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["Am I alone, and unobserved"
by Gilbert and Sullivan]

4
00:00:22,273 --> 00:00:26,402
<i>â™ª Am I alone and unobserved? â™ª</i>

5
00:00:27,403 --> 00:00:28,821
<i>â™ª I am â™ª</i>

6
00:00:36,412 --> 00:00:38,247
<i>â™ª Then let me own â™ª</i>

7
00:00:39,123 --> 00:00:41,917
<i>â™ª I'm an aesthetic sham! â™ª</i>

8
00:00:48,632 --> 00:00:51,594
Oh, there she is,
the toast of the West End.

9
00:00:51,886 --> 00:00:53,971
Harriet, darling,
don't mention toast.

10
00:00:54,221 --> 00:00:55,931
You know I'm off carbs.

11
00:00:56,182 --> 00:00:59,518
I have already called the half,
which is utterly redundant

12
00:00:59,769 --> 00:01:01,353
as the only person
in the production

13
00:01:01,604 --> 00:01:03,522
is gallivanting around
the streets of London

14
00:01:03,814 --> 00:01:06,192
- in his fucking costume.
- I needed fags.

15
00:01:06,275 --> 00:01:08,068
Story of my life.

16
00:01:08,319 --> 00:01:11,322
Do not smoke in your costume.
I have to take it back to the--

17
00:01:12,156 --> 00:01:13,866
- The higher company--
- On Monday.

18
00:01:13,949 --> 00:01:15,117
And there are
a bunch of fucking twats.

19
00:01:15,409 --> 00:01:16,243
They're breaking me
out in hives.

20
00:01:16,535 --> 00:01:18,370
Oh, they suit you, darling.

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00:01:18,454 --> 00:01:21,957
<i>â™ª This air severe</i>
<i>is but a mere â™ª</i>

22
00:01:22,249 --> 00:01:23,626
<i>â™ª Veneer! â™ª</i>

23
00:01:24,502 --> 00:01:27,505
That you think almost
as highly of this play

24
00:01:27,755 --> 00:01:29,590
as I do myself.

25
00:01:29,882 --> 00:01:33,427
<i>â™ª This cynic smile</i>
<i>is but a wile â™ª</i>

26
00:01:33,511 --> 00:01:35,137
<i>â™ª Of guile! â™ª</i>

27
00:01:36,555 --> 00:01:40,142
<i>â™ª This costume chaste</i>
<i>is but good taste â™ª</i>

28
00:01:40,434 --> 00:01:41,894
<i>â™ª Misplaced â™ª</i>

29
00:01:42,812 --> 00:01:46,106
Hello? Hi. Sorry, who's this?

30
00:01:46,190 --> 00:01:49,652
[over phone] <i>It's Oscar.</i>
<i>Oscar Conlon-Morrey.</i>

31
00:01:49,735 --> 00:01:52,530
Oh, right, sorry, I thought
you were the Ethiopian boy

32
00:01:52,780 --> 00:01:54,240
I met at Jersey Boys.

33
00:01:56,742 --> 00:01:59,078
Okay, so Oscar Wilde
wrote, right?

34
00:02:00,913 --> 00:02:02,748
Yeah, he was a playwright.

35
00:02:02,998 --> 00:02:05,209
- Yes.
- Right. So I mean,

36
00:02:05,292 --> 00:02:07,628
I didn't get that until like,
15 minutes into the thing.

37
00:02:07,878 --> 00:02:10,881
I mean, that wasn't clear to me,
and I work in the business, so.

38
00:02:11,924 --> 00:02:15,052
I-- I think most people know
who Oscar Wilde is.

39
00:02:15,302 --> 00:02:17,012
Most gay people do, at least.

40
00:02:17,263 --> 00:02:19,306
Well, I'm gay,
and I didn't get that.

41
00:02:19,557 --> 00:02:21,225
- So
- [Oscar] Did, uh...

42
00:02:21,517 --> 00:02:23,102
Did you manage to speak
to any of the investors

43
00:02:23,394 --> 00:02:24,562
that Carol invited yet?

44
00:02:24,854 --> 00:02:26,730
[Tim] Look, your show's
a tough sell.

45
00:02:26,814 --> 00:02:28,566
Investors know that.
We all get that.

46
00:02:28,858 --> 00:02:31,193
- We all agree. Right?
- That was the whole point

47
00:02:31,277 --> 00:02:33,320
of doing
the showcase last night.

48
00:02:33,404 --> 00:02:37,908
It was why I blew
3/4 of my life savings

49
00:02:37,992 --> 00:02:40,953
on hiring the Haymarket Theatre,
Oscar's Theatre,

50
00:02:41,203 --> 00:02:44,915
in order to raise funds
for my showcase.

51
00:02:45,207 --> 00:02:47,209
It's why Carol currently

52
00:02:47,293 --> 00:02:50,170
on Ryan Murphy's plane
to Thessaloniki.

53
00:02:50,421 --> 00:02:51,547
The private jet.
His private jet.

54
00:02:51,797 --> 00:02:52,756
It even has a name.

55
00:02:52,840 --> 00:02:54,216
Look, let me find out

56
00:02:54,466 --> 00:02:55,926
and I'll get back to you, okay?

57
00:02:56,176 --> 00:02:58,178
Look, we're here for you
if you need anything.

58
00:02:58,262 --> 00:02:59,722
Are you good?

59
00:03:00,014 --> 00:03:01,974
- Um, I actually wouldn't--
- [Tim] You're good. Okay.

60
00:03:02,057 --> 00:03:04,476
Look, we'll talk soon.
Okay? Bye.

61
00:03:04,727 --> 00:03:06,437
Sorry, Tim,
I was actually wondering...

62
00:03:08,939 --> 00:03:09,982
Hello?

63
00:03:12,192 --> 00:03:14,862
<i>â™ª It's here,</i>
[indistinct] â™ª

64
00:03:14,945 --> 00:03:17,239
<i>â™ª Alone retains its zest â™ª</i>

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00:03:17,531 --> 00:03:19,992
â™ª [indistinct lyrics] â™ª

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00:03:20,075 --> 00:03:21,118
[Oscar grunts]

67
00:03:21,952 --> 00:03:25,789
Shitty, darling. Very shitty.

68
00:03:25,873 --> 00:03:27,207
Just been on with my agent.

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00:03:28,042 --> 00:03:32,504
<i>Oh, Oscar, do you remember</i>
<i>what you told me</i> <i>the day we met?</i>

70
00:03:32,588 --> 00:03:35,257
[Oscar] Never wear Bermuda
shorts in central London.

71
00:03:36,550 --> 00:03:40,346
<i>- No.</i>
- Green is a difficult color?

72
00:03:40,638 --> 00:03:41,513
- [???] <i>No.</i>
- Chunky jewelry--

73
00:03:41,764 --> 00:03:46,060
<i>Oscar, no. Be yourself.</i>

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00:03:46,143 --> 00:03:48,729
Everyone else is already taken.

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00:03:49,021 --> 00:03:50,022
[Oscar] I never said that.

76
00:03:51,065 --> 00:03:53,233
Oscar said it.

77
00:03:53,317 --> 00:03:55,903
<i>All right, well, I knew</i>
<i>one of the two of you said it.</i>

78
00:03:55,986 --> 00:03:58,238
<i>I'm always confusing</i>
<i>you two, anyway.</i>

79
00:04:00,074 --> 00:04:01,283
[Oscar] Tell me about it.

80
00:04:01,367 --> 00:04:03,953
<i>Ooh. Are you naked?</i>

81
00:04:04,036 --> 00:04:06,163
[Oscar] As the day
I was born, darling.

82
00:04:06,246 --> 00:04:08,791
- Gotta go.
<i>- Love-- love you, mate.</i>

83
00:04:08,874 --> 00:04:09,917
[Oscar] Love you more.

84
00:04:10,834 --> 00:04:12,002
<i>Bye.</i>

85
00:04:13,087 --> 00:04:15,798
[Oscar sighing softly]

86
00:04:16,048 --> 00:04:21,679
The basis of character
is willpower.

87
00:04:21,762 --> 00:04:26,350
<i>â™ª A languid love for lilies</i>
<i>does not blight me â™ª</i>

88
00:04:26,433 --> 00:04:27,685
<i>â™ª A languid... â™ª</i>

89
00:04:27,935 --> 00:04:29,812
[Harriet]
Coffee in your costume again?

90
00:04:29,895 --> 00:04:31,563
[Oscar]
Relax, darling. It's decaf.

91
00:04:31,855 --> 00:04:33,565
<i>â™ª I do not care... â™ª</i>

92
00:04:33,816 --> 00:04:35,943
- A fan.
- Thank you.

93
00:04:36,026 --> 00:04:37,611
More pube brownies.

94
00:04:37,903 --> 00:04:39,738
Be sure to save me one.
[chuckling]

95
00:04:40,030 --> 00:04:41,365
<i>â™ª ...it's Japanese â™ª</i>

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00:04:41,657 --> 00:04:46,203
<i>â™ª I am not fond</i>
<i>of uttering platitudes â™ª</i>

97
00:04:46,286 --> 00:04:50,416
<i>â™ª In stained glass attitudes â™ª</i>

98
00:04:50,499 --> 00:04:52,084
<i>â™ª In short â™ª</i>

99
00:04:52,167 --> 00:04:56,922
<i>â™ª My medievalism's</i>
<i>affectation â™ª</i>

100
00:04:59,591 --> 00:05:01,927
<i>â™ª Born of a morbid love â™ª</i>

101
00:05:02,803 --> 00:05:05,305
<i>â™ª Of admiration â™ª</i>

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00:05:13,731 --> 00:05:20,320
{\an8}â™ª

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00:05:23,741 --> 00:05:27,036
<i>â™ª If you're anxious</i>
<i>for to shine</i> <i>in the high aesthetic line â™ª</i>

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00:05:27,327 --> 00:05:29,621
<i>â™ª As a man of culture rare â™ª</i>

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00:05:29,705 --> 00:05:32,875
<i>â™ª You must get up all the germs</i>
<i>of the transcendental terms â™ª</i>

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00:05:32,958 --> 00:05:35,502
<i>â™ª And plant them everywhere â™ª</i>

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00:05:35,586 --> 00:05:38,756
{\an8}<i>â™ª You must lie upon the daisies</i>
<i>and discourse in</i> <i>novel phrases â™ª</i>

108
00:05:39,048 --> 00:05:41,467
{\an8}<i>â™ª Of your complicated</i>
<i>state of mind â™ª</i>

109
00:05:41,550 --> 00:05:44,970
{\an8}<i>â™ª The meaning doesn't matter</i>
<i>if it's only idle chatter â™ª</i>

110
00:05:45,262 --> 00:05:48,348
{\an8}<i>â™ª Of a transcendental kind â™ª</i>

111
00:05:49,308 --> 00:05:52,311
{\an8}<i>â™ª And everyone will say â™ª</i>

112
00:05:52,394 --> 00:05:55,355
<i>â™ª As you walk your mystic way â™ª</i>

113
00:05:55,439 --> 00:05:58,275
<i>â™ª If this young man</i>
<i>expresses himself â™ª</i>

114
00:05:58,358 --> 00:06:00,778
<i>â™ª In terms too deep for me â™ª</i>

115
00:06:01,070 --> 00:06:04,156
{\an8}<i>â™ª Why, what a very singularly</i>
<i>deep young man â™ª</i>

116
00:06:04,239 --> 00:06:07,284
{\an8}<i>â™ª This deep young man must be â™ª</i>

117
00:06:13,040 --> 00:06:16,502
{\an8}<i>â™ª Be eloquent in praise</i>
<i>of the</i> [indistinct] â™ª

118
00:06:16,585 --> 00:06:18,212
<i>â™ª Which have long</i>
<i>since passed... â™ª</i>

119
00:06:18,295 --> 00:06:20,422
Is there anything
I have to do whilst I'm here?

120
00:06:20,506 --> 00:06:23,092
Yes, it's beautiful sceneries.

121
00:06:23,175 --> 00:06:24,676
- Yes.
- You can have the pizza.

122
00:06:24,927 --> 00:06:26,053
- The pizza?
- Yeah.

123
00:06:26,345 --> 00:06:27,930
They're the best pizza
in New York City.

124
00:06:28,013 --> 00:06:31,350
- Oh, and local delicacies.
- Of course. Yes.

125
00:06:31,433 --> 00:06:34,520
{\an8}<i>â™ª For art stopped short</i>
<i>in the cultivated court â™ª</i>

126
00:06:34,812 --> 00:06:37,981
{\an8}<i>â™ª Of the Empress Josephine â™ª</i>

127
00:06:39,108 --> 00:06:42,069
{\an8}<i>â™ª And everyone will say â™ª</i>

128
00:06:42,152 --> 00:06:45,155
{\an8}<i>â™ª As you walk your mystic way â™ª</i>

129
00:06:45,239 --> 00:06:48,117
{\an8}<i>â™ª If that's not</i>
<i>good enough for him â™ª</i>

130
00:06:48,200 --> 00:06:50,410
{\an8}<i>â™ª Which is good enough for me â™ª</i>

131
00:06:50,702 --> 00:06:54,248
{\an8}<i>â™ª Why, what a very cultivated</i>
<i>kind of youth â™ª</i>

132
00:06:54,331 --> 00:06:57,376
{\an8}<i>â™ª This kind of youth must be â™ª</i>

133
00:07:04,883 --> 00:07:08,554
I have nothing
to declare but my genius.

134
00:07:16,645 --> 00:07:18,230
Where can I find that pizza?

135
00:07:18,522 --> 00:07:21,441
{\an8}<i>â™ª In sentimental passion</i>
<i>of a vegetable fashion â™ª</i>

136
00:07:21,733 --> 00:07:23,986
{\an8}<i>â™ª Must excite</i>
<i>your languid speed â™ª</i>

137
00:07:24,278 --> 00:07:27,823
{\an8}<i>â™ª An attachment a la Plato</i>
<i>for a bashful young potato â™ª</i>

138
00:07:28,115 --> 00:07:30,159
{\an8}<i>â™ª Or a not too</i>
<i>French French bean â™ª</i>

139
00:07:30,242 --> 00:07:32,202
{\an8}<i>â™ª Though the philistines</i>
<i>may jostle â™ª</i>

140
00:07:32,494 --> 00:07:36,331
{\an8}<i>â™ª You will rank as an apostle</i>
<i>in the high aesthetic band â™ª</i>

141
00:07:36,415 --> 00:07:39,751
{\an8}<i>â™ª If you walk down Piccadilly</i>
<i>with a poppy or a lily â™ª</i>

142
00:07:39,835 --> 00:07:43,297
{\an8}<i>â™ª In your medieval hand â™ª</i>

143
00:07:44,173 --> 00:07:47,259
{\an8}<i>â™ª And everyone will say â™ª</i>

144
00:07:47,342 --> 00:07:50,387
{\an8}<i>â™ª As you walk your</i>
<i>flowery way â™ª</i>

145
00:07:50,470 --> 00:07:53,265
{\an8}<i>â™ª If he is content</i>
<i>with a vegetable love â™ª</i>

146
00:07:53,348 --> 00:07:55,767
{\an8}<i>â™ª Which would certainly</i>
<i>not suit me â™ª</i>

147
00:07:56,059 --> 00:07:59,438
{\an8}<i>â™ª Why, what a most particularly</i>
<i>pure young man â™ª</i>

148
00:07:59,521 --> 00:08:02,399
{\an8}<i>â™ª This pure young man must be â™ª</i>

149
00:08:02,482 --> 00:08:07,654
{\an8}â™ª

150
00:08:07,946 --> 00:08:09,531
{\an8}["It's a New Day"
(feat. Vicki Vox) by Holy See]

151
00:08:09,823 --> 00:08:12,743
{\an8}<i>â™ª Mmm, yeah, yeah â™ª</i>

152
00:08:13,035 --> 00:08:14,453
{\an8}<i>â™ª Oh, yeah â™ª</i>

153
00:08:16,830 --> 00:08:19,917
<i>â™ª It's a new day for a high â™ª</i>

154
00:08:20,000 --> 00:08:22,961
<i>â™ª For a high, for a high â™ª</i>

155
00:08:24,546 --> 00:08:27,799
<i>â™ª It's another day to thrive â™ª</i>

156
00:08:28,091 --> 00:08:30,344
<i>â™ª To thrive, good bye â™ª</i>

157
00:08:30,427 --> 00:08:34,181
[Oscar] I came to America
the first time in 1882,

158
00:08:34,264 --> 00:08:35,933
to promote
Gilbert and Sullivan's

159
00:08:36,016 --> 00:08:38,185
comic opera <i>Patience.</i>

160
00:08:38,435 --> 00:08:41,480
I lectured
for one year in 30 states

161
00:08:41,563 --> 00:08:43,440
from New York to California.

