it. 837 01:00:42,833 --> 01:00:44,374 It's asking too much. 838 01:00:44,500 --> 01:00:47,082 I won't even consider it. 839 01:00:47,208 --> 01:00:51,999 Then I'II have to Iet them crooks know you put us on to their code. 840 01:00:52,125 --> 01:00:54,582 - (Whimpers) This is bIackmaiI. - That's right. 841 01:00:54,708 --> 01:00:59,790 But if you write the story the way I've asked, no one wouId even know. 842 01:01:01,333 --> 01:01:03,249 Such base ingratitude. 843 01:01:04,291 --> 01:01:08,082 Larry the BuII, SIimy Sam, Chopper Do you want them aII incIuded? 844 01:01:08,208 --> 01:01:10,915 Yes, and don't forget the password, "SeaguII". 845 01:01:12,625 --> 01:01:15,749 - When do you want this done? - First thing. 846 01:01:15,875 --> 01:01:19,624 I've never written a story of this Iength in under two days! 847 01:01:19,750 --> 01:01:21,665 You'II have to bust your record. 848 01:01:21,791 --> 01:01:23,999 Remember what happened to Nicky the Nark. 849 01:01:28,708 --> 01:01:30,999 It'II mean missing aII my sIeep. 850 01:01:32,125 --> 01:01:33,624 But aII of it. 851 01:01:35,625 --> 01:01:41,665 Oh, how I Ioathe adventurous-minded boys. 852 01:01:54,208 --> 01:01:55,915 Guv'nor, what happened? 853 01:01:56,041 --> 01:02:00,124 Did he create? There was a bIoke, came and rescued 'em. If you'd... 854 01:02:00,250 --> 01:02:03,082 Give us a chance. Do you mean Iast night? 855 01:02:03,208 --> 01:02:06,832 Yes. Inspector Ford. Was he wiId when he found them gone? 856 01:02:06,916 --> 01:02:10,415 - He was Joe, pretty wiId. - He's going to be thanking us. 857 01:02:10,541 --> 01:02:15,249 - I think we are on to the boss. - You're onto the boss of the gang? 858 01:02:15,375 --> 01:02:18,540 I reckon he got the others out. 859 01:02:18,666 --> 01:02:23,665 I don't know 'is name yet, but I've got the number of his car, EMU 20. 860 01:02:23,791 --> 01:02:25,415 Carry on, this is interesting. 861 01:02:25,541 --> 01:02:28,457 I know where he's putting that stuff he pinched. 862 01:02:28,583 --> 01:02:30,165 - How? - A paI of mine. 863 01:02:30,291 --> 01:02:32,040 - Not bad, eh? - Very smart. 864 01:02:32,166 --> 01:02:36,540 I don't know if you'II be abIe to get on to Inspector Ford again. 865 01:02:36,666 --> 01:02:39,499 - He won't beIieve it? - After Iast night, of course. 866 01:02:39,625 --> 01:02:44,374 - He wiII once we round up the gang. - What have you got in mind? 867 01:02:44,500 --> 01:02:47,457 The boss is moving his swag to BaIIard's Wharf, 868 01:02:47,583 --> 01:02:50,457 so we're having a speciaI story in the "Trump", 869 01:02:50,583 --> 01:02:52,582 teIIing the others to pinch it. 870 01:02:52,708 --> 01:02:54,832 And you catch them red-handed? 871 01:02:54,916 --> 01:02:58,874 That's the idea. Making a reaI big do of it, Saturday afternoon. 872 01:02:59,000 --> 01:03:01,249 - Reckon it'II work? - I'm sure it'II work. 873 01:03:01,375 --> 01:03:03,249 I'm sure it'II work a treat. 874 01:03:03,375 --> 01:03:05,999 - The BattIe of BaIIard's Wharf. - Yeah. 875 01:03:06,125 --> 01:03:07,290 (Both Iaugh) 876 01:03:08,041 --> 01:03:10,582 (NightingaIe Iaughs manicaIIy) 877 01:03:16,875 --> 01:03:17,915 (Car door sIams) 878 01:03:18,916 --> 01:03:19,915 Guv! 879 01:03:20,083 --> 01:03:21,499 (Car revs) 880 01:03:21,625 --> 01:03:24,332 Guv'nor! 881 01:03:24,458 --> 01:03:25,499 Guv! 882 01:03:41,208 --> 01:03:44,999 (Miss Davis) "Never had there been such an assembIy of desperados 883 01:03:45,125 --> 01:03:47,415 "as met on the Saturday afternoon." 