1
00:00:02,000 --> 00:00:07,000
MIRCrew

2
00:00:08,000 --> 00:00:13,000
Buona visione

3
00:00:12,080 --> 00:00:14,320
[energetic music playing]

4
00:00:20,520 --> 00:00:21,840
<i>Oh, là là.</i>

5
00:00:22,920 --> 00:00:25,000
I didn't think I'd see you here.

6
00:00:25,520 --> 00:00:29,479
[chuckles] How incredible!
I haven't seen you in ages.

7
00:00:29,480 --> 00:00:30,479
Are you all right?

8
00:00:30,480 --> 00:00:33,079
I think it's been
at least five years or so.

9
00:00:33,080 --> 00:00:35,199
I'm so happy you're here! [gasps]

10
00:00:35,200 --> 00:00:36,719
[chuckles] Wow!

11
00:00:36,720 --> 00:00:39,679
Hey, a lot's happened
in five years, hasn't it? [laughs]

12
00:00:39,680 --> 00:00:42,479
How crazy!
See my little bouquet of flowers?

13
00:00:42,480 --> 00:00:44,839
It's just a thing I do
whenever I book a role.

14
00:00:44,840 --> 00:00:48,559
I landed a theater gig, first in a while,
so I'm spoiling myself. Someone has to.

15
00:00:48,560 --> 00:00:51,479
I actually act quite a lot in theater.
And in movies.

16
00:00:51,480 --> 00:00:53,919
Yeah, I act now.
I'm sure that you... heard about it?

17
00:00:53,920 --> 00:00:55,079
[tourists chattering]

18
00:00:55,080 --> 00:00:57,639
You don't follow me on Instagram?
[scoffs] Ah, well, funny.

19
00:00:57,640 --> 00:00:59,199
- Uh, how are you?
- Picture?

20
00:00:59,200 --> 00:01:02,159
Picture with me? Of course.
Without my sunglasses. [chuckles]

21
00:01:02,160 --> 00:01:03,880
Uh... <i>picture</i>.

22
00:01:04,400 --> 00:01:06,279
- Ah. Pfft.
- [chuckles]

23
00:01:06,280 --> 00:01:09,319
Sorry. Hold this? Yep. I appreciate it.

24
00:01:09,320 --> 00:01:12,239
- Don't stumble over the edge. [laughs]
- [man] Thank you.

25
00:01:12,240 --> 00:01:13,159
[camera clicks]

26
00:01:13,160 --> 00:01:15,199
Wait, but so... five years is so long.

27
00:01:15,200 --> 00:01:17,559
Back when I was working
as an assistant at ASK Talent.

28
00:01:17,560 --> 00:01:20,799
<i>At the time, we repped
almost the entire French film industry.</i>

29
00:01:20,800 --> 00:01:22,319
<i>Agents and assistants, killing it.</i>

30
00:01:22,320 --> 00:01:24,599
At the end,
I even made it to junior agent.

31
00:01:24,600 --> 00:01:27,239
A little less than five years ago,
the agency split up.

32
00:01:27,240 --> 00:01:28,959
Oh, well. It was a big blow.

33
00:01:28,960 --> 00:01:32,639
We were sabotaged
from within by Starmédia.

34
00:01:32,640 --> 00:01:34,039
<i>A few months later, ruined.</i>

35
00:01:34,040 --> 00:01:36,519
We were horrified.
It was all so unexpected.

36
00:01:36,520 --> 00:01:39,399
We all said, "We'll recover.
We just have to stick together."

37
00:01:39,400 --> 00:01:41,239
<i>But... pfft! We had to close down.</i>

38
00:01:41,240 --> 00:01:43,679
Ugh. This story makes me crave sugar.

39
00:01:43,680 --> 00:01:46,119
What happened to our staff? Pfft!

40
00:01:46,120 --> 00:01:49,519
It all turned to dust!
Yep. Yep. Finished. Lights out.