162
00:08:45,192 --> 00:08:47,027
By the time
I returned to England,

163
00:08:47,277 --> 00:08:48,654
I was a celebrity.

164
00:08:48,904 --> 00:08:51,782
The world's second
most famous queen.

165
00:08:52,032 --> 00:08:54,952
And I haven't written anything.
Well, nothing you'd know.

166
00:08:55,035 --> 00:08:59,414
Anyway, I was famous
just for being famous.

167
00:09:01,208 --> 00:09:03,919
May I continue
with the tour now, Mr. Wilde?

168
00:09:04,169 --> 00:09:06,088
Oh, my dear fellow.
Well, yes, of course.

169
00:09:06,171 --> 00:09:09,716
The suspense is terrible.
I do hope it lasts.

170
00:09:10,884 --> 00:09:14,054
<i>â™ª I just turn the page,</i>
<i>let it ride â™ª</i>

171
00:09:14,137 --> 00:09:16,223
<i>â™ª What a lie, what a lie â™ª</i>

172
00:09:16,473 --> 00:09:18,183
[John]
Madison Square park.

173
00:09:18,267 --> 00:09:20,602
An epicenter
of Wilde's time in New York.

174
00:09:21,395 --> 00:09:23,313
The Fifth Avenue Hotel,
where he would meet

175
00:09:23,397 --> 00:09:25,732
actresses for his plays.

176
00:09:25,983 --> 00:09:27,901
And Delmonico's,
his favorite restaurant.

177
00:09:28,986 --> 00:09:31,571
And on this side
of the square, Mansions,

178
00:09:31,822 --> 00:09:33,991
where Oscar was fated
by society.

179
00:09:34,241 --> 00:09:37,869
Oh, and Oscar's bank,
where he had to go one day,

180
00:09:38,120 --> 00:09:40,122
embarrassed to stop some checks

181
00:09:40,205 --> 00:09:42,499
because he had been conned
in a card game.

182
00:09:43,709 --> 00:09:46,628
Well, anybody
who lives within their means

183
00:09:46,712 --> 00:09:49,214
suffers from
a lack of imagination.

184
00:09:50,549 --> 00:09:51,800
Oh, so wonderful.

185
00:09:52,050 --> 00:09:53,635
- What's your name?
- Carlos.

186
00:09:53,719 --> 00:09:55,470
- Carlos.
- And this is Luca.

187
00:09:55,554 --> 00:09:57,764
- Hello. Luca.
- Luca, say hi.

188
00:09:58,015 --> 00:09:59,933
- Hey, baby.
- Say hello to Oscar Wilde.

189
00:10:00,017 --> 00:10:01,435
He's a famous person.

190
00:10:01,518 --> 00:10:03,228
It's wonderful
to meet you, Carlos.

191
00:10:03,312 --> 00:10:04,813
- Have a wonderful day.
- You look amazing.

192
00:10:04,896 --> 00:10:07,107
- It's a pleasure. Ciao.
- What a pleasure.

193
00:10:08,734 --> 00:10:09,901
Love Carlos.

194
00:10:12,070 --> 00:10:13,822
I am pleased to see
this building

195
00:10:14,114 --> 00:10:16,658
of neoclassical structure
has survived.

196
00:10:17,576 --> 00:10:19,328
[John] Well, I'm afraid
to have to tell you this,

197
00:10:19,411 --> 00:10:23,498
Mr. Wilde, but Stern Brothers
is now a Home Depot.

198
00:10:24,666 --> 00:10:26,209
A Home De--

199
00:10:26,293 --> 00:10:28,503
What in Christendom
is a Home Depot?

200
00:10:28,754 --> 00:10:30,922
Well, a DIY.

201
00:10:31,173 --> 00:10:33,050
DIY?

202
00:10:33,425 --> 00:10:34,801
[John] Do it yourself.

203
00:10:36,345 --> 00:10:37,679
Do what myself?

204
00:10:37,929 --> 00:10:40,682
Hm, your bedroom, your bathroom.

205
00:10:40,766 --> 00:10:42,601
Or-- or perhaps your kitchen.

206
00:10:43,769 --> 00:10:46,813
Oh, well, let us see

207
00:10:47,064 --> 00:10:50,734
if they have anything that can
live up to my blue China. Hm?

208
00:10:50,817 --> 00:10:53,445
[upbeat music playing]

209
00:11:07,292 --> 00:11:09,544
[John] Here we are
on Irving Place,

210
00:11:09,795 --> 00:11:12,464
on two houses, Oscar,
that you may recognize.

211
00:11:12,547 --> 00:11:14,883
Number 47 and number 49.

212
00:11:16,343 --> 00:11:19,346
At number 47 was a house
that Oscar Wilde

213
00:11:19,429 --> 00:11:21,848
actually stayed at
when he started taking rooms

214
00:11:22,140 --> 00:11:23,350
in rented accommodation

215
00:11:23,600 --> 00:11:25,310
after staying in hotels
most of the year.

216
00:11:26,103 --> 00:11:29,106
Your friend, Bessie Marbury,
also lived here.

217
00:11:29,356 --> 00:11:31,733
She became
your literary agent in America.

218
00:11:33,318 --> 00:11:35,695
And she lived here
with Elsie de Wolfe.

219
00:11:36,571 --> 00:11:38,740
Um, for a period of 30 years

220
00:11:38,990 --> 00:11:41,284
in what was known
then as a "Boston marriage."

221
00:11:41,576 --> 00:11:43,787
But we know now
they had a relationship,

222
00:11:44,079 --> 00:11:47,332
and they were one of America's
leading gay icons

223
00:11:47,416 --> 00:11:49,000
of the late 19th century.

224
00:11:49,251 --> 00:11:51,253
Bessie Marbury
was Wilde's literary agent,

225
00:11:51,503 --> 00:11:55,340
probably one of the first female
literary agents of her day.

226
00:11:55,424 --> 00:11:58,093
And her partner, Elsie de Wolfe,
almost certainly

227
00:11:58,343 --> 00:12:02,514
the first female
interior designer in America.

228
00:12:02,764 --> 00:12:05,267
And now, my dear Mr. Cooper,

229
00:12:05,350 --> 00:12:07,394
I must take my leave of you,

230
00:12:07,477 --> 00:12:09,271
for this promenade
through my past

231
00:12:09,354 --> 00:12:11,398
has bored me so wretchedly

232
00:12:11,648 --> 00:12:13,733
that I've nearly lost
all interest in life.

233
00:12:14,192 --> 00:12:16,236
Good day. Taxi.

234
00:12:18,447 --> 00:12:20,615
[tentative music]

235
00:12:26,705 --> 00:12:34,796
â™ª

236
00:12:35,046 --> 00:12:37,090
- Thank you, driver.
- [driver] How are you?

237
00:12:37,174 --> 00:12:38,592
- Thank you.
- [driver] All right.

238
00:12:38,842 --> 00:12:41,386
All right. Thank you very much.
All right, then.

239
00:12:50,729 --> 00:12:58,737
â™ª

240
00:13:53,041 --> 00:14:01,299
â™ª

241
00:14:11,268 --> 00:14:13,228
[indistinct chatter, laughter]

242
00:14:32,038 --> 00:14:33,081
[Luis] Oscar.

243
00:14:34,541 --> 00:14:35,667
You're back.

244
00:14:41,131 --> 00:14:42,424
This is Wonderful.

245
00:14:53,226 --> 00:14:54,352
[woman] Oscar.

246
00:14:56,146 --> 00:14:58,982
Good afternoon, dear Oscar.

247
00:14:59,232 --> 00:15:02,485
I hope
you are behaving very well.

248
00:15:02,736 --> 00:15:04,613
I'm feeling very well,
thank you.

249
00:15:04,863 --> 00:15:08,116
[chuckling] Well, that is not
quite the same thing.

250
00:15:08,199 --> 00:15:12,329
In fact, the two things rarely
go together. [chuckling]

251
00:15:12,579 --> 00:15:14,956
Oscar, I feel bound
to tell you

252
00:15:15,206 --> 00:15:19,002
that you are not on my list
of eligible young men.

253
00:15:23,006 --> 00:15:24,716
- Do you smoke?
- It's--

254
00:15:24,966 --> 00:15:28,345
- Yes, I must admit I do smoke.
- No, I'm glad to hear it.

255
00:15:28,595 --> 00:15:32,515
A man should always have
some occupation of some kind.

256
00:15:32,599 --> 00:15:36,519
There are far too many
idle men in New York as it is.

257
00:15:38,438 --> 00:15:40,231
How old are you?

258
00:15:40,565 --> 00:15:41,858
I'm 29.

259
00:15:42,108 --> 00:15:43,860
A good age to get married at.

260
00:15:44,444 --> 00:15:46,613
Tell the boys that. [chuckling]

261
00:15:46,863 --> 00:15:47,947
Boys?

262
00:15:49,491 --> 00:15:51,743
Oh, well, yes, Lady Bracknell.

263
00:15:52,118 --> 00:15:53,495
Uh, do you mean
you couldn't tell?

264
00:15:53,745 --> 00:15:56,373
The love that dare
not speak its name

265
00:15:56,623 --> 00:16:01,294
has always been a deep
spiritual affection

266
00:16:01,378 --> 00:16:04,422
is as pure as it is perfect.

267
00:16:04,506 --> 00:16:06,925
I've always been
of the opinion that a man

268
00:16:07,008 --> 00:16:08,760
who decides to get married,

269
00:16:08,843 --> 00:16:12,555
Should always know
either everything or nothing.

270
00:16:12,806 --> 00:16:14,265
Which do you know?

271
00:16:14,516 --> 00:16:16,810
I am too old to know everything.

272
00:16:18,520 --> 00:16:21,773
- I know nothing, Lady Bracknell.
- Well, I'm glad to hear it.

273
00:16:22,023 --> 00:16:23,525
I do not approve of anything

274
00:16:23,817 --> 00:16:26,653
that tampers
with natural ignorance.

275
00:16:26,945 --> 00:16:30,782
Indeed, ignorance
is like a delicate exotic fruit.

276
00:16:30,865 --> 00:16:33,284
Touch it and the bloom is gone.

277
00:16:34,619 --> 00:16:35,954
Hmm.

278
00:16:36,955 --> 00:16:39,249
Dishes will not be
necessary, Luis.

279
00:16:39,541 --> 00:16:43,670
We will not be eating
this cucumber sandwiches,

280
00:16:43,920 --> 00:16:45,296
just admiring them.

281
00:16:46,381 --> 00:16:49,801
And now to minor matters,
Mr. Worthing.

282
00:16:49,884 --> 00:16:51,594
Are your parents living?

283
00:16:51,845 --> 00:16:53,054
Mr. Worth--

284
00:16:54,889 --> 00:16:57,475
[clearing throat]
I have lost both my parents.

285
00:16:57,726 --> 00:17:00,311
To lose one parent,
Mr. Worthing,

286
00:17:00,395 --> 00:17:03,314
may be regarded as a misfortune.

287
00:17:03,398 --> 00:17:07,444
But to lose both
looks like carelessness.

288
00:17:07,527 --> 00:17:09,237
Who was your father?

289
00:17:09,320 --> 00:17:11,281
[quirky music]

290
00:17:13,450 --> 00:17:15,452
Uh, my fath--

291
00:17:15,535 --> 00:17:22,083
â™ª

292
00:17:22,333 --> 00:17:23,376
[Oscar clearing throat]

293
00:17:43,229 --> 00:17:44,981
I'm afraid I really don't know.

294
00:17:45,565 --> 00:17:49,444
The fact is, Lady Bracknell,
I said I had lost my parents.

295
00:17:49,694 --> 00:17:51,613
It would be nearer
the truth to say

296
00:17:52,030 --> 00:17:55,158
my parents seem to have lost me.

297
00:17:55,241 --> 00:17:57,994
I don't actually know
who I am by birth.

298
00:17:58,077 --> 00:17:59,788
I was...

299
00:18:00,079 --> 00:18:01,414
Well, I was found.

300
00:18:01,664 --> 00:18:02,999
Found?

301
00:18:03,708 --> 00:18:07,003
The late Mr. Thomas Cardew,
an old gentleman

302
00:18:07,253 --> 00:18:10,131
of a very charitable
and kindly disposition

303
00:18:10,381 --> 00:18:13,218
found me and gave me
the name of Worthing.

304
00:18:13,301 --> 00:18:15,595
Because he happened to have
a first class ticket

305
00:18:15,845 --> 00:18:17,972
for Worthing
in his pocket at the time.

306
00:18:18,515 --> 00:18:22,018
Worthing is a place in Sussex.
It is a seaside resort.

307
00:18:22,560 --> 00:18:26,272
Wh-- whe- where-- where did
this charitable gentleman,

308
00:18:26,356 --> 00:18:28,274
who had a first class ticket

309
00:18:28,358 --> 00:18:32,237
to this seaside resort,
find you?

310
00:18:36,866 --> 00:18:38,409
- In a handbag.
- [Lady Bracknell gasps]

311
00:18:38,660 --> 00:18:42,163
A handbag?

312
00:18:42,247 --> 00:18:45,500
Yes. Yes, I was in a handbag.

313
00:18:45,583 --> 00:18:49,796
A somewhat large handbag
with handles to it.

314
00:18:50,547 --> 00:18:51,965
An ordinary handbag, in fact.

315
00:18:52,048 --> 00:18:55,176
Oh, and-- and-- and
in what locality

316
00:18:55,426 --> 00:19:00,390
did this Mr. James
or Thomas Cardew

317
00:19:00,473 --> 00:19:05,311
come across
this ordinary handbag?

318
00:19:05,937 --> 00:19:08,648
In the cloakroom
at Victoria Station.

319
00:19:08,898 --> 00:19:10,984
It was given to him
in mistake for his own.

320
00:19:11,067 --> 00:19:16,573
The cloakroom
at Victoria Station?

321
00:19:16,823 --> 00:19:18,449
Yes, the Brighton line.

322
00:19:18,741 --> 00:19:23,538
The line is immaterial.

323
00:19:24,247 --> 00:19:27,834
I strongly advise you,
Mr. Worthing,

324
00:19:27,917 --> 00:19:32,422
to try and acquire some relation
as soon as possible.

325
00:19:32,505 --> 00:19:35,842
Well, I don't see how I could
possibly manage to do that.

326
00:19:35,925 --> 00:19:38,428
I can produce the handbag
at any moment.

327
00:19:38,511 --> 00:19:40,471
It is
in my dressing room at home.

328
00:19:40,722 --> 00:19:43,892
I really think that should
satisfy you, Lady Bracknell.

329
00:19:44,183 --> 00:19:45,268
[Lady Bracknell] Me, sir?

330
00:19:45,351 --> 00:19:46,728
[chuckling softly]

331
00:19:46,978 --> 00:19:49,856
Thank you, Lady Bracknell.

332
00:19:55,111 --> 00:19:57,071
Good day, Oscar.

333
00:19:59,908 --> 00:20:01,576
[chuckles] That was fun.

334
00:20:01,826 --> 00:20:03,870
[Lady Bracknell chuckling]

335
00:20:04,579 --> 00:20:05,914
Laughing to myself.