884 01:03:47,541 --> 01:03:48,582 (NightingaIe Iaughs) 885 01:03:48,708 --> 01:03:53,249 "Thieves, kidnappers, stick-up men, bIackmaiIers, buIIies, murderers..." 886 01:03:53,375 --> 01:03:55,415 (NightingaIe continues to Iaugh) 887 01:03:55,541 --> 01:03:58,290 "...aII Iistened eagerIy, their viIIainous faces agIow, 888 01:03:58,416 --> 01:04:01,582 "as Larry the BuII outIined his eviI pIan." 889 01:04:01,708 --> 01:04:03,707 (Laughs wiIdIy) 890 01:04:05,375 --> 01:04:08,749 "'That kid, SmiIer,' announced Larry with a triumphant grin, 891 01:04:08,875 --> 01:04:13,332 "'has pIayed right into our hands. He's Ied us aII unwitting to the pIunder. 892 01:04:13,458 --> 01:04:16,290 "'Let us hie forthwith to number 401 , Crampton Street..."' 893 01:04:16,416 --> 01:04:18,415 What? Let me see that. 894 01:04:18,541 --> 01:04:20,499 - Why, what's the matter? - Those IittIe... 895 01:04:20,625 --> 01:04:24,415 That's the code for my pIace, not BaIIard's Wharf. They've found out. 896 01:04:24,541 --> 01:04:26,582 - What? - Heavens, don't be so dumb. 897 01:04:26,708 --> 01:04:29,582 That I never shifted the stuff to the wharf. 898 01:04:29,708 --> 01:04:32,249 They're sending aII our chaps to my warehouse. 899 01:04:32,375 --> 01:04:35,874 - What wiII you do? What about me? - Oh. 900 01:05:03,583 --> 01:05:07,249 (UnsettIing music) 901 01:06:06,208 --> 01:06:07,290 (Music fades out) 902 01:06:30,791 --> 01:06:32,832 Working overtime eh, Joe? 903 01:06:42,458 --> 01:06:43,832 Where are the others? 904 01:06:43,916 --> 01:06:45,582 Your paIs. 905 01:06:56,458 --> 01:06:58,082 No use you hoIding out. 906 01:06:58,208 --> 01:07:00,707 I've just been reading my "Trump". 907 01:07:12,833 --> 01:07:14,332 Where are they, Joe? 908 01:07:16,208 --> 01:07:17,499 BaIIard's Wharf. 909 01:07:18,375 --> 01:07:21,874 Now, now. What's the good of you teIIing me Iies? 910 01:07:23,375 --> 01:07:25,415 I know you've changed the story. 911 01:07:25,541 --> 01:07:26,915 They're at BaIIard's Wharf. 912 01:07:27,041 --> 01:07:30,415 - For the Iast time... - I'm teIIing you, at BaIIard's Wharf. 913 01:07:30,541 --> 01:07:35,707 To catch them with the stuff, we toId them to fetch it and take it there. 914 01:07:35,833 --> 01:07:36,999 I see. 915 01:07:37,125 --> 01:07:40,207 WeII, I didn't get that far in the story. 916 01:07:40,333 --> 01:07:42,915 So, you and I are aII aIone, eh? 917 01:07:43,083 --> 01:07:44,415 That's fine. 918 01:07:45,000 --> 01:07:47,832 - You've taken a tip from me, eh? - I have? 919 01:07:47,916 --> 01:07:52,332 Sure. I put a phony story in the "Trump" to catch you, didn't I? 920 01:07:52,458 --> 01:07:55,999 Sent you to Ritchie's, but you were too smart for me 921 01:07:56,125 --> 01:07:58,707 and now I've been too smart for you. 922 01:07:58,833 --> 01:08:01,582 Wise move of mine, getting you working here. 923 01:08:02,333 --> 01:08:07,915 See, Joe, after that business at Jago's, I had to keep a speciaI eye on you. 924 01:08:08,083 --> 01:08:11,332 Pick up them oranges. Mustn't have the pIace Iooking untidy. 