41
00:01:49,520 --> 00:01:52,319
<i>You remember Arlette?
She was the oldest. She's retired now.</i>

42
00:01:52,320 --> 00:01:54,239
<i>Mathias Barneville
and his daughter, Camille,</i>

43
00:01:54,240 --> 00:01:55,399
<i>started their own agency.</i>

44
00:01:55,400 --> 00:01:57,639
Obvi, they begged me
to come work for them.

45
00:01:57,640 --> 00:02:01,279
But I said,
"No, no, no, no! Hervé is an actor."

46
00:02:01,280 --> 00:02:03,599
My life, it finally has meaning. You know?

47
00:02:03,600 --> 00:02:05,480
And, uh... remember Gabriel?

48
00:02:06,280 --> 00:02:08,239
<i>I worked for him for nearly half my life.</i>

49
00:02:08,240 --> 00:02:11,199
Can you believe Gabriel
joined the competition right after?

50
00:02:11,200 --> 00:02:13,279
<i>The enemy? And I'm not judging...</i>

51
00:02:13,280 --> 00:02:17,399
Not judging, but... but come on!

52
00:02:17,400 --> 00:02:19,639
The truth is,
the only one I kept close with is Noémie.

53
00:02:19,640 --> 00:02:20,639
<i>She's a producer now.</i>

54
00:02:20,640 --> 00:02:22,759
<i>But not the kind
that looks down on others.</i>

55
00:02:22,760 --> 00:02:24,559
She truly is a ray of sunshine, that one.

56
00:02:24,560 --> 00:02:26,719
<i>She changes your life
when she walks in the room.</i>

57
00:02:26,720 --> 00:02:28,959
Then there's Andréa.
That girl, what's her deal?

58
00:02:28,960 --> 00:02:31,439
<i>She'll be a mystery to me
until the day I die.</i>

59
00:02:31,440 --> 00:02:33,839
<i>Independent, always doing the unexpected...</i>

60
00:02:33,840 --> 00:02:34,959
- [bell tolls]
- Hm.

61
00:02:34,960 --> 00:02:37,999
Wait, what was I thinking?
Oh my God, what an idiot!

62
00:02:38,000 --> 00:02:42,199
I can't believe I ate my mom's dinner.
I completely forgot. And I'm late.

63
00:02:42,200 --> 00:02:44,919
Yeah, my mom's coming to visit.
I have to... get her dinner.

64
00:02:44,920 --> 00:02:46,719
Handsome as ever. Right?

65
00:02:46,720 --> 00:02:49,559
Listen, next time, tell me about you.
And enjoy the flowers!

66
00:02:49,560 --> 00:02:51,719
It's my little gift for my old friend.

67
00:02:51,720 --> 00:02:53,279
It's so Paris! [chuckles]

68
00:02:53,280 --> 00:02:55,079
I really miss you!
Let's not wait five years!

69
00:02:55,080 --> 00:02:56,119
Okay? Toodles!

70
00:02:56,120 --> 00:02:58,120
[bright music playing]

71
00:02:59,040 --> 00:03:00,240
[Hervé] <i>Call me!</i>

72
00:03:06,280 --> 00:03:09,880
[dramatic theme music rises]

73
00:03:41,640 --> 00:03:43,800
MAN FOUND DEAD,
WIFE NOWHERE TO BE FOUND

74
00:03:50,640 --> 00:03:52,320
{\an8}[exhales]

75
00:03:57,160 --> 00:03:59,439
{\an8}CALL MY AGENT! THE MOVIE

76
00:03:59,440 --> 00:04:01,880
{\an8}THE FUGITIVE
A MOVIE BY ANDRÉA MARTEL

77
00:04:04,560 --> 00:04:06,359
[theme music dies down]

78
00:04:06,360 --> 00:04:09,079
- Ah! Here's the latest version.
- Great, thanks.

79
00:04:09,080 --> 00:04:12,959
Get me a Coke Zero and a bag of trail mix?
The omega mix, without cashews, please.

80
00:04:12,960 --> 00:04:16,359
- Oh, Andréa, Suzanne's show. Can we talk?
- No problem. First, I have to pick a gun.

