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[ WAGNER'S
"RIDE OF THE VALKYRIES" PLAYS ]

2
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[ MELLOW JAZZ PLAYS ]

3
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[ MAN EXHALING ]
[ BIRDS CHIRPING ]

4
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>> JESUS.
HELL OF A BATTLE YOU FOUGHT
HERE, SOLDIER.

5
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HELL OF A BATTLE YOU FOUGHT
HERE, SOLDIER.
YOU SHOULD BE PROUD OF YOURSELF.

6
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HERE, SOLDIER.
YOU SHOULD BE PROUD OF YOURSELF.
LET ME ASK YOU A QUESTION.

7
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YOU SHOULD BE PROUD OF YOURSELF.
LET ME ASK YOU A QUESTION.
I MEAN, WHILE YOU'RE DOWN THERE,

8
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LET ME ASK YOU A QUESTION.
I MEAN, WHILE YOU'RE DOWN THERE,
AND I'VE GOT YOUR FULL AND

9
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I MEAN, WHILE YOU'RE DOWN THERE,
AND I'VE GOT YOUR FULL AND
UNDIVIDED ATTENTION.

10
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AND I'VE GOT YOUR FULL AND
UNDIVIDED ATTENTION.
[ CHUCKLES ]

11
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UNDIVIDED ATTENTION.
[ CHUCKLES ]
WHY'D YOU COME TO THIS ISLAND ON

12
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[ CHUCKLES ]
WHY'D YOU COME TO THIS ISLAND ON
THIS MISSION?

13
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WHY'D YOU COME TO THIS ISLAND ON
THIS MISSION?
YOU THOUGHT IT WAS A NOBLE THING

14
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THIS MISSION?
YOU THOUGHT IT WAS A NOBLE THING
TO DO?

15
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YOU THOUGHT IT WAS A NOBLE THING
TO DO?
EXTEND A HUMANITARIAN EFFORT...

16
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TO DO?
EXTEND A HUMANITARIAN EFFORT...
HAND OF PEACE TO THESE PEOPLE?

17
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EXTEND A HUMANITARIAN EFFORT...
HAND OF PEACE TO THESE PEOPLE?
[ LAUGHS ]

18
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HAND OF PEACE TO THESE PEOPLE?
[ LAUGHS ]
SHIT, BOY, THESE WOMEN ARE

19
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[ LAUGHS ]
SHIT, BOY, THESE WOMEN ARE
SAVAGES.

20
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SHIT, BOY, THESE WOMEN ARE
SAVAGES.
YOU CAN'T CIVILIZE A SAVAGE.

21
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SAVAGES.
YOU CAN'T CIVILIZE A SAVAGE.
SAVAGE AIN'T NEVER GONNA BE

22
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YOU CAN'T CIVILIZE A SAVAGE.
SAVAGE AIN'T NEVER GONNA BE
NOTHING BUT A SAVAGE.

23
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SAVAGE AIN'T NEVER GONNA BE
NOTHING BUT A SAVAGE.
NOW ME?

24
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NOTHING BUT A SAVAGE.
NOW ME?
I CAME HERE FOR THE WOMEN.

25
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NOW ME?
I CAME HERE FOR THE WOMEN.
THAT'S RIGHT. YOU HEARD ME.

26
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I CAME HERE FOR THE WOMEN.
THAT'S RIGHT. YOU HEARD ME.
YOU PROBABLY WATCHED FROM AFAR

27
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THAT'S RIGHT. YOU HEARD ME.
YOU PROBABLY WATCHED FROM AFAR
WHILE I HAD MY WAY WITH THAT

28
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YOU PROBABLY WATCHED FROM AFAR
WHILE I HAD MY WAY WITH THAT
YOUNG LADY OVER THERE.

29
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WHILE I HAD MY WAY WITH THAT
YOUNG LADY OVER THERE.
[ CHUCKLES ]

30
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YOUNG LADY OVER THERE.
[ CHUCKLES ]
YOU PROBABLY THOUGHT SHE WASN'T

31
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[ CHUCKLES ]
YOU PROBABLY THOUGHT SHE WASN'T
TOO KEEN ON MY, UH, CHARMS.

32
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YOU PROBABLY THOUGHT SHE WASN'T
TOO KEEN ON MY, UH, CHARMS.
THEREIN LIES THE PROBLEM.

33
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TOO KEEN ON MY, UH, CHARMS.
THEREIN LIES THE PROBLEM.
YOU SEE, I'M A GOD HERE.

34
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THEREIN LIES THE PROBLEM.
YOU SEE, I'M A GOD HERE.
IN THIS JUNGLE, I AM A GOD, AND

35
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YOU SEE, I'M A GOD HERE.
IN THIS JUNGLE, I AM A GOD, AND
I WILL TAKE AND DO AS I PLEASE.

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IN THIS JUNGLE, I AM A GOD, AND
I WILL TAKE AND DO AS I PLEASE.
ANYONE WHO STANDS IN MY WAY?

37
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I WILL TAKE AND DO AS I PLEASE.
ANYONE WHO STANDS IN MY WAY?
WELL, THEY JUST BECOME A VICTIM

38
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ANYONE WHO STANDS IN MY WAY?
WELL, THEY JUST BECOME A VICTIM
OF A TRAGEDY...

39
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WELL, THEY JUST BECOME A VICTIM
OF A TRAGEDY...
WHICH BRINGS US TO THIS CURRENT

40
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OF A TRAGEDY...
WHICH BRINGS US TO THIS CURRENT
SITUATION.

41
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WHICH BRINGS US TO THIS CURRENT
SITUATION.
IT'S A SHAME, THOUGH.

42
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SITUATION.
IT'S A SHAME, THOUGH.
I WOULD HAVE LOVED ANOTHER GO AT

43
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IT'S A SHAME, THOUGH.
I WOULD HAVE LOVED ANOTHER GO AT
HER.

44
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I WOULD HAVE LOVED ANOTHER GO AT
HER.
[ CHUCKLES ]

45
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HER.
[ CHUCKLES ]
SHE'S THE HOLY MOTHER.

46
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[ CHUCKLES ]
SHE'S THE HOLY MOTHER.
SHE'S THE ONE THEY ALL WORSHIP.

47
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SHE'S THE HOLY MOTHER.
SHE'S THE ONE THEY ALL WORSHIP.
SHE DIDN'T LAST FIVE MINUTES

48
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SHE'S THE ONE THEY ALL WORSHIP.
SHE DIDN'T LAST FIVE MINUTES
WITH ME.

49
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SHE DIDN'T LAST FIVE MINUTES
WITH ME.
THEY JUST DON'T MAKE THEM LIKE

50
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WITH ME.
THEY JUST DON'T MAKE THEM LIKE
THEY USED TO.

51
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THEY JUST DON'T MAKE THEM LIKE
THEY USED TO.
IT'S OKAY, THOUGH.

52
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THEY USED TO.
IT'S OKAY, THOUGH.
SHE AND HER BABY WILL BE WITH

53
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IT'S OKAY, THOUGH.
SHE AND HER BABY WILL BE WITH
THE LORD SOON.

54
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SHE AND HER BABY WILL BE WITH
THE LORD SOON.
OH, YEAH.

55
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THE LORD SOON.
OH, YEAH.
I WISH MY BOY LIAM COULD SEE ME

56
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OH, YEAH.
I WISH MY BOY LIAM COULD SEE ME
RIGHT NOW.

57
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I WISH MY BOY LIAM COULD SEE ME
RIGHT NOW.
HE'D BE SO PROUD.

58
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RIGHT NOW.
HE'D BE SO PROUD.
[ CHUCKLES ]

59
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HE'D BE SO PROUD.
[ CHUCKLES ]
NOW, THERE'S A HANDFUL.

60
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[ CHUCKLES ]
NOW, THERE'S A HANDFUL.
THAT LITTLE SUMBITCH?

61
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NOW, THERE'S A HANDFUL.
THAT LITTLE SUMBITCH?
HE'S GONNA GROW UP TO BE JUST

62
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THAT LITTLE SUMBITCH?
HE'S GONNA GROW UP TO BE JUST
LIKE HIS DADDY.

63
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HE'S GONNA GROW UP TO BE JUST
LIKE HIS DADDY.
JOIN ASGUARD.

64
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LIKE HIS DADDY.
JOIN ASGUARD.
BE A MAN SOMEDAY.

65
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JOIN ASGUARD.
BE A MAN SOMEDAY.
OF COURSE, HE'S GOT SOME PRETTY

66
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BE A MAN SOMEDAY.
OF COURSE, HE'S GOT SOME PRETTY
BIG BRITCHES TO FILL...

67
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OF COURSE, HE'S GOT SOME PRETTY
BIG BRITCHES TO FILL...
SO TO SPEAK.

68
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BIG BRITCHES TO FILL...
SO TO SPEAK.
[ LAUGHS ]

69
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SO TO SPEAK.
[ LAUGHS ]
THAT BOY HAS GOT A BRIGHT FUTURE

70
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[ LAUGHS ]
THAT BOY HAS GOT A BRIGHT FUTURE
AHEAD OF HIM.

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THAT BOY HAS GOT A BRIGHT FUTURE
AHEAD OF HIM.
HMM.

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AHEAD OF HIM.
HMM.
YOU, ON THE OTHER HAND...

73
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[ WESTERN-STYLE MUSIC PLAYS ]

74
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[ MID-TEMPO INTRODUCTION PLAYS ]

75
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>> ♪ TONIGHT, ALL THE WORLD'S
ASLEEP BY THE FIRESIDE ♪
♪ BUT I'M LOST AND WALKING HOME

76
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ASLEEP BY THE FIRESIDE ♪
♪ BUT I'M LOST AND WALKING HOME
IN THE PALE MOONLIGHT ♪

77
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♪ BUT I'M LOST AND WALKING HOME
IN THE PALE MOONLIGHT ♪
♪ TONIGHT,

78
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IN THE PALE MOONLIGHT ♪
♪ TONIGHT,
THE SCENT OF YOU IN THE AIR

79
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♪ TONIGHT,
THE SCENT OF YOU IN THE AIR
IS TAKING ME BACK

80
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THE SCENT OF YOU IN THE AIR
IS TAKING ME BACK
TO WHERE WE MET ♪

81
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IS TAKING ME BACK
TO WHERE WE MET ♪
♪ AND I DON'T WANT TO GO HOME

82
00:06:03,831 --> 00:06:06,832
TO WHERE WE MET ♪
♪ AND I DON'T WANT TO GO HOME
♪ LOVE, WHEN I WAKE UP,

83
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♪ AND I DON'T WANT TO GO HOME
♪ LOVE, WHEN I WAKE UP,
I SEE YOUR FACE ♪

84
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♪ LOVE, WHEN I WAKE UP,
I SEE YOUR FACE ♪
♪ I HEAR YOUR VOICE

85
00:06:11,572 --> 00:06:14,139
I SEE YOUR FACE ♪
♪ I HEAR YOUR VOICE
IN SILENCES ♪

86
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♪ I HEAR YOUR VOICE
IN SILENCES ♪
♪ I READ YOUR MIND

87
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IN SILENCES ♪
♪ I READ YOUR MIND
WHEN YOU'RE NOT HERE ♪

88
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♪ I READ YOUR MIND
WHEN YOU'RE NOT HERE ♪
♪ NO MATTER HOW FAR OR NEAR

89
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WHEN YOU'RE NOT HERE ♪
♪ NO MATTER HOW FAR OR NEAR
♪ AND I...

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♪ NO MATTER HOW FAR OR NEAR
♪ AND I...
>> ♪ I'M JUST

91
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♪ AND I...
>> ♪ I'M JUST
>> ♪ BRINGING HOPE TO LIFE

92
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>> ♪ I'M JUST
>> ♪ BRINGING HOPE TO LIFE
>> ♪ I JUST

93
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>> ♪ BRINGING HOPE TO LIFE
>> ♪ I JUST
>> ♪ MISS YOU SO, AND I

94
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>> ♪ I JUST
>> ♪ MISS YOU SO, AND I
>> ♪ I'M LOST

95
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>> ♪ MISS YOU SO, AND I
>> ♪ I'M LOST
>> ♪ WANDERING AROUND

96
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>> ♪ I'M LOST
>> ♪ WANDERING AROUND
IN A DAZE

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>> ♪ WANDERING AROUND
IN A DAZE
THAT YOU HELPED CREATE ♪

98
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IN A DAZE
THAT YOU HELPED CREATE ♪
♪ I'M TIED UP TIGHT

99
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THAT YOU HELPED CREATE ♪
♪ I'M TIED UP TIGHT
♪ I MIGHT NOT ESCAPE

100
00:06:48,409 --> 00:06:51,076
♪ I'M TIED UP TIGHT
♪ I MIGHT NOT ESCAPE
♪ TONIGHT

101
00:06:51,078 --> 00:06:53,011
♪ I MIGHT NOT ESCAPE
♪ TONIGHT
♪ ALL THE STARS

102
00:06:53,013 --> 00:06:57,949
♪ TONIGHT
♪ ALL THE STARS
LIGHT UP IN A PERFECT SKY ♪

103
00:06:57,951 --> 00:07:02,754
♪ ALL THE STARS
LIGHT UP IN A PERFECT SKY ♪
♪ BUT I CAN'T GET PAST THE FACT

104
00:07:02,756 --> 00:07:06,792
LIGHT UP IN A PERFECT SKY ♪
♪ BUT I CAN'T GET PAST THE FACT
THAT YOU SAID GOODBYE ♪

105
00:07:06,794 --> 00:07:10,629
♪ BUT I CAN'T GET PAST THE FACT
THAT YOU SAID GOODBYE ♪
♪ TONIGHT, THE LIGHT

106
00:07:10,631 --> 00:07:12,931
THAT YOU SAID GOODBYE ♪
♪ TONIGHT, THE LIGHT
IS CLOUDED BY RAIN ♪

107
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♪ TONIGHT, THE LIGHT
IS CLOUDED BY RAIN ♪
♪ TAKING ME BACK

108
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IS CLOUDED BY RAIN ♪
♪ TAKING ME BACK
TO WHEN YOU LEFT ♪

109
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♪ TAKING ME BACK
TO WHEN YOU LEFT ♪
♪ NOW I DON'T WANT TO GO HOME

110
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TO WHEN YOU LEFT ♪
♪ NOW I DON'T WANT TO GO HOME
♪ LOVE, I HEAR YOUR WHISPER

111
00:07:27,881 --> 00:07:30,849
♪ NOW I DON'T WANT TO GO HOME
♪ LOVE, I HEAR YOUR WHISPER
AS THE WIND ♪

112
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♪ LOVE, I HEAR YOUR WHISPER
AS THE WIND ♪
♪ YOUR LOVE IS EVERY SEA

113
00:07:33,153 --> 00:07:34,586
AS THE WIND ♪
♪ YOUR LOVE IS EVERY SEA
I SWIM ♪

114
00:07:34,588 --> 00:07:36,988
♪ YOUR LOVE IS EVERY SEA
I SWIM ♪
♪ YOUR EVERY THOUGHT UP

115
00:07:36,990 --> 00:07:39,024
I SWIM ♪
♪ YOUR EVERY THOUGHT UP
IN MY MIND ♪

116
00:07:39,026 --> 00:07:41,993
♪ YOUR EVERY THOUGHT UP
IN MY MIND ♪
♪ NO MATTER HOW HARD I TRY,

117
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IN MY MIND ♪
♪ NO MATTER HOW HARD I TRY,
AND I ♪

118
00:07:42,963 --> 00:07:45,096
♪ NO MATTER HOW HARD I TRY,
AND I ♪
>> ♪ I'M JUST

119
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AND I ♪
>> ♪ I'M JUST
>> ♪ BRINGING HOPE TO LIFE

120
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>> ♪ I'M JUST
>> ♪ BRINGING HOPE TO LIFE
>> ♪ I JUST