925 01:08:11,458 --> 01:08:12,915 We're expecting visitors. 926 01:08:13,041 --> 01:08:14,124 (ChuckIes) 927 01:08:14,916 --> 01:08:17,374 It's going to be quite an occasion. 928 01:08:17,500 --> 01:08:19,915 Their first meeting with the big shot. 929 01:08:20,375 --> 01:08:22,374 What time are they invited for? 930 01:08:22,916 --> 01:08:24,915 They'II be here any minute now. 931 01:08:25,041 --> 01:08:26,915 I stayed behind to open up. 932 01:08:27,041 --> 01:08:29,707 How were you to account for your presence? 933 01:08:29,833 --> 01:08:33,707 That was the idea of putting a password in the story. 934 01:08:33,833 --> 01:08:36,999 They'd wear me aII right once I'd give that. 935 01:08:37,125 --> 01:08:39,665 Yes, of course, the password. I was forgetting. 936 01:08:40,333 --> 01:08:43,332 What made you pick on that particuIar word? 937 01:08:43,458 --> 01:08:45,665 Seemed Iike a good sort of signaI. 938 01:08:45,791 --> 01:08:49,332 There's one of our bIokes, he can make a noise... 939 01:08:52,916 --> 01:08:54,665 What particuIar word? 940 01:08:54,791 --> 01:08:56,165 The password. 941 01:08:56,833 --> 01:08:58,790 Cor, bIimey, I was forgetting. 942 01:08:58,916 --> 01:09:01,415 You didn't get that far into the story. 943 01:09:09,375 --> 01:09:10,915 Oh! Let me go! 944 01:09:11,083 --> 01:09:12,999 Oh, you're hurting me! 945 01:09:13,125 --> 01:09:15,332 You'II not get it out of me. 946 01:09:15,458 --> 01:09:17,790 You didn't know the password, did you? 947 01:09:18,333 --> 01:09:20,665 - You brute, you! - Hah! 948 01:09:22,000 --> 01:09:23,249 (Laughs) 949 01:09:25,541 --> 01:09:28,040 (Continues to Iaugh) 950 01:09:36,791 --> 01:09:37,832 Who are you? 951 01:09:37,916 --> 01:09:38,999 I'm the boss. 952 01:09:41,583 --> 01:09:42,874 (Grunts) 953 01:09:48,416 --> 01:09:49,665 Who are you? 954 01:09:50,500 --> 01:09:51,582 SeaguII. 955 01:09:52,291 --> 01:09:53,915 Now that's more Iike it. 956 01:09:54,458 --> 01:09:56,582 - Young SmiIer, eh? - That's right, mate. 957 01:09:57,208 --> 01:10:00,415 - So he's the boss of this pIace. - Seems Iike it. 958 01:10:00,541 --> 01:10:03,707 I was sent to open up and he copped me. 959 01:10:03,833 --> 01:10:07,290 Tie him and gag him, Larry. Get on with the Ioading. 960 01:10:07,416 --> 01:10:08,499 I'II keep watch. 961 01:10:08,625 --> 01:10:12,374 Any sign of danger and I'II stroII by whistIing "The Lambeth WaIk". 962 01:10:12,500 --> 01:10:14,374 Pass it on to the others. 963 01:10:23,416 --> 01:10:25,165 (Phone rings) 964 01:10:31,708 --> 01:10:32,999 Operation SeaguII. 965 01:10:38,666 --> 01:10:40,124 (Mimics seaguII) 966 01:10:47,666 --> 01:10:49,040 (SeaguII caIIs continue) 967 01:11:01,833 --> 01:11:03,124 Operation SeaguII. 968 01:11:03,250 --> 01:11:04,415 OK. 969 01:11:04,541 --> 01:11:06,082 It's worked, come on! 970 01:11:08,416 --> 01:11:09,874 (BicycIe beIIs tinkIe) 971 01:11:13,791 --> 01:11:15,540 Yeah, I've just got time. 972 01:11:15,666 --> 01:11:17,582 Come on feIIers, it's time! 973 01:11:19,750 --> 01:11:21,832 Come on, get going! 974 01:11:27,375 --> 01:11:29,624 (BicycIe beIIs tinkIe continuousIy) 975 01:11:47,250 --> 01:11:48,999 She won't take it, Larry. 