81
00:04:16,360 --> 00:04:18,839
Malik narrowed it down to a few.
Have you guys seen Malik?

82
00:04:18,840 --> 00:04:21,079
- No? Malik? He's somewhere.
- No, I haven't. Sorry.

83
00:04:21,080 --> 00:04:23,479
Mind getting a copy
of Nan Goldin's first exhibition?

84
00:04:23,480 --> 00:04:25,839
It's out of print.
I need it for a visual reference.

85
00:04:25,840 --> 00:04:27,679
Here's the updated shoot dates,
from the 25th.

86
00:04:27,680 --> 00:04:30,839
Great timing. Here's the latest script.
You can make adjustments.

87
00:04:30,840 --> 00:04:32,839
Oh, I need you at my place for a delivery.

88
00:04:32,840 --> 00:04:35,599
The window's 3:00 to 7:00.
My new washer-dryer.

89
00:04:35,600 --> 00:04:37,639
My outfits are starting
to smell like a swamp.

90
00:04:37,640 --> 00:04:38,599
[sighs]

91
00:04:38,600 --> 00:04:42,560
{\an8}- [cheery music playing]
- [whistling softly]

92
00:04:47,560 --> 00:04:49,439
Hey, Noémie. Congratulations.

93
00:04:49,440 --> 00:04:50,959
[cheerfully] Thanks.

94
00:04:50,960 --> 00:04:52,039
[chuckles]

95
00:04:52,040 --> 00:04:53,439
[continues whistling]

96
00:04:53,440 --> 00:04:57,479
- Way to go on last night's ratings.
- I appreciate it, Malik. [laughs]

97
00:04:57,480 --> 00:05:00,879
- Feels good, right?
- You should've stayed one more season.

98
00:05:00,880 --> 00:05:04,359
- You should've insisted.
- [both laugh]

99
00:05:04,360 --> 00:05:08,359
- Is Andréa's movie going well?
- Oh, yeah. You know, it's... an adventure.

100
00:05:08,360 --> 00:05:10,839
- [Andréa] Malik!
- Right? A wonderful... adventure. Yeah.

101
00:05:10,840 --> 00:05:12,239
- Have those guns for me?
- Yes.

102
00:05:12,240 --> 00:05:14,039
- Thank you.
- I'll go get them.

103
00:05:14,040 --> 00:05:16,639
- How are you, Noémie?
- Oh my God, Andréa. Great.

104
00:05:16,640 --> 00:05:19,599
It's so weird, seeing you here.
It's wonderful. [laughs]

105
00:05:19,600 --> 00:05:22,759
The company has so many projects,
but I'm producing my series here.

106
00:05:22,760 --> 00:05:24,279
- And the ratings are great.
- Mm-hmm.

107
00:05:24,280 --> 00:05:27,559
Your first feature is about to film,
which I just know will be a huge success.

108
00:05:27,560 --> 00:05:30,719
- Our careers are taking off. I love it.
- Yeah, it's pretty wild, huh?

109
00:05:30,720 --> 00:05:32,719
- All right. They all fit the time period.
- Ah.

110
00:05:32,720 --> 00:05:35,199
- So choose whichever one you like.
- Okay...

111
00:05:35,200 --> 00:05:38,119
Ah! I forgot to ask about your daughter.
What grade's she in?

112
00:05:38,120 --> 00:05:40,959
- Second grade.
- Whoa. Second grade. Time really does fly.

113
00:05:40,960 --> 00:05:42,799
The .38 Special feels very American.

114
00:05:42,800 --> 00:05:44,639
- Very Clint Eastwood.
- Right.

115
00:05:44,640 --> 00:05:48,039
Did you know when she gave birth
at our old agency, I was at her side?

116
00:05:48,040 --> 00:05:49,759
Oh, I didn't know <i>you</i> were there.

117
00:05:49,760 --> 00:05:52,199
- In the middle of the lobby.
- Please don't, Noémie.

118
00:05:52,200 --> 00:05:54,239
You have to admit,
it's an incredible story.