336
00:20:05,997 --> 00:20:07,415
[Lady Bracknell laughing softly]

337
00:20:07,498 --> 00:20:10,835
["Be Yourself"
by Oscar Conlon-Morrey]

338
00:20:15,340 --> 00:20:17,383
<i>â™ª I'm a young girl â™ª</i>

339
00:20:17,467 --> 00:20:22,013
<i>â™ª And I've just come over â™ª</i>

340
00:20:22,096 --> 00:20:24,849
<i>â™ª Over from the country â™ª</i>

341
00:20:25,141 --> 00:20:29,520
<i>â™ª Where they do things big â™ª</i>

342
00:20:29,812 --> 00:20:31,856
<i>â™ª And amongst the boys â™ª</i>

343
00:20:32,148 --> 00:20:36,110
<i>â™ª I found me a lover â™ª</i>

344
00:20:36,402 --> 00:20:39,030
<i>â™ª And since I have a lover â™ª</i>

345
00:20:39,113 --> 00:20:43,576
<i>â™ª I just don't care a fig â™ª</i>

346
00:20:43,868 --> 00:20:49,999
<i>â™ª The boy I love</i>
<i>is up in the gallery â™ª</i>

347
00:20:50,291 --> 00:20:55,755
<i>â™ª The boy I love</i>
<i>is looking now at me â™ª</i>

348
00:20:56,714 --> 00:20:59,801
<i>â™ª There he is, can't you see â™ª</i>

349
00:20:59,884 --> 00:21:02,845
<i>â™ª Waving his handkerchief â™ª</i>

350
00:21:03,137 --> 00:21:06,432
<i>â™ª As merry as a robin â™ª</i>

351
00:21:06,516 --> 00:21:09,644
<i>â™ª That sings on a tree â™ª</i>

352
00:21:09,936 --> 00:21:12,981
<i>â™ª The boy I love â™ª</i>

353
00:21:13,272 --> 00:21:16,693
<i>â™ª Is up in the gallery â™ª</i>

354
00:21:16,776 --> 00:21:19,487
<i>â™ª The boy I love â™ª</i>

355
00:21:19,779 --> 00:21:23,074
<i>â™ª Is looking now at me â™ª</i>

356
00:21:23,533 --> 00:21:26,244
<i>â™ª There he is, can't you see â™ª</i>

357
00:21:26,536 --> 00:21:29,747
<i>â™ª Waving his handkerchief â™ª</i>

358
00:21:30,039 --> 00:21:32,875
<i>â™ª As merry as a robin â™ª</i>

359
00:21:33,167 --> 00:21:37,213
<i>â™ª That sings on a tree â™ª</i>

360
00:21:39,257 --> 00:21:42,218
Oh, my God.
Is that who I think it is?

361
00:21:42,802 --> 00:21:46,639
Gay Benjamin Franklin
with a Lestat blowout.

362
00:21:48,349 --> 00:21:50,643
Somebody call Anne Rice.

363
00:21:51,060 --> 00:21:55,273
Ladies and gentlemen,
my friend Oscar.

364
00:21:55,356 --> 00:21:59,610
[dramatic piano music]

365
00:22:02,405 --> 00:22:03,865
Now, I'm sure
you've heard it said

366
00:22:03,948 --> 00:22:06,784
that truth is beauty,
beauty, truth.

367
00:22:06,868 --> 00:22:08,578
It wasn't me, dear.
It was Keats.

368
00:22:08,828 --> 00:22:10,538
I wouldn't dream
of taking the credit.

369
00:22:10,830 --> 00:22:14,000
Even so, perhaps
you've also heard it said

370
00:22:14,083 --> 00:22:16,252
that I am a lover of youth.

371
00:22:16,502 --> 00:22:18,254
I did say that and it caused

372
00:22:18,337 --> 00:22:20,339
quite a bit of trouble
with the law.

373
00:22:20,631 --> 00:22:22,258
Don't you know?

374
00:22:22,800 --> 00:22:25,511
<i>â™ª Illusion is the first</i>
<i>of all life's pleasures â™ª</i>

375
00:22:25,762 --> 00:22:27,305
That one's mine.

376
00:22:27,597 --> 00:22:29,891
<i>â™ª The world's a stage</i>
<i>the play is badly cast â™ª</i>

377
00:22:29,974 --> 00:22:31,392
Also me.

378
00:22:31,893 --> 00:22:34,812
<i>â™ª Escape it all</i>
<i>by cherishing your treasures â™ª</i>

379
00:22:35,104 --> 00:22:36,689
I paraphrase.

380
00:22:36,981 --> 00:22:38,775
<i>â™ª And soon you'll find</i>
<i>the fear of life â™ª</i>

381
00:22:39,067 --> 00:22:42,904
<i>â™ª Has passed Dorian Gray â™ª</i>

382
00:22:43,154 --> 00:22:45,782
And look, I know
all this sounds fabulous

383
00:22:45,865 --> 00:22:47,909
and desperately clever

384
00:22:48,284 --> 00:22:52,121
and the history books
all say that was my charm

385
00:22:52,413 --> 00:22:56,501
but when first I ventured
forth on my aesthetical endeavor

386
00:22:56,751 --> 00:23:00,338
I was treated
not with kindness but alarm.

387
00:23:01,339 --> 00:23:04,675
<i>â™ª For they'd never seen</i>
<i>a man wear so much satin â™ª</i>

388
00:23:04,967 --> 00:23:10,014
<i>â™ª So much lace with hair</i>
<i>cascading down around his ear â™ª</i>

389
00:23:10,098 --> 00:23:12,266
<i>â™ª And so the lesson</i>
<i>that I learned â™ª</i>

390
00:23:12,558 --> 00:23:14,977
<i>â™ª I learned</i>
<i>with elegance and grace â™ª</i>

391
00:23:15,269 --> 00:23:21,400
<i>â™ª And it's one that I've been</i>
<i>passing on for years â™ª</i>

392
00:23:21,692 --> 00:23:26,364
<i>â™ª Be yourself, be yourself â™ª</i>

393
00:23:27,323 --> 00:23:29,450
<i>â™ª Everyone else is taken â™ª</i>

394
00:23:29,742 --> 00:23:32,662
<i>â™ª Be yourself, just yourself â™ª</i>

395
00:23:33,204 --> 00:23:35,832
<i>â™ª Nobody else will do â™ª</i>

396
00:23:36,165 --> 00:23:39,752
<i>â™ª Why should you</i>
<i>try to comply â™ª</i>

397
00:23:40,044 --> 00:23:43,923
<i>â™ª And pretend</i>
<i>to be a person you're not? â™ª</i>

398
00:23:44,215 --> 00:23:47,426
<i>â™ª Someone you don't even know â™ª</i>

399
00:23:47,718 --> 00:23:53,057
<i>â™ª Why live a lie and deny</i>
<i>who you're meant to be? â™ª</i>

400
00:23:53,349 --> 00:23:55,977
<i>â™ª Show the world</i>
<i>just what you've got â™ª</i>

401
00:23:56,060 --> 00:23:59,730
<i>â™ª Better to be seen than not â™ª</i>

402
00:24:00,022 --> 00:24:04,652
<i>â™ª So be yourself, be yourself â™ª</i>

403
00:24:05,319 --> 00:24:07,530
<i>â™ª Everyone else is taken â™ª</i>

404
00:24:07,613 --> 00:24:10,783
<i>â™ª Be yourself, just yourself â™ª</i>

405
00:24:11,242 --> 00:24:16,747
<i>â™ª Nobody else is you â™ª</i>

406
00:24:21,377 --> 00:24:25,423
Now, before I go there's one
thing I ought probably address

407
00:24:25,506 --> 00:24:29,051
an elephantine presence
you could say,

408
00:24:29,135 --> 00:24:32,847
for if anybody didn't understand
the way I dressed

409
00:24:33,139 --> 00:24:37,768
they really didn't like
that I was, well, quite.

410
00:24:37,852 --> 00:24:40,396
<i>â™ª And yet our differences</i>
<i>are numerous â™ª</i>

411
00:24:40,479 --> 00:24:42,648
<i>â™ª As stars up in the sky â™ª</i>

412
00:24:42,732 --> 00:24:46,444
<i>â™ª Why take one little thing</i>
<i>so much to heart â™ª</i>

413
00:24:46,736 --> 00:24:48,946
<i>â™ª No, no, however</i>
<i>you may love â™ª</i>

414
00:24:49,238 --> 00:24:51,741
<i>â™ª However you identify â™ª</i>

415
00:24:52,033 --> 00:24:54,952
<i>â™ª Remember</i>
<i>you're a living, breathing â™ª</i>

416
00:24:55,244 --> 00:24:58,789
<i>â™ª Walking work of art â™ª</i>

417
00:24:58,873 --> 00:25:03,544
<i>â™ª So be yourself, be yourself â™ª</i>

418
00:25:04,045 --> 00:25:06,422
<i>â™ª Everyone else is taken â™ª</i>

419
00:25:06,505 --> 00:25:09,091
<i>â™ª Be yourself, just yourself â™ª</i>

420
00:25:09,383 --> 00:25:11,719
<i>â™ª Nobody else will do â™ª</i>

421
00:25:12,011 --> 00:25:17,099
<i>â™ª Why live a lie and deny</i>
<i>who you're meant to be? â™ª</i>

422
00:25:17,183 --> 00:25:19,518
<i>â™ª Make the bastards</i>
<i>turn and look â™ª</i>

423
00:25:19,602 --> 00:25:22,772
<i>â™ª Take a leaf</i>
<i>from Oscar's book â™ª</i>

424
00:25:23,064 --> 00:25:27,109
<i>â™ª And be yourself</i>
<i>Be yourself â™ª</i>

425
00:25:27,693 --> 00:25:29,403
<i>â™ª Everyone else is taken â™ª</i>

426
00:25:29,695 --> 00:25:32,531
<i>â™ª Be yourself, just yourself â™ª</i>

427
00:25:32,615 --> 00:25:39,080
<i>â™ª Nobody else is you â™ª</i>

428
00:25:39,163 --> 00:25:41,624
â™ª

429
00:25:43,376 --> 00:25:45,795
[street din]

430
00:26:16,742 --> 00:26:20,204
[Oscar] <i>Facts are usurping</i>
<i>the domain of fancy.</i>

431
00:26:20,288 --> 00:26:22,873
<i>And have invaded</i>
<i>the kingdom of romance.</i>

432
00:26:23,958 --> 00:26:26,335
<i>The crude</i>
<i>commercialization of America,</i>

433
00:26:26,585 --> 00:26:28,296
<i>its materializing spiritual,</i>

434
00:26:28,379 --> 00:26:30,965
<i>its indifference</i>
<i>to the poetical side of things.</i>

435
00:26:31,215 --> 00:26:32,800
<i>And its lack of imagination</i>

436
00:26:33,050 --> 00:26:35,386
<i>and of high,</i>
<i>unattainable ideals.</i>

437
00:26:35,636 --> 00:26:37,471
{\an8}<i>Are entirely due</i>
<i>to that country</i>

438
00:26:37,722 --> 00:26:39,682
{\an8}<i>having adopted</i>
<i>for its national hero</i>

439
00:26:39,932 --> 00:26:42,935
{\an8}<i>a man who, according</i>
<i>to his own confession,</i>

440
00:26:43,019 --> 00:26:46,230
<i>was incapable of telling a lie.</i>

441
00:26:47,106 --> 00:26:49,108
<i>And it's not too much to say</i>

442
00:26:49,358 --> 00:26:51,152
<i>that the story</i>
<i>of George Washington</i>

443
00:26:51,235 --> 00:26:53,446
<i>and the cherry tree</i>
<i>has done more harm</i>

444
00:26:53,529 --> 00:26:55,406
<i>and in a shorter space of time</i>

445
00:26:55,489 --> 00:26:59,910
<i>than any other moral tale</i>
<i>in the whole of literature.</i>

446
00:26:59,994 --> 00:27:03,247
[intriguing classical music]

447
00:27:39,658 --> 00:27:47,124
â™ª

448
00:28:04,475 --> 00:28:06,852
Oscar. Welcome.

449
00:28:07,103 --> 00:28:08,396
Ms. North.

450
00:28:08,479 --> 00:28:10,523
What a pleasure
to meet you in the flesh.

451
00:28:10,773 --> 00:28:12,483
Oh, thank you
so much for coming.

452
00:28:12,733 --> 00:28:14,819
Thank you for my invitation.
It's an honor.

453
00:28:16,028 --> 00:28:18,989
- Of course.
- What a beautiful home.

454
00:28:19,240 --> 00:28:21,784
- Thank you.
- This is stunning.

455
00:28:21,867 --> 00:28:23,452
- We're glad to have you.
- Bless you.

456
00:28:23,702 --> 00:28:25,329
- Come inside.
- Oh, thank you so much.

457
00:28:25,579 --> 00:28:27,748
I can't wait to see
your interior design.

458
00:28:27,832 --> 00:28:29,375
[Ms. North chuckling]
How was your trip?

459
00:28:29,625 --> 00:28:31,127
Oh, hot.

460
00:28:31,210 --> 00:28:32,461
[Ms. North laughing]

461
00:28:32,753 --> 00:28:38,759
â™ª

462
00:28:39,468 --> 00:28:42,555
I am very glad
to have been invited

463
00:28:42,638 --> 00:28:46,475
and to address an audience in...

464
00:28:46,559 --> 00:28:48,894
Winston-Salem, North Carolina.

465
00:28:48,978 --> 00:28:51,772
And I am impelled
for the first time in my life

466
00:28:52,273 --> 00:28:55,651
to breathe a fervent prayer.

467
00:28:55,734 --> 00:28:59,905
God, save me
from my disciples.

468
00:29:00,197 --> 00:29:03,033
[women chuckling]

469
00:29:03,117 --> 00:29:05,536
Your people love art.

470
00:29:05,786 --> 00:29:08,456
- Yes?
- [women] Yes. Yeah.

471
00:29:08,539 --> 00:29:12,751
But you do not sufficiently
honor the handicraftsman.

472
00:29:14,628 --> 00:29:16,964
I did not imagine until I went

473
00:29:17,047 --> 00:29:20,801
into some of your simpler cities

474
00:29:20,885 --> 00:29:24,096
that there was so much
bad work done.

475
00:29:24,388 --> 00:29:28,058
I found where I went
bad wallpapers,

476
00:29:28,142 --> 00:29:33,022
horribly designed
and colored carpets.

477
00:29:34,523 --> 00:29:39,028
Oh, and that old offender,
the horse hair sofa.

478
00:29:39,320 --> 00:29:42,198
- Oh, my God.
- My husband's grandmother

479
00:29:42,281 --> 00:29:44,617
had one
right in the living room.

480
00:29:44,867 --> 00:29:46,702
- What is that?
- Stank like the devil.

481
00:29:46,952 --> 00:29:48,329
- [laugher]
- And so did she.

482
00:29:48,412 --> 00:29:50,456
[overlapping conversation]

483
00:29:50,539 --> 00:29:52,333
Ladies, ladies.

484
00:29:52,416 --> 00:29:54,668
- [women murmuring]
- Excuse me. Thank you.

485
00:29:54,919 --> 00:29:59,840
Have no great flaming chandelier
in the center of the room.

486
00:30:02,760 --> 00:30:06,555
Also, you should not have
cast iron railings

487
00:30:06,805 --> 00:30:08,724
fixed outside the house.

488
00:30:08,807 --> 00:30:11,560
Oh, I think
Amy has some of those.

489
00:30:11,810 --> 00:30:12,770
She does.

490
00:30:13,687 --> 00:30:15,564
There is nothing,
to my mind,

491
00:30:15,814 --> 00:30:19,360
more coarse in conception
and more vulgar

492
00:30:19,610 --> 00:30:23,531
in execution
than modern jewelry.

493
00:30:23,614 --> 00:30:26,575
- Yes, and thank you.
- No, and thank you.

494
00:30:28,494 --> 00:30:31,914
We spend our days looking
for the secret of life.

495
00:30:33,290 --> 00:30:34,333
Well.

496
00:30:35,084 --> 00:30:37,253
[tentative music]

497
00:30:37,336 --> 00:30:39,088
The secret of life...

498
00:30:39,672 --> 00:30:41,215
is in art.

499
00:30:42,341 --> 00:30:43,676
[laughter]

500
00:30:43,926 --> 00:30:46,887
[women chanting] Bravo. Bravo.