121
00:07:49,603 --> 00:07:51,903
>> ♪ BRINGING HOPE TO LIFE
>> ♪ I JUST
>> ♪ MISS YOU SO, AND I

122
00:07:51,905 --> 00:07:54,473
>> ♪ I JUST
>> ♪ MISS YOU SO, AND I
>> ♪ I'M LOST

123
00:07:54,475 --> 00:07:55,707
>> ♪ MISS YOU SO, AND I
>> ♪ I'M LOST
>> ♪ WANDERING AROUND

124
00:07:55,709 --> 00:07:58,009
>> ♪ I'M LOST
>> ♪ WANDERING AROUND
IN A DAZE

125
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>> ♪ WANDERING AROUND
IN A DAZE
THAT YOU HELPED CREATE ♪

126
00:08:00,647 --> 00:08:02,047
IN A DAZE
THAT YOU HELPED CREATE ♪
♪ I'M TIED UP TIGHT

127
00:08:02,049 --> 00:08:09,087
THAT YOU HELPED CREATE ♪
♪ I'M TIED UP TIGHT
♪ I MIGHT NOT ESCAPE

128
00:08:09,089 --> 00:08:11,022
♪ I'M TIED UP TIGHT
♪ I MIGHT NOT ESCAPE
♪ AND I DON'T WANT TO HOLD

129
00:08:11,024 --> 00:08:13,492
♪ I MIGHT NOT ESCAPE
♪ AND I DON'T WANT TO HOLD
THIS NEW FEELING I FOUND ♪

130
00:08:13,494 --> 00:08:17,929
♪ AND I DON'T WANT TO HOLD
THIS NEW FEELING I FOUND ♪
♪ INCONSOLABLE PAIN AND FEAR

131
00:08:17,931 --> 00:08:20,899
THIS NEW FEELING I FOUND ♪
♪ INCONSOLABLE PAIN AND FEAR
♪ AND I DON'T SEE THE FUTURE

132
00:08:20,901 --> 00:08:22,934
♪ INCONSOLABLE PAIN AND FEAR
♪ AND I DON'T SEE THE FUTURE
WHEN YOU'RE NOT AROUND ♪

133
00:08:22,936 --> 00:08:24,903
♪ AND I DON'T SEE THE FUTURE
WHEN YOU'RE NOT AROUND ♪
♪ 'CAUSE NOW THAT YOU'RE GONE,

134
00:08:24,905 --> 00:08:27,572
WHEN YOU'RE NOT AROUND ♪
♪ 'CAUSE NOW THAT YOU'RE GONE,
IT'S NOT REAL ♪

135
00:08:27,574 --> 00:08:30,175
♪ 'CAUSE NOW THAT YOU'RE GONE,
IT'S NOT REAL ♪
♪ LOVE, WHEN I WAKE UP,

136
00:08:30,177 --> 00:08:33,512
IT'S NOT REAL ♪
♪ LOVE, WHEN I WAKE UP,
I SEE YOUR FACE ♪

137
00:08:33,514 --> 00:08:35,013
♪ LOVE, WHEN I WAKE UP,
I SEE YOUR FACE ♪
♪ I HEAR YOUR VOICE

138
00:08:35,015 --> 00:08:37,816
I SEE YOUR FACE ♪
♪ I HEAR YOUR VOICE
IN SILENCES ♪

139
00:08:37,818 --> 00:08:39,551
♪ I HEAR YOUR VOICE
IN SILENCES ♪
♪ I READ YOUR MIND

140
00:08:39,553 --> 00:08:42,621
IN SILENCES ♪
♪ I READ YOUR MIND
WHEN YOU'RE NOT HERE ♪

141
00:08:42,623 --> 00:08:47,993
♪ I READ YOUR MIND
WHEN YOU'RE NOT HERE ♪
♪ NO MATTER HOW FAR OR NEAR

142
00:08:47,995 --> 00:08:49,794
WHEN YOU'RE NOT HERE ♪
♪ NO MATTER HOW FAR OR NEAR
>> ♪ I'M JUST

143
00:08:49,796 --> 00:08:52,197
♪ NO MATTER HOW FAR OR NEAR
>> ♪ I'M JUST
>> ♪ BRINGING HOPE TO LIFE

144
00:08:52,199 --> 00:08:54,900
>> ♪ I'M JUST
>> ♪ BRINGING HOPE TO LIFE
>> ♪ I JUST

145
00:08:54,902 --> 00:08:56,735
>> ♪ BRINGING HOPE TO LIFE
>> ♪ I JUST
>> ♪ MISS YOU SO, AND I

146
00:08:56,737 --> 00:08:58,870
>> ♪ I JUST
>> ♪ MISS YOU SO, AND I
>> ♪ I'M LOST

147
00:08:58,872 --> 00:09:00,772
>> ♪ MISS YOU SO, AND I
>> ♪ I'M LOST
>> ♪ WANDERING AROUND

148
00:09:00,774 --> 00:09:02,607
>> ♪ I'M LOST
>> ♪ WANDERING AROUND
IN A DAZE

149
00:09:02,609 --> 00:09:04,943
>> ♪ WANDERING AROUND
IN A DAZE
THAT YOU HELPED CREATE ♪

150
00:09:04,945 --> 00:09:05,777
IN A DAZE
THAT YOU HELPED CREATE ♪
♪ AND I

151
00:09:05,779 --> 00:09:08,246
THAT YOU HELPED CREATE ♪
♪ AND I
>> ♪ I'M JUST

152
00:09:08,248 --> 00:09:10,015
♪ AND I
>> ♪ I'M JUST
>> ♪ BRINGING HOPE TO LIFE

153
00:09:10,017 --> 00:09:12,250
>> ♪ I'M JUST
>> ♪ BRINGING HOPE TO LIFE
>> ♪ I'M JUST

154
00:09:12,252 --> 00:09:14,719
>> ♪ BRINGING HOPE TO LIFE
>> ♪ I'M JUST
>> ♪ MISS YOU SO, AND I

155
00:09:14,721 --> 00:09:16,821
>> ♪ I'M JUST
>> ♪ MISS YOU SO, AND I
>> ♪ I'M LOST

156
00:09:16,823 --> 00:09:18,089
>> ♪ MISS YOU SO, AND I
>> ♪ I'M LOST
>> ♪ WANDERING AROUND

157
00:09:18,091 --> 00:09:20,725
>> ♪ I'M LOST
>> ♪ WANDERING AROUND
IN A DAZE

158
00:09:20,727 --> 00:09:23,795
>> ♪ WANDERING AROUND
IN A DAZE
THAT YOU HELPED CREATE ♪

159
00:09:23,797 --> 00:09:25,297
IN A DAZE
THAT YOU HELPED CREATE ♪
♪ I'M TIED UP TIGHT

160
00:09:25,299 --> 00:09:32,170
THAT YOU HELPED CREATE ♪
♪ I'M TIED UP TIGHT
♪ I MIGHT NOT ESCAPE

161
00:09:32,172 --> 00:09:36,875
♪ I'M TIED UP TIGHT
♪ I MIGHT NOT ESCAPE
♪ TONIGHT

162
00:09:36,877 --> 00:09:41,212
♪ I MIGHT NOT ESCAPE
♪ TONIGHT
♪ TONIGHT

163
00:09:41,214 --> 00:09:43,882
♪ TONIGHT
♪ TONIGHT
♪ TONIGHT

164
00:09:43,884 --> 00:09:48,920
[ HORN HONKS IN DISTANCE ]

165
00:09:48,922 --> 00:10:24,723
>> LET ME GUESS.
YOU'RE HERE TO ASK HOW I'M
DOING?

166
00:10:24,725 --> 00:10:25,323
YOU'RE HERE TO ASK HOW I'M
DOING?
>> I'D ASK.

167
00:10:25,325 --> 00:10:26,891
DOING?
>> I'D ASK.
>> BUT YOU ALREADY KNOW THE

168
00:10:26,893 --> 00:10:28,159
>> I'D ASK.
>> BUT YOU ALREADY KNOW THE
ANSWER TO THAT QUESTION.

169
00:10:28,161 --> 00:10:31,997
>> BUT YOU ALREADY KNOW THE
ANSWER TO THAT QUESTION.
>> YEAH, I DO.

170
00:10:31,999 --> 00:10:33,965
ANSWER TO THAT QUESTION.
>> YEAH, I DO.
LIAM AND HIS BOYS -- THEY HEARD

171
00:10:33,967 --> 00:10:35,367
>> YEAH, I DO.
LIAM AND HIS BOYS -- THEY HEARD
YOU WERE BACK IN TOWN.

172
00:10:35,369 --> 00:10:37,202
LIAM AND HIS BOYS -- THEY HEARD
YOU WERE BACK IN TOWN.
YOU NEED TO WATCH YOUR BACK.

173
00:10:37,204 --> 00:10:38,703
YOU WERE BACK IN TOWN.
YOU NEED TO WATCH YOUR BACK.
>> I COULD SERIOUSLY CARE LESS

174
00:10:38,705 --> 00:10:44,776
YOU NEED TO WATCH YOUR BACK.
>> I COULD SERIOUSLY CARE LESS
ABOUT LIAM AND HIS BOYS.

175
00:10:44,778 --> 00:10:49,681
>> I COULD SERIOUSLY CARE LESS
ABOUT LIAM AND HIS BOYS.
>> I'M SORRY ABOUT YOUR FATHER.

176
00:10:49,683 --> 00:10:51,149
ABOUT LIAM AND HIS BOYS.
>> I'M SORRY ABOUT YOUR FATHER.
>> I COULD CARE LESS ABOUT HIM,

177
00:10:51,151 --> 00:10:54,386
>> I'M SORRY ABOUT YOUR FATHER.
>> I COULD CARE LESS ABOUT HIM,
TOO.

178
00:10:54,388 --> 00:10:55,353
>> I COULD CARE LESS ABOUT HIM,
TOO.
>> YOUR FATHER LOVED YOU WITH

179
00:10:55,355 --> 00:10:57,022
TOO.
>> YOUR FATHER LOVED YOU WITH
ALL OF HIS HEART.

180
00:10:57,024 --> 00:10:58,723
>> YOUR FATHER LOVED YOU WITH
ALL OF HIS HEART.
NEVER FORGET THAT.

181
00:10:58,725 --> 00:11:01,026
ALL OF HIS HEART.
NEVER FORGET THAT.
>> HE LEFT ME, JUST LIKE HE LEFT

182
00:11:01,028 --> 00:11:03,194
NEVER FORGET THAT.
>> HE LEFT ME, JUST LIKE HE LEFT
MY MOTHER, JUST LIKE HE LEFT YOU

183
00:11:03,196 --> 00:11:05,363
>> HE LEFT ME, JUST LIKE HE LEFT
MY MOTHER, JUST LIKE HE LEFT YOU
AND THE OTHERS.

184
00:11:05,365 --> 00:11:06,264
MY MOTHER, JUST LIKE HE LEFT YOU
AND THE OTHERS.
[ SIGHS ]

185
00:11:06,266 --> 00:11:08,166
AND THE OTHERS.
[ SIGHS ]
YEAH, I KNOW ABOUT THAT.

186
00:11:08,168 --> 00:11:10,301
[ SIGHS ]
YEAH, I KNOW ABOUT THAT.
I MAY NOT KNOW MUCH, BUT IT'S

187
00:11:10,303 --> 00:11:12,737
YEAH, I KNOW ABOUT THAT.
I MAY NOT KNOW MUCH, BUT IT'S
ENOUGH TO KNOW WHAT KIND OF MAN

188
00:11:12,739 --> 00:11:14,139
I MAY NOT KNOW MUCH, BUT IT'S
ENOUGH TO KNOW WHAT KIND OF MAN
HE REALLY WAS.

189
00:11:14,141 --> 00:11:16,207
ENOUGH TO KNOW WHAT KIND OF MAN
HE REALLY WAS.
>> YOU GOT IT WRONG, INARA.

190
00:11:16,209 --> 00:11:18,777
HE REALLY WAS.
>> YOU GOT IT WRONG, INARA.
I KNOW IT DOESN'T SEEM LIKE IT

191
00:11:18,779 --> 00:11:20,912
>> YOU GOT IT WRONG, INARA.
I KNOW IT DOESN'T SEEM LIKE IT
NOW, BUT IN TIME IT'LL GET

192
00:11:20,914 --> 00:11:23,181
I KNOW IT DOESN'T SEEM LIKE IT
NOW, BUT IN TIME IT'LL GET
BETTER.

193
00:11:23,183 --> 00:11:26,017
NOW, BUT IN TIME IT'LL GET
BETTER.
[ SIGHS ]

194
00:11:26,019 --> 00:11:37,028
BEFORE HE DIED, YOUR FATHER
ASKED ME TO LOOK AFTER YOU, TO
HELP YOU.

195
00:11:37,030 --> 00:11:38,129
ASKED ME TO LOOK AFTER YOU, TO
HELP YOU.
>> TO HELP ME?

196
00:11:38,131 --> 00:11:40,298
HELP YOU.
>> TO HELP ME?
IS THAT WHAT YOU'RE GOING TO DO?

197
00:11:40,300 --> 00:11:42,000
>> TO HELP ME?
IS THAT WHAT YOU'RE GOING TO DO?
YOU'RE GOING TO HELP ME?

198
00:11:42,002 --> 00:11:44,002
IS THAT WHAT YOU'RE GOING TO DO?
YOU'RE GOING TO HELP ME?
>> I'LL TELL YOU THE SAME THING

199
00:11:44,004 --> 00:11:45,937
YOU'RE GOING TO HELP ME?
>> I'LL TELL YOU THE SAME THING
I TOLD YOUR FATHER THE DAY HE

200
00:11:45,939 --> 00:11:48,006
>> I'LL TELL YOU THE SAME THING
I TOLD YOUR FATHER THE DAY HE
DIED.

201
00:11:48,008 --> 00:11:51,409
I TOLD YOUR FATHER THE DAY HE
DIED.
I'LL TRY.

202
00:11:51,411 --> 00:11:53,278
DIED.
I'LL TRY.
[ MID-TEMPO INTRODUCTION PLAYS ]

203
00:11:53,280 --> 00:12:18,803
>> ♪ BROKE DOWN
IN THIS LITTLE TOWN ♪
♪ I'M JUST TRYING TO MAKE

204
00:12:18,805 --> 00:12:21,272
IN THIS LITTLE TOWN ♪
♪ I'M JUST TRYING TO MAKE
A NAME ♪

205
00:12:21,274 --> 00:12:23,041
♪ I'M JUST TRYING TO MAKE
A NAME ♪
♪ TO GET MYSELF UP

206
00:12:23,043 --> 00:12:26,377
A NAME ♪
♪ TO GET MYSELF UP
OFF THE GROUND ♪

207
00:12:26,379 --> 00:12:28,880
♪ TO GET MYSELF UP
OFF THE GROUND ♪
♪ AND SINCE I WAS A LITTLE BOY,

208
00:12:28,882 --> 00:12:30,381
OFF THE GROUND ♪
♪ AND SINCE I WAS A LITTLE BOY,
I'VE BEEN MAKING NOISE,

209
00:12:30,383 --> 00:12:34,185
♪ AND SINCE I WAS A LITTLE BOY,
I'VE BEEN MAKING NOISE,
HOPING IT WILL FIND A WAY

210
00:12:34,187 --> 00:12:36,254
I'VE BEEN MAKING NOISE,
HOPING IT WILL FIND A WAY
TO TAKE ME TO THE PLACES

211
00:12:36,256 --> 00:12:39,891
HOPING IT WILL FIND A WAY
TO TAKE ME TO THE PLACES
IN MY DREAMS ♪

212
00:12:39,893 --> 00:12:40,892
TO TAKE ME TO THE PLACES
IN MY DREAMS ♪
♪ IT'S ALWAYS BEEN

213
00:12:40,894 --> 00:12:43,495
IN MY DREAMS ♪
♪ IT'S ALWAYS BEEN
A LONG, DARK ROAD

214
00:12:43,497 --> 00:12:46,431
♪ IT'S ALWAYS BEEN
A LONG, DARK ROAD
THAT I'VE BEEN WANDERING ON ♪

215
00:12:46,433 --> 00:12:47,265
A LONG, DARK ROAD
THAT I'VE BEEN WANDERING ON ♪
♪ I'VE NEVER KNOWN

216
00:12:47,267 --> 00:12:50,001
THAT I'VE BEEN WANDERING ON ♪
♪ I'VE NEVER KNOWN
WHERE IT GOES ♪

217
00:12:50,003 --> 00:12:53,138
♪ I'VE NEVER KNOWN
WHERE IT GOES ♪
♪ BUT I KEPT MOVING ON

218
00:12:53,140 --> 00:12:54,539
WHERE IT GOES ♪
♪ BUT I KEPT MOVING ON
♪ NO, I DON'T WANNA WASTE

219
00:12:54,541 --> 00:12:56,374
♪ BUT I KEPT MOVING ON
♪ NO, I DON'T WANNA WASTE
MORE TIME

220
00:12:56,376 --> 00:13:00,011
♪ NO, I DON'T WANNA WASTE
MORE TIME
FOLLOWING DEAD-END ROADS ♪

221
00:13:00,013 --> 00:13:03,848
MORE TIME
FOLLOWING DEAD-END ROADS ♪
♪ SO I'LL FIND A WAY

222
00:13:03,850 --> 00:13:07,552
FOLLOWING DEAD-END ROADS ♪
♪ SO I'LL FIND A WAY
♪ I'LL MAKE MY OWN

223
00:13:07,554 --> 00:13:08,419
♪ SO I'LL FIND A WAY
♪ I'LL MAKE MY OWN
♪ BROKE DOWN

224
00:13:08,421 --> 00:13:10,121
♪ I'LL MAKE MY OWN
♪ BROKE DOWN
IN THE SAME OLD TOWN ♪

225
00:13:10,123 --> 00:13:13,525
♪ BROKE DOWN
IN THE SAME OLD TOWN ♪
♪ I HAVE YET TO GET AWAY

226
00:13:13,527 --> 00:13:15,527
IN THE SAME OLD TOWN ♪
♪ I HAVE YET TO GET AWAY
TO SHOW THEM ALL

227
00:13:15,529 --> 00:13:19,831
♪ I HAVE YET TO GET AWAY
TO SHOW THEM ALL
WHAT I WAS MEANT TO BE ♪

228
00:13:19,833 --> 00:13:21,533
TO SHOW THEM ALL
WHAT I WAS MEANT TO BE ♪
♪ AND NOW I'M 25 YEARS OLD,

229
00:13:21,535 --> 00:13:23,468
WHAT I WAS MEANT TO BE ♪
♪ AND NOW I'M 25 YEARS OLD,
AND I'M LOSING HOPE ♪

230
00:13:23,470 --> 00:13:27,138
♪ AND NOW I'M 25 YEARS OLD,
AND I'M LOSING HOPE ♪
♪ BUT I'LL NEVER LOSE MY FAITH

231
00:13:27,140 --> 00:13:29,841
AND I'M LOSING HOPE ♪
♪ BUT I'LL NEVER LOSE MY FAITH
♪ YEAH, I WILL NEVER GIVE UP

232
00:13:29,843 --> 00:13:32,811
♪ BUT I'LL NEVER LOSE MY FAITH
♪ YEAH, I WILL NEVER GIVE UP
ON MY DREAMS ♪

233
00:13:32,813 --> 00:13:33,578
♪ YEAH, I WILL NEVER GIVE UP
ON MY DREAMS ♪
♪ IT'S ALWAYS BEEN

234
00:13:33,580 --> 00:13:36,314
ON MY DREAMS ♪
♪ IT'S ALWAYS BEEN
A LONG, DARK ROAD

235
00:13:36,316 --> 00:13:39,450
♪ IT'S ALWAYS BEEN
A LONG, DARK ROAD
THAT I'VE BEEN WANDERING ON ♪

236
00:13:39,452 --> 00:13:40,285
A LONG, DARK ROAD
THAT I'VE BEEN WANDERING ON ♪
♪ I'VE NEVER KNOWN

237
00:13:40,287 --> 00:13:43,087
THAT I'VE BEEN WANDERING ON ♪
♪ I'VE NEVER KNOWN
WHERE IT GOES ♪

238
00:13:43,089 --> 00:13:46,191
♪ I'VE NEVER KNOWN
WHERE IT GOES ♪
♪ BUT I KEPT MOVING ON

239
00:13:46,193 --> 00:13:47,492
WHERE IT GOES ♪
♪ BUT I KEPT MOVING ON
♪ NO, I DON'T WANNA WASTE

240
00:13:47,494 --> 00:13:49,360
♪ BUT I KEPT MOVING ON
♪ NO, I DON'T WANNA WASTE
MORE TIME

241
00:13:49,362 --> 00:13:53,031
♪ NO, I DON'T WANNA WASTE
MORE TIME
FOLLOWING DEAD-END ROADS ♪

242
00:13:53,033 --> 00:13:56,601
MORE TIME
FOLLOWING DEAD-END ROADS ♪
♪ SO I'LL FIND A WAY

243
00:13:56,603 --> 00:13:59,270
FOLLOWING DEAD-END ROADS ♪
♪ SO I'LL FIND A WAY
♪ I'LL MAKE MY OWN

244
00:13:59,272 --> 00:14:00,839
♪ SO I'LL FIND A WAY
♪ I'LL MAKE MY OWN
♪ NO, I DON'T WANNA WASTE

245
00:14:00,841 --> 00:14:02,874
♪ I'LL MAKE MY OWN
♪ NO, I DON'T WANNA WASTE
MORE TIME

246
00:14:02,876 --> 00:14:06,244
♪ NO, I DON'T WANNA WASTE
MORE TIME
FOLLOWING DEAD-END ROADS ♪

247
00:14:06,246 --> 00:14:10,014
MORE TIME
FOLLOWING DEAD-END ROADS ♪
♪ SO I'LL FIND A WAY

248
00:14:10,016 --> 00:14:13,218
FOLLOWING DEAD-END ROADS ♪
♪ SO I'LL FIND A WAY
♪ I'LL MAKE MY OWN

249
00:14:13,220 --> 00:15:44,042
>> WHAT?
DO YOU THINK 'CAUSE YOUR DADDY'S
DEAD, THIS IS OVER?