119
00:05:54,240 --> 00:05:56,599
After, we were told
her firm uterus masked her contractions.

120
00:05:56,600 --> 00:05:58,519
- She was lucky I was there--
- Okay, Noémie.

121
00:05:58,520 --> 00:05:59,919
I haven't slept. I'm overwhelmed.

122
00:05:59,920 --> 00:06:02,599
So the firm uterus debrief
by the espresso machine is over

123
00:06:02,600 --> 00:06:05,359
because I have a gun to pick
with Malik, understand?

124
00:06:05,360 --> 00:06:07,199
Of course. No problem.

125
00:06:07,200 --> 00:06:09,839
- Fantastic. This one.
- Andréa, if you need anything, just ask.

126
00:06:09,840 --> 00:06:11,919
All right?
It would be a pleasure to help out.

127
00:06:11,920 --> 00:06:13,559
I'm a producer with experience now.

128
00:06:13,560 --> 00:06:16,279
It's no secret my series
is the highest-rated in its slot.

129
00:06:16,280 --> 00:06:18,839
4.5 million viewers every night.

130
00:06:18,840 --> 00:06:19,959
Congratulations.

131
00:06:19,960 --> 00:06:20,880
Because senior homes

132
00:06:21,000 --> 00:06:23,119
leave all the televisions on,
right? [chuckles]

133
00:06:23,120 --> 00:06:24,199
[gasps]

134
00:06:24,200 --> 00:06:26,479
- [Andréa] It's this one.
- [Malik] Great. It's yours.

135
00:06:26,480 --> 00:06:29,239
- It's too loud.
- [sighs] All right.

136
00:06:29,240 --> 00:06:32,639
And this one,
too short, too soft, too... blue.

137
00:06:32,640 --> 00:06:34,999
- [sighs] All right.
- [mellow music playing]

138
00:06:35,000 --> 00:06:36,319
- I like this one.
- Ah.

139
00:06:36,320 --> 00:06:38,839
- Let's have her try it on.
- Let me get that one.

140
00:06:38,840 --> 00:06:42,079
Great. It works well.
Just lose the boots, and we're good.

141
00:06:42,080 --> 00:06:43,679
- Oh, okay.
- No.

142
00:06:43,680 --> 00:06:44,919
So flats instead of boots?

143
00:06:44,920 --> 00:06:47,319
Let's try pumps.
Not a big heel, though. Two inches?

144
00:06:47,320 --> 00:06:49,119
- Okay. Sounds good.
- Four inch works.

145
00:06:49,120 --> 00:06:50,760
Something sturdy. All-terrain.

146
00:06:51,720 --> 00:06:54,119
- This is for the forest?
- That's right.

147
00:06:54,120 --> 00:06:56,719
- Hmm...
- You don't like it? It's pretty.

148
00:06:56,720 --> 00:07:00,439
Exactly. Too pretty, I'm afraid.
It's giving Prada ad, you know?

149
00:07:00,440 --> 00:07:01,639
Eh, it's more Gucci.

150
00:07:01,640 --> 00:07:03,999
Well, that's not what I mean.
I feel it's a bit cutesy.

151
00:07:04,000 --> 00:07:06,479
- Too put together.
- But on Laetitia, everything is gorgeous.

152
00:07:06,480 --> 00:07:08,359
- She's a model.
- Yeah, but come on. [scoffs]

153
00:07:08,360 --> 00:07:11,519
She's a killer.
She shoots her husband dead, point-blank.

154
00:07:11,520 --> 00:07:13,199
She hides in the forest, on the run.

155
00:07:13,200 --> 00:07:15,919
And she finds this old wood cabin.
I don't want nice fabric.

156
00:07:15,920 --> 00:07:18,239
She should be disheveled.
Something without ruffles.

157
00:07:18,240 --> 00:07:19,199
It's way too nice.

158
00:07:19,200 --> 00:07:21,199
Her character's running
by a working-class house

159
00:07:21,200 --> 00:07:23,439
and stole it off a clothesline.