976 01:12:03,750 --> 01:12:04,790 What's that? 977 01:12:05,458 --> 01:12:06,582 Kids. 978 01:12:06,708 --> 01:12:07,915 Oh. 979 01:12:18,875 --> 01:12:20,832 (American Indian war cry) 980 01:12:27,875 --> 01:12:29,499 Come on! 981 01:12:29,625 --> 01:12:31,165 (Shouting) 982 01:12:48,541 --> 01:12:51,415 ...and showery in the north of EngIand and ScotIand. 983 01:12:51,541 --> 01:12:54,499 Here's a Iate item of news, just come in. 984 01:12:54,625 --> 01:12:57,290 Urgent, aII boys wanting a big adventure, 985 01:12:57,416 --> 01:13:00,290 go immediateIy to BaIIard's Wharf, ShadweII... 986 01:13:00,416 --> 01:13:01,665 And make it snappy. 987 01:13:26,041 --> 01:13:27,582 Keep it up, boys! 988 01:13:27,708 --> 01:13:28,832 Keep it up! 989 01:13:28,916 --> 01:13:31,040 Ugh! 990 01:13:34,333 --> 01:13:35,415 (AnimaI cry) 991 01:13:35,541 --> 01:13:37,290 Ugh! 992 01:13:37,416 --> 01:13:39,249 (Gasps for breath) 993 01:13:40,375 --> 01:13:42,249 (Shouting) Get a Ioad of this! 994 01:13:43,166 --> 01:13:45,082 (AII shouting) 995 01:13:52,416 --> 01:13:53,665 (Boys continue shouting) 996 01:13:54,916 --> 01:13:57,249 (Mimics battIe noises) 997 01:13:58,583 --> 01:13:59,790 (Tyres screech) 998 01:14:13,500 --> 01:14:16,999 Get 'em off me! AII of 'em, get 'em off me! 999 01:14:20,416 --> 01:14:21,457 (CIarry gasps) 1000 01:14:21,583 --> 01:14:22,665 (Groans) 1001 01:14:23,541 --> 01:14:24,749 (Boys shout) 1002 01:14:27,625 --> 01:14:28,749 I've got him! 1003 01:14:32,708 --> 01:14:34,499 - Bash him! - PuII his hair! 1004 01:14:35,416 --> 01:14:36,457 (CIarry) Kick 'em! 1005 01:14:37,416 --> 01:14:38,499 (Groans) 1006 01:14:41,916 --> 01:14:45,124 - (Boy) Oh, you coward! - (Man) Do the Iot of 'em! 1007 01:15:06,750 --> 01:15:07,999 (Car door sIams) 1008 01:15:08,125 --> 01:15:09,332 Stop that van! 1009 01:15:13,416 --> 01:15:15,082 (Shouting) 1010 01:15:25,875 --> 01:15:26,999 (BicycIe beIIs tinkIe) 1011 01:15:33,250 --> 01:15:35,915 (Shouting continues) 1012 01:15:56,708 --> 01:15:58,207 (BicycIe beIIs tinkIe) 1013 01:16:00,458 --> 01:16:01,832 (Tyres screech) 1014 01:16:12,000 --> 01:16:14,040 (Tyres screech again) 1015 01:16:26,666 --> 01:16:27,999 (Distant shouting) 1016 01:16:34,708 --> 01:16:35,749 (Sighs) 1017 01:16:55,708 --> 01:16:56,749 (Grunts) 1018 01:17:24,666 --> 01:17:25,874 (Shouts) NightingaIe! 1019 01:18:05,208 --> 01:19:13,915 (NightingaIe Iaughs) 1020 01:19:53,458 --> 01:19:54,665 (Joe screams) 1021 01:19:57,083 --> 01:19:58,707 No you don't, my boy. 1022 01:20:00,791 --> 01:20:01,915 (Joe cries out) 1023 01:20:04,125 --> 01:20:05,874 Come here, my boy! 1024 01:20:06,916 --> 01:20:08,582 (Joe cries out) 1025 01:20:09,833 --> 01:20:11,082 (Joe screams) 1026 01:20:11,208 --> 01:20:12,374 (NightingaIe) Oh! 1027 01:20:17,125 --> 01:20:18,207 (Grunts IoudIy) 1028 01:20:24,666 --> 01:20:25,749 (Air escaping) 1029 01:20:26,541 --> 01:20:28,374 (Boys' shouts approach) 1030 01:20:32,375 --> 01:20:33,499 (Whooping) 1031 01:20:35,708 --> 01:20:37,832 (AII shouting) WeII done, Joe! 1032 01:20:41,541 --> 01:20:42,624 (Shouting fades away) 1033 01:20:42,750 --> 01:20:49,207 (Choirboys) ♪ Oh, for the wings, for the wings of a dove 1034 01:20:49,333 --> 01:20:53,290 ♪ In the wiIderness, buiId me a nest 1035 01:20:53,416 --> 01:20:59,915 ♪ And remain there forever 1036 01:21:00,041 --> 01:21:06,207 ♪ Oh, for a dove ♪ 1036 01:21:07,305 --> 01:21:13,531 -= www.OpenSubtitles.org =-