501
00:30:46,971 --> 00:30:48,556
[Alyson Williams]
<i>"Illusion is the first</i>

502
00:30:48,639 --> 00:30:50,599
<i>of all pleasures."</i>

503
00:30:50,849 --> 00:30:54,436
<i>"The world's a stage</i>
<i>and the play is badly cast."</i>

504
00:30:54,520 --> 00:30:58,190
<i>Escape it all</i>
<i>by cherishing your treasures</i>

505
00:30:58,274 --> 00:31:01,735
<i>and soon you'll find</i>
<i>the fear of light has passed.</i>

506
00:31:01,986 --> 00:31:05,364
["Be Yourself" (Dance version)
by Alyson Williams]

507
00:31:05,656 --> 00:31:07,366
[Oscar]
Right and left, left and right.

508
00:31:07,658 --> 00:31:10,369
Right and left, left and right.
Right and left, left and right.

509
00:31:10,452 --> 00:31:12,454
The secret of life...

510
00:31:12,705 --> 00:31:14,540
is in art.

511
00:31:14,623 --> 00:31:17,376
And no iron railings!

512
00:31:17,459 --> 00:31:19,253
Yes. And thank you.

513
00:31:19,336 --> 00:31:22,756
[all cheering]

514
00:31:23,007 --> 00:31:24,383
Cheers, darling.

515
00:31:24,633 --> 00:31:27,303
[all cheering]

516
00:31:27,386 --> 00:31:32,641
â™ª

517
00:31:32,933 --> 00:31:36,478
<i>â™ª Why live a lie, try to deny â™ª</i>

518
00:31:36,562 --> 00:31:39,189
<i>â™ª Who you were really</i>
<i>meant to be â™ª</i>

519
00:31:40,357 --> 00:31:42,610
<i>â™ª Show the world</i>
<i>just what you got â™ª</i>

520
00:31:43,986 --> 00:31:46,572
<i>â™ª It's better</i>
<i>to be seen than not â™ª</i>

521
00:31:47,781 --> 00:31:51,410
<i>â™ª Be yourself, be yourself,</i>
<i>everyone else is taken â™ª</i>

522
00:31:51,493 --> 00:31:55,456
<i>â™ª Be yourself, just yourself,</i>
<i>nobody else will do â™ª</i>

523
00:31:55,539 --> 00:31:58,959
â™ª Be yourself, be yourself,
everyone else is taken â™ª

524
00:31:59,251 --> 00:32:03,339
<i>â™ª Be yourself, just yourself,</i>
<i>nobody else is you â™ª</i>

525
00:32:07,760 --> 00:32:10,471
<i>â™ª Fact is, folks</i>
<i>are terrified â™ª</i>

526
00:32:10,554 --> 00:32:12,556
<i>â™ª Of different large or small â™ª</i>

527
00:32:12,848 --> 00:32:15,684
<i>â™ª In creed or culture,</i>
<i>looks or speech or skin â™ª</i>

528
00:32:16,602 --> 00:32:18,937
<i>â™ª But how you gonna find</i>
<i>the beauty out there? â™ª</i>

529
00:32:19,188 --> 00:32:20,481
[Alyson] Oscar.

530
00:32:21,607 --> 00:32:22,733
- Oscar.
- Alyson

531
00:32:22,983 --> 00:32:24,985
Oscar, baby, you made it.

532
00:32:25,235 --> 00:32:26,445
- [Alyson exclaims]
- Oh, my darling.

533
00:32:26,528 --> 00:32:28,113
I'm so glad
you were able to come

534
00:32:28,364 --> 00:32:29,990
- and look at you.
- Thank you for having me.

535
00:32:30,074 --> 00:32:32,034
And a costume change
for you as well.

536
00:32:32,117 --> 00:32:34,703
- Well, absolutely.
- You look delectable, darling.

537
00:32:34,953 --> 00:32:37,039
Listen, I want you to meet
a dear friend of mine.

538
00:32:37,122 --> 00:32:40,834
His name is Randy Jones
and he's just going to love you.

539
00:32:40,918 --> 00:32:42,378
Now listen,
come on here with me.

540
00:32:42,461 --> 00:32:43,754
I'm sure he's in here somewhere.

541
00:32:44,254 --> 00:32:45,297
[Alyson gasps]

542
00:32:45,964 --> 00:32:50,177
We're picking people
from our party to, uh,

543
00:32:50,469 --> 00:32:52,680
Be with us later
for a little, uh,

544
00:32:52,763 --> 00:32:56,016
how can I say,
burlesque type show.

545
00:32:56,100 --> 00:32:57,601
- Oh, burlesque.
- Strippers, basically.

546
00:32:57,851 --> 00:32:58,811
- Strippers?
- But we're gonna pick them

547
00:32:59,061 --> 00:33:00,354
from the audience.

548
00:33:00,604 --> 00:33:01,980
- You wanna help?
- That sounds like vaudeville.

549
00:33:02,064 --> 00:33:03,524
I'm very much--
Oh, can I grab a little slider?

550
00:33:03,774 --> 00:33:05,150
We don't have time
to eat, honey.

551
00:33:05,234 --> 00:33:06,652
You'll have time to eat,
plenty of time later.

552
00:33:06,944 --> 00:33:08,946
Now listen, keep an eye and see.
What do you think?

553
00:33:09,029 --> 00:33:10,489
Well, I think
he's was absolutely gorgeous.

554
00:33:10,739 --> 00:33:12,616
Oh, Oscar. Oscar.
We love you, Oscar.

555
00:33:12,866 --> 00:33:15,285
- So wonderful to meet you.
- You're a hit already.

556
00:33:15,369 --> 00:33:17,079
I told you, they're just gonna
eat you up, love muffin.

557
00:33:17,162 --> 00:33:18,539
[Randy] What we're gonna
do now is move on

558
00:33:18,622 --> 00:33:20,416
to our next entertainer.

559
00:33:20,499 --> 00:33:23,627
["I Need You Love" by Glow City]

560
00:33:43,105 --> 00:33:49,528
â™ª

561
00:33:58,454 --> 00:34:01,457
<i>â™ª Oh, oh, all right â™ª</i>

562
00:34:06,462 --> 00:34:09,214
<i>â™ª I need your love â™ª</i>

563
00:34:10,549 --> 00:34:13,635
<i>â™ª Oh, oh, all right, all right,</i>
<i>all right, all right â™ª</i>

564
00:34:19,433 --> 00:34:21,727
<i>â™ª All right, all right,</i>
<i>all right, all right â™ª</i>

565
00:34:27,441 --> 00:34:35,032
â™ª

566
00:34:43,540 --> 00:34:45,209
<i>â™ª All right, all right,</i>
<i>all right, all right â™ª</i>

567
00:34:45,501 --> 00:34:52,132
â™ª

568
00:34:57,763 --> 00:35:01,141
One, two, three.
Oscar, won't you come forward.

569
00:35:01,225 --> 00:35:04,353
You know him and I want
you to come and meet everyone.

570
00:35:04,436 --> 00:35:07,272
Give him [indistinct].

571
00:35:07,356 --> 00:35:09,983
[indistinct] Oscar Wilde.

572
00:35:10,067 --> 00:35:13,320
- [cheering]
- Give it up for my friend Oscar.

573
00:35:15,531 --> 00:35:18,408
Please, meet Randy Jones.

574
00:35:18,492 --> 00:35:20,744
[cheering]

575
00:35:23,956 --> 00:35:27,459
How often do you get
two icons in the same group?

576
00:35:30,712 --> 00:35:34,216
Now, I would be remiss
if I did not take time

577
00:35:34,299 --> 00:35:35,551
with my friend Oscar.

578
00:35:35,634 --> 00:35:36,844
I have a question for you.

579
00:35:37,761 --> 00:35:40,597
Hey, everybody.
Come on, he's come a long way.

580
00:35:42,140 --> 00:35:43,934
Oscar, will you tell us

581
00:35:44,017 --> 00:35:48,105
what is your strongest
impression of the South?

582
00:35:48,689 --> 00:35:51,275
- [man] Holy shit.
- Of the South?

583
00:35:51,525 --> 00:35:54,611
- [people chattering]
- Well, hello everyone.

584
00:35:54,862 --> 00:35:58,031
[crowd cheering]

585
00:35:58,115 --> 00:36:01,326
I was forewarned
that the south would be hot.

586
00:36:03,537 --> 00:36:05,539
But it wasn't until
I came to this party

587
00:36:05,789 --> 00:36:07,291
and saw the specimens
in the room

588
00:36:07,374 --> 00:36:09,960
that I truly understood
the meaning of that word.

589
00:36:10,252 --> 00:36:12,546
[loud cheering]

590
00:36:12,796 --> 00:36:15,299
Guys, you'd like very much
to thank you for having me,

591
00:36:15,382 --> 00:36:18,218
to thank you
for your hospitality,

592
00:36:18,302 --> 00:36:21,513
for your kindness,
your rock hard abs.

593
00:36:23,682 --> 00:36:26,018
But mainly I'd like
to thank you for your teachings.

594
00:36:26,101 --> 00:36:27,769
So, you see,
I cannot wait to take that

595
00:36:28,061 --> 00:36:29,813
to London with me to sing

596
00:36:30,063 --> 00:36:32,399
"The Higher the Hair,
the Closer to God."

597
00:36:32,482 --> 00:36:35,193
[cheering]

598
00:36:52,628 --> 00:36:55,756
[Ron] Good evening.
Welcome to Thompson Talks.

599
00:36:56,006 --> 00:36:57,758
I'm Ron Stacker Thompson.

600
00:36:58,008 --> 00:37:01,803
And I have here with me
tonight a very special guest.

601
00:37:02,095 --> 00:37:05,182
The cowboy from Village People,

602
00:37:05,265 --> 00:37:07,392
Randy Jones.

603
00:37:07,643 --> 00:37:09,269
Hey there. How are you?

604
00:37:09,353 --> 00:37:11,396
And you brought
a very special guest too.

605
00:37:11,647 --> 00:37:13,607
You know what? I absolutely did.

606
00:37:13,690 --> 00:37:16,526
And what the surprise
of my life.

607
00:37:16,610 --> 00:37:20,405
Are you aware at all Mr. Wilde
of Village People?

608
00:37:20,489 --> 00:37:21,907
Uh, we-- Well, I'm afraid

609
00:37:22,157 --> 00:37:24,076
I'm terribly sorry
to say this, Randy,

610
00:37:24,159 --> 00:37:27,663
but my first exposure
to this delightful premise

611
00:37:27,955 --> 00:37:31,166
was last night at the party
where I had the great privilege

612
00:37:31,416 --> 00:37:33,335
- of sharing a stage...
- Right?

613
00:37:33,418 --> 00:37:34,836
...with the Village People.

614
00:37:34,920 --> 00:37:36,421
So you got to see it
from my perspective.

615
00:37:36,505 --> 00:37:38,131
- I did. I did.
- Is that not amazing?

616
00:37:38,215 --> 00:37:39,758
It's remarkable.

617
00:37:40,008 --> 00:37:41,426
I assume there were
many people there last night.

618
00:37:41,677 --> 00:37:44,888
- [Oscar] There were.
- How did they respond to...

619
00:37:45,138 --> 00:37:46,223
The Village People?

620
00:37:47,140 --> 00:37:48,725
All...

621
00:37:49,017 --> 00:37:50,435
The-- the barriers
were dropped...

622
00:37:50,686 --> 00:37:51,853
- Yes.
- ...for those three minutes

623
00:37:51,937 --> 00:37:53,730
- when you started singing.
- Yeah.

624
00:37:53,814 --> 00:37:55,107
Everyone came together

625
00:37:55,190 --> 00:37:57,025
- and it was unifying.
- Yes.

626
00:37:57,109 --> 00:37:59,194
And I realized in that moment,
whilst it might...

627
00:38:00,529 --> 00:38:02,322
To raise a child,
it takes a village.

628
00:38:02,406 --> 00:38:05,117
- [Ron] Yes.
- To raise a queer child,

629
00:38:05,200 --> 00:38:06,827
it takes the Village People.

630
00:38:07,077 --> 00:38:08,829
- And to have--
- [Ron] Oh, nicely put.

631
00:38:08,912 --> 00:38:12,082
Yes, and to have
a united country,

632
00:38:12,165 --> 00:38:14,835
it takes a village.

633
00:38:14,918 --> 00:38:17,004
And it takes--
We are a huge village,

634
00:38:17,087 --> 00:38:18,880
this country,
because we are built

635
00:38:19,131 --> 00:38:22,801
of some of the most diverse
people on the face of the earth.

636
00:38:23,051 --> 00:38:26,847
You mentioned beauty
and I love the term that you,

637
00:38:26,930 --> 00:38:28,598
I think, coined yourself

638
00:38:28,682 --> 00:38:31,226
the architect of beauty or the,

639
00:38:31,309 --> 00:38:35,105
uh, the, exhilarator of beauty?

640
00:38:35,188 --> 00:38:37,232
Uh, do you still feel that way?

641
00:38:38,817 --> 00:38:41,862
To live out a tawdry...

642
00:38:43,280 --> 00:38:44,448
existence.

643
00:38:46,450 --> 00:38:49,745
Rather than to live one's
true self completely

644
00:38:49,828 --> 00:38:52,497
and totally,
was never an option.

645
00:38:53,373 --> 00:38:56,001
So at some time in my life,

646
00:38:56,084 --> 00:38:58,670
I should like to think
I can find the beauty in myself.

647
00:39:00,630 --> 00:39:03,008
I understand
what you've just said.

648
00:39:04,301 --> 00:39:06,053
But simply put...

649
00:39:07,846 --> 00:39:10,432
when you look in the mirror,

650
00:39:10,724 --> 00:39:13,685
do you see something beautiful?

651
00:39:13,935 --> 00:39:15,604
- [Oscar] No.
- No?

652
00:39:15,854 --> 00:39:16,980
Never have?

653
00:39:22,319 --> 00:39:23,361
No.

654
00:39:30,160 --> 00:39:33,080
[forest din]

655
00:39:37,793 --> 00:39:41,046
[somber music building]

656
00:39:45,217 --> 00:39:48,303
- [Paul] The lovers number six.
- [Oscar] Hmm.

657
00:39:48,386 --> 00:39:51,098
This card is not about a lover.

658
00:39:51,181 --> 00:39:53,433
An illicit lover, a love affair.

659
00:39:53,517 --> 00:39:56,937
This card is about a major...

660
00:39:57,020 --> 00:40:00,023
life altering choice
in your life.

661
00:40:00,315 --> 00:40:01,775
A choice.

662
00:40:04,194 --> 00:40:07,823
Seven. You're defending
yourself against something.

663
00:40:07,906 --> 00:40:11,576
Oh, the Two of Cups.
This is true love.

664
00:40:13,703 --> 00:40:16,206
We have another
strong masculine figure.

665
00:40:16,289 --> 00:40:19,835
You have interacted
with this person in other forms,

666
00:40:19,918 --> 00:40:21,795
other lives, other--

667
00:40:22,045 --> 00:40:25,382
And it's, uh...

668
00:40:25,465 --> 00:40:27,592
karmic, it's just coming
back from another life.

669
00:40:27,843 --> 00:40:29,469
Y'all may have not been, uh,

670
00:40:29,719 --> 00:40:31,388
lovers in the past life,

671
00:40:31,471 --> 00:40:34,349
but you definitely are attracted
to each other in this life.

672
00:40:34,432 --> 00:40:35,600
You're quite right in...

673
00:40:38,061 --> 00:40:39,271
That there are...

674
00:40:40,230 --> 00:40:42,232
two Oscars...

675
00:40:43,650 --> 00:40:44,734
battling...

676
00:40:46,236 --> 00:40:47,404
to get out.

677
00:40:48,864 --> 00:40:50,073
And it's which...

678
00:40:51,491 --> 00:40:52,617
that I'm prepared...

679
00:40:54,661 --> 00:40:56,121
to let free.

680
00:40:56,371 --> 00:41:00,292
Yes, because one is imprisoned

681
00:41:00,375 --> 00:41:02,294
by what other people think.