160
00:07:23,440 --> 00:07:26,279
- I like this one. <i>Much</i> better.
- That's not wardrobe, Andréa.

161
00:07:26,280 --> 00:07:27,439
- It's yours?
- [woman] Yeah.

162
00:07:27,440 --> 00:07:29,959
It's perfect. It's bland.
Just feel the fabric, right?

163
00:07:29,960 --> 00:07:32,279
It's shapeless, cheap, and not pretty.

164
00:07:32,280 --> 00:07:34,319
It's like nothing,
but that's what I love about it.

165
00:07:34,320 --> 00:07:36,799
- Would you mind trying it on?
- No problem. Let me see.

166
00:07:36,800 --> 00:07:38,599
- Hey, Andréa.
- Hey. How are you?

167
00:07:38,600 --> 00:07:40,239
- Great.
- [sighs]

168
00:07:40,240 --> 00:07:42,079
- Hi...
- Ah, careful. She bites.

169
00:07:42,080 --> 00:07:43,559
- Oh, really?
- Take her. Thanks.

170
00:07:43,560 --> 00:07:44,479
- [dog snarls]
- Ooh...

171
00:07:44,480 --> 00:07:46,320
- It's not bad, right?
- I love the brown.

172
00:07:47,240 --> 00:07:50,239
So, yeah...
The shirt's a little tight, isn't it?

173
00:07:50,240 --> 00:07:52,799
- You're right.
- Not really. Back then, tight was in.

174
00:07:52,800 --> 00:07:54,399
You've put on a couple pounds.

175
00:07:54,400 --> 00:07:57,359
Mm... Maybe I ate a little too much
over the holidays.

176
00:07:57,360 --> 00:07:59,239
Over the holidays? But it's September.

177
00:07:59,240 --> 00:08:00,359
I'm loving the look.

178
00:08:00,360 --> 00:08:03,279
It adds layers to the character.
It's good.

179
00:08:03,280 --> 00:08:04,879
Maybe I'll continue to put weight on.

180
00:08:04,880 --> 00:08:07,519
You need to be able to run,
so stop with the layers. Come on.

181
00:08:07,520 --> 00:08:09,399
A little more will make me look older.

182
00:08:09,400 --> 00:08:11,879
- Yeah, but--
- At the time, everyone looked older.

183
00:08:11,880 --> 00:08:13,999
The buttons won't be able to handle it.
Sorry.

184
00:08:14,000 --> 00:08:15,479
- That's my gun?
- Yeah.

185
00:08:15,480 --> 00:08:16,960
Let's see how this looks.

186
00:08:18,600 --> 00:08:20,719
- Oh. Just a sec, will you?
- [man] It won't fit.

187
00:08:20,720 --> 00:08:22,080
It's in. Stop it.

188
00:08:23,240 --> 00:08:25,160
Let's just add a notch in the belt.

189
00:08:27,160 --> 00:08:29,639
[Laurent strains, sighs]

190
00:08:29,640 --> 00:08:30,919
[quietly] Hmm...

191
00:08:30,920 --> 00:08:32,719
- [chatter]
- [upbeat music playing]

192
00:08:32,720 --> 00:08:34,040
[Andréa] Ah, Mathias!

193
00:08:35,000 --> 00:08:36,919
So, why did Laurent put so much weight on?

194
00:08:36,920 --> 00:08:38,679
- Nice to see you, Andréa.
- Yeah.

195
00:08:38,680 --> 00:08:39,919
He didn't seem different.

196
00:08:39,920 --> 00:08:42,239
- I'm available to step in if you want.
- That's not funny.

197
00:08:42,240 --> 00:08:44,399
- Ah...
- Then why are you here?

198
00:08:44,400 --> 00:08:46,999
I'm just meeting
with your producer, actually.

199
00:08:47,000 --> 00:08:49,599
Really? When an agent shows up,
it's never good.

200
00:08:49,600 --> 00:08:50,999
- Seriously.
- I better go with you.

201
00:08:51,000 --> 00:08:52,439
It's really nothing. I swear.