250
00:15:44,044 --> 00:15:45,209
DO YOU THINK 'CAUSE YOUR DADDY'S
DEAD, THIS IS OVER?
IT'S NOT OVER!

251
00:15:45,211 --> 00:15:47,345
DEAD, THIS IS OVER?
IT'S NOT OVER!
MY FATHER'S DEAD, AND HE'S NOT

252
00:15:47,347 --> 00:15:48,413
IT'S NOT OVER!
MY FATHER'S DEAD, AND HE'S NOT
COMING BACK.

253
00:15:48,415 --> 00:15:50,281
MY FATHER'S DEAD, AND HE'S NOT
COMING BACK.
AND YOUR PIECE-OF-SHIT FATHER?

254
00:15:50,283 --> 00:15:52,283
COMING BACK.
AND YOUR PIECE-OF-SHIT FATHER?
YEAH, HE'S RESPONSIBLE FOR IT.

255
00:15:52,285 --> 00:15:54,352
AND YOUR PIECE-OF-SHIT FATHER?
YEAH, HE'S RESPONSIBLE FOR IT.
AND SINCE HE'S NOT HERE TO PAY,

256
00:15:54,354 --> 00:15:56,387
YEAH, HE'S RESPONSIBLE FOR IT.
AND SINCE HE'S NOT HERE TO PAY,
I GUESS THAT LEAVES YOU, DOESN'T

257
00:15:56,389 --> 00:15:57,722
AND SINCE HE'S NOT HERE TO PAY,
I GUESS THAT LEAVES YOU, DOESN'T
IT?

258
00:15:57,724 --> 00:15:59,557
I GUESS THAT LEAVES YOU, DOESN'T
IT?
>> [ Drunkenly ] SO, WHY DON'T

259
00:15:59,559 --> 00:16:00,425
IT?
>> [ Drunkenly ] SO, WHY DON'T
YOU FUCK YOURSELF?

260
00:16:00,427 --> 00:16:01,426
>> [ Drunkenly ] SO, WHY DON'T
YOU FUCK YOURSELF?
[ ALL LAUGH ]

261
00:16:01,428 --> 00:16:03,061
YOU FUCK YOURSELF?
[ ALL LAUGH ]
>> WHAT THE FUCK IS THIS BITCH

262
00:16:03,063 --> 00:16:03,728
[ ALL LAUGH ]
>> WHAT THE FUCK IS THIS BITCH
TALKING ABOUT?

263
00:16:03,730 --> 00:16:06,397
>> WHAT THE FUCK IS THIS BITCH
TALKING ABOUT?
>> PICK HER UP.

264
00:16:06,399 --> 00:16:19,210
>> [ GROANS ]
OH, GOD!
>> LET'S GO, GUYS.

265
00:16:19,212 --> 00:16:20,278
OH, GOD!
>> LET'S GO, GUYS.
>> IT AIN'T OVER. IT AIN'T OVER.

266
00:16:20,280 --> 00:16:23,014
>> LET'S GO, GUYS.
>> IT AIN'T OVER. IT AIN'T OVER.
PICK HER UP AGAIN.

267
00:16:23,016 --> 00:16:35,994
AND IF I SEE YOUR FACE AROUND
HERE AGAIN...
I'M GONNA DO TO YOU WHAT I

268
00:16:35,996 --> 00:16:37,261
HERE AGAIN...
I'M GONNA DO TO YOU WHAT I
SHOULD HAVE DONE A LONG TIME

269
00:16:37,263 --> 00:16:40,565
I'M GONNA DO TO YOU WHAT I
SHOULD HAVE DONE A LONG TIME
AGO.

270
00:16:40,567 --> 00:16:42,133
SHOULD HAVE DONE A LONG TIME
AGO.
>> YOU'RE JUST A BUNCH OF

271
00:16:42,135 --> 00:16:45,003
AGO.
>> YOU'RE JUST A BUNCH OF
FUCKING PANSIES WITH DADDY

272
00:16:45,005 --> 00:16:46,738
>> YOU'RE JUST A BUNCH OF
FUCKING PANSIES WITH DADDY
ISSUES.

273
00:16:46,740 --> 00:16:49,540
FUCKING PANSIES WITH DADDY
ISSUES.
>> WHAT?

274
00:16:49,542 --> 00:16:59,450
[ LAUGHS ]
OH.
[ MEN LAUGH ]

275
00:16:59,452 --> 00:17:01,085
OH.
[ MEN LAUGH ]
LOOK AT THIS.

276
00:17:01,087 --> 00:17:01,586
[ MEN LAUGH ]
LOOK AT THIS.
SHE'S TOUGH!

277
00:17:01,588 --> 00:17:03,788
LOOK AT THIS.
SHE'S TOUGH!
TOUGH NOW.

278
00:17:03,790 --> 00:17:10,294
[ BONES CRUNCHING ]

279
00:17:10,296 --> 00:17:20,204
[ ALL GROANING ]

280
00:17:20,206 --> 00:17:30,515
>> YEAH, MOTHERFUCKER!

281
00:17:30,517 --> 00:18:03,247
[ BONES CRUNCHING ]

282
00:18:03,249 --> 00:18:12,557
NOT...
SO...
TOUGH...

283
00:18:12,559 --> 00:18:14,392
SO...
TOUGH...
ARE YOU?!

284
00:18:14,394 --> 00:18:16,494
TOUGH...
ARE YOU?!
[ PANTING ]

285
00:18:16,496 --> 00:18:32,844
RIGHT, MOTHERFUCKER! WHAT?!
>> THAT'S ENOUGH!

286
00:18:32,846 --> 00:18:45,623
YOU THREE!
GET YOUR SHIT TOGETHER AND GET
BACK TO BASE.

287
00:18:45,625 --> 00:18:48,226
GET YOUR SHIT TOGETHER AND GET
BACK TO BASE.
NOW!

288
00:18:48,228 --> 00:19:18,422
[ SLOW-TEMPO BLUES PLAYS ]

289
00:19:18,424 --> 00:19:32,336
>> IT'S A GOOD THING YOU SHOWED
UP.
YOUR BOYS ARE GETTING SOFT.

290
00:19:32,338 --> 00:19:33,538
UP.
YOUR BOYS ARE GETTING SOFT.
>> SOFT?

291
00:19:33,540 --> 00:19:35,273
YOUR BOYS ARE GETTING SOFT.
>> SOFT?
IS THIS IT FOR YOU?

292
00:19:35,275 --> 00:19:36,174
>> SOFT?
IS THIS IT FOR YOU?
>> YEAH.

293
00:19:36,176 --> 00:19:38,209
IS THIS IT FOR YOU?
>> YEAH.
YOU KNOW, I THINK IT IS.

294
00:19:38,211 --> 00:19:39,944
>> YEAH.
YOU KNOW, I THINK IT IS.
IT'S NOT SO BAD, IS IT?

295
00:19:39,946 --> 00:19:41,712
YOU KNOW, I THINK IT IS.
IT'S NOT SO BAD, IS IT?
MAYBE I'LL JUST LIVE THE WHOLE

296
00:19:41,714 --> 00:19:42,647
IT'S NOT SO BAD, IS IT?
MAYBE I'LL JUST LIVE THE WHOLE
CLICHé LIFE.

297
00:19:42,649 --> 00:19:44,415
MAYBE I'LL JUST LIVE THE WHOLE
CLICHé LIFE.
DADDY DIDN'T LOVE ME, AND I'LL

298
00:19:44,417 --> 00:19:45,950
CLICHé LIFE.
DADDY DIDN'T LOVE ME, AND I'LL
JUST DRINK MYSELF SILLY EVERY

299
00:19:45,952 --> 00:19:47,885
DADDY DIDN'T LOVE ME, AND I'LL
JUST DRINK MYSELF SILLY EVERY
NIGHT, WONDERING WHY I CAN'T GET

300
00:19:47,887 --> 00:19:49,720
JUST DRINK MYSELF SILLY EVERY
NIGHT, WONDERING WHY I CAN'T GET
SOMEONE TO EXPLAIN TO ME WHY I

301
00:19:49,722 --> 00:19:50,555
NIGHT, WONDERING WHY I CAN'T GET
SOMEONE TO EXPLAIN TO ME WHY I
HAVE TO --

302
00:19:50,557 --> 00:19:52,223
SOMEONE TO EXPLAIN TO ME WHY I
HAVE TO --
>> INSTEAD OF HANGING OUT AT

303
00:19:52,225 --> 00:19:53,691
HAVE TO --
>> INSTEAD OF HANGING OUT AT
LOCAL BARS AND BEATING UP ON

304
00:19:53,693 --> 00:19:55,459
>> INSTEAD OF HANGING OUT AT
LOCAL BARS AND BEATING UP ON
GUYS THAT DON'T STAND A CHANCE,

305
00:19:55,461 --> 00:19:58,262
LOCAL BARS AND BEATING UP ON
GUYS THAT DON'T STAND A CHANCE,
WHY DON'T YOU TRY PUTTING SOME

306
00:19:58,264 --> 00:20:01,566
GUYS THAT DON'T STAND A CHANCE,
WHY DON'T YOU TRY PUTTING SOME
OF THAT TALENT TO SOME GOOD USE?

307
00:20:01,568 --> 00:20:02,533
WHY DON'T YOU TRY PUTTING SOME
OF THAT TALENT TO SOME GOOD USE?
>> TALENT?

308
00:20:02,535 --> 00:20:04,735
OF THAT TALENT TO SOME GOOD USE?
>> TALENT?
OH, IS THAT WHAT WE'RE CALLING

309
00:20:04,737 --> 00:20:05,970
>> TALENT?
OH, IS THAT WHAT WE'RE CALLING
IT NOW, TALENT?

310
00:20:05,972 --> 00:20:08,206
OH, IS THAT WHAT WE'RE CALLING
IT NOW, TALENT?
>> ASGUARD'S GOT A JOB LINED UP.

311
00:20:08,208 --> 00:20:09,473
IT NOW, TALENT?
>> ASGUARD'S GOT A JOB LINED UP.
IT'S A GOOD ONE.

312
00:20:09,475 --> 00:20:11,342
>> ASGUARD'S GOT A JOB LINED UP.
IT'S A GOOD ONE.
IT'S THE FOLLOW-UP ON SOME

313
00:20:11,344 --> 00:20:13,411
IT'S A GOOD ONE.
IT'S THE FOLLOW-UP ON SOME
FAILED MISSION FROM YEARS AGO.

314
00:20:13,413 --> 00:20:15,313
IT'S THE FOLLOW-UP ON SOME
FAILED MISSION FROM YEARS AGO.
YOU'RE FAMILIAR WITH ASGUARD,

315
00:20:15,315 --> 00:20:15,780
FAILED MISSION FROM YEARS AGO.
YOU'RE FAMILIAR WITH ASGUARD,
RIGHT?

316
00:20:15,782 --> 00:20:17,381
YOU'RE FAMILIAR WITH ASGUARD,
RIGHT?
>> YEAH, I'M FAMILIAR.

317
00:20:17,383 --> 00:20:19,417
RIGHT?
>> YEAH, I'M FAMILIAR.
>> SO, YOU KNOW WHAT I'M ASKING.

318
00:20:19,419 --> 00:20:21,652
>> YEAH, I'M FAMILIAR.
>> SO, YOU KNOW WHAT I'M ASKING.
>> I UNDERSTAND WHAT YOU'RE

319
00:20:21,654 --> 00:20:22,553
>> SO, YOU KNOW WHAT I'M ASKING.
>> I UNDERSTAND WHAT YOU'RE
ASKING.

320
00:20:22,555 --> 00:20:24,689
>> I UNDERSTAND WHAT YOU'RE
ASKING.
WHAT I DON'T UNDERSTAND IS WHY

321
00:20:24,691 --> 00:20:26,891
ASKING.
WHAT I DON'T UNDERSTAND IS WHY
YOU'RE OFFERING ME A JOB WITH A

322
00:20:26,893 --> 00:20:28,893
WHAT I DON'T UNDERSTAND IS WHY
YOU'RE OFFERING ME A JOB WITH A
TEAM THAT HATED MY FATHER'S

323
00:20:28,895 --> 00:20:29,594
YOU'RE OFFERING ME A JOB WITH A
TEAM THAT HATED MY FATHER'S
GUTS.

324
00:20:29,596 --> 00:20:35,733
TEAM THAT HATED MY FATHER'S
GUTS.
<i>THAT</i> I DON'T UNDERSTAND.

325
00:20:35,735 --> 00:20:37,868
GUTS.
<i>THAT</i> I DON'T UNDERSTAND.
>> THE BRIEFING'S TOMORROW AT

326
00:20:37,870 --> 00:20:39,670
<i>THAT</i> I DON'T UNDERSTAND.
>> THE BRIEFING'S TOMORROW AT
1800 SHARP...IF YOU'RE

327
00:20:39,672 --> 00:20:41,439
>> THE BRIEFING'S TOMORROW AT
1800 SHARP...IF YOU'RE
INTERESTED.

328
00:20:41,441 --> 00:20:42,807
1800 SHARP...IF YOU'RE
INTERESTED.
BE THERE WITH YOUR GEAR PACKED

329
00:20:42,809 --> 00:20:45,309
INTERESTED.
BE THERE WITH YOUR GEAR PACKED
AND READY TO SHIP OUT.

330
00:20:45,311 --> 00:21:17,808
I DON'T CARE WHAT YOU GOT TO DO.
YOU JUST GET THAT BIRD ON THE
TARMAC AT 1700.

331
00:21:17,810 --> 00:21:20,311
YOU JUST GET THAT BIRD ON THE
TARMAC AT 1700.
YOU UNDERSTAND?

332
00:21:20,313 --> 00:21:23,314
TARMAC AT 1700.
YOU UNDERSTAND?
NO, 1700 SHARP.

333
00:21:23,316 --> 00:21:24,615
YOU UNDERSTAND?
NO, 1700 SHARP.
YOU TELL LIAM AND HIS BOYS TO

334
00:21:24,617 --> 00:21:25,950
NO, 1700 SHARP.
YOU TELL LIAM AND HIS BOYS TO
GET THEIR CRAP TOGETHER AND BE

335
00:21:25,952 --> 00:21:26,817
YOU TELL LIAM AND HIS BOYS TO
GET THEIR CRAP TOGETHER AND BE
READY.

336
00:21:26,819 --> 00:21:29,587
GET THEIR CRAP TOGETHER AND BE
READY.
UNDERSTOOD?

337
00:21:29,589 --> 00:21:40,398
[ SIGHS ]

338
00:21:40,400 --> 00:21:51,742
Damn.

339
00:21:51,744 --> 00:22:17,468
[ DOOR CREAKS ]

340
00:22:17,470 --> 00:22:21,939
[ SIGHS ]

341
00:22:21,941 --> 00:23:09,520
>> WELL, IF IT ISN'T MY FAVORITE
GOOD PAL, MARCUS FLETCHER.
HOW ARE THINGS IN THE REAL

342
00:23:09,522 --> 00:23:10,654
GOOD PAL, MARCUS FLETCHER.
HOW ARE THINGS IN THE REAL
WORLD?

343
00:23:10,656 --> 00:23:12,857
HOW ARE THINGS IN THE REAL
WORLD?
>> BETTER THAN YOU, SEEING THAT

344
00:23:12,859 --> 00:23:13,924
WORLD?
>> BETTER THAN YOU, SEEING THAT
YOU'RE DEAD.

345
00:23:13,926 --> 00:23:14,892
>> BETTER THAN YOU, SEEING THAT
YOU'RE DEAD.
>> [ LAUGHS ]

346
00:23:14,894 --> 00:23:16,794
YOU'RE DEAD.
>> [ LAUGHS ]
[ SLAPS COUNTER ]

347
00:23:16,796 --> 00:23:18,529
>> [ LAUGHS ]
[ SLAPS COUNTER ]
THAT COULD BE.

348
00:23:18,531 --> 00:23:20,030
[ SLAPS COUNTER ]
THAT COULD BE.
THAT <i>COULD</i> BE.

349
00:23:20,032 --> 00:23:22,433
THAT COULD BE.
THAT <i>COULD</i> BE.
BUT IF I'M DEAD, HOW IS IT THAT

350
00:23:22,435 --> 00:23:24,668
THAT <i>COULD</i> BE.
BUT IF I'M DEAD, HOW IS IT THAT
YOU'RE SEEING ME?

351
00:23:24,670 --> 00:23:27,104
BUT IF I'M DEAD, HOW IS IT THAT
YOU'RE SEEING ME?
MAYBE YOU'RE LOSING TOUCH WITH

352
00:23:27,106 --> 00:23:28,906
YOU'RE SEEING ME?
MAYBE YOU'RE LOSING TOUCH WITH
REALITY, BOY SCOUT.

353
00:23:28,908 --> 00:23:29,540
MAYBE YOU'RE LOSING TOUCH WITH
REALITY, BOY SCOUT.
OH!