682
00:41:02,377 --> 00:41:05,881
[somber music]

683
00:41:36,286 --> 00:41:39,164
["It'll Be All Right"
by Cody Francis]

684
00:41:42,751 --> 00:41:44,920
<i>â™ª Oh, my child I know â™ª</i>

685
00:41:46,129 --> 00:41:48,673
<i>â™ª You're hurting</i>
<i>you can't let go â™ª</i>

686
00:41:49,674 --> 00:41:53,011
<i>â™ª It's not your fault</i>
<i>and you don't deserve â™ª</i>

687
00:41:55,931 --> 00:41:58,433
<i>â™ª All the bad and the hurt â™ª</i>

688
00:42:04,773 --> 00:42:06,775
<i>â™ª Ooh â™ª</i>

689
00:42:07,859 --> 00:42:10,403
<i>â™ª I know you've tried so hard â™ª</i>

690
00:42:11,738 --> 00:42:14,616
<i>â™ª Ooh â™ª</i>

691
00:42:14,908 --> 00:42:19,371
<i>â™ª I know you've done your part</i>
<i>it's not fair â™ª</i>

692
00:42:21,248 --> 00:42:22,791
<i>â™ª You did your time â™ª</i>

693
00:42:24,793 --> 00:42:30,048
<i>â™ª How much longer</i>
<i>will you suffer in this life? â™ª</i>

694
00:42:31,841 --> 00:42:33,301
<i>â™ª But don't give up â™ª</i>

695
00:42:35,220 --> 00:42:36,513
<i>â™ª Just hold on tight â™ª</i>

696
00:42:38,390 --> 00:42:40,517
<i>â™ª It'll be all right â™ª</i>

697
00:42:46,773 --> 00:42:49,109
<i>â™ª All your life you've tried â™ª</i>

698
00:42:50,026 --> 00:42:52,737
<i>â™ª To be a good man inside â™ª</i>

699
00:42:53,530 --> 00:42:57,033
<i>â™ª Did Everything</i>
<i>that you thought you should â™ª</i>

700
00:42:59,786 --> 00:43:01,621
[Kimberly shouting] Oscar!

701
00:43:01,705 --> 00:43:03,415
- [Oscar laughing]
- Hi!

702
00:43:03,498 --> 00:43:04,666
Kimberly.

703
00:43:04,958 --> 00:43:07,085
Oh, my God.
I can't believe it's you.

704
00:43:07,168 --> 00:43:10,088
[both]
Oh, it's so good to see you.

705
00:43:10,171 --> 00:43:12,716
I couldn't come to Alabama
without swinging by.

706
00:43:13,008 --> 00:43:15,552
- I'm so glad you're here.
- Oh, darling.

707
00:43:15,635 --> 00:43:17,220
- How are you?
- I'm-- I'm well.

708
00:43:17,512 --> 00:43:18,888
- Yes?
- I'm well. How about you?

709
00:43:19,764 --> 00:43:21,224
- Come on.
- Fabulous.

710
00:43:21,308 --> 00:43:23,143
The beautiful South.

711
00:43:23,226 --> 00:43:26,021
- I know. [indistinct], right?
- This is your childhood home.

712
00:43:26,271 --> 00:43:27,897
- This is it.
- My gosh.

713
00:43:27,981 --> 00:43:29,399
Now all the stories make sense.

714
00:43:29,649 --> 00:43:31,651
- I know, right?
- Wow.

715
00:43:33,903 --> 00:43:35,405
It's beautiful.

716
00:43:35,488 --> 00:43:37,198
Oscar, what are you wearing?

717
00:43:39,034 --> 00:43:40,910
I think I explained
it all in the email.

718
00:43:41,161 --> 00:43:42,954
Uh, well,
I didn't expect, like...

719
00:43:44,039 --> 00:43:45,665
full Victorian.

720
00:43:47,375 --> 00:43:48,918
Come on.

721
00:43:49,002 --> 00:43:51,421
Uh, sorry,
I'm still packing stuff up.

722
00:43:51,504 --> 00:43:53,340
- Of course.
- [Kimberly sighs]

723
00:43:54,424 --> 00:43:57,969
Welcome to my home.

724
00:43:58,053 --> 00:44:00,138
This is quite lovely.

725
00:44:00,221 --> 00:44:03,016
Remember the stories that
I told you about Sunday dinner?

726
00:44:03,308 --> 00:44:04,267
- Yes.
- This is where we always,

727
00:44:04,559 --> 00:44:06,144
every Sunday, right here,

728
00:44:06,227 --> 00:44:08,480
we always had dinner
at this table.

729
00:44:09,647 --> 00:44:11,358
[sighs] Are you thirsty?

730
00:44:11,441 --> 00:44:14,194
Darling, I am so thirsty.

731
00:44:14,277 --> 00:44:15,945
Good, I just finished
making some ice tea.

732
00:44:16,196 --> 00:44:17,697
- You want some?
- Oh, my God.

733
00:44:17,781 --> 00:44:19,574
I don't even know what that is,
but the answer is yes.

734
00:44:19,824 --> 00:44:20,825
Okay, great. I'll go get it.

735
00:44:21,076 --> 00:44:22,285
Thank you, darling.

736
00:44:33,171 --> 00:44:35,215
When was the last time
I saw you?

737
00:44:35,298 --> 00:44:37,300
- Must have been--
- [Kimberly] Last August.

738
00:44:37,384 --> 00:44:38,760
[Oscar] Last August?

739
00:44:38,843 --> 00:44:40,220
Was that when you were last in
London?

740
00:44:40,470 --> 00:44:42,180
[Kimberly] Yes, at that awful
party, remember?

741
00:44:42,430 --> 00:44:44,140
- Oh, gosh. Yeah.
- [Kimberly laughs]

742
00:44:44,224 --> 00:44:46,476
I didn't know someone could get
that drunk off white wine,

743
00:44:46,726 --> 00:44:48,853
- but here we are.
- That's my mother.

744
00:44:48,937 --> 00:44:51,731
[Kimberly laughs]
Have a seat in a recliner.

745
00:44:51,815 --> 00:44:53,733
Uh, get comfortable.

746
00:44:53,817 --> 00:44:56,111
- Okay.
- And, uh, you can lean back

747
00:44:56,194 --> 00:44:58,613
if you grab
that little lever on the side,

748
00:44:58,696 --> 00:45:01,741
you can pull yourself
back and...

749
00:45:01,825 --> 00:45:03,493
Get relaxed.

750
00:45:03,743 --> 00:45:05,495
[with southern accent] It's like
a rocking chair on a porch.

751
00:45:05,745 --> 00:45:07,747
[Kimberly] Exactly, exactly.

752
00:45:07,831 --> 00:45:09,541
- It's nice and comfortable.
- Little leaver on the side.

753
00:45:10,583 --> 00:45:12,127
Right there.

754
00:45:12,210 --> 00:45:14,045
Yeah. Mm-hmm. Yeah.

755
00:45:14,337 --> 00:45:16,214
Give it a yank.
Kick your legs up.

756
00:45:16,297 --> 00:45:17,549
Kick it up.

757
00:45:17,632 --> 00:45:18,466
- Yeah.
- [Oscar yells in surprise]

758
00:45:18,716 --> 00:45:22,637
[both laughing]

759
00:45:22,887 --> 00:45:24,764
Well, yes,
this is terribly relaxing.

760
00:45:25,014 --> 00:45:27,308
It should be.
Welcome to the South.

761
00:45:27,392 --> 00:45:29,602
A little sweet tea
and a nice recliner,

762
00:45:29,686 --> 00:45:31,354
- and all set.
- Oh. Thank you, darling.

763
00:45:31,438 --> 00:45:32,897
- There you go.
- Oh, this looks delicious.

764
00:45:33,148 --> 00:45:34,732
So that's my
Aunt Wanda's recipe.

765
00:45:34,816 --> 00:45:36,276
She used to make it
all the time.

766
00:45:36,359 --> 00:45:38,361
We say, "a spoon
could stand up in it."

767
00:45:38,611 --> 00:45:40,363
Mmm.

768
00:45:40,447 --> 00:45:41,656
- That's delicious.
- Yes.

769
00:45:41,948 --> 00:45:43,950
- Yeah, it's something.
- Cheers, darling.

770
00:45:44,033 --> 00:45:45,660
- [Kimberly sighs]
- How have you been?

771
00:45:45,910 --> 00:45:48,955
Good. We've been, uh,
working all day here.

772
00:45:49,247 --> 00:45:51,374
My brothers were here, and, uh,

773
00:45:51,458 --> 00:45:52,792
were helping me pack up stuff,

774
00:45:53,042 --> 00:45:55,462
and so we're getting
the house ready.

775
00:45:55,712 --> 00:45:57,130
Oh, my gosh, that reminds me.

776
00:45:57,213 --> 00:45:58,506
I told my brother
that you were coming,

777
00:45:58,798 --> 00:46:00,467
and he's going fishing tomorrow,

778
00:46:00,717 --> 00:46:02,385
and he asked
if he wanted to come.

779
00:46:02,635 --> 00:46:04,471
Well, first he asked,
have you ever fished?

780
00:46:05,472 --> 00:46:07,056
Yes, when I was a child.

781
00:46:07,140 --> 00:46:09,642
Oh, good.
Would you like to go?

782
00:46:10,560 --> 00:46:12,979
- Fishing with your brother?
- Yeah.

783
00:46:13,062 --> 00:46:15,773
Gosh, I haven't been fishing
since I was a child.

784
00:46:16,024 --> 00:46:17,484
Well, he's going tomorrow,

785
00:46:17,734 --> 00:46:19,402
and I got something to do
in the morning.

786
00:46:19,652 --> 00:46:23,990
And he said, would you like
to go with him and go fishing?

787
00:46:24,073 --> 00:46:25,533
Do you think
he might be my type?

788
00:46:25,783 --> 00:46:28,203
Mm, maybe not.

789
00:46:28,453 --> 00:46:30,622
- How old is he?
- In his 60s.

790
00:46:30,872 --> 00:46:33,791
The only thing is, he was
gonna go early in the morning.

791
00:46:34,083 --> 00:46:36,836
- Is that okay?
- Absolutely. How early?

792
00:46:36,920 --> 00:46:39,130
- Like three o'clock.
- Thre-- That's not the morning.

793
00:46:40,006 --> 00:46:43,092
- Well, it is around here.
- Oh, my goodness. Okay.

794
00:46:43,343 --> 00:46:44,886
Well, he likes to see sunrise.

795
00:46:45,136 --> 00:46:46,429
Must be beauty in the sunrise.

796
00:46:46,513 --> 00:46:49,349
Exactly. Okay, good. Perfect.

797
00:46:49,432 --> 00:46:50,642
We have our whole day set.

798
00:46:54,896 --> 00:46:56,022
Um...

799
00:46:57,023 --> 00:47:00,318
I-- Listen, Oscar, what's go--
What's happening?

800
00:47:01,819 --> 00:47:04,113
I did explain it to you.

801
00:47:04,364 --> 00:47:06,991
- Uh...
- I'm trying to find Oscar.

802
00:47:07,075 --> 00:47:09,244
Oh, okay.

803
00:47:09,327 --> 00:47:11,746
Uh, and how's that going?

804
00:47:11,996 --> 00:47:13,039
It's going.

805
00:47:14,207 --> 00:47:16,251
Well, you had the show
in London, right?

806
00:47:16,334 --> 00:47:17,961
That went well, right?

807
00:47:19,712 --> 00:47:22,131
- Yes.
- Good.

808
00:47:22,215 --> 00:47:23,591
Do you know what? I'm--

809
00:47:23,675 --> 00:47:24,801
Do you mind
if we change the subject?

810
00:47:25,093 --> 00:47:26,302
Absolutely.

811
00:47:26,386 --> 00:47:27,804
Let's not talk about that.

812
00:47:27,887 --> 00:47:29,055
[Kimberly whispering] Okay.

813
00:47:29,138 --> 00:47:30,306
- Your brother.
- Okay.

814
00:47:38,106 --> 00:47:39,649
Yeah. So there was this, uh...

815
00:47:42,860 --> 00:47:44,279
comic opera...

816
00:47:45,655 --> 00:47:46,698
called...

817
00:47:48,408 --> 00:47:49,909
<i>Patience.</i>

818
00:47:49,993 --> 00:47:53,496
I don't know
if you're aware of comic opera?

819
00:47:53,746 --> 00:47:54,706
[Jeff] No.

820
00:47:56,124 --> 00:47:57,166
But as soon as...

821
00:47:58,376 --> 00:48:00,795
as soon as <i>Patience</i>
was launched,

822
00:48:00,878 --> 00:48:02,922
they realized that there
was no way that the aesthete

823
00:48:03,214 --> 00:48:04,924
could actually be
portrayed in parody.

824
00:48:05,174 --> 00:48:06,926
And so Gilbert and Sullivan,

825
00:48:07,010 --> 00:48:09,637
they're the people who created
the operas in the first place.

826
00:48:09,887 --> 00:48:11,931
They employed
Richard D'Oyly Carte,

827
00:48:12,223 --> 00:48:13,975
who was the most
remarkable man,

828
00:48:14,267 --> 00:48:15,810
a manager of opera and...

829
00:48:19,647 --> 00:48:21,399
I have always loved nature.

830
00:48:22,692 --> 00:48:25,361
It's wild, magnificent beauty.

831
00:48:26,988 --> 00:48:29,240
I have been a London man

832
00:48:29,324 --> 00:48:33,369
and have been surrounded
by naught but smoke and fog.

833
00:48:34,537 --> 00:48:36,080
It is in the midst
of the city life

834
00:48:36,164 --> 00:48:40,960
that I saw all
the follies of present society.

835
00:48:41,044 --> 00:48:44,297
And the grotesqueness
of modern customs.

836
00:48:46,299 --> 00:48:47,675
I love flowers.

837
00:48:49,302 --> 00:48:51,638
As every human should love them.

838
00:48:51,721 --> 00:48:53,431
I enjoy their perfume

839
00:48:53,681 --> 00:48:55,099
and admire their beauty.

840
00:48:57,060 --> 00:48:58,978
The surroundings of art

841
00:48:59,270 --> 00:49:01,856
enhance one's existence

842
00:49:02,106 --> 00:49:04,067
and make life...

843
00:49:05,318 --> 00:49:06,402
worth living.

844
00:49:08,946 --> 00:49:10,365
Don't you agree, Jeff?

845
00:49:10,448 --> 00:49:11,491
- Hmm.
- Hmm.

846
00:49:11,574 --> 00:49:12,533
- Yeah.
- Yeah.

847
00:49:12,784 --> 00:49:14,661
[engine humming]

848
00:49:16,579 --> 00:49:18,581
[engine revving]

849
00:49:18,831 --> 00:49:21,417
Oh, this is
terribly exhilarating, Jeff.

850
00:49:27,215 --> 00:49:29,258
[waves crashing gently]

851
00:49:31,969 --> 00:49:33,930
I met someone recently, Jeff.

852
00:49:36,432 --> 00:49:37,767
A mystic of sorts.

853
00:49:39,560 --> 00:49:40,687
Do you believe in any of that?

854
00:49:50,446 --> 00:49:51,906
He told me

855
00:49:52,156 --> 00:49:54,409
that I may well meet someone...

856
00:49:55,576 --> 00:49:56,703
on the water.

857
00:50:05,461 --> 00:50:06,546
And here we are.

858
00:50:10,508 --> 00:50:12,552
[Oscar sighs]

859
00:50:12,635 --> 00:50:16,055
I think his crystal ball
might require some cleaning.

860
00:50:16,139 --> 00:50:18,558
[engine rumbling in distance]

861
00:50:18,808 --> 00:50:20,017
[water splashing]

862
00:50:27,275 --> 00:50:29,277
[engine humming]

863
00:50:38,828 --> 00:50:40,830
[waves crashing gently]

864
00:50:47,044 --> 00:50:48,379
Can I offer you
a cigarette, Jeff?

865
00:50:48,629 --> 00:50:50,923
No, thanks.
I'm going to chew and spit.

866
00:50:52,467 --> 00:50:53,634
- Chew and spit?
- Yeah.

867
00:50:53,926 --> 00:50:54,886
- Chew and sp--
- You want some?

868
00:50:54,969 --> 00:50:56,387
- Can I try it?
- Yeah.

869
00:50:56,637 --> 00:50:58,264
- What do you-- what does one do?
- Oh, it's good.

870
00:50:58,347 --> 00:51:01,058
Just-- just poke it
between your lip and gum.