202
00:08:52,440 --> 00:08:55,239
Just need to discuss
a couple scheduling conflicts for Laurent.

203
00:08:55,240 --> 00:08:57,759
- Don't worry. We can sort it out.
- Conflicts? That's news to me.

204
00:08:57,760 --> 00:09:00,919
I want you focused on your movie.
We'll handle the boring stuff.

205
00:09:00,920 --> 00:09:03,079
But it's important I'm here.
I know the schedule.

206
00:09:03,080 --> 00:09:05,439
- I can be helpful.
- [Jérôme] I've produced 30 films.

207
00:09:05,440 --> 00:09:07,599
Trust me, I've got this.
I'm a professional.

208
00:09:07,600 --> 00:09:10,319
[scoffs] You think you can talk
to me like I'm some stupid intern?

209
00:09:10,320 --> 00:09:13,359
I'm sorry. I forgot I was working
with Stanley Kubrick. [scoffs]

210
00:09:13,360 --> 00:09:14,919
Oh, I want to compliment you, Andréa.

211
00:09:14,920 --> 00:09:17,799
It's, uh... really courageous,
switching careers.

212
00:09:17,800 --> 00:09:20,280
You've always been an artist,
so I wasn't surprised.

213
00:09:22,640 --> 00:09:24,800
[inhaling on vape]

214
00:09:27,040 --> 00:09:28,320
He has another film?

215
00:09:29,800 --> 00:09:32,919
Hm. Laurent booked another movie
and has to gain weight for it.

216
00:09:32,920 --> 00:09:35,359
- That's it, right?
- Don't panic. This won't be a dealbreaker.

217
00:09:35,360 --> 00:09:38,559
It's all right. There's just overlapping.
That's all there is to it.

218
00:09:38,560 --> 00:09:40,879
Ah. So it overlaps with <i>my</i> film.
Interesting.

219
00:09:40,880 --> 00:09:42,879
There you go. What's the role?

220
00:09:42,880 --> 00:09:45,839
A new Wes Anderson film.
The role is the lead tenor in the opera.

221
00:09:45,840 --> 00:09:48,279
Did you plan to tell your director
about it or not?

222
00:09:48,280 --> 00:09:49,359
You're already on edge.

223
00:09:49,360 --> 00:09:52,119
Why would I pile anything onto your plate
when we can handle it--

224
00:09:52,120 --> 00:09:53,399
Spare me the free TED Talk.

225
00:09:53,400 --> 00:09:56,199
- I won't talk to an angry person.
- I've been developing this movie.

226
00:09:56,200 --> 00:09:57,639
I wrote the part for Laurent.

227
00:09:57,640 --> 00:10:00,439
He shows up overweight
and only willing to work part of the time.

228
00:10:00,440 --> 00:10:02,919
You're more than incompetent.
You're actually dangerous.

229
00:10:02,920 --> 00:10:04,879
- You've gone too far. Lower the tone.
- Spare me.

230
00:10:04,880 --> 00:10:07,039
Your voice is
like little drops of poison, Jérôme.

231
00:10:07,040 --> 00:10:09,679
- How am I supposed to work with you?
- We won't be. Voilà!

232
00:10:09,680 --> 00:10:11,559
- [Jérôme] Yeah?
- Fucking boys' club horseshit!

233
00:10:11,560 --> 00:10:13,199
That's really classy of you. Mature.

234
00:10:13,200 --> 00:10:14,279
18 DAYS BEFORE FILMING

235
00:10:14,280 --> 00:10:16,119
It's glass.
I can see you flipping the bird.

236
00:10:16,120 --> 00:10:18,839
I'm so excited to be working
with Andréa on her first film.

237
00:10:18,840 --> 00:10:21,159
I've been prepping myself
for it by sleeping outside.

238
00:10:21,160 --> 00:10:22,119
Bravo.

239
00:10:22,120 --> 00:10:23,999
And having steak
for breakfast like my grandpa.

240
00:10:24,000 --> 00:10:25,599
You're doing this in Corsica?