354
00:23:29,542 --> 00:23:31,542
REALITY, BOY SCOUT.
OH!
HOW DO YOU LIKE THE BEARD?

355
00:23:31,544 --> 00:23:32,643
OH!
HOW DO YOU LIKE THE BEARD?
[ CHUCKLES ]

356
00:23:32,645 --> 00:23:34,845
HOW DO YOU LIKE THE BEARD?
[ CHUCKLES ]
ONE OF THE GOOD THINGS ABOUT

357
00:23:34,847 --> 00:23:36,447
[ CHUCKLES ]
ONE OF THE GOOD THINGS ABOUT
BEING WHERE I AM?

358
00:23:36,449 --> 00:23:38,783
ONE OF THE GOOD THINGS ABOUT
BEING WHERE I AM?
I DON'T HAVE TO FOLLOW ASGUARD

359
00:23:38,785 --> 00:23:40,918
BEING WHERE I AM?
I DON'T HAVE TO FOLLOW ASGUARD
APPEARANCE PROTOCOL ANYMORE.

360
00:23:40,920 --> 00:23:43,421
I DON'T HAVE TO FOLLOW ASGUARD
APPEARANCE PROTOCOL ANYMORE.
>> NOT LIKE YOU EVER DID.

361
00:23:43,423 --> 00:23:46,157
APPEARANCE PROTOCOL ANYMORE.
>> NOT LIKE YOU EVER DID.
>> OH, FAIR ENOUGH, FAIR ENOUGH.

362
00:23:46,159 --> 00:23:48,192
>> NOT LIKE YOU EVER DID.
>> OH, FAIR ENOUGH, FAIR ENOUGH.
SPEAKING OF ASGUARD, I

363
00:23:48,194 --> 00:23:50,961
>> OH, FAIR ENOUGH, FAIR ENOUGH.
SPEAKING OF ASGUARD, I
UNDERSTAND THAT YOU ARE SENDING

364
00:23:50,963 --> 00:23:53,464
SPEAKING OF ASGUARD, I
UNDERSTAND THAT YOU ARE SENDING
MY BOY OVER TO WARRIOR ISLAND.

365
00:23:53,466 --> 00:23:55,166
UNDERSTAND THAT YOU ARE SENDING
MY BOY OVER TO WARRIOR ISLAND.
MMM.

366
00:23:55,168 --> 00:23:56,734
MY BOY OVER TO WARRIOR ISLAND.
MMM.
ALL THOSE...

367
00:23:56,736 --> 00:23:59,637
MMM.
ALL THOSE...
LEATHER-CLAD FILLIES ROAMING

368
00:23:59,639 --> 00:24:00,538
ALL THOSE...
LEATHER-CLAD FILLIES ROAMING
FREE.

369
00:24:00,540 --> 00:24:01,872
LEATHER-CLAD FILLIES ROAMING
FREE.
[ CHUCKLES ]

370
00:24:01,874 --> 00:24:02,940
FREE.
[ CHUCKLES ]
THAT'S THE BEST DECISION YOU'VE

371
00:24:02,942 --> 00:24:04,508
[ CHUCKLES ]
THAT'S THE BEST DECISION YOU'VE
EVER MADE.

372
00:24:04,510 --> 00:24:06,911
THAT'S THE BEST DECISION YOU'VE
EVER MADE.
I MEAN, FLETCHER, IF YOU WANT

373
00:24:06,913 --> 00:24:09,580
EVER MADE.
I MEAN, FLETCHER, IF YOU WANT
THOSE RESOURCES, MY BOY IS JUST

374
00:24:09,582 --> 00:24:11,982
I MEAN, FLETCHER, IF YOU WANT
THOSE RESOURCES, MY BOY IS JUST
THE STUD TO GET THE JOB DONE.

375
00:24:11,984 --> 00:24:14,051
THOSE RESOURCES, MY BOY IS JUST
THE STUD TO GET THE JOB DONE.
JUST DON'T MAKE THE SAME MISTAKE

376
00:24:14,053 --> 00:24:15,453
THE STUD TO GET THE JOB DONE.
JUST DON'T MAKE THE SAME MISTAKE
AS LAST TIME.

377
00:24:15,455 --> 00:24:18,823
JUST DON'T MAKE THE SAME MISTAKE
AS LAST TIME.
>> WHAT MISTAKE WAS THAT?

378
00:24:18,825 --> 00:24:21,025
AS LAST TIME.
>> WHAT MISTAKE WAS THAT?
>> TRYING TO BRING HUMANITY TO

379
00:24:21,027 --> 00:24:22,159
>> WHAT MISTAKE WAS THAT?
>> TRYING TO BRING HUMANITY TO
THE INHUMANE.

380
00:24:22,161 --> 00:24:24,595
>> TRYING TO BRING HUMANITY TO
THE INHUMANE.
FLETCHER, EVERYONE WILL WIND UP

381
00:24:24,597 --> 00:24:26,697
THE INHUMANE.
FLETCHER, EVERYONE WILL WIND UP
DEAD IF YOU GO BACK IN THERE

382
00:24:26,699 --> 00:24:28,799
FLETCHER, EVERYONE WILL WIND UP
DEAD IF YOU GO BACK IN THERE
WITH THE SAME BLEEDING-HEART

383
00:24:28,801 --> 00:24:30,901
DEAD IF YOU GO BACK IN THERE
WITH THE SAME BLEEDING-HEART
BULLSHIT, LIKE YOU DID LAST

384
00:24:30,903 --> 00:24:31,635
WITH THE SAME BLEEDING-HEART
BULLSHIT, LIKE YOU DID LAST
TIME.

385
00:24:31,637 --> 00:24:32,837
BULLSHIT, LIKE YOU DID LAST
TIME.
LET'S FACE IT.

386
00:24:32,839 --> 00:24:34,839
TIME.
LET'S FACE IT.
YOU LOST YOUR GREATEST ASSET IN

387
00:24:34,841 --> 00:24:35,673
LET'S FACE IT.
YOU LOST YOUR GREATEST ASSET IN
THE FIELD.

388
00:24:35,675 --> 00:24:36,607
YOU LOST YOUR GREATEST ASSET IN
THE FIELD.
>> WILLIAMS?

389
00:24:36,609 --> 00:24:37,875
THE FIELD.
>> WILLIAMS?
>> WI--

390
00:24:37,877 --> 00:24:38,576
>> WILLIAMS?
>> WI--
[ LAUGHS ]

391
00:24:38,578 --> 00:24:40,211
>> WI--
[ LAUGHS ]
WILLIAMS?!

392
00:24:40,213 --> 00:24:43,781
[ LAUGHS ]
WILLIAMS?!
HELL, NO, BOY! ME!

393
00:24:43,783 --> 00:24:45,516
WILLIAMS?!
HELL, NO, BOY! ME!
IT'S OKAY.

394
00:24:45,518 --> 00:24:48,185
HELL, NO, BOY! ME!
IT'S OKAY.
I DON'T HOLD GRUDGES.

395
00:24:48,187 --> 00:24:50,221
IT'S OKAY.
I DON'T HOLD GRUDGES.
I FORGIVE YOU.

396
00:24:50,223 --> 00:24:51,922
I DON'T HOLD GRUDGES.
I FORGIVE YOU.
>> THANKS.

397
00:24:51,924 --> 00:24:55,025
I FORGIVE YOU.
>> THANKS.
>> THAT'S WHAT FRIENDS ARE FOR.

398
00:24:55,027 --> 00:24:57,528
>> THANKS.
>> THAT'S WHAT FRIENDS ARE FOR.
AND SPEAKING AS A FRIEND, I

399
00:24:57,530 --> 00:25:00,130
>> THAT'S WHAT FRIENDS ARE FOR.
AND SPEAKING AS A FRIEND, I
CANNOT BELIEVE YOU'RE GONNA SEND

400
00:25:00,132 --> 00:25:02,700
AND SPEAKING AS A FRIEND, I
CANNOT BELIEVE YOU'RE GONNA SEND
IN THAT CRAZY CRIMSON-HAIRED

401
00:25:02,702 --> 00:25:03,167
CANNOT BELIEVE YOU'RE GONNA SEND
IN THAT CRAZY CRIMSON-HAIRED
C--

402
00:25:03,169 --> 00:25:06,203
IN THAT CRAZY CRIMSON-HAIRED
C--
>> WATCH YOUR MOUTH.

403
00:25:06,205 --> 00:25:07,838
C--
>> WATCH YOUR MOUTH.
>> CULEX.

404
00:25:07,840 --> 00:25:10,140
>> WATCH YOUR MOUTH.
>> CULEX.
"CULEX" WAS THE WORD I WAS

405
00:25:10,142 --> 00:25:11,275
>> CULEX.
"CULEX" WAS THE WORD I WAS
GONNA USE.

406
00:25:11,277 --> 00:25:13,143
"CULEX" WAS THE WORD I WAS
GONNA USE.
AND YOU SHOULD BE ASHAMED OF

407
00:25:13,145 --> 00:25:15,012
GONNA USE.
AND YOU SHOULD BE ASHAMED OF
YOURSELF FOR THINKING THAT A

408
00:25:15,014 --> 00:25:16,914
AND YOU SHOULD BE ASHAMED OF
YOURSELF FOR THINKING THAT A
GENTLEMAN OF MY STATURE WOULD

409
00:25:16,916 --> 00:25:19,083
YOURSELF FOR THINKING THAT A
GENTLEMAN OF MY STATURE WOULD
USE SUCH LANGUAGE.

410
00:25:19,085 --> 00:25:22,086
GENTLEMAN OF MY STATURE WOULD
USE SUCH LANGUAGE.
MNH-MNH-MNH.

411
00:25:22,088 --> 00:25:23,687
USE SUCH LANGUAGE.
MNH-MNH-MNH.
DO YOU EVEN KNOW WHAT A CULEX

412
00:25:23,689 --> 00:25:25,289
MNH-MNH-MNH.
DO YOU EVEN KNOW WHAT A CULEX
IS, FLETCHER?

413
00:25:25,291 --> 00:25:27,625
DO YOU EVEN KNOW WHAT A CULEX
IS, FLETCHER?
OH, I'M SORRY.

414
00:25:27,627 --> 00:25:28,759
IS, FLETCHER?
OH, I'M SORRY.
I FORGOT.

415
00:25:28,761 --> 00:25:31,262
OH, I'M SORRY.
I FORGOT.
YOU'RE THE KIND OF DESK-JOB

416
00:25:31,264 --> 00:25:32,530
I FORGOT.
YOU'RE THE KIND OF DESK-JOB
SOLDIER.

417
00:25:32,532 --> 00:25:34,932
YOU'RE THE KIND OF DESK-JOB
SOLDIER.
GET TO STAY DRY AND COOL.

418
00:25:34,934 --> 00:25:37,935
SOLDIER.
GET TO STAY DRY AND COOL.
YOU NEVER CRAWL THROUGH THE MUD

419
00:25:37,937 --> 00:25:41,572
GET TO STAY DRY AND COOL.
YOU NEVER CRAWL THROUGH THE MUD
AND MUCK, LIKE THE REST OF US.

420
00:25:41,574 --> 00:25:44,141
YOU NEVER CRAWL THROUGH THE MUD
AND MUCK, LIKE THE REST OF US.
HA.

421
00:25:44,143 --> 00:25:46,710
AND MUCK, LIKE THE REST OF US.
HA.
IT'S A GENUS OF THE MOSQUITO.

422
00:25:46,712 --> 00:25:49,246
HA.
IT'S A GENUS OF THE MOSQUITO.
THEY'RE KNOWN FOR BEING PARALLEL

423
00:25:49,248 --> 00:25:51,248
IT'S A GENUS OF THE MOSQUITO.
THEY'RE KNOWN FOR BEING PARALLEL
TO THE RESTING SURFACE.

424
00:25:51,250 --> 00:25:53,884
THEY'RE KNOWN FOR BEING PARALLEL
TO THE RESTING SURFACE.
I MEAN, YOU NEVER KNOW THEY'RE

425
00:25:53,886 --> 00:25:54,718
TO THE RESTING SURFACE.
I MEAN, YOU NEVER KNOW THEY'RE
THERE.

426
00:25:54,720 --> 00:25:57,054
I MEAN, YOU NEVER KNOW THEY'RE
THERE.
THEY JUST SIT RIGHT BESIDE YOU

427
00:25:57,056 --> 00:26:02,593
THERE.
THEY JUST SIT RIGHT BESIDE YOU
AND BLEED YOU DRY.

428
00:26:02,595 --> 00:26:03,994
THEY JUST SIT RIGHT BESIDE YOU
AND BLEED YOU DRY.
HMM.

429
00:26:03,996 --> 00:26:06,330
AND BLEED YOU DRY.
HMM.
NOW, IF THAT MOSQUITO GETS OUT

430
00:26:06,332 --> 00:26:08,232
HMM.
NOW, IF THAT MOSQUITO GETS OUT
OF SORTS OVER THERE ON

431
00:26:08,234 --> 00:26:10,834
NOW, IF THAT MOSQUITO GETS OUT
OF SORTS OVER THERE ON
ESTROGEN ISLAND, WELL, MY BOY'S

432
00:26:10,836 --> 00:26:12,870
OF SORTS OVER THERE ON
ESTROGEN ISLAND, WELL, MY BOY'S
JUST GONNA HAVE TO DO HIS

433
00:26:12,872 --> 00:26:15,072
ESTROGEN ISLAND, WELL, MY BOY'S
JUST GONNA HAVE TO DO HIS
RIGHTFUL DUTY AS AN ASGUARD

434
00:26:15,074 --> 00:26:17,341
JUST GONNA HAVE TO DO HIS
RIGHTFUL DUTY AS AN ASGUARD
SOLDIER AND SWAT HER LIKE THE

435
00:26:17,343 --> 00:26:21,612
RIGHTFUL DUTY AS AN ASGUARD
SOLDIER AND SWAT HER LIKE THE
BUG SHE IS.

436
00:26:21,614 --> 00:26:24,782
SOLDIER AND SWAT HER LIKE THE
BUG SHE IS.
OF COURSE, BEING FROM MY LOINS,

437
00:26:24,784 --> 00:26:26,283
BUG SHE IS.
OF COURSE, BEING FROM MY LOINS,
I'M SURE HE'S GONNA ENJOY

438
00:26:26,285 --> 00:26:28,285
OF COURSE, BEING FROM MY LOINS,
I'M SURE HE'S GONNA ENJOY
HIMSELF WHILE HE DOES THE JOB.

439
00:26:28,287 --> 00:26:29,286
I'M SURE HE'S GONNA ENJOY
HIMSELF WHILE HE DOES THE JOB.
[ LAUGHS ]

440
00:26:29,288 --> 00:26:30,254
HIMSELF WHILE HE DOES THE JOB.
[ LAUGHS ]
OH, I GOT TO TELL YOU -- I GOT

441
00:26:30,256 --> 00:26:31,055
[ LAUGHS ]
OH, I GOT TO TELL YOU -- I GOT
TO TELL YOU, THOUGH.

442
00:26:31,057 --> 00:26:31,689
OH, I GOT TO TELL YOU -- I GOT
TO TELL YOU, THOUGH.
COME HERE.

443
00:26:31,691 --> 00:26:32,790
TO TELL YOU, THOUGH.
COME HERE.
THAT BOY?

444
00:26:32,792 --> 00:26:35,025
COME HERE.
THAT BOY?
HE'S GOT A SCREW LOOSE.

445
00:26:35,027 --> 00:26:37,161
THAT BOY?
HE'S GOT A SCREW LOOSE.
I MEAN, THAT SUMBITCH?

446
00:26:37,163 --> 00:26:38,796
HE'S GOT A SCREW LOOSE.
I MEAN, THAT SUMBITCH?
HE'S BATSHIT CRAZY.

447
00:26:38,798 --> 00:26:40,064
I MEAN, THAT SUMBITCH?
HE'S BATSHIT CRAZY.
YEAH, SERIOUSLY.

448
00:26:40,066 --> 00:26:41,699
HE'S BATSHIT CRAZY.
YEAH, SERIOUSLY.
HE'S...HE'S OFF.

449
00:26:41,701 --> 00:26:44,068
YEAH, SERIOUSLY.
HE'S...HE'S OFF.
IT MUST COME FROM HIS MAMA'S

450
00:26:44,070 --> 00:26:45,135
HE'S...HE'S OFF.
IT MUST COME FROM HIS MAMA'S
SIDE.

451
00:26:45,137 --> 00:26:46,370
IT MUST COME FROM HIS MAMA'S
SIDE.
[ LAUGHS ]

452
00:26:46,372 --> 00:26:48,973
SIDE.
[ LAUGHS ]
SO, WHAT I'M SAYING IS, I DON'T

453
00:26:48,975 --> 00:26:51,609
[ LAUGHS ]
SO, WHAT I'M SAYING IS, I DON'T
KNOW WHETHER HE'LL ENJOY HIMSELF

454
00:26:51,611 --> 00:26:54,044
SO, WHAT I'M SAYING IS, I DON'T
KNOW WHETHER HE'LL ENJOY HIMSELF
BEFORE THE JOB OR AFTER THE JOB.

455
00:26:54,046 --> 00:26:55,946
KNOW WHETHER HE'LL ENJOY HIMSELF
BEFORE THE JOB OR AFTER THE JOB.
YOU KNOW WHAT I'M SAYING?

456
00:26:55,948 --> 00:26:57,014
BEFORE THE JOB OR AFTER THE JOB.
YOU KNOW WHAT I'M SAYING?
[ CHUCKLES ]

457
00:26:57,016 --> 00:26:59,283
YOU KNOW WHAT I'M SAYING?
[ CHUCKLES ]
BUT, I MEAN, HEY, A JOB IS A JOB

458
00:26:59,285 --> 00:27:00,184
[ CHUCKLES ]
BUT, I MEAN, HEY, A JOB IS A JOB
IS A JOB.

459
00:27:00,186 --> 00:27:01,218
BUT, I MEAN, HEY, A JOB IS A JOB
IS A JOB.
AM I RIGHT?

460
00:27:01,220 --> 00:27:02,219
IS A JOB.
AM I RIGHT?
HA!