871
00:51:01,142 --> 00:51:03,436
- Between your lip and gum.
- [Jeff laughs]

872
00:51:08,107 --> 00:51:09,650
- Oh.
- [Jeff laughs]

873
00:51:09,901 --> 00:51:10,860
Oh, it's spicy.

874
00:51:12,445 --> 00:51:14,155
- Mm.
- [Jeff clears throat]

875
00:51:14,238 --> 00:51:15,740
And then you chew it.

876
00:51:15,823 --> 00:51:17,366
Yeah, and then spit.

877
00:51:17,450 --> 00:51:19,452
Don't swallow it.
You'll have a heartburn.

878
00:51:19,702 --> 00:51:22,163
- Oh. Oh, goodness me.
- [Jeff laughs]

879
00:51:23,915 --> 00:51:25,374
[Oscar chuckles]

880
00:51:25,625 --> 00:51:27,668
I'm not sure about that at all.

881
00:51:27,919 --> 00:51:30,296
[Oscar coughing]

882
00:51:30,379 --> 00:51:31,672
[spits] Oh.

883
00:51:33,132 --> 00:51:35,384
Oh, no,
that's not a Southern custom

884
00:51:35,635 --> 00:51:38,179
I'm quite ready for,
I don't think.

885
00:51:38,471 --> 00:51:40,264
No, I shall stick
to my cigarette.

886
00:51:40,348 --> 00:51:43,893
Cigarettes are the perfect type
of a perfect pleasure.

887
00:51:44,143 --> 00:51:47,021
They are exquisite
and leave one unsatisfied.

888
00:51:47,104 --> 00:51:48,898
- What more could one want?
- Mm-hmm.

889
00:51:49,148 --> 00:51:50,983
[lighter clicking]

890
00:51:57,740 --> 00:51:59,742
- [clicking continues]
- [Jeff laughs]

891
00:52:03,162 --> 00:52:04,413
Oh, for goodness sake.

892
00:52:09,377 --> 00:52:11,671
I highly respect
your silence, Jeff.

893
00:52:13,047 --> 00:52:15,633
I am so clever that sometimes
even I don't understand

894
00:52:15,716 --> 00:52:17,426
a single word
of what I'm saying.

895
00:52:21,097 --> 00:52:23,099
- [engine revving]
- [Oscar laughing]

896
00:52:24,183 --> 00:52:28,312
With freedom, books,
flowers, and the moon,

897
00:52:28,396 --> 00:52:30,314
who could not be happy?

898
00:52:36,904 --> 00:52:38,573
You're a bit of a dreamer,
aren't you?

899
00:52:38,823 --> 00:52:39,782
[Oscar chuckles]

900
00:52:41,075 --> 00:52:42,118
A dreamer?

901
00:52:44,412 --> 00:52:45,830
Yes, I suppose I am.

902
00:52:47,248 --> 00:52:48,791
For a dreamer

903
00:52:49,041 --> 00:52:51,878
is one who can only find
his way by moonlight.

904
00:52:52,837 --> 00:52:54,463
And his punishment

905
00:52:54,714 --> 00:52:57,550
is that he sees the dawn
before the rest of the world."

906
00:53:00,469 --> 00:53:01,596
Do you know, Jeff...

907
00:53:02,513 --> 00:53:03,973
I think
that makes you a dreamer.

908
00:53:04,223 --> 00:53:06,142
[waves crashing gently]

909
00:53:12,481 --> 00:53:14,483
- [engine revving]
- [Oscar laughing]

910
00:53:16,736 --> 00:53:17,778
Whoo.

911
00:53:18,029 --> 00:53:19,989
[both laughing]

912
00:53:28,205 --> 00:53:30,207
[waves crashing gently]

913
00:53:33,169 --> 00:53:34,420
I'm quite conscious

914
00:53:34,670 --> 00:53:36,923
that much of what I say
may be annoying.

915
00:53:38,257 --> 00:53:40,927
But after all,
I came to America to say it.

916
00:53:41,010 --> 00:53:43,429
And so long
as an audience allows me

917
00:53:43,512 --> 00:53:46,432
to strut and fret
my brief hour upon the stage,

918
00:53:46,724 --> 00:53:48,476
then I should be
singularly stupid

919
00:53:48,726 --> 00:53:51,103
not to take advantage of
the opportunities given to me.

920
00:53:56,317 --> 00:53:58,319
- [engine revving]
- [Oscar screaming]

921
00:54:06,911 --> 00:54:07,995
[Oscar laughing]

922
00:54:09,038 --> 00:54:10,247
How wonderful.

923
00:54:10,331 --> 00:54:12,333
[birds chirping]

924
00:54:16,587 --> 00:54:17,797
[Jeff] Is that okay?

925
00:54:20,257 --> 00:54:21,425
Lovely.

926
00:54:21,509 --> 00:54:22,927
Thank you, Jeff.

927
00:54:28,474 --> 00:54:29,433
[Oscar grunts]

928
00:54:29,684 --> 00:54:32,144
No. No, Jeff. Jeff.

929
00:54:33,562 --> 00:54:34,689
Jeff, Jeff.

930
00:54:34,939 --> 00:54:35,982
[Oscar grunting]

931
00:54:36,273 --> 00:54:38,067
<i>â™ª It'll be all right â™ª</i>

932
00:54:38,150 --> 00:54:39,443
["It'll Be Alright"
by Cody Francis playing]

933
00:54:39,694 --> 00:54:40,945
[Jeff laughs]

934
00:54:49,370 --> 00:54:51,455
Well, I've learned
an awful lot about fishing today

935
00:54:51,706 --> 00:54:53,457
from your brother Jeff.

936
00:54:53,541 --> 00:54:56,335
Oh, did you have a good time?
He was so excited to take you.

937
00:54:56,419 --> 00:54:58,295
- It was wonderful.
- Oh, good.

938
00:54:58,379 --> 00:55:01,007
- Oh, a red cardinal.
- Oh, hello, red cardinal.

939
00:55:01,090 --> 00:55:02,466
- [gasps] God.
- Beautiful.

940
00:55:02,758 --> 00:55:04,593
Yes, he's quite
the conversationalist.

941
00:55:05,553 --> 00:55:06,846
- Is he really?
- Yes.

942
00:55:06,929 --> 00:55:08,347
We spoke about many things.

943
00:55:08,431 --> 00:55:10,349
- My brother Jeff?
- Mm-hmm.

944
00:55:10,433 --> 00:55:12,101
I think
maybe I took the lion's share

945
00:55:12,184 --> 00:55:13,227
of the talking, but--

946
00:55:13,310 --> 00:55:14,603
Oh, okay.

947
00:55:14,687 --> 00:55:15,938
We've covered
some interesting themes.

948
00:55:16,188 --> 00:55:19,567
[chuckles] I-- uh,
I can't believe it

949
00:55:19,817 --> 00:55:21,652
because-- mm.

950
00:55:22,737 --> 00:55:24,321
Not talkative with you?

951
00:55:24,572 --> 00:55:27,033
Just not in generally
a talkative person,

952
00:55:27,116 --> 00:55:28,826
and especially fishing,
'cause, you know,

953
00:55:28,909 --> 00:55:30,661
you have to be super quiet
when you go fishing.

954
00:55:30,911 --> 00:55:33,039
Oh, that. That.

955
00:55:33,122 --> 00:55:34,749
I now understand the looks.

956
00:55:36,125 --> 00:55:37,877
[laughs] Oh.

957
00:55:38,127 --> 00:55:40,755
So you were, um,
talking the whole time?

958
00:55:41,005 --> 00:55:42,757
I probably was, yes.

959
00:55:43,007 --> 00:55:45,259
Oh, I'm not going to be on
his Christmas card list, am I?

960
00:55:46,177 --> 00:55:49,055
Uh, I--
maybe the Christmas card,

961
00:55:49,138 --> 00:55:51,640
but probably
not the fishing invitation.

962
00:55:51,891 --> 00:55:53,434
Mm.

963
00:55:53,684 --> 00:55:55,686
- No, totally understandable.
- Yeah.

964
00:55:56,645 --> 00:55:59,398
Well, you got to do it once.

965
00:55:59,482 --> 00:56:01,317
- That's true.
- [both laughing]

966
00:56:01,400 --> 00:56:03,194
I shall ch-- cherish it.

967
00:56:04,445 --> 00:56:06,489
[piano music playing]

968
00:56:45,486 --> 00:56:48,739
[Kimberly] There's my mom
and dad's tombstone.

969
00:56:50,950 --> 00:56:52,368
Uh, I just, uh...

970
00:56:53,661 --> 00:56:55,287
you know,
we just had her funeral...

971
00:56:57,498 --> 00:57:01,544
and my aunt and uncle
are buried right beside them.

972
00:57:02,670 --> 00:57:04,046
Um, and I love

973
00:57:04,338 --> 00:57:08,134
that couple in the front,
the Storys.

974
00:57:08,425 --> 00:57:11,095
Miss Mae,
she was such a sweet old lady.

975
00:57:11,178 --> 00:57:14,598
She was an-- an older,

976
00:57:14,849 --> 00:57:16,934
older lady when I was a kid.

977
00:57:21,021 --> 00:57:22,398
[Oscar] Your parents
are next to each other.

978
00:57:22,481 --> 00:57:23,524
[Kimberly] Mm-hmm.

979
00:57:26,110 --> 00:57:27,153
[smacks lips]

980
00:57:34,577 --> 00:57:36,036
It's amazing that...

981
00:57:37,746 --> 00:57:39,165
a whole part of your life

982
00:57:39,248 --> 00:57:41,458
can be buried
in one small space.

983
00:57:48,299 --> 00:57:49,675
[sniffles]

984
00:57:49,967 --> 00:57:51,051
[sighs]

985
00:57:59,602 --> 00:58:01,020
Should we go to the church?

986
00:58:01,270 --> 00:58:04,398
[piano music playing]

987
00:58:04,481 --> 00:58:06,525
[Oscar]
This is my first Baptist church.

988
00:58:06,609 --> 00:58:08,235
[Kimberly] Ah. Wow.

989
00:58:08,319 --> 00:58:11,322
Congratulations.
You're gonna love it.

990
00:58:11,405 --> 00:58:13,407
[Oscar] I'm worried
I might burst into flames.

991
00:58:13,490 --> 00:58:14,533
[Kimberly]
Oh, no, you're gonna--

992
00:58:14,617 --> 00:58:15,743
it's gonna be great.

993
00:58:15,993 --> 00:58:17,453
Come on,
I want to show you around.

994
00:58:19,496 --> 00:58:21,707
Oh, look, they got a new plaque.

995
00:58:21,790 --> 00:58:23,167
[Oscar] "God's House."

996
00:58:23,417 --> 00:58:25,211
- [Kimberly] Mm-hmm.
- [Oscar] Should we knock?

997
00:58:25,294 --> 00:58:27,463
You never have to knock.
The door's always open.

998
00:58:29,632 --> 00:58:31,300
- Oh.
- After you, sir.

999
00:58:31,383 --> 00:58:32,968
Well, thank you.

1000
00:58:34,637 --> 00:58:36,555
Oh, this is beautiful.

1001
00:58:36,805 --> 00:58:39,391
Yeah, they really did
a beautiful job here.

1002
00:58:41,393 --> 00:58:45,064
All the-- um, actually,
mom and her friend Charlotte

1003
00:58:45,314 --> 00:58:47,107
did a lot of the decorating.

1004
00:58:47,191 --> 00:58:48,359
They were always running off

1005
00:58:48,609 --> 00:58:51,362
to look at something
or buy something

1006
00:58:51,445 --> 00:58:53,697
or purchase something
for the church.

1007
00:58:53,781 --> 00:58:55,574
Actually, I think
they bought this table.

1008
00:58:55,658 --> 00:58:57,493
- I was just admiring the table.
- Mm-hmm.

1009
00:59:00,037 --> 00:59:01,288
This is so gorgeous.

1010
00:59:01,538 --> 00:59:03,457
Oh, you should see it
at Christmas.

1011
00:59:03,707 --> 00:59:05,876
Big Christmas tree
in the corner...

1012
00:59:07,253 --> 00:59:08,837
candles in the windows.

1013
00:59:09,088 --> 00:59:11,340
- Oh, beautiful.
- Santa Claus.

1014
00:59:11,423 --> 00:59:12,716
That well-known biblical figure.

1015
00:59:12,967 --> 00:59:16,053
- Absolutely.
- [both laughing]

1016
00:59:16,303 --> 00:59:17,763
- Yeah, so--
- [Oscar] And what's this flag?

1017
00:59:18,055 --> 00:59:19,807
This is the American flag
and the--

1018
00:59:20,057 --> 00:59:21,517
[Kimberly] Christian flag.

1019
00:59:21,600 --> 00:59:23,060
- [Oscar] Oh, the Christian flag.
- [Kimberly] Yeah.

1020
00:59:23,143 --> 00:59:25,020
She says,
as if you're supposed to know.

1021
00:59:25,104 --> 00:59:27,064
[Oscar laughs]

1022
00:59:27,356 --> 00:59:28,732
So this must...

1023
00:59:29,817 --> 00:59:32,111
for you feel
very much like coming home

1024
00:59:32,194 --> 00:59:34,863
- and feel at peace here.
- Oh, always. Always.

1025
00:59:35,114 --> 00:59:36,490
I look so forward to meeting--

1026
00:59:36,740 --> 00:59:41,245
like, coming back
and seeing everyone that's here.

1027
00:59:41,328 --> 00:59:43,414
I mean, these people raised me.

1028
00:59:43,497 --> 00:59:47,418
They were in the most important,
informative years of my life.

1029
00:59:47,501 --> 00:59:49,378
They taught me about kindness.

1030
00:59:50,212 --> 00:59:52,506
They taught me
about unconditional love.

1031
00:59:53,924 --> 00:59:55,009
It's really a...

1032
00:59:56,051 --> 00:59:58,637
a wonderful place to be

1033
00:59:58,721 --> 01:00:00,681
and to know
you can come home to.

1034
01:00:00,931 --> 01:00:02,599
- You know?
- Yes.

1035
01:00:02,850 --> 01:00:05,769
I-- I never--
I had a very awkward,

1036
01:00:05,853 --> 01:00:08,230
like, middle childhood,
you know that--

1037
01:00:08,480 --> 01:00:10,024
you know that phase

1038
01:00:10,107 --> 01:00:12,026
when you're not
a cute little girl

1039
01:00:12,109 --> 01:00:14,194
and you're not a teenager

1040
01:00:14,278 --> 01:00:15,404
who's trying to, like, be--

1041
01:00:15,696 --> 01:00:16,780
- Be a woman.
- A woman.

1042
01:00:16,864 --> 01:00:18,282
Yes. I remember it well.

1043
01:00:18,532 --> 01:00:20,784
At one point, I did sport
a mullet of some sort.

1044
01:00:21,076 --> 01:00:22,286
Like, you know,

1045
01:00:22,536 --> 01:00:24,163
short in the front,
party in the back.

1046
01:00:25,122 --> 01:00:27,624
It was-- it was
kind of the style at that point,

1047
01:00:27,875 --> 01:00:29,543
but it was awkward.

1048
01:00:29,626 --> 01:00:31,920
And, uh, I remember singing,

1049
01:00:32,004 --> 01:00:35,507
like, my first solo
with a horrible mullet

1050
01:00:35,758 --> 01:00:37,593
and the rolled up jeans

1051
01:00:37,885 --> 01:00:39,970
and the, you know,
chambray shirt.

1052
01:00:40,054 --> 01:00:43,557
Like, sitting in front
of the whole church and singing.

1053
01:00:46,685 --> 01:00:49,688
Singing, and everyone knowing...

1054
01:00:50,731 --> 01:00:53,150
that it was, like, me.

1055
01:00:53,233 --> 01:00:54,234
And listening to me

1056
01:00:54,526 --> 01:00:57,237
and being excited
to hear me sing.

1057
01:00:57,321 --> 01:00:59,031
You felt powerful.

1058
01:00:59,114 --> 01:01:00,574
I think so.

1059
01:01:00,824 --> 01:01:04,703
In a time of complete
and utter powerlessness

1060
01:01:04,953 --> 01:01:06,705
in my life.

1061
01:01:06,997 --> 01:01:09,375
Yeah, definitely.