461
00:27:02,221 --> 00:27:03,153
AM I RIGHT?
HA!
[ SLAMS COUNTER ]

462
00:27:03,155 --> 00:27:04,321
HA!
[ SLAMS COUNTER ]
THIS WAS A LOT OF FUN!

463
00:27:04,323 --> 00:27:05,889
[ SLAMS COUNTER ]
THIS WAS A LOT OF FUN!
IT WAS GOOD CATCHING UP WITH

464
00:27:05,891 --> 00:27:06,757
THIS WAS A LOT OF FUN!
IT WAS GOOD CATCHING UP WITH
YOU, FLETCHER.

465
00:27:06,759 --> 00:27:08,993
IT WAS GOOD CATCHING UP WITH
YOU, FLETCHER.
GOOD CHAT.

466
00:27:08,995 --> 00:27:10,294
YOU, FLETCHER.
GOOD CHAT.
OH, BUT, UH...

467
00:27:10,296 --> 00:27:12,963
GOOD CHAT.
OH, BUT, UH...
YOU KNOW THAT PART I WAS SAYING

468
00:27:12,965 --> 00:27:14,698
OH, BUT, UH...
YOU KNOW THAT PART I WAS SAYING
ABOUT FORGIVENESS?

469
00:27:14,700 --> 00:27:16,033
YOU KNOW THAT PART I WAS SAYING
ABOUT FORGIVENESS?
>> YEAH.

470
00:27:16,035 --> 00:27:17,735
ABOUT FORGIVENESS?
>> YEAH.
>> I LIED.

471
00:27:17,737 --> 00:27:20,104
>> YEAH.
>> I LIED.
TELL WILLIAMS HELLO FOR ME.

472
00:27:20,106 --> 00:27:27,645
>> [ PANTING ]
Oh, shit!

473
00:27:27,647 --> 00:27:50,000
Shit!

474
00:27:50,002 --> 00:27:56,306
[ BIRDS CHIRPING ]

475
00:27:56,308 --> 00:28:18,228
[ DOORBELL RINGS ]

476
00:28:18,230 --> 00:28:35,813
[ DOOR CREAKS ]
>> INARA!
HEY, GIRL!

477
00:28:35,815 --> 00:28:37,181
>> INARA!
HEY, GIRL!
>> WELL, LOOK AT YOU.

478
00:28:37,183 --> 00:28:38,782
HEY, GIRL!
>> WELL, LOOK AT YOU.
YOU'VE GROWN SO MUCH.

479
00:28:38,784 --> 00:28:40,784
>> WELL, LOOK AT YOU.
YOU'VE GROWN SO MUCH.
DO YOU REMEMBER ME?

480
00:28:40,786 --> 00:28:42,352
YOU'VE GROWN SO MUCH.
DO YOU REMEMBER ME?
>> WELL, OF COURSE SHE DOES,

481
00:28:42,354 --> 00:28:43,020
DO YOU REMEMBER ME?
>> WELL, OF COURSE SHE DOES,
SILLY.

482
00:28:43,022 --> 00:28:45,055
>> WELL, OF COURSE SHE DOES,
SILLY.
BABY, THIS IS AUNT INARA.

483
00:28:45,057 --> 00:28:46,724
SILLY.
BABY, THIS IS AUNT INARA.
YOU DON'T REMEMBER HER?

484
00:28:46,726 --> 00:28:48,292
BABY, THIS IS AUNT INARA.
YOU DON'T REMEMBER HER?
OH.

485
00:28:48,294 --> 00:28:50,160
YOU DON'T REMEMBER HER?
OH.
WELL, UH, IT LOOKS LIKE YOU GUYS

486
00:28:50,162 --> 00:28:51,895
OH.
WELL, UH, IT LOOKS LIKE YOU GUYS
HAVE SOME REACQUAINTING TO DO.

487
00:28:51,897 --> 00:28:52,896
WELL, UH, IT LOOKS LIKE YOU GUYS
HAVE SOME REACQUAINTING TO DO.
WHY DON'T YOU COME INSIDE AND

488
00:28:52,898 --> 00:28:55,432
HAVE SOME REACQUAINTING TO DO.
WHY DON'T YOU COME INSIDE AND
GET SITUATED?

489
00:28:55,434 --> 00:29:17,221
>> WOW.
YOU HAVE A BEAUTIFUL HOUSE.
>> YEAH, JIM'S MOVING UP IN THE

490
00:29:17,223 --> 00:29:18,155
YOU HAVE A BEAUTIFUL HOUSE.
>> YEAH, JIM'S MOVING UP IN THE
WORLD.

491
00:29:18,157 --> 00:29:19,156
>> YEAH, JIM'S MOVING UP IN THE
WORLD.
WE DON'T GET TO SEE HIM AS MUCH,

492
00:29:19,158 --> 00:29:21,792
WORLD.
WE DON'T GET TO SEE HIM AS MUCH,
BUT IT'S WHAT HE'S ALWAYS

493
00:29:21,794 --> 00:29:24,128
WE DON'T GET TO SEE HIM AS MUCH,
BUT IT'S WHAT HE'S ALWAYS
WANTED.

494
00:29:24,130 --> 00:29:29,533
[ DOOR CREAKS ]

495
00:29:29,535 --> 00:29:52,356
>> ARE YOU HAPPY?
>> VERY.
>> WELL, THEN, I'M HAPPY FOR

496
00:29:52,358 --> 00:29:52,923
>> VERY.
>> WELL, THEN, I'M HAPPY FOR
YOU.

497
00:29:52,925 --> 00:29:55,926
>> WELL, THEN, I'M HAPPY FOR
YOU.
>> ARE <i>YOU</i> HAPPY?

498
00:29:55,928 --> 00:29:57,394
YOU.
>> ARE <i>YOU</i> HAPPY?
>> [ SIGHS ]

499
00:29:57,396 --> 00:29:58,362
>> ARE <i>YOU</i> HAPPY?
>> [ SIGHS ]
IT'S COMPLICATED.

500
00:29:58,364 --> 00:30:00,030
>> [ SIGHS ]
IT'S COMPLICATED.
>> IT'S ALWAYS COMPLICATED WITH

501
00:30:00,032 --> 00:30:02,199
IT'S COMPLICATED.
>> IT'S ALWAYS COMPLICATED WITH
YOU, ISN'T IT?

502
00:30:02,201 --> 00:30:04,067
>> IT'S ALWAYS COMPLICATED WITH
YOU, ISN'T IT?
IT'S JUST ABOUT TIME TO EAT.

503
00:30:04,069 --> 00:30:05,869
YOU, ISN'T IT?
IT'S JUST ABOUT TIME TO EAT.
LET'S GET A HOT MEAL IN YOU.

504
00:30:05,871 --> 00:30:07,504
IT'S JUST ABOUT TIME TO EAT.
LET'S GET A HOT MEAL IN YOU.
THEN, YOU CAN TAKE A LOAD OFF.

505
00:30:07,506 --> 00:30:08,505
LET'S GET A HOT MEAL IN YOU.
THEN, YOU CAN TAKE A LOAD OFF.
YOU LOOK LIKE YOU COULD USE SOME

506
00:30:08,507 --> 00:30:09,940
THEN, YOU CAN TAKE A LOAD OFF.
YOU LOOK LIKE YOU COULD USE SOME
RELAX TIME.

507
00:30:09,942 --> 00:30:13,210
YOU LOOK LIKE YOU COULD USE SOME
RELAX TIME.
>> Yeah.

508
00:30:13,212 --> 00:30:16,580
RELAX TIME.
>> Yeah.
>> NAH!

509
00:30:16,582 --> 00:30:21,051
>> Yeah.
>> NAH!
[ BOTH LAUGH ]

510
00:30:21,053 --> 00:30:23,253
>> NAH!
[ BOTH LAUGH ]
>> FINISH YOUR PIZZA, DAKOTA.

511
00:30:23,255 --> 00:30:25,389
[ BOTH LAUGH ]
>> FINISH YOUR PIZZA, DAKOTA.
THAT'S GOOD.

512
00:30:25,391 --> 00:30:43,540
>> 'CAUSE I'M REALLY HUNGRY.
I DON'T LIKE PIZZA.
>> YOU DON'T LIKE PIZZA?

513
00:30:43,542 --> 00:30:44,408
I DON'T LIKE PIZZA.
>> YOU DON'T LIKE PIZZA?
>> I DO.

514
00:30:44,410 --> 00:30:46,844
>> YOU DON'T LIKE PIZZA?
>> I DO.
>> OH. OKAY.

515
00:30:46,846 --> 00:30:48,512
>> I DO.
>> OH. OKAY.
>> WHO DOESN'T LIKE PIZZA?

516
00:30:48,514 --> 00:30:50,080
>> OH. OKAY.
>> WHO DOESN'T LIKE PIZZA?
>> MMM. I KNOW.

517
00:30:50,082 --> 00:30:52,282
>> WHO DOESN'T LIKE PIZZA?
>> MMM. I KNOW.
>> I SAID I DO.

518
00:30:52,284 --> 00:30:58,355
>> MMM. I KNOW.
>> I SAID I DO.
>> I KNOW.

519
00:30:58,357 --> 00:31:00,457
>> I SAID I DO.
>> I KNOW.
YOU WANT ANOTHER SLICE?

520
00:31:00,459 --> 00:31:04,995
>> I KNOW.
YOU WANT ANOTHER SLICE?
>> YES, DEFINITELY.

521
00:31:04,997 --> 00:31:06,597
YOU WANT ANOTHER SLICE?
>> YES, DEFINITELY.
>> HOW YOU DOING OVER THERE,

522
00:31:06,599 --> 00:31:07,297
>> YES, DEFINITELY.
>> HOW YOU DOING OVER THERE,
DAKOTA?

523
00:31:07,299 --> 00:31:10,000
>> HOW YOU DOING OVER THERE,
DAKOTA?
>> GOOD.

524
00:31:10,002 --> 00:31:11,368
DAKOTA?
>> GOOD.
I WANT FOUR PIECES.

525
00:31:11,370 --> 00:31:12,502
>> GOOD.
I WANT FOUR PIECES.
>> FOUR PIECES?

526
00:31:12,504 --> 00:31:13,403
I WANT FOUR PIECES.
>> FOUR PIECES?
>> MM-HMM.

527
00:31:13,405 --> 00:31:14,638
>> FOUR PIECES?
>> MM-HMM.
>> THAT'S A LOT OF PIZZA.

528
00:31:14,640 --> 00:31:16,306
>> MM-HMM.
>> THAT'S A LOT OF PIZZA.
>> YOU CAN HAVE IT IF YOU FINISH

529
00:31:16,308 --> 00:31:16,940
>> THAT'S A LOT OF PIZZA.
>> YOU CAN HAVE IT IF YOU FINISH
THAT ONE.

530
00:31:16,942 --> 00:31:17,441
>> YOU CAN HAVE IT IF YOU FINISH
THAT ONE.
>> WHAT?

531
00:31:17,443 --> 00:31:18,408
THAT ONE.
>> WHAT?
>> AFTER YOU FINISH THAT ONE,

532
00:31:18,410 --> 00:31:19,376
>> WHAT?
>> AFTER YOU FINISH THAT ONE,
YOU CAN PROBABLY HAVE ANOTHER

533
00:31:19,378 --> 00:31:22,212
>> AFTER YOU FINISH THAT ONE,
YOU CAN PROBABLY HAVE ANOTHER
PIECE.

534
00:31:22,214 --> 00:31:39,563
GO AHEAD. TAKE A LOAD OFF.
>> [ SIGHS ]
THIS FEELS SO GOOD.

535
00:31:39,565 --> 00:31:43,033
>> [ SIGHS ]
THIS FEELS SO GOOD.
UH...SORRY FOR RUINING YOUR BED.

536
00:31:43,035 --> 00:31:44,501
THIS FEELS SO GOOD.
UH...SORRY FOR RUINING YOUR BED.
>> OH, NO WORRIES, LOVE.

537
00:31:44,503 --> 00:31:45,636
UH...SORRY FOR RUINING YOUR BED.
>> OH, NO WORRIES, LOVE.
IT'S NOT MY BED.

538
00:31:45,638 --> 00:31:47,638
>> OH, NO WORRIES, LOVE.
IT'S NOT MY BED.
IT'S JIM'S SISTER'S BED, AND SHE

539
00:31:47,640 --> 00:31:49,239
IT'S NOT MY BED.
IT'S JIM'S SISTER'S BED, AND SHE
TOTALLY DESERVES IT.

540
00:31:49,241 --> 00:31:51,375
IT'S JIM'S SISTER'S BED, AND SHE
TOTALLY DESERVES IT.
SHE'S ONLY STAYING WITH US UNTIL

541
00:31:51,377 --> 00:31:53,377
TOTALLY DESERVES IT.
SHE'S ONLY STAYING WITH US UNTIL
SHE CAN GET BACK ON HER FEET.

542
00:31:53,379 --> 00:31:55,312
SHE'S ONLY STAYING WITH US UNTIL
SHE CAN GET BACK ON HER FEET.
BUT HEY, IT COULD BE WORSE.

543
00:31:55,314 --> 00:31:56,346
SHE CAN GET BACK ON HER FEET.
BUT HEY, IT COULD BE WORSE.
YOU COULD BE ROLLING IN AN

544
00:31:56,348 --> 00:31:57,481
BUT HEY, IT COULD BE WORSE.
YOU COULD BE ROLLING IN AN
ALLEYWAY, FIGHTING A BUNCH OF

545
00:31:57,483 --> 00:31:59,149
YOU COULD BE ROLLING IN AN
ALLEYWAY, FIGHTING A BUNCH OF
GOONS AND THEN LAY IN A CLEAN

546
00:31:59,151 --> 00:32:00,918
ALLEYWAY, FIGHTING A BUNCH OF
GOONS AND THEN LAY IN A CLEAN
BED WITHOUT TAKING A SHOWER ALL

547
00:32:00,920 --> 00:32:02,419
GOONS AND THEN LAY IN A CLEAN
BED WITHOUT TAKING A SHOWER ALL
NIGHT.

548
00:32:02,421 --> 00:32:04,554
BED WITHOUT TAKING A SHOWER ALL
NIGHT.
>> YOU SMELL FUNNY.

549
00:32:04,556 --> 00:32:09,159
NIGHT.
>> YOU SMELL FUNNY.
>> [ LAUGHS ]

550
00:32:09,161 --> 00:32:10,994
>> YOU SMELL FUNNY.
>> [ LAUGHS ]
[ SIGHS ]

551
00:32:10,996 --> 00:32:12,696
>> [ LAUGHS ]
[ SIGHS ]
WELL, WORD GETS AROUND THAT

552
00:32:12,698 --> 00:32:13,597
[ SIGHS ]
WELL, WORD GETS AROUND THAT
FAST, HUH?

553
00:32:13,599 --> 00:32:16,533
WELL, WORD GETS AROUND THAT
FAST, HUH?
>> IT SURE DOES.

554
00:32:16,535 --> 00:32:18,969
FAST, HUH?
>> IT SURE DOES.
>> LIAM AND THE REST OF HIS

555
00:32:18,971 --> 00:32:21,405
>> IT SURE DOES.
>> LIAM AND THE REST OF HIS
GIRL SCOUTS DESERVED EVERY BIT

556
00:32:21,407 --> 00:32:22,239
>> LIAM AND THE REST OF HIS
GIRL SCOUTS DESERVED EVERY BIT
OF IT.

557
00:32:22,241 --> 00:32:23,273
GIRL SCOUTS DESERVED EVERY BIT
OF IT.
>> GEEZ, WHY DON'T THE TWO OF

558
00:32:23,275 --> 00:32:24,174
OF IT.
>> GEEZ, WHY DON'T THE TWO OF
YOU GET MARRIED ALREADY?

559
00:32:24,176 --> 00:32:26,209
>> GEEZ, WHY DON'T THE TWO OF
YOU GET MARRIED ALREADY?
YOU FIGHT MORE THAN MY PARENTS

560
00:32:26,211 --> 00:32:26,576
YOU GET MARRIED ALREADY?
YOU FIGHT MORE THAN MY PARENTS
DO.

561
00:32:26,578 --> 00:32:29,179
YOU FIGHT MORE THAN MY PARENTS
DO.
>> THEY STARTED IT, AND I

562
00:32:29,181 --> 00:32:31,982
DO.
>> THEY STARTED IT, AND I
FINISHED IT.

563
00:32:31,984 --> 00:32:33,583
>> THEY STARTED IT, AND I
FINISHED IT.
>> [ SIGHS ]

564
00:32:33,585 --> 00:32:40,390
FINISHED IT.
>> [ SIGHS ]
INARA, WHEN DO YOU LEAVE?

565
00:32:40,392 --> 00:32:41,992
>> [ SIGHS ]
INARA, WHEN DO YOU LEAVE?
>> TODAY.

566
00:32:41,994 --> 00:32:45,963
INARA, WHEN DO YOU LEAVE?
>> TODAY.
I START PACKING NOW, BUT I LEAVE

567
00:32:45,965 --> 00:32:50,400
>> TODAY.
I START PACKING NOW, BUT I LEAVE
TONIGHT.

568
00:32:50,402 --> 00:32:52,970
I START PACKING NOW, BUT I LEAVE
TONIGHT.
>> ASGUARD?

569
00:32:52,972 --> 00:32:54,705
TONIGHT.
>> ASGUARD?
AS IN <i>THE</i> ASGUARD, THE ONE THAT

570
00:32:54,707 --> 00:32:56,340
>> ASGUARD?
AS IN <i>THE</i> ASGUARD, THE ONE THAT
DESTROYED YOUR DAD'S LIFE

571
00:32:56,342 --> 00:32:56,740
AS IN <i>THE</i> ASGUARD, THE ONE THAT
DESTROYED YOUR DAD'S LIFE
ASGUARD?

572
00:32:56,742 --> 00:32:58,175
DESTROYED YOUR DAD'S LIFE
ASGUARD?
WHY IN THE HELL WOULD YOU SIGN

573
00:32:58,177 --> 00:32:59,276
ASGUARD?
WHY IN THE HELL WOULD YOU SIGN
UP WITH THOSE DOUCHEBAGS?

574
00:32:59,278 --> 00:33:00,377
WHY IN THE HELL WOULD YOU SIGN
UP WITH THOSE DOUCHEBAGS?
>> MERCENARIES?