1062
01:01:09,458 --> 01:01:10,709
And singing ultimately became

1063
01:01:10,959 --> 01:01:13,170
what you would do
for your career?

1064
01:01:13,253 --> 01:01:14,671
Absolutely.

1065
01:01:14,755 --> 01:01:17,424
And it's still the thing that,
you know,

1066
01:01:17,508 --> 01:01:20,427
it's still at times
when I feel most powerful.

1067
01:01:21,804 --> 01:01:24,390
I think that,
you know, it's very funny.

1068
01:01:24,473 --> 01:01:25,516
Uh...

1069
01:01:26,392 --> 01:01:28,102
it used to--

1070
01:01:28,185 --> 01:01:31,105
I guess I should say it--
I used to be scared a lot more.

1071
01:01:31,355 --> 01:01:34,691
I went through a phase
of being very scared of singing.

1072
01:01:34,942 --> 01:01:35,901
Um...

1073
01:01:37,069 --> 01:01:39,780
and then like...

1074
01:01:39,863 --> 01:01:43,033
having some, um, huge losses

1075
01:01:43,117 --> 01:01:44,284
in my life...

1076
01:01:46,036 --> 01:01:48,205
really did make me
not so scared.

1077
01:01:49,748 --> 01:01:52,501
A crack is not that important.

1078
01:01:52,584 --> 01:01:55,254
[piano music playing]

1079
01:01:55,337 --> 01:01:56,630
So, yeah.

1080
01:01:58,173 --> 01:02:02,136
I would like to be fearless
all the time, but...

1081
01:02:04,930 --> 01:02:06,306
yeah.

1082
01:02:06,598 --> 01:02:13,063
<i>â™ª When peace like a river â™ª</i>

1083
01:02:13,355 --> 01:02:18,986
<i>â™ª Attendeth my way â™ª</i>

1084
01:02:19,278 --> 01:02:22,448
<i>â™ª When sorrows â™ª</i>

1085
01:02:22,531 --> 01:02:27,453
<i>â™ª Like sea billows roll â™ª</i>

1086
01:02:28,662 --> 01:02:33,834
<i>â™ª Whatever my lot â™ª</i>

1087
01:02:33,917 --> 01:02:39,882
<i>â™ª Thou hast taught me to say â™ª</i>

1088
01:02:39,965 --> 01:02:46,013
<i>â™ª It is well, it is well â™ª</i>

1089
01:02:46,305 --> 01:02:50,434
<i>â™ª With my soul â™ª</i>

1090
01:02:53,228 --> 01:02:59,067
<i>â™ª It is well â™ª</i>

1091
01:02:59,151 --> 01:03:04,031
<i>â™ª With my soul â™ª</i>

1092
01:03:05,365 --> 01:03:11,580
<i>â™ª It is well, it is well â™ª</i>

1093
01:03:11,663 --> 01:03:16,335
<i>â™ª With my soul â™ª</i>

1094
01:03:32,100 --> 01:03:34,102
["God Bless America"
by Ondara playing]

1095
01:03:44,488 --> 01:03:47,324
<i>â™ª Will you let me in â™ª</i>

1096
01:03:50,369 --> 01:03:53,497
<i>â™ª Or are you at capacity â™ª</i>

1097
01:03:56,083 --> 01:03:58,835
<i>â™ª Will you set me free â™ª</i>

1098
01:04:02,005 --> 01:04:05,092
<i>â™ª Are you holding</i>
<i>onto history â™ª</i>

1099
01:04:07,803 --> 01:04:11,807
<i>â™ª Will you be sincere â™ª</i>

1100
01:04:13,725 --> 01:04:16,895
<i>â™ª Are you averse to honesty â™ª</i>

1101
01:04:19,356 --> 01:04:25,279
<i>â™ª Will you dare to hear â™ª</i>

1102
01:04:25,362 --> 01:04:28,407
<i>â™ª Those children</i>
<i>matching on the street â™ª</i>

1103
01:04:33,954 --> 01:04:37,207
<i>â™ª Oh, God bless America â™ª</i>

1104
01:04:39,793 --> 01:04:42,421
<i>â™ª The heartache of mine â™ª</i>

1105
01:04:45,465 --> 01:04:49,011
<i>â™ª Oh, God bless America â™ª</i>

1106
01:04:51,555 --> 01:04:54,182
<i>â™ª The heartache of mine â™ª</i>

1107
01:05:00,272 --> 01:05:03,609
<i>â™ª Will you let me bring â™ª</i>

1108
01:05:06,028 --> 01:05:10,157
<i>â™ª Isabela here from Nairobi â™ª</i>

1109
01:05:11,825 --> 01:05:14,786
<i>â™ª On the phone she was ill â™ª</i>

1110
01:05:17,748 --> 01:05:20,917
<i>â™ª And so was the economy â™ª</i>

1111
01:05:23,295 --> 01:05:27,841
<i>â™ª In fifty years â™ª</i>

1112
01:05:29,259 --> 01:05:33,555
<i>â™ª When I'm frail</i>
<i>barely on my feet â™ª</i>

1113
01:05:35,057 --> 01:05:38,560
<i>â™ª Will you be kind, oh, dear â™ª</i>

1114
01:05:40,937 --> 01:05:44,399
<i>â™ª Like you promised</i>
<i>at the embassy â™ª</i>

1115
01:05:49,655 --> 01:05:52,824
<i>â™ª Oh, God bless America â™ª</i>

1116
01:05:55,452 --> 01:05:58,121
<i>â™ª The heartache of mine â™ª</i>

1117
01:06:01,291 --> 01:06:04,378
<i>â™ª Oh, God bless America â™ª</i>

1118
01:06:07,089 --> 01:06:09,758
<i>â™ª The heartache of mine â™ª</i>

1119
01:06:15,639 --> 01:06:18,850
<i>â™ª When the time it is sweet â™ª</i>

1120
01:06:21,561 --> 01:06:25,190
<i>â™ª It won't matter</i>
<i>who your god is â™ª</i>

1121
01:06:27,275 --> 01:06:30,362
<i>â™ª Or the tone of your skin â™ª</i>

1122
01:06:33,031 --> 01:06:36,660
<i>â™ª Or who you choose</i>
<i>to share your love with â™ª</i>

1123
01:06:41,957 --> 01:06:45,210
<i>â™ª Oh, God bless America â™ª</i>

1124
01:06:47,796 --> 01:06:50,674
<i>â™ª The heartache of mine â™ª</i>

1125
01:06:53,760 --> 01:06:57,139
<i>â™ª Oh, God bless America â™ª</i>

1126
01:06:59,641 --> 01:07:02,352
<i>â™ª The heartache of mine â™ª</i>

1127
01:07:22,330 --> 01:07:24,374
[upbeat rock music playing]

1128
01:07:44,811 --> 01:07:46,813
[engine rumbling]

1129
01:07:47,939 --> 01:07:49,983
[birds chirping]

1130
01:07:51,902 --> 01:07:59,910
[upbeat rock music continues]

1131
01:08:27,270 --> 01:08:29,272
[woman] Oh, hi. Can I help you?

1132
01:08:29,523 --> 01:08:32,275
Hello. Yes, sorry, I was
just admiring your automobile.

1133
01:08:32,567 --> 01:08:34,361
- Is it yours?
- Yeah, it's a beaut, huh?

1134
01:08:34,611 --> 01:08:36,112
A beaut indeed.

1135
01:08:36,196 --> 01:08:37,781
Oh, my God, you look amazing.
You look fabulous.

1136
01:08:37,864 --> 01:08:39,407
Oh, thank you so much.
As do you.

1137
01:08:39,491 --> 01:08:40,909
- Oh, thank you.
- All dressed up to the nines.

1138
01:08:40,992 --> 01:08:42,160
- Yeah!
- Somewhere to go?

1139
01:08:42,244 --> 01:08:44,246
Well, I'm DJing at a pool party.

1140
01:08:44,496 --> 01:08:46,373
- A pool party?
- Yeah. Do you like parties?

1141
01:08:46,623 --> 01:08:48,375
- I love parties.
- Like pools?

1142
01:08:48,458 --> 01:08:50,710
- I believe I do love pools, yes.
- You like bears?

1143
01:08:50,961 --> 01:08:52,420
- Bears?
- Yeah.

1144
01:08:52,504 --> 01:08:54,047
I wasn't aware there
were bears in this part--

1145
01:08:54,339 --> 01:08:55,674
Oh, honey, it's Palm Springs.
There's a ton of bears.

1146
01:08:55,924 --> 01:08:57,509
Grab this. Get in.

1147
01:08:57,592 --> 01:09:01,304
- We're gonna have fun.
- Okay.

1148
01:09:01,388 --> 01:09:04,432
The bears you mentioned,
are they terribly dangerous?

1149
01:09:04,683 --> 01:09:07,936
Uh, some of 'em. But I'll steer
you in the right direction.

1150
01:09:08,186 --> 01:09:10,522
Don't know if I'm quite
correctly attired.

1151
01:09:10,772 --> 01:09:13,024
Oh, you look amazing.
Where'd you get that, Revivals?

1152
01:09:13,316 --> 01:09:15,318
I'm afraid I don't know
what that is.

1153
01:09:15,402 --> 01:09:17,362
Oh, I'm DJ ModGirl.

1154
01:09:17,445 --> 01:09:19,364
- DJ ModGirl?
- Uh-huh.

1155
01:09:19,447 --> 01:09:21,825
<i>EnchantÃ©.</i>
I'm Oscar, Oscar Wilde.

1156
01:09:21,908 --> 01:09:24,286
- So great to meet you.
- Lovely to meet you.

1157
01:09:24,369 --> 01:09:26,121
Do you know, DJ ModGirl,

1158
01:09:26,204 --> 01:09:29,207
I fancy I should be
greatly pleased with California.

1159
01:09:29,291 --> 01:09:30,584
I agree.

1160
01:09:34,921 --> 01:09:41,928
[upbeat music]

1161
01:09:47,893 --> 01:09:54,566
â™ª

1162
01:10:10,457 --> 01:10:19,174
â™ª

1163
01:10:32,604 --> 01:10:38,068
â™ª

1164
01:10:38,151 --> 01:10:39,778
All right, we're here.

1165
01:10:40,028 --> 01:10:41,237
Oh, wonderful.

1166
01:10:41,321 --> 01:10:43,782
- I'm late.
- Right.

1167
01:10:43,865 --> 01:10:44,908
Give me that.

1168
01:10:44,991 --> 01:10:46,076
- This?
- Yeah.

1169
01:10:46,368 --> 01:10:47,661
- Right.
- Okay, you coming in?

1170
01:10:47,911 --> 01:10:49,371
Absolutely.
I should be there momentarily.

1171
01:10:49,621 --> 01:10:51,581
Okay. I-- I got to go.
They're-- already starting.

1172
01:10:51,831 --> 01:10:52,916
All right.

1173
01:10:53,166 --> 01:10:54,834
I might just have
a quick cigarette.

1174
01:11:06,805 --> 01:11:07,931
Calm my nerves.

1175
01:11:08,515 --> 01:11:12,268
["Soul On Fire"
by NIGHTCAP playing]

1176
01:11:16,898 --> 01:11:18,483
<i>â™ª Baby, baby â™ª</i>

1177
01:11:19,776 --> 01:11:21,653
<i>â™ª You set my soul on â™ª</i>

1178
01:11:23,822 --> 01:11:26,741
<i>â™ª You set my soul on fire â™ª</i>

1179
01:11:32,288 --> 01:11:34,624
<i>â™ª Baby, baby â™ª</i>

1180
01:11:34,916 --> 01:11:36,251
<i>â™ª You set my soul on â™ª</i>

1181
01:11:38,670 --> 01:11:41,131
<i>â™ª You set my soul on fire â™ª</i>

1182
01:11:46,469 --> 01:11:48,471
<i>â™ª You set my soul on fire â™ª</i>

1183
01:11:48,722 --> 01:11:50,598
Hey!

1184
01:11:52,308 --> 01:11:59,107
â™ª

1185
01:12:01,693 --> 01:12:03,987
<i>â™ª You set my soul on fire â™ª</i>

1186
01:12:04,070 --> 01:12:11,161
â™ª

1187
01:12:16,791 --> 01:12:19,169
<i>â™ª You set my soul on fire â™ª</i>

1188
01:12:19,961 --> 01:12:22,922
<i>â™ª Fire, fire â™ª</i>

1189
01:12:26,718 --> 01:12:32,307
<i>â™ª Fire, fire, fire,</i>
<i>fire, fire, fire â™ª</i>

1190
01:12:32,390 --> 01:12:40,482
â™ª

1191
01:12:47,322 --> 01:12:49,699
<i>â™ª You set my soul on fire â™ª</i>

1192
01:13:02,545 --> 01:13:04,839
<i>â™ª You set my soul on fire â™ª</i>

1193
01:13:10,970 --> 01:13:17,936
[music speeds up]

1194
01:13:18,019 --> 01:13:19,062
[music stops]

1195
01:13:21,648 --> 01:13:23,942
[music continues over speakers]

1196
01:13:24,192 --> 01:13:31,449
[overlapping chatter]

1197
01:13:31,741 --> 01:13:38,331
â™ª

1198
01:13:51,678 --> 01:13:58,935
â™ª

1199
01:13:59,227 --> 01:14:01,062
[chatter stops]

1200
01:14:03,773 --> 01:14:07,235
[music fades]

1201
01:14:41,060 --> 01:14:48,067
[cheering]

1202
01:14:48,151 --> 01:14:51,738
[Oscar whooping]

1203
01:14:54,824 --> 01:14:56,492
Whoo!

1204
01:14:57,619 --> 01:15:04,626
[partygoers cheering]

1205
01:15:04,918 --> 01:15:08,379
Be yourself.
Everyone else is already taken.

1206
01:15:08,630 --> 01:15:10,048
[partygoer whoops]

1207
01:15:16,930 --> 01:15:19,057
Hey, girl. Nice outfit.

1208
01:15:19,307 --> 01:15:20,725
[Oscar] Oh, thank you.

1209
01:15:20,808 --> 01:15:22,518
Uh, we're going to a party.
Wanna come?

1210
01:15:35,823 --> 01:15:42,914
[upbeat music]

1211
01:15:55,009 --> 01:16:00,682
â™ª

1212
01:16:00,932 --> 01:16:01,891
Hello?

1213
01:16:06,604 --> 01:16:07,814
Mr. Sarony?

1214
01:16:13,361 --> 01:16:14,404
Hello?

1215
01:16:20,743 --> 01:16:26,833
[speaking indistinctly]

1216
01:16:27,083 --> 01:16:30,044
Yeah, bring your leg up.
More eyes. More eyes.

1217
01:16:30,128 --> 01:16:33,631
More Isadora Duncan.
Yes. You dance with her!

1218
01:16:33,715 --> 01:16:36,384
[Oscar]
Oh, this is where I belong!

1219
01:16:36,634 --> 01:16:38,428
This is my atmosphere.

1220
01:16:38,511 --> 01:16:40,430
[Sarony]
The legend in his own time.

1221
01:16:40,513 --> 01:16:42,056
I didn't know
such a place existed

1222
01:16:42,140 --> 01:16:43,516
in the whole United States.

1223
01:16:43,766 --> 01:16:46,394
[indistinct]
creating a mise en scÃ¨ne.

1224
01:16:46,477 --> 01:16:48,688
How are you? You look wonderful.

1225
01:16:48,938 --> 01:16:51,399
- As do you, my darling man.
- Yes, in daylight. Here you are.

1226
01:16:51,691 --> 01:16:54,527
You met Chad. He's also
the [indistinct] of New York.

1227
01:16:54,610 --> 01:16:56,446
- [Oscar] Chad.
- [Sarony] Yes.

1228
01:16:56,696 --> 01:16:59,365
I hope I do not offend you when
I say that you seem to me to be

1229
01:16:59,615 --> 01:17:02,744
the visible personification
of absolute perfection.

1230
01:17:02,994 --> 01:17:04,579
Thank you.

1231
01:17:04,662 --> 01:17:07,123
Well, he wrote the chapter
on aesthetics and beauty.

1232
01:17:07,415 --> 01:17:08,916
- Well, naturally.
- Just for your book.

1233
01:17:09,000 --> 01:17:10,793
Bless you. Now it's my turn,
darling. Bugger off.

1234
01:17:11,085 --> 01:17:12,170
Okay. Shoo, shoo.

1235
01:17:12,420 --> 01:17:14,047
[Sarony] Yes, good. Turn here.

1236
01:17:14,130 --> 01:17:16,132
- That's it, that's it.
- How's the hair, darling?

1237
01:17:16,382 --> 01:17:18,134
Yes. A little higher
with the handkerchief.

1238
01:17:18,217 --> 01:17:19,719
[indistinct]

1239
01:17:20,887 --> 01:17:22,305
Yes. That's it!

1240
01:17:22,388 --> 01:17:24,015
- [Oscar] Another.
- That's good. Oh, yes.

1241
01:17:24,098 --> 01:17:25,850
[indistinct]

1242
01:17:26,100 --> 01:17:28,853
[indistinct]

1243
01:17:29,687 --> 01:17:31,189
Yes. Good, good, good.

1244
01:17:31,272 --> 01:17:33,191
I've had everybody here.

1245
01:17:33,274 --> 01:17:35,985
Mark Twain was very,
very witty.

1246
01:17:36,069 --> 01:17:39,697
And I adore Sarah Bernhardt.
She's such a [indistinct].

1247
01:17:39,989 --> 01:17:44,660
Ellen Terry, Mark [indistinct],
the great Edith Evans,

1248
01:17:44,911 --> 01:17:47,455
John Gilroy, Ralph Richardson.

1249
01:17:47,705 --> 01:17:51,334
But I look for sense
of magic and allure,

1250
01:17:51,417 --> 01:17:54,087
and a unique spark
in a personality.

1251
01:17:54,170 --> 01:17:56,506
You can always tell.
You can always--

1252
01:17:56,756 --> 01:17:58,383
When they walk in a room,
you can tell.

1253
01:17:58,466 --> 01:18:01,594
It's the magic that
comes through this.

1254
01:18:01,844 --> 01:18:03,054
This, this camera.

1255
01:18:03,346 --> 01:18:06,849
â™ª

1256
01:18:06,933 --> 01:18:11,312
You see it, and it just
becomes a light.

1257
01:18:11,396 --> 01:18:13,022
[indistinct] on fire.

1258
01:18:13,106 --> 01:18:16,317
But it helps if they have
a sense of themselves.

1259
01:18:16,567 --> 01:18:18,861
You know,
they know who they are.

1260
01:18:19,112 --> 01:18:22,490
[indistinct]
This was my best friend.

1261
01:18:22,740 --> 01:18:24,867
This is my best boyfriend,
the camera.

1262
01:18:31,207 --> 01:18:35,420
â™ª

1263
01:18:49,267 --> 01:18:51,018
I like your hair.

1264
01:18:51,102 --> 01:18:53,062
Oh. Well, thank you so much.

1265
01:18:53,146 --> 01:18:55,523
I like your hair, too.
Perhaps we share a barber.

1266
01:18:55,773 --> 01:18:57,650
- Oh, perhaps.
- Perhaps.

1267
01:18:57,733 --> 01:18:59,402
- I'm Oscar, Oscar Wilde.
- Oh, I'm Felix.

1268
01:18:59,652 --> 01:19:01,112
- Felix.
- Yes.

1269
01:19:01,195 --> 01:19:02,447
- How wonderful to meet you.
- Nice to meet you.

1270
01:19:02,530 --> 01:19:03,531
Perhaps you could help me,
Felix.

1271
01:19:03,614 --> 01:19:05,116
- Yeah.
- What is this?

1272
01:19:05,408 --> 01:19:07,869
- Who are these people?
- [Felix] Uh, stars. Celebrities.

1273
01:19:08,119 --> 01:19:09,787
[Oscar] Oh, celebrities?

1274
01:19:09,871 --> 01:19:12,415
Because I have quite
a vested interest in celebrity.

1275
01:19:12,665 --> 01:19:13,916
And where are you going
all floral?

1276
01:19:14,000 --> 01:19:15,418
Oh, I'm going to the parade.

1277
01:19:15,668 --> 01:19:16,794
- A parade?
- Yes.

1278
01:19:16,878 --> 01:19:18,045
Oh, what manner of parade?

1279
01:19:18,129 --> 01:19:20,381
- A gay parade.
- A gay parade?

1280
01:19:20,631 --> 01:19:22,175
Well, I guessed
from your ensign.

1281
01:19:22,258 --> 01:19:24,886
- How exciting.
- Yes. You wanna come along?

1282
01:19:25,636 --> 01:19:27,722
- Would that be possible?
- Absolutely.

1283
01:19:27,805 --> 01:19:29,390
You're gonna love it.

1284
01:19:29,474 --> 01:19:30,600
- Well, then, yes, absolutely
- It's gonna be fun.

1285
01:19:30,892 --> 01:19:32,185
- Lead on.
- Yes, come on.

1286
01:19:32,268 --> 01:19:34,479
Oscar and Felix, an odd couple.
[chuckles]

1287
01:19:34,770 --> 01:19:36,814
- That sound just great.
- [both laughing]

1288
01:19:36,898 --> 01:19:38,566
- [Oscar] Is it this way?
- [Felix] Yes, this way.

1289
01:19:38,858 --> 01:19:41,569
â™ª

1290
01:19:41,819 --> 01:19:44,489
Well, it says
it's under Capitol Records.

1291
01:19:44,739 --> 01:19:46,115
Gotta be somewhere over here.

1292
01:19:47,116 --> 01:19:48,659
Sarah Bernhardt.

1293
01:19:49,577 --> 01:19:50,661
Okay.

1294
01:19:51,746 --> 01:19:54,540
Billy Wilder.
Maybe a distant cousin.

1295
01:19:54,790 --> 01:19:57,460
Hmm. Okay. Elliott Dexter.

1296
01:19:59,295 --> 01:20:02,256
Virginia Mayo.
Just making me hungry now.

1297
01:20:02,507 --> 01:20:03,841
[Felix chuckles]

1298
01:20:05,009 --> 01:20:07,428
Barbara Stanwyck. No.

1299
01:20:08,346 --> 01:20:10,890
Oh, Ethel Merman.
I know all about her.

1300
01:20:12,308 --> 01:20:14,435
Sarah Bernhardt. We found her.

1301
01:20:16,062 --> 01:20:17,396
And there she is.

1302
01:20:18,064 --> 01:20:19,774
[Felix] Is it a friend of yours?

1303
01:20:19,857 --> 01:20:21,234
[Oscar] A dear friend.

1304
01:20:21,943 --> 01:20:25,029
And the most famous actress
the world has ever known.

1305
01:20:26,656 --> 01:20:29,325
And now, this is her legacy.

1306
01:20:29,408 --> 01:20:32,537
To be trampled over daily
by thousands of people.

1307
01:20:34,330 --> 01:20:36,499
Maybe celebrity
isn't quite as immortal

1308
01:20:36,582 --> 01:20:38,292
as we would like to believe.

1309
01:20:38,584 --> 01:20:40,836
Well, at least her name
is being repeated.

1310
01:20:41,128 --> 01:20:43,005
That's very true.
That's very true.

1311
01:20:45,174 --> 01:20:46,759
- Interesting.
- What are all those...

1312
01:20:49,303 --> 01:20:51,389
beautiful colors,
noble costumes,

1313
01:20:51,639 --> 01:20:53,182
and sculpturesque groupings?

1314
01:20:53,266 --> 01:20:56,477
It's the parade.
The gay parade, where I'm going.

1315
01:20:56,727 --> 01:20:58,187
This is the gay pride parade?

1316
01:20:58,479 --> 01:21:00,565
Absolutely, yes.
You wanna check it out?

1317
01:21:00,815 --> 01:21:02,400
- That's where I'm going.
- I think I'd love to.

1318
01:21:02,650 --> 01:21:04,360
- May I accompany you?
- Absolutely.

1319
01:21:04,610 --> 01:21:05,653
- Come on.
- [Oscar] Thank you very much.

1320
01:21:05,736 --> 01:21:06,779
[indistinct] You want one?

1321
01:21:07,029 --> 01:21:08,155
- [Oscar] Oh, really?
- It's fun.

1322
01:21:08,406 --> 01:21:10,241
- [Oscar] And you wave it?
- Absolutely.

1323
01:21:10,324 --> 01:21:12,618
Yes. [laughing]

1324
01:21:12,868 --> 01:21:16,289
["Be Yourself" by Alyson
Williams & Eamonn O'Dwyer]

1325
01:21:16,372 --> 01:21:20,126
[crowd cheering]

1326
01:21:20,418 --> 01:21:24,463
â™ª

1327
01:21:36,267 --> 01:21:41,314
â™ª

1328
01:21:49,322 --> 01:21:56,704
â™ª

1329
01:22:10,926 --> 01:22:18,267
â™ª

1330
01:22:36,952 --> 01:22:38,788
<i>â™ª Yourself, be yourself â™ª</i>

1331
01:22:38,871 --> 01:22:40,331
<i>â™ª Everyone else is taken â™ª</i>

1332
01:22:40,623 --> 01:22:42,750
<i>â™ª Yourself, just yourself â™ª</i>

1333
01:22:42,833 --> 01:22:44,335
<i>â™ª Nobody else is you â™ª</i>

1334
01:22:44,627 --> 01:22:46,587
<i>â™ª Be yourself, be yourself â™ª</i>

1335
01:22:46,671 --> 01:22:48,214
<i>â™ª Everyone else is taken â™ª</i>

1336
01:22:48,506 --> 01:22:50,508
<i>â™ª Yourself, just yourself â™ª</i>

1337
01:22:50,591 --> 01:22:52,259
<i>â™ª Nobody else is you â™ª</i>

1338
01:22:52,343 --> 01:22:54,303
<i>â™ª Be yourself, be yourself â™ª</i>

1339
01:22:54,387 --> 01:22:55,971
<i>â™ª Everyone else is taken â™ª</i>

1340
01:22:56,263 --> 01:22:58,224
<i>â™ª Be yourself, just yourself â™ª</i>

1341
01:22:58,516 --> 01:23:00,226
<i>â™ª Nobody else is you â™ª</i>

1342
01:23:03,813 --> 01:23:10,444
â™ª

1343
01:23:20,329 --> 01:23:28,379
[ethereal music]

1344
01:23:44,437 --> 01:23:50,735
â™ª

1345
01:23:53,487 --> 01:23:57,950
[Oscar] All trials are trials
for one's life,

1346
01:23:59,618 --> 01:24:04,665
just as all sentences
are sentences of death.

1347
01:24:04,957 --> 01:24:08,836
And three times
have I been tried.

1348
01:24:09,086 --> 01:24:12,715
The first time
I left the box to be arrested,

1349
01:24:13,674 --> 01:24:17,428
the second time to be led back
to the house of detention,

1350
01:24:18,304 --> 01:24:26,645
the third time to pass
into a prison for two years.

1351
01:24:26,937 --> 01:24:29,940
Society,
as we have constituted it,

1352
01:24:30,191 --> 01:24:31,609
will have no place for me,

1353
01:24:32,359 --> 01:24:35,070
has none to offer.

1354
01:24:35,154 --> 01:24:37,573
But, nature,

1355
01:24:38,783 --> 01:24:44,121
whose sweet rains fall on
unjust and just alike,

1356
01:24:44,872 --> 01:24:48,292
will have clefts in the rocks
where I may hide,

1357
01:24:49,335 --> 01:24:54,882
and secret valleys in whose
silence I may weep undisturbed.

1358
01:24:56,050 --> 01:24:58,511
She will hang the night
with stars

1359
01:24:58,761 --> 01:25:03,098
so that I may walk abroad in
the darkness without stumbling,

1360
01:25:06,185 --> 01:25:08,771
and send the wind over
for my footprints

1361
01:25:08,854 --> 01:25:12,024
so that none may
track me to my hurt.

1362
01:25:13,859 --> 01:25:18,948
She will cleanse me
in great waters,

1363
01:25:20,908 --> 01:25:22,910
and with bitter herbs

1364
01:25:27,206 --> 01:25:29,792
make me whole.

1365
01:25:35,047 --> 01:25:38,676
[weeping]

1366
01:25:38,926 --> 01:25:40,052
[Sarah] <i>Oscar.</i>

1367
01:25:40,135 --> 01:25:48,394
â™ª

1368
01:25:48,644 --> 01:25:49,603
[Oscar] <i>Sarah.</i>

1369
01:25:51,647 --> 01:25:53,232
[indistinct]

1370
01:25:54,525 --> 01:25:55,693
Oscar.

1371
01:25:59,113 --> 01:26:02,408
You altered the minds of men

1372
01:26:02,491 --> 01:26:04,577
and the colors of things.

1373
01:26:05,411 --> 01:26:10,833
You awoke the century
with your imagination.

1374
01:26:13,043 --> 01:26:18,048
You created myth
and legend around you.

1375
01:26:20,259 --> 01:26:23,721
[speaking foreign language]

1376
01:26:24,722 --> 01:26:31,020
â™ª

1377
01:26:39,612 --> 01:26:42,698
Accept everything.

1378
01:26:46,577 --> 01:26:52,082
â™ª

1379
01:26:55,794 --> 01:27:00,007
[breathing shakily]

1380
01:27:02,676 --> 01:27:03,719
[music stops]

1381
01:27:10,017 --> 01:27:12,895
[screams]

1382
01:27:15,356 --> 01:27:16,398
[exhales]

1383
01:27:16,482 --> 01:27:21,695
[ragged breath echoing]

1384
01:27:50,933 --> 01:27:51,976
[exhales]

1385
01:28:23,924 --> 01:28:25,634
["The Boy I Love Is Up in the
Gallery" by Zachary Clause]

1386
01:28:25,926 --> 01:28:32,141
<i>â™ª I am a young girl</i>
<i>and I have just come over â™ª</i>

1387
01:28:32,224 --> 01:28:39,314
<i>â™ª Over from the country</i>
<i>where they do things big â™ª</i>

1388
01:28:40,107 --> 01:28:46,447
<i>â™ª And amongst the boys,</i>
<i>I found me a lover â™ª</i>

1389
01:28:46,739 --> 01:28:53,829
<i>â™ª And since I have a lover,</i>
<i>I just don't care a fig â™ª</i>

1390
01:28:54,121 --> 01:29:00,335
{\an8}<i>â™ª The boy I love</i>
<i>is up in the gallery â™ª</i>

1391
01:29:00,627 --> 01:29:06,592
{\an8}<i>â™ª The boy I love</i>
<i>is looking now at me â™ª</i>

1392
01:29:06,884 --> 01:29:10,262
{\an8}<i>â™ª There he is, can't you see? â™ª</i>

1393
01:29:10,345 --> 01:29:13,474
{\an8}<i>â™ª Waving his handkerchief â™ª</i>

1394
01:29:13,766 --> 01:29:20,564
{\an8}<i>â™ª As merry as a robin</i>
<i>that sings on a tree â™ª</i>

1395
01:29:20,647 --> 01:29:26,904
{\an8}<i>â™ª The boy that I love,</i>
<i>they call him a cobbler â™ª</i>

1396
01:29:26,987 --> 01:29:33,327
{\an8}<i>â™ª But he is not a cobbler,</i>
<i>allow me to state â™ª</i>

1397
01:29:33,410 --> 01:29:36,914
{\an8}<i>â™ª For Johnny is a tradesman â™ª</i>

1398
01:29:36,997 --> 01:29:40,167
{\an8}<i>â™ª He lives in the Boro' â™ª</i>

1399
01:29:40,250 --> 01:29:46,632
{\an8}<i>â™ª Where they sole and heel them</i>
<i>whilst you wait â™ª</i>

1400
01:29:47,466 --> 01:29:53,931
{\an8}<i>â™ª The boy I love</i>
<i>is up in the gallery â™ª</i>

1401
01:29:54,014 --> 01:30:00,062
{\an8}<i>â™ª The boy I love</i>
<i>is looking now at me â™ª</i>

1402
01:30:01,063 --> 01:30:04,191
{\an8}<i>â™ª There he is, can't you see? â™ª</i>

1403
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