575
00:33:00,379 --> 00:33:02,012
UP WITH THOSE DOUCHEBAGS?
>> MERCENARIES?
>> YEAH, YEAH, TOMATO,

576
00:33:02,014 --> 00:33:02,713
>> MERCENARIES?
>> YEAH, YEAH, TOMATO,
TO-MAH-TO.

577
00:33:02,715 --> 00:33:04,381
>> YEAH, YEAH, TOMATO,
TO-MAH-TO.
ON A SCALE OF "WALK IN THE PARK"

578
00:33:04,383 --> 00:33:05,615
TO-MAH-TO.
ON A SCALE OF "WALK IN THE PARK"
OR "TOTAL CLUSTER," WHERE

579
00:33:05,617 --> 00:33:08,185
ON A SCALE OF "WALK IN THE PARK"
OR "TOTAL CLUSTER," WHERE
EXACTLY DOES THIS DECISION FALL?

580
00:33:08,187 --> 00:33:10,287
OR "TOTAL CLUSTER," WHERE
EXACTLY DOES THIS DECISION FALL?
>> I NEED TO KNOW WHAT HAPPENED

581
00:33:10,289 --> 00:33:11,321
EXACTLY DOES THIS DECISION FALL?
>> I NEED TO KNOW WHAT HAPPENED
TO MY FATHER.

582
00:33:11,323 --> 00:33:13,423
>> I NEED TO KNOW WHAT HAPPENED
TO MY FATHER.
AND THE ONLY WAY THAT I'M GONNA

583
00:33:13,425 --> 00:33:15,292
TO MY FATHER.
AND THE ONLY WAY THAT I'M GONNA
DO THAT IS WITHIN ASGUARD.

584
00:33:15,294 --> 00:33:17,694
AND THE ONLY WAY THAT I'M GONNA
DO THAT IS WITHIN ASGUARD.
NOT SURE WHAT'S GONNA HAPPEN,

585
00:33:17,696 --> 00:33:20,263
DO THAT IS WITHIN ASGUARD.
NOT SURE WHAT'S GONNA HAPPEN,
BUT I GO UP WITH LIAM AND THE

586
00:33:20,265 --> 00:33:22,432
NOT SURE WHAT'S GONNA HAPPEN,
BUT I GO UP WITH LIAM AND THE
REST OF HIS CREW TONIGHT.

587
00:33:22,434 --> 00:33:25,102
BUT I GO UP WITH LIAM AND THE
REST OF HIS CREW TONIGHT.
>> TOTAL CLUSTER, THEN.

588
00:33:25,104 --> 00:33:29,406
REST OF HIS CREW TONIGHT.
>> TOTAL CLUSTER, THEN.
>> YEAH, TOTAL CLUSTER.

589
00:33:29,408 --> 00:33:32,109
>> TOTAL CLUSTER, THEN.
>> YEAH, TOTAL CLUSTER.
>> INARA, YOU'RE MY BEST FRIEND.

590
00:33:32,111 --> 00:33:34,411
>> YEAH, TOTAL CLUSTER.
>> INARA, YOU'RE MY BEST FRIEND.
KICK ASS, TAKE NAMES, AND GET

591
00:33:34,413 --> 00:33:38,181
>> INARA, YOU'RE MY BEST FRIEND.
KICK ASS, TAKE NAMES, AND GET
BACK HERE AS FAST AS YOU CAN.

592
00:33:38,183 --> 00:33:40,550
KICK ASS, TAKE NAMES, AND GET
BACK HERE AS FAST AS YOU CAN.
>> ROGER THAT.

593
00:33:40,552 --> 00:34:03,373
>> [ SIGHS ]

594
00:34:03,375 --> 00:34:15,085
[ HELICOPTER WHIRRING ]

595
00:34:15,087 --> 00:34:38,642
>> AS YOU WERE, GENTLEMEN.
OUR DROP POINT IS 20 MILES
SOUTHEAST OF OUR DESTINATION.

596
00:34:38,644 --> 00:34:40,710
OUR DROP POINT IS 20 MILES
SOUTHEAST OF OUR DESTINATION.
I HOPE YOU PACKED LIGHT.

597
00:34:40,712 --> 00:34:43,346
SOUTHEAST OF OUR DESTINATION.
I HOPE YOU PACKED LIGHT.
AND YOU HAD BETTER BE PREPARED

598
00:34:43,348 --> 00:34:45,182
I HOPE YOU PACKED LIGHT.
AND YOU HAD BETTER BE PREPARED
FOR A CONFRONTATION.

599
00:34:45,184 --> 00:34:48,118
AND YOU HAD BETTER BE PREPARED
FOR A CONFRONTATION.
THIS MISSION ISN'T GOING TO BE

600
00:34:48,120 --> 00:34:51,855
FOR A CONFRONTATION.
THIS MISSION ISN'T GOING TO BE
A --

601
00:34:51,857 --> 00:34:53,557
THIS MISSION ISN'T GOING TO BE
A --
I'M GLAD YOU COULD ROLL OUT OF

602
00:34:53,559 --> 00:34:55,125
A --
I'M GLAD YOU COULD ROLL OUT OF
BED AND MAKE AN APPEARANCE,

603
00:34:55,127 --> 00:34:58,195
I'M GLAD YOU COULD ROLL OUT OF
BED AND MAKE AN APPEARANCE,
INARA.

604
00:34:58,197 --> 00:35:00,163
BED AND MAKE AN APPEARANCE,
INARA.
THIS MISSION IS NOT GONNA BE A

605
00:35:00,165 --> 00:35:01,465
INARA.
THIS MISSION IS NOT GONNA BE A
CAKEWALK, GENTLEMEN.

606
00:35:01,467 --> 00:35:04,801
THIS MISSION IS NOT GONNA BE A
CAKEWALK, GENTLEMEN.
YOUR OBJECTIVE IS TO LAND, SET

607
00:35:04,803 --> 00:35:08,438
CAKEWALK, GENTLEMEN.
YOUR OBJECTIVE IS TO LAND, SET
UP BASE CAMP, AND PROVIDE INTEL

608
00:35:08,440 --> 00:35:11,374
YOUR OBJECTIVE IS TO LAND, SET
UP BASE CAMP, AND PROVIDE INTEL
AND BACKUP FOR ASGUARD.

609
00:35:11,376 --> 00:35:13,677
UP BASE CAMP, AND PROVIDE INTEL
AND BACKUP FOR ASGUARD.
WHEN YOU GIVE THE WORD,

610
00:35:13,679 --> 00:35:16,179
AND BACKUP FOR ASGUARD.
WHEN YOU GIVE THE WORD,
ASGUARD'S GONNA COME IN

611
00:35:16,181 --> 00:35:19,116
WHEN YOU GIVE THE WORD,
ASGUARD'S GONNA COME IN
150 STRONG TO SECURE AND TAKE

612
00:35:19,118 --> 00:35:22,152
ASGUARD'S GONNA COME IN
150 STRONG TO SECURE AND TAKE
OUT ANYTHING AND EVERYTHING OFF

613
00:35:22,154 --> 00:35:25,355
150 STRONG TO SECURE AND TAKE
OUT ANYTHING AND EVERYTHING OFF
THAT ROCK THAT WALKS.

614
00:35:25,357 --> 00:35:27,657
OUT ANYTHING AND EVERYTHING OFF
THAT ROCK THAT WALKS.
WHAT'S SO IMPORTANT?

615
00:35:27,659 --> 00:35:30,894
THAT ROCK THAT WALKS.
WHAT'S SO IMPORTANT?
TWO WORD -- NATURAL RESOURCES,

616
00:35:30,896 --> 00:35:33,697
WHAT'S SO IMPORTANT?
TWO WORD -- NATURAL RESOURCES,
OIL AND PRECIOUS METALS.

617
00:35:33,699 --> 00:35:35,665
TWO WORD -- NATURAL RESOURCES,
OIL AND PRECIOUS METALS.
THIS ROCK HOLDS THE LARGEST

618
00:35:35,667 --> 00:35:37,701
OIL AND PRECIOUS METALS.
THIS ROCK HOLDS THE LARGEST
RESERVE OF NATURAL RESOURCES

619
00:35:37,703 --> 00:35:39,803
THIS ROCK HOLDS THE LARGEST
RESERVE OF NATURAL RESOURCES
THAT WE HAVE EVER SEEN IN THIS

620
00:35:39,805 --> 00:35:41,271
RESERVE OF NATURAL RESOURCES
THAT WE HAVE EVER SEEN IN THIS
REGION.

621
00:35:41,273 --> 00:35:43,874
THAT WE HAVE EVER SEEN IN THIS
REGION.
AND THE PEOPLE WITH THE KNOW-HOW

622
00:35:43,876 --> 00:35:45,242
REGION.
AND THE PEOPLE WITH THE KNOW-HOW
WANT AT IT.

623
00:35:45,244 --> 00:35:47,911
AND THE PEOPLE WITH THE KNOW-HOW
WANT AT IT.
THERE'S AN ELECTROMAGNETIC FIELD

624
00:35:47,913 --> 00:35:50,514
WANT AT IT.
THERE'S AN ELECTROMAGNETIC FIELD
SURROUNDING THIS ISLAND THAT

625
00:35:50,516 --> 00:35:52,582
THERE'S AN ELECTROMAGNETIC FIELD
SURROUNDING THIS ISLAND THAT
AFFECTS ANY AND ALL OF OUR

626
00:35:52,584 --> 00:35:54,384
SURROUNDING THIS ISLAND THAT
AFFECTS ANY AND ALL OF OUR
ELECTRONIC EQUIPMENT.

627
00:35:54,386 --> 00:35:56,319
AFFECTS ANY AND ALL OF OUR
ELECTRONIC EQUIPMENT.
WHAT'S CAUSING IT?

628
00:35:56,321 --> 00:35:57,787
ELECTRONIC EQUIPMENT.
WHAT'S CAUSING IT?
WE DON'T KNOW.

629
00:35:57,789 --> 00:35:59,923
WHAT'S CAUSING IT?
WE DON'T KNOW.
BUT YOU'VE ALL BEEN SELECTED

630
00:35:59,925 --> 00:36:01,658
WE DON'T KNOW.
BUT YOU'VE ALL BEEN SELECTED
BECAUSE YOU EXCEL IN

631
00:36:01,660 --> 00:36:03,393
BUT YOU'VE ALL BEEN SELECTED
BECAUSE YOU EXCEL IN
HAND-TO-HAND COMBAT.

632
00:36:03,395 --> 00:36:05,629
BECAUSE YOU EXCEL IN
HAND-TO-HAND COMBAT.
GENTLEMEN, WE'RE COMING IN

633
00:36:05,631 --> 00:36:10,834
HAND-TO-HAND COMBAT.
GENTLEMEN, WE'RE COMING IN
BARE KNUCKLES AND COLD STEEL.

634
00:36:10,836 --> 00:36:13,270
GENTLEMEN, WE'RE COMING IN
BARE KNUCKLES AND COLD STEEL.
YOU'VE ALL BEEN ISSUED THE

635
00:36:13,272 --> 00:36:15,705
BARE KNUCKLES AND COLD STEEL.
YOU'VE ALL BEEN ISSUED THE
STANDARD MILITARY BOWIE KNIFE.

636
00:36:15,707 --> 00:36:18,408
YOU'VE ALL BEEN ISSUED THE
STANDARD MILITARY BOWIE KNIFE.
IF YOU RUN INTO ANY HOSTILES ON

637
00:36:18,410 --> 00:36:19,676
STANDARD MILITARY BOWIE KNIFE.
IF YOU RUN INTO ANY HOSTILES ON
THE ISLAND...

638
00:36:19,678 --> 00:36:23,613
IF YOU RUN INTO ANY HOSTILES ON
THE ISLAND...
YOU KNOW WHAT TO DO.

639
00:36:23,615 --> 00:36:25,949
THE ISLAND...
YOU KNOW WHAT TO DO.
C-17s ARE EQUIPPED WITH A SIGNAL

640
00:36:25,951 --> 00:36:28,451
YOU KNOW WHAT TO DO.
C-17s ARE EQUIPPED WITH A SIGNAL
BLOCKER, WHICH WILL PREVENT ANY

641
00:36:28,453 --> 00:36:29,252
C-17s ARE EQUIPPED WITH A SIGNAL
BLOCKER, WHICH WILL PREVENT ANY
DAMAGE.

642
00:36:29,254 --> 00:36:31,555
BLOCKER, WHICH WILL PREVENT ANY
DAMAGE.
BUT ONCE YOU TOUCH DOWN, YOU'RE

643
00:36:31,557 --> 00:36:33,790
DAMAGE.
BUT ONCE YOU TOUCH DOWN, YOU'RE
TO RELY ON HAND-TO-HAND COMBAT

644
00:36:33,792 --> 00:36:36,293
BUT ONCE YOU TOUCH DOWN, YOU'RE
TO RELY ON HAND-TO-HAND COMBAT
AND SMALL WEAPONS.

645
00:36:36,295 --> 00:36:39,963
TO RELY ON HAND-TO-HAND COMBAT
AND SMALL WEAPONS.
ATTENTION!

646
00:36:39,965 --> 00:36:42,766
AND SMALL WEAPONS.
ATTENTION!
AS YOU KNOW, WE TAKE JOBS AS

647
00:36:42,768 --> 00:36:43,967
ATTENTION!
AS YOU KNOW, WE TAKE JOBS AS
THEY COME.

648
00:36:43,969 --> 00:36:47,204
AS YOU KNOW, WE TAKE JOBS AS
THEY COME.
WE'RE WHAT THE PRIVATE CITIZENS

649
00:36:47,206 --> 00:36:49,673
THEY COME.
WE'RE WHAT THE PRIVATE CITIZENS
REFER TO AS "MERCENARIES."

650
00:36:49,675 --> 00:36:51,775
WE'RE WHAT THE PRIVATE CITIZENS
REFER TO AS "MERCENARIES."
WE HAVE BEEN HIRED BY A PRIVATE

651
00:36:51,777 --> 00:36:53,777
REFER TO AS "MERCENARIES."
WE HAVE BEEN HIRED BY A PRIVATE
ENTITY TO HELP CLEAR OUT THIS

652
00:36:53,779 --> 00:36:54,778
WE HAVE BEEN HIRED BY A PRIVATE
ENTITY TO HELP CLEAR OUT THIS
ROCK.

653
00:36:54,780 --> 00:36:57,247
ENTITY TO HELP CLEAR OUT THIS
ROCK.
NO QUESTIONS ASKED.

654
00:36:57,249 --> 00:37:00,483
ROCK.
NO QUESTIONS ASKED.
IF ANYONE IS NOT 100% SURE OF

655
00:37:00,485 --> 00:37:03,787
NO QUESTIONS ASKED.
IF ANYONE IS NOT 100% SURE OF
THIS MISSION, NOW IS YOUR TIME

656
00:37:03,789 --> 00:37:07,724
IF ANYONE IS NOT 100% SURE OF
THIS MISSION, NOW IS YOUR TIME
TO SPEAK UP.

657
00:37:07,726 --> 00:37:09,526
THIS MISSION, NOW IS YOUR TIME
TO SPEAK UP.
OUTSTANDING, GENTLEMEN.

658
00:37:09,528 --> 00:37:11,595
TO SPEAK UP.
OUTSTANDING, GENTLEMEN.
YOUR MISSION OBJECTIVES HAVE

659
00:37:11,597 --> 00:37:12,796
OUTSTANDING, GENTLEMEN.
YOUR MISSION OBJECTIVES HAVE
BEEN DELIVERED.

660
00:37:12,798 --> 00:37:14,798
YOUR MISSION OBJECTIVES HAVE
BEEN DELIVERED.
YOU ROLL OUT 5 MINUTES AGO.

661
00:37:14,800 --> 00:37:15,865
BEEN DELIVERED.
YOU ROLL OUT 5 MINUTES AGO.
SOUND GOOD?

662
00:37:15,867 --> 00:37:17,701
YOU ROLL OUT 5 MINUTES AGO.
SOUND GOOD?
>> All: SIR! YES, SIR!

663
00:37:17,703 --> 00:37:21,438
SOUND GOOD?
>> All: SIR! YES, SIR!
>> DISMISSED!

664
00:37:21,440 --> 00:37:23,306
>> All: SIR! YES, SIR!
>> DISMISSED!
[ HELICOPTER WHIRRING ]

665
00:37:23,308 --> 00:38:28,838
>> [ GROANS ]
I'M NOT FEELING GOOD.
>> I TOLD YOU, MAN.

666
00:38:28,840 --> 00:38:30,373
I'M NOT FEELING GOOD.
>> I TOLD YOU, MAN.
DON'T FILL UP.

667
00:38:30,375 --> 00:38:31,641
>> I TOLD YOU, MAN.
DON'T FILL UP.
DID YOU LISTEN?

668
00:38:31,643 --> 00:38:32,509
DON'T FILL UP.
DID YOU LISTEN?
NO-O-O.

669
00:38:32,511 --> 00:38:33,977
DID YOU LISTEN?
NO-O-O.
>> GUYS, SHUT THE FUCK UP

670
00:38:33,979 --> 00:38:34,711
NO-O-O.
>> GUYS, SHUT THE FUCK UP
ALREADY.

671
00:38:34,713 --> 00:38:36,479
>> GUYS, SHUT THE FUCK UP
ALREADY.
CAN'T YOU SEE WE GOT A LADY

672
00:38:36,481 --> 00:38:38,682
ALREADY.
CAN'T YOU SEE WE GOT A LADY
PRESENT?

673
00:38:38,684 --> 00:38:41,051
CAN'T YOU SEE WE GOT A LADY
PRESENT?
HOW YOU FEELING TODAY?

674
00:38:41,053 --> 00:38:43,486
PRESENT?
HOW YOU FEELING TODAY?
YOU FEELING GO-O-OD?

675
00:38:43,488 --> 00:38:44,454
HOW YOU FEELING TODAY?
YOU FEELING GO-O-OD?
>> OH, YEAH.

676
00:38:44,456 --> 00:38:45,822
YOU FEELING GO-O-OD?
>> OH, YEAH.
I'M FEELING GREAT!

677
00:38:45,824 --> 00:38:48,325
>> OH, YEAH.
I'M FEELING GREAT!
HOW ABOUT YOU?

678
00:38:48,327 --> 00:39:24,861
[ ALL YELLING ]

679
00:39:24,863 --> 00:39:36,506
>>   <i>DISPATCH 5830.</i>
<i>DISPATCH...</i>
<i>>></i>   <i>RESCUE, RETURN TO CENTRAL.</i>

680
00:39:36,508 --> 00:39:37,774
<i>DISPATCH...</i>
<i>>></i>   <i>RESCUE, RETURN TO CENTRAL.</i>
<i>>></i>   <i>ANALYZING NOW.</i>

681
00:39:37,776 --> 00:39:39,743
<i>>></i>   <i>RESCUE, RETURN TO CENTRAL.</i>
<i>>></i>   <i>ANALYZING NOW.</i>
<i>>></i>   <i>DISPATCH 5830.</i>

682
00:39:39,745 --> 00:39:41,644
<i>>></i>   <i>ANALYZING NOW.</i>
<i>>></i>   <i>DISPATCH 5830.</i>
<i>DISPATCH...</i>

683
00:39:41,646 --> 00:39:44,080
<i>>></i>   <i>DISPATCH 5830.</i>
<i>DISPATCH...</i>
<i>RESCUE, RETURN TO CENTRAL.</i>

684
00:39:44,082 --> 00:39:51,154
<i>[ BIRDS SQUAWKING,</i>
<i>INSECTS CHIRPING ]</i>

685
00:39:51,156 --> 00:40:10,039
<i>DISPATCH...BACK AT SCENE.</i>

686
00:40:10,041 --> 00:40:23,887
<i>[ CHIRPING, SQUAWKING CONTINUE ]</i>

687
00:40:23,889 --> 00:40:31,628
<i>[ MAN SPEAKING OVER RADIO ]</i>

688
00:40:31,630 --> 00:41:02,192
<i>DISPATCH...BACK AT SCENE.</i>

689
00:41:02,194 --> 00:42:36,085
<i>[ INSECTS CHIRPING,</i>
<i>BIRDS SQUAWKING ]</i>

690
00:42:36,087 --> 00:47:58,107
<i>[ SQUAWKING, CHIRPING CONTINUE ]</i>

691
00:47:58,109 --> 00:49:56,125
<i>[ KNIFE WHIPS, INARA SCREAMS ]</i>

692
00:49:56,127 --> 00:50:04,000
<i>[ WHIPPING, SCREAMING CONTINUE ]</i>

693
00:50:04,002 --> 00:51:34,490
<i>>> SHE'S NOT AN ENEMY.</i>
<i>RELEASE HER AT ONCE!</i>
<i>>> SHE DOES NOT BELONG HERE!</i>

694
00:51:34,492 --> 00:51:35,724
<i>RELEASE HER AT ONCE!</i>
<i>>> SHE DOES NOT BELONG HERE!</i>
<i>>> YOU WILL CAUSE HER NO MORE</i>

695
00:51:35,726 --> 00:51:38,594
<i>>> SHE DOES NOT BELONG HERE!</i>
<i>>> YOU WILL CAUSE HER NO MORE</i>
<i>HARM.</i>

696
00:51:38,596 --> 00:51:40,362
<i>>> YOU WILL CAUSE HER NO MORE</i>
<i>HARM.</i>
<i>YOU WILL CAUSE HER NO MORE HARM.</i>

697
00:51:40,364 --> 00:51:42,264
<i>HARM.</i>
<i>YOU WILL CAUSE HER NO MORE HARM.</i>
<i>DO YOU UNDERSTAND?</i>

698
00:51:42,266 --> 00:52:17,733
<i>[ DRUM BEATING RHYTHMICALLY ]</i>

699
00:52:17,735 --> 00:54:09,578
<i>>> [ CHOKING ]</i>

700
00:54:09,580 --> 00:55:51,380
<i>[ INSECTS CHIRPING,</i>
<i>BIRDS SQUAWKING ]</i>

701
00:55:51,382 --> 00:56:25,781
<i>YOU LITTLE MIDGET!</i>
<i>>> HELLO.</i>

702
00:56:25,783 --> 00:56:34,556
<i>>> HEY, YOU!</i>
<i>THAT'S NOT FAIR!</i>

703
00:56:34,558 --> 00:57:16,899
<i>YOU'RE HARD TO CATCH UP WITH.</i>
<i>>> SHH!</i>
<i>>> YOU SHOULD BE ASHAMED --</i>

704
00:57:16,901 --> 00:57:17,533
<i>>> SHH!</i>
<i>>> YOU SHOULD BE ASHAMED --</i>
<i>>> SHH!</i>

705
00:57:17,535 --> 00:57:18,133
<i>>> YOU SHOULD BE ASHAMED --</i>
<i>>> SHH!</i>
<i>>> WHY, YOU DON'T --</i>

706
00:57:18,135 --> 00:57:19,134
<i>>> SHH!</i>
<i>>> WHY, YOU DON'T --</i>
<i>>> SHH!</i>

707
00:57:19,136 --> 00:57:20,035
<i>>> WHY, YOU DON'T --</i>
<i>>> SHH!</i>
<i>>> [ SIGHS ]</i>

708
00:57:20,037 --> 00:57:21,937
<i>>> SHH!</i>
<i>>> [ SIGHS ]</i>
<i>>> YOU'RE NOT ALLOWED TO TALK IN</i>

709
00:57:21,939 --> 00:57:22,538
<i>>> [ SIGHS ]</i>
<i>>> YOU'RE NOT ALLOWED TO TALK IN</i>
<i>HERE.</i>

710
00:57:22,540 --> 00:57:23,806
<i>>> YOU'RE NOT ALLOWED TO TALK IN</i>
<i>HERE.</i>
<i>THIS IS A HOLY PLACE.</i>

711
00:57:23,808 --> 00:57:25,441
<i>HERE.</i>
<i>THIS IS A HOLY PLACE.</i>
<i>>> HOLY PLACE?</i>

712
00:57:25,443 --> 00:57:26,442
<i>THIS IS A HOLY PLACE.</i>
<i>>> HOLY PLACE?</i>
<i>>> YES.</i>

713
00:57:26,444 --> 00:57:29,111
<i>>> HOLY PLACE?</i>
<i>>> YES.</i>
<i>OUR HOLY MOTHER IS HERE, HERE,</i>

714
00:57:29,113 --> 00:57:31,880
<i>>> YES.</i>
<i>OUR HOLY MOTHER IS HERE, HERE,</i>
<i>AND ALL AROUND US.</i>

715
00:57:31,882 --> 00:57:33,615
<i>OUR HOLY MOTHER IS HERE, HERE,</i>
<i>AND ALL AROUND US.</i>
<i>MY NAME IS TINOU.</i>

716
00:57:33,617 --> 00:57:36,452
<i>AND ALL AROUND US.</i>
<i>MY NAME IS TINOU.</i>
<i>ONE DAY I'LL BE THE STRONGEST OF</i>

717
00:57:36,454 --> 00:57:37,686
<i>MY NAME IS TINOU.</i>
<i>ONE DAY I'LL BE THE STRONGEST OF</i>
<i>ALL AMAZONS.</i>

718
00:57:37,688 --> 00:57:39,988
<i>ONE DAY I'LL BE THE STRONGEST OF</i>
<i>ALL AMAZONS.</i>
<i>WHAT'S YOUR NAME?</i>

719
00:57:39,990 --> 00:57:41,223
<i>ALL AMAZONS.</i>
<i>WHAT'S YOUR NAME?</i>
<i>>> MY NAME IS INARA.</i>

720
00:57:41,225 --> 00:57:43,025
<i>WHAT'S YOUR NAME?</i>
<i>>> MY NAME IS INARA.</i>
<i>IT'S NICE TO MEET YOU, TINOU.</i>

721
00:57:43,027 --> 00:57:45,527
<i>>> MY NAME IS INARA.</i>
<i>IT'S NICE TO MEET YOU, TINOU.</i>
<i>>> HOLY MOTHER IS MOTHER TO ALL</i>

722
00:57:45,529 --> 00:57:46,195
<i>IT'S NICE TO MEET YOU, TINOU.</i>
<i>>> HOLY MOTHER IS MOTHER TO ALL</i>
<i>AMAZONS.</i>

723
00:57:46,197 --> 00:57:48,530
<i>>> HOLY MOTHER IS MOTHER TO ALL</i>
<i>AMAZONS.</i>
<i>SHE PROTECTS US AND KEEPS US</i>

724
00:57:48,532 --> 00:57:49,565
<i>AMAZONS.</i>
<i>SHE PROTECTS US AND KEEPS US</i>
<i>SAFE.</i>

725
00:57:49,567 --> 00:57:53,035
<i>SHE PROTECTS US AND KEEPS US</i>
<i>SAFE.</i>
<i>>> KEEPS YOU SAFE? FROM WHAT?</i>

726
00:57:53,037 --> 00:57:55,571
<i>SAFE.</i>
<i>>> KEEPS YOU SAFE? FROM WHAT?</i>
<i>[ SUSPENSEFUL MUSIC PLAYS ]</i>

727
00:57:55,573 --> 00:58:55,531
<i>[ LAUGHTER ]</i>

728
00:58:55,533 --> 00:59:10,245
<i>OKAY. IT'S LIKE THAT, HUH?</i>
<i>ALL RIGHT!</i>
<i>GET READY TO BRING THE RAIN,</i>

729
00:59:10,247 --> 00:59:12,648
<i>ALL RIGHT!</i>
<i>GET READY TO BRING THE RAIN,</i>
<i>BABY.</i>

730
00:59:12,650 --> 00:59:18,887
<i>[ LAUGHTER ]</i>

731
00:59:18,889 --> 01:00:13,909
<i>[ BIRDS SQUAWKING,</i>
<i>INSECTS CHIRPING ]</i>

732
01:00:13,911 --> 01:00:21,917
<i>[ GROANS, COUGHS ]</i>

733
01:00:21,919 --> 01:00:47,409
<i>>> TINOU HAS BEEN SENT HOME.</i>
<i>YOU ARE STRONG, BUT YOU LACK</i>
<i>FOCUS.</i>

734
01:00:47,411 --> 01:00:57,919
<i>>> YOU DON'T KNOW ANYTHING ABOUT</i>
<i>ME.</i>
<i>>> THAT IS WHERE YOU'RE WRONG.</i>

735
01:00:57,921 --> 01:00:59,655
<i>ME.</i>
<i>>> THAT IS WHERE YOU'RE WRONG.</i>
<i>I KNOW THAT THERE IS GREAT ANGER</i>

736
01:00:59,657 --> 01:01:00,722
<i>>> THAT IS WHERE YOU'RE WRONG.</i>
<i>I KNOW THAT THERE IS GREAT ANGER</i>
<i>INSIDE OF YOU.</i>

737
01:01:00,724 --> 01:01:02,724
<i>I KNOW THAT THERE IS GREAT ANGER</i>
<i>INSIDE OF YOU.</i>
<i>I ALSO KNOW THAT YOU LAY AWAKE</i>

738
01:01:02,726 --> 01:01:04,760
<i>INSIDE OF YOU.</i>
<i>I ALSO KNOW THAT YOU LAY AWAKE</i>
<i>AT NIGHT, WONDERING IF TOMORROW</i>

739
01:01:04,762 --> 01:01:06,795
<i>I ALSO KNOW THAT YOU LAY AWAKE</i>
<i>AT NIGHT, WONDERING IF TOMORROW</i>
<i>WILL BRING YOU THE ANSWERS THAT</i>

740
01:01:06,797 --> 01:01:09,097
<i>AT NIGHT, WONDERING IF TOMORROW</i>
<i>WILL BRING YOU THE ANSWERS THAT</i>
<i>YOU SEEK.</i>

741
01:01:09,099 --> 01:01:11,333
<i>WILL BRING YOU THE ANSWERS THAT</i>
<i>YOU SEEK.</i>
<i>THIS IS A VERY SPECIAL PLACE.</i>

742
01:01:11,335 --> 01:01:13,935
<i>YOU SEEK.</i>
<i>THIS IS A VERY SPECIAL PLACE.</i>
<i>IT IS THE FINAL RESTING PLACE OF</i>

743
01:01:13,937 --> 01:01:15,270
<i>THIS IS A VERY SPECIAL PLACE.</i>
<i>IT IS THE FINAL RESTING PLACE OF</i>
<i>OUR HOLY MOTHER.</i>

744
01:01:15,272 --> 01:01:17,739
<i>IT IS THE FINAL RESTING PLACE OF</i>
<i>OUR HOLY MOTHER.</i>
<i>HER LOSS WAS A GREAT EMOTIONAL</i>

745
01:01:17,741 --> 01:01:20,008
<i>OUR HOLY MOTHER.</i>
<i>HER LOSS WAS A GREAT EMOTIONAL</i>
<i>TRAGEDY TO US.</i>

746
01:01:20,010 --> 01:01:22,077
<i>HER LOSS WAS A GREAT EMOTIONAL</i>
<i>TRAGEDY TO US.</i>
<i>BUT, IN TIME, THE PAIN SERVED A</i>

747
01:01:22,079 --> 01:01:23,278
<i>TRAGEDY TO US.</i>
<i>BUT, IN TIME, THE PAIN SERVED A</i>
<i>PURPOSE.</i>

748
01:01:23,280 --> 01:01:25,280
<i>BUT, IN TIME, THE PAIN SERVED A</i>
<i>PURPOSE.</i>
<i>WE GREW STRONGER FROM IT --</i>

749
01:01:25,282 --> 01:01:27,215
<i>PURPOSE.</i>
<i>WE GREW STRONGER FROM IT --</i>
<i>STRONG ENOUGH TO UNITE OUR</i>

750
01:01:27,217 --> 01:01:29,384
<i>WE GREW STRONGER FROM IT --</i>
<i>STRONG ENOUGH TO UNITE OUR</i>
<i>PEOPLE AND BRING PEACE TO OUR</i>

751
01:01:29,386 --> 01:01:30,118
<i>STRONG ENOUGH TO UNITE OUR</i>
<i>PEOPLE AND BRING PEACE TO OUR</i>
<i>LAND.</i>

752
01:01:30,120 --> 01:01:32,220
<i>PEOPLE AND BRING PEACE TO OUR</i>
<i>LAND.</i>
<i>HER PRESENCE IS FELT ALWAYS,</i>

753
01:01:32,222 --> 01:01:34,022
<i>LAND.</i>
<i>HER PRESENCE IS FELT ALWAYS,</i>
<i>EVEN AFTER DEATH.</i>

754
01:01:34,024 --> 01:01:35,957
<i>HER PRESENCE IS FELT ALWAYS,</i>
<i>EVEN AFTER DEATH.</i>
<i>>> WHAT DOES IT HAVE TO DO WITH</i>

755
01:01:35,959 --> 01:01:36,291
<i>EVEN AFTER DEATH.</i>
<i>>> WHAT DOES IT HAVE TO DO WITH</i>
<i>ME?</i>

756
01:01:36,293 --> 01:01:39,227
<i>>> WHAT DOES IT HAVE TO DO WITH</i>
<i>ME?</i>
<i>LIFE ISN'T ABOUT COURAGE AND</i>

757
01:01:39,229 --> 01:01:40,195
<i>ME?</i>
<i>LIFE ISN'T ABOUT COURAGE AND</i>
<i>FAITH.</i>

758
01:01:40,197 --> 01:01:44,332
<i>LIFE ISN'T ABOUT COURAGE AND</i>
<i>FAITH.</i>
<i>LIFE IS CRUEL AND UNFORGIVING.</i>

759
01:01:44,334 --> 01:01:47,202
<i>FAITH.</i>
<i>LIFE IS CRUEL AND UNFORGIVING.</i>
<i>AND IT NEVER STOPS...</i>

760
01:01:47,204 --> 01:01:51,173
<i>LIFE IS CRUEL AND UNFORGIVING.</i>
<i>AND IT NEVER STOPS...</i>
<i>NOT UNTIL YOU DIE.</i>

761
01:01:51,175 --> 01:01:52,774
<i>AND IT NEVER STOPS...</i>
<i>NOT UNTIL YOU DIE.</i>
<i>THERE'S SOMETHING I NEED TO TELL</i>

762
01:01:52,776 --> 01:01:54,142
<i>NOT UNTIL YOU DIE.</i>
<i>THERE'S SOMETHING I NEED TO TELL</i>
<i>YOU.</i>

763
01:01:54,144 --> 01:01:55,977
<i>THERE'S SOMETHING I NEED TO TELL</i>
<i>YOU.</i>
<i>>> I KNOW WHY YOU'RE HERE,</i>

764
01:01:55,979 --> 01:01:56,478
<i>YOU.</i>
<i>>> I KNOW WHY YOU'RE HERE,</i>
<i>INARA.</i>

765
01:01:56,480 --> 01:01:58,747
<i>>> I KNOW WHY YOU'RE HERE,</i>
<i>INARA.</i>
<i>>> THEN, YOU KNOW MANY SOLDIERS</i>

766
01:01:58,749 --> 01:02:01,049
<i>INARA.</i>
<i>>> THEN, YOU KNOW MANY SOLDIERS</i>
<i>WILL COME.</i>

767
01:02:01,051 --> 01:02:07,856
<i>>> THEY ARE ALREADY HERE.</i>

768
01:02:07,858 --> 01:02:14,796
<i>THERE'S MUCH PRAYER TO BE DONE.</i>

769
01:02:14,798 --> 01:02:28,477
<i>[ WOMAN VOCALIZING ]</i>

770
01:02:28,479 --> 01:03:19,961
<i>>> ♪ OOH-OOH-OOH, OOH</i>
<i>♪ OOH-OOH-OOH, OOH</i>
<i>♪ OOH-OOH-OOH, OOH-OOH</i>

771
01:03:19,963 --> 01:03:26,301
<i>♪ OOH-OOH-OOH, OOH</i>
<i>♪ OOH-OOH-OOH, OOH-OOH</i>
<i>♪ OOH-OOH-OOH, OOH-OOH</i>

772
01:03:26,303 --> 01:03:36,545
<i>♪ OOH-OOH-OOH, OOH-OOH</i>
<i>♪ OOH-OOH-OOH, OOH-OOH</i>
<i>♪ OOH-OOH, OOH-OOH</i>

773
01:03:36,547 --> 01:03:44,953
<i>[ RIFLE FIRES ]</i>
<i>>> [ GASPS ]</i>
<i>[ PANTING ]</i>

774
01:03:44,955 --> 01:03:51,193
<i>[ INSECTS CHIRPING ]</i>

775
01:03:51,195 --> 01:06:33,355
<i>>> [ SCREECHES ]</i>

776
01:06:33,357 --> 01:07:24,672
<i>>> THERE IS AN INTRUDER AMONGST</i>
<i>YOU...</i>
<i>>> [ SPEAKING NATIVE LANGUAGE ]</i>

777
01:07:24,674 --> 01:07:31,146
<i>>> ...AN INTRUDER WHO HAS COME</i>
<i>TO TAKE YOU AWAY FROM THE LIFE</i>
<i>OF PEACE THAT YOU HAVE ALL COME</i>

778
01:07:31,148 --> 01:07:33,181
<i>TO TAKE YOU AWAY FROM THE LIFE</i>
<i>OF PEACE THAT YOU HAVE ALL COME</i>
<i>TO KNOW AND LOVE.</i>

779
01:07:33,183 --> 01:07:40,055
<i>I STAND BEFORE YOU WITH SHAME IN</i>
<i>MY HEART...</i>

780
01:07:40,057 --> 01:07:44,192
<i>...AND TEARS IN MY EYES.</i>

781
01:07:44,194 --> 01:07:52,233
<i>SHAME IN ADMITTING THAT I WAS</i>
<i>ONE OF THOSE WHO WOULD TAKE FROM</i>
<i>YOU.</i>

782
01:07:52,235 --> 01:07:57,806
<i>AND TEARS FOR THE LOSS THAT WE</i>
<i>HAVE ALL SUFFERED.</i>

783
01:07:57,808 --> 01:08:05,713
<i>WE HAVE LOST SOMEONE SO YOUNG,</i>
<i>SO FULL OF LIFE.</i>

784
01:08:05,715 --> 01:08:12,420
<i>AND TOMORROW, OUR ENEMY WILL</i>
<i>COME TO DEEPEN OUR SORROWS.</i>

785
01:08:12,422 --> 01:08:20,095
<i>BUT UNITED THEY WILL NOT BE</i>
<i>VICTORIOUS.</i>

786
01:08:20,097 --> 01:08:27,335
<i>UNITED, THE ENEMY WILL NOT BREAK</i>
<i>OUR BOND!</i>

787
01:08:27,337 --> 01:08:34,509
<i>UNITED, WE WILL SHOW THEM THE</i>
<i>ERROR IN THEIR WAYS!</i>

788
01:08:34,511 --> 01:08:43,284
<i>AND UNITED, WE WILL SHOW THEM</i>
<i>THAT WE ARE THE MASTERS OF OUR</i>
<i>FATE AND THE RULERS OF THIS</i>

789
01:08:43,286 --> 01:08:45,286
<i>THAT WE ARE THE MASTERS OF OUR</i>
<i>FATE AND THE RULERS OF THIS</i>
<i>LAND!</i>

790
01:08:45,288 --> 01:08:54,863
<i>[ ALL CHEERING ]</i>
<i>>> TONIGHT, WE MAKE PREPARATIONS</i>
<i>TO GO INTO BATTLE, AS WE HONOR</i>

791
01:08:54,865 --> 01:08:57,565
<i>>> TONIGHT, WE MAKE PREPARATIONS</i>
<i>TO GO INTO BATTLE, AS WE HONOR</i>
<i>OUR HOLY MOTHER IN A CEREMONIAL</i>

792
01:08:57,567 --> 01:08:59,234
<i>TO GO INTO BATTLE, AS WE HONOR</i>
<i>OUR HOLY MOTHER IN A CEREMONIAL</i>
<i>BATTLE.</i>

793
01:08:59,236 --> 01:09:01,903
<i>OUR HOLY MOTHER IN A CEREMONIAL</i>
<i>BATTLE.</i>
<i>INARA AND GARE'N, YOU HAVE BEEN</i>

794
01:09:01,905 --> 01:09:04,739
<i>BATTLE.</i>
<i>INARA AND GARE'N, YOU HAVE BEEN</i>
<i>CHOSEN.</i>

795
01:09:04,741 --> 01:09:07,242
<i>INARA AND GARE'N, YOU HAVE BEEN</i>
<i>CHOSEN.</i>
<i>GOOD LUCK TO THE BOTH OF YOU.</i>

796
01:09:07,244 --> 01:09:43,645
<i>[ BOTH GRUNT ]</i>

797
01:09:43,647 --> 01:11:08,863
<i>[ INSECTS CHIRPING ]</i>
<i>[ BOTH PANTING ]</i>

798
01:11:08,865 --> 01:11:37,625
<i>>> WHAT DOES IT HAVE TO DO WITH</i>
<i>ME?</i>
<i>LIFE ISN'T ABOUT COURAGE AND</i>

799
01:11:37,627 --> 01:11:38,359
<i>ME?</i>
<i>LIFE ISN'T ABOUT COURAGE AND</i>
<i>FAITH.</i>

800
01:11:38,361 --> 01:11:42,730
<i>LIFE ISN'T ABOUT COURAGE AND</i>
<i>FAITH.</i>
<i>LIFE IS CRUEL AND UNFORGIVING.</i>

801
01:11:42,732 --> 01:11:45,600
<i>FAITH.</i>
<i>LIFE IS CRUEL AND UNFORGIVING.</i>
<i>AND IT NEVER STOPS...</i>

802
01:11:45,602 --> 01:11:49,404
<i>LIFE IS CRUEL AND UNFORGIVING.</i>
<i>AND IT NEVER STOPS...</i>
<i>NOT UNTIL YOU DIE.</i>

803
01:11:49,406 --> 01:11:51,472
<i>AND IT NEVER STOPS...</i>
<i>NOT UNTIL YOU DIE.</i>
<i>>> SHE'S THE HOLY MOTHER.</i>

804
01:11:51,474 --> 01:11:54,409
<i>NOT UNTIL YOU DIE.</i>
<i>>> SHE'S THE HOLY MOTHER.</i>
<i>SHE'S THE ONE THEY ALL WORSHIP.</i>

805
01:11:54,411 --> 01:11:55,510
<i>>> SHE'S THE HOLY MOTHER.</i>
<i>SHE'S THE ONE THEY ALL WORSHIP.</i>
<i>IT'S OKAY, THOUGH.</i>

806
01:11:55,512 --> 01:11:57,011
<i>SHE'S THE ONE THEY ALL WORSHIP.</i>
<i>IT'S OKAY, THOUGH.</i>
<i>SHE AND HER BABY WILL BE WITH</i>

807
01:11:57,013 --> 01:11:58,946
<i>IT'S OKAY, THOUGH.</i>
<i>SHE AND HER BABY WILL BE WITH</i>
<i>THE LORD SOON.</i>

808
01:11:58,948 --> 01:12:01,482
<i>SHE AND HER BABY WILL BE WITH</i>
<i>THE LORD SOON.</i>
<i>[ BABY CRYING ]</i>

809
01:12:01,484 --> 01:12:14,996
<i>[ CRYING CONTINUES ]</i>

810
01:12:14,998 --> 01:12:42,056
<i>>> INARA.</i>

811
01:12:42,058 --> 01:15:24,252
<i>[ CHOIR SINGING</i>
<i>IN FOREIGN LANGUAGE ]</i>

812
01:15:24,254 --> 01:16:18,940
<i>>> ATTACK!</i>
<i>[ ALL YELLING ]</i>

813
01:16:18,942 --> 01:17:05,620
<i>>> ♪ OOH, OOH-OOH-OOH-OOH</i>
<i>♪ OOH-OOH, OOH-OOH</i>
<i>♪ OOH-OOH, OOH-OOH-OOH-OOH</i>

814
01:17:05,622 --> 01:17:07,655
<i>♪ OOH-OOH, OOH-OOH</i>
<i>♪ OOH-OOH, OOH-OOH-OOH-OOH</i>
<i>♪ OOH-OOH-OOH,</i>

815
01:17:07,657 --> 01:17:14,195
<i>♪ OOH-OOH, OOH-OOH-OOH-OOH</i>
<i>♪ OOH-OOH-OOH,</i>
<i>OOH-OOH, OOH-OOH, OOH ♪</i>

816
01:17:14,197 --> 01:17:48,062
<i>♪ OOH OOH OOH</i>

817
01:17:48,064 --> 01:18:05,112
<i>♪ OOH-OOH, OOH-OOH</i>
<i>♪ OOH</i>
<i>[ ALL CHEERING ]</i>

818
01:18:05,114 --> 01:18:22,396
<i>>> CRESCENT MOON, LIGHT THE</i>
<i>NIGHT FROM MY TIRED EYES TO</i>
<i>FIGHT FOR LIFE.</i>

819
01:18:22,398 --> 01:18:25,366
<i>NIGHT FROM MY TIRED EYES TO</i>
<i>FIGHT FOR LIFE.</i>
<i>STORMY SKIES, HEAR MY CRIES, FOR</i>

820
01:18:25,368 --> 01:18:29,837
<i>FIGHT FOR LIFE.</i>
<i>STORMY SKIES, HEAR MY CRIES, FOR</i>
<i>THE MEMORIES FROM THOSE TIMES.</i>

821
01:18:29,839 --> 01:18:32,006
<i>STORMY SKIES, HEAR MY CRIES, FOR</i>
<i>THE MEMORIES FROM THOSE TIMES.</i>
<i>THE PASSION THAT BURNED, AND YOU</i>

822
01:18:32,008 --> 01:18:33,007
<i>THE MEMORIES FROM THOSE TIMES.</i>
<i>THE PASSION THAT BURNED, AND YOU</i>
<i>DIDN'T KNOW.</i>

823
01:18:33,009 --> 01:18:35,042
<i>THE PASSION THAT BURNED, AND YOU</i>
<i>DIDN'T KNOW.</i>
<i>OUR SOULS WERE ONE, AND NOW I</i>

824
01:18:35,044 --> 01:18:37,244
<i>DIDN'T KNOW.</i>
<i>OUR SOULS WERE ONE, AND NOW I</i>
<i>MUST GO.</i>

825
01:18:37,246 --> 01:18:39,880
<i>OUR SOULS WERE ONE, AND NOW I</i>
<i>MUST GO.</i>
<i>GENTLE RAIN, WASH IT AWAY.</i>

826
01:18:39,882 --> 01:18:42,817
<i>MUST GO.</i>
<i>GENTLE RAIN, WASH IT AWAY.</i>
<i>ALL THE PAIN -- PLEASE, TAKE IT</i>

827
01:18:42,819 --> 01:18:44,485
<i>GENTLE RAIN, WASH IT AWAY.</i>
<i>ALL THE PAIN -- PLEASE, TAKE IT</i>
<i>AWAY.</i>

828
01:18:44,487 --> 01:18:47,188
<i>ALL THE PAIN -- PLEASE, TAKE IT</i>
<i>AWAY.</i>
<i>ROMANTIC HEART, LET IT GO.</i>

829
01:18:47,190 --> 01:18:49,390
<i>AWAY.</i>
<i>ROMANTIC HEART, LET IT GO.</i>
<i>FORGET THE THINGS YOU'LL NEVER</i>

830
01:18:49,392 --> 01:18:52,026
<i>ROMANTIC HEART, LET IT GO.</i>
<i>FORGET THE THINGS YOU'LL NEVER</i>
<i>KNOW.</i>

831
01:18:52,028 --> 01:19:28,262
<i>THE BATTLE WAS OVER, AND WE, THE</i>
<i>WOMEN OF THE NILE, WERE</i>
<i>VICTORIOUS.</i>

832
01:19:28,264 --> 01:19:30,464
<i>WOMEN OF THE NILE, WERE</i>
<i>VICTORIOUS.</i>
<i>BUT OUR VICTORY DID NOT COME</i>

833
01:19:30,466 --> 01:19:32,133
<i>VICTORIOUS.</i>
<i>BUT OUR VICTORY DID NOT COME</i>
<i>WITHOUT BLOODSHED.</i>

834
01:19:32,135 --> 01:19:34,902
<i>BUT OUR VICTORY DID NOT COME</i>
<i>WITHOUT BLOODSHED.</i>
<i>OUR BRAVE QUEEN, INARA, WAS LOST</i>

835
01:19:34,904 --> 01:19:36,537
<i>WITHOUT BLOODSHED.</i>
<i>OUR BRAVE QUEEN, INARA, WAS LOST</i>
<i>IN BATTLE.</i>

836
01:19:36,539 --> 01:19:39,807
<i>OUR BRAVE QUEEN, INARA, WAS LOST</i>
<i>IN BATTLE.</i>
<i>HER DEATH WAS AVENGED.</i>

837
01:19:39,809 --> 01:20:00,961
<i>>> AAH!</i>
<i>>> I UNDERSTAND NOW, FATHER.</i>
<i>I MISS YOU, AND I LOVE YOU.</i>

838
01:20:00,963 --> 01:20:15,543
<i>>> ARE YOU READY, MY QUEEN?</i>

839
01:20:15,545 --> 01:20:29,590
<i>>> [ SCREECHES ]</i>
<i>>> YES, I AM READY.</i>

840
01:20:29,592 --> 01:20:33,394
<i>[ YELLS ]</i>

841
01:20:33,396 --> 01:20:43,037
<i>>> THAT WAS AWESOME.</i>
<i>>> [ LAUGHS ]</i>
<i>>> OH, YEAH. OH, OH!</i>

842
01:20:43,039 --> 01:20:45,439
<i>>> [ LAUGHS ]</i>
<i>>> OH, YEAH. OH, OH!</i>
<i>[ LAUGHTER ]</i>

843
01:20:45,441 --> 01:20:50,945
<i>>> COMMENCE.</i>

844
01:20:50,947 --> 01:20:55,549
<i>>> I SEE YOU.</i>

845
01:20:55,551 --> 01:21:04,925
<i>[ ALARM BLARES ]</i>
<i>THAT'S WHAT WE NEED.</i>
<i>[ LAUGHTER ]</i>

846
01:21:04,927 --> 01:21:25,379
<i>>> BEFORE YOUR FATHER DIED, HE</i>
<i>ASKED ME TO LOOK AFTER YOU.</i>
<i>>> I COULD SERIOUSLY CARE LESS</i>

847
01:21:25,381 --> 01:21:28,082
<i>ASKED ME TO LOOK AFTER YOU.</i>
<i>>> I COULD SERIOUSLY CARE LESS</i>
<i>ABOUT LIAM AND HIS BOYS.</i>

848
01:21:28,084 --> 01:21:37,591
<i>>> CAN YOU SEE THIS SHOE?</i>
<i>>> OH, DEAR.</i>
<i>>> A SHOE?</i>

849
01:21:37,593 --> 01:21:39,960
<i>>> OH, DEAR.</i>
<i>>> A SHOE?</i>
<i>WHO THROWS A SHOE?</i>

850
01:21:39,962 --> 01:21:52,039
<i>>> YOU BLOCK THE SHIELD, YES.</i>
<i>AND FROM THE SHIELD...</i>

851
01:21:52,041 --> 01:22:00,114
<i>>> JOHNNY BROOKLYN, HOW YOU</i>
<i>DOING?</i>
<i>HOW YOU LIKE YOUR FIRST FILM,</i>

852
01:22:00,116 --> 01:22:01,081
<i>DOING?</i>
<i>HOW YOU LIKE YOUR FIRST FILM,</i>
<i>MAN?</i>

853
01:22:01,083 --> 01:22:03,584
<i>HOW YOU LIKE YOUR FIRST FILM,</i>
<i>MAN?</i>
<i>>> AWESOME. HAVING A GOOD TIME.</i>

854
01:22:03,586 --> 01:22:23,037
<i>>> OH, MY GOD! OH, MY GOD!</i>
<i>I GOT ALL YOUR DVDs!</i>
<i>I GOT ALL YOUR DVDs!</i>

855
01:22:23,039 --> 01:22:24,238
<i>I GOT ALL YOUR DVDs!</i>
<i>I GOT ALL YOUR DVDs!</i>
<i>[ LAUGHS ]</i>

856
01:22:24,240 --> 01:22:25,372
<i>I GOT ALL YOUR DVDs!</i>
<i>[ LAUGHS ]</i>
<i>CALI DANGER.</i>

857
01:22:25,374 --> 01:22:27,942
<i>[ LAUGHS ]</i>
<i>CALI DANGER.</i>
<i>EVERYBODY, CALI DANGER!</i>

858
01:22:27,944 --> 01:22:30,210
<i>CALI DANGER.</i>
<i>EVERYBODY, CALI DANGER!</i>
<i>>> IN THE FLESH!</i>

859
01:22:30,212 --> 01:23:01,375
<i>>> OH, THAT WAS AWESOME.</i>
<i>>> GIGGITY, HOT DAMN, VERY NICE,</i>
<i>APPRECIATE IT, YEP.</i>

860
01:23:01,377 --> 01:23:04,645
<i>>> GIGGITY, HOT DAMN, VERY NICE,</i>
<i>APPRECIATE IT, YEP.</i>
<i>[ LAUGHTER ]</i>

861
01:23:04,647 --> 01:23:06,146
<i>APPRECIATE IT, YEP.</i>
<i>[ LAUGHTER ]</i>
<i>>> THANK YOU.</i>

862
01:23:06,148 --> 01:23:14,655
<i>>> WHAT?</i>
<i>I AIN'T SCARED.</i>
<i>WHAT? YOU SCARED?</i>

863
01:23:14,657 --> 01:23:20,361
<i>[ LAUGHS ]</i>

864
01:23:20,363 --> 01:23:32,272
<i>>> KILLER BEE.</i>
<i>[ LAUGHS ]</i>

865
01:23:32,274 --> 01:23:56,764
<i>[ LAUGHTER ]</i>
<i>>> OH, MY GOSH.</i>
<i>>> QUIET ON SET. QUIET ON SET.</i>

866
01:23:56,766 --> 01:23:58,399
<i>>> OH, MY GOSH.</i>
<i>>> QUIET ON SET. QUIET ON SET.</i>
<i>WHAT ARE YOU DOING?</i>

867
01:23:58,401 --> 01:24:00,267
<i>>> QUIET ON SET. QUIET ON SET.</i>
<i>WHAT ARE YOU DOING?</i>
<i>[ ALL YELLING ]</i>

868
01:24:00,269 --> 01:24:08,675
<i>>> THANK YOU.</i>