241
00:10:25,600 --> 00:10:28,679
Near Corsica. A small village.
In the mountains. [chuckles]

242
00:10:28,680 --> 00:10:29,719
[Laetitia] Mm.

243
00:10:29,720 --> 00:10:32,919
Well, I assume
you wanted to meet up for a reason.

244
00:10:32,920 --> 00:10:34,080
What's going on?

245
00:10:34,720 --> 00:10:37,519
I have to make a hard decision
about my career. Uh...

246
00:10:37,520 --> 00:10:39,319
- Mm.
- [inhales sharply]

247
00:10:39,320 --> 00:10:40,279
It's, yeah, uh...

248
00:10:40,280 --> 00:10:43,919
It's about time I took some risks
and make some hard decisions.

249
00:10:43,920 --> 00:10:45,559
[sighs deeply]

250
00:10:45,560 --> 00:10:46,680
I need a new agent.

251
00:10:47,920 --> 00:10:50,239
I'm sorry. It wasn't an easy choice.

252
00:10:50,240 --> 00:10:53,879
But I had a long talk with Andréa,
and, you know, she gets it.

253
00:10:53,880 --> 00:10:55,079
You're a superb agent.

254
00:10:55,080 --> 00:10:57,879
Yeah, you're incredible at making money
and negotiating contracts...

255
00:10:57,880 --> 00:10:59,479
Sure, that's not the problem.

256
00:10:59,480 --> 00:11:01,399
But there's more to life
than making money.

257
00:11:01,400 --> 00:11:05,159
As an artist, I'm looking for...
[inhales] ...roles that are impactful.

258
00:11:05,160 --> 00:11:07,960
I want to be challenged.
I want to be surprised.

259
00:11:08,760 --> 00:11:10,639
[sighs glumly]

260
00:11:10,640 --> 00:11:14,439
And moving forward,
who has the privilege to represent you?

261
00:11:14,440 --> 00:11:16,759
Well, your daughter, Camille.

262
00:11:16,760 --> 00:11:18,519
[melancholic music playing]

263
00:11:18,520 --> 00:11:20,639
- She shadowed Andréa for years.
- [chuckles sadly]

264
00:11:20,640 --> 00:11:22,039
She's great.

265
00:11:22,040 --> 00:11:24,720
She's intelligent,
she's young, and she's hungry.

266
00:11:25,880 --> 00:11:28,359
[echoing] <i>Honestly,
she's just what I need.</i>

267
00:11:28,360 --> 00:11:30,919
- [indistinct chatter]
- [Laetitia] <i>You must be proud of her.</i>

268
00:11:30,920 --> 00:11:33,000
[speaking indistinctly]

269
00:11:36,680 --> 00:11:39,679
I'm happy she told you face-to-face.
It was very courageous.

270
00:11:39,680 --> 00:11:41,759
- [scoffs] Courageous?!
- Yeah.

271
00:11:41,760 --> 00:11:43,079
Are you serious?

272
00:11:43,080 --> 00:11:46,079
This was Andréa playing victim
because of an issue with Laurent Lafitte.

273
00:11:46,080 --> 00:11:47,799
I refuse to believe you're that gullible.

274
00:11:47,800 --> 00:11:50,439
Maybe she needed
someone to listen and sympathize.

275
00:11:50,440 --> 00:11:52,239
Life isn't about who is manipulating who.

276
00:11:52,240 --> 00:11:54,839
Just warn me.
God, we could've found a solution.

277
00:11:54,840 --> 00:11:56,399
Or talked about it.

278
00:11:56,400 --> 00:12:00,439
She made herself clear.
A clean break was best, and I agreed.

279
00:12:00,440 --> 00:12:04,280
I wasn't about to part with a top client,
and you would've made the same choice.

280
00:12:05,520 --> 00:12:07,919
You're my daughter. I'd never betray you.

281
00:12:07,920 --> 00:12:11,080
[inhales emotionally] I'm afraid
I remember it differently.

282
00:12:12,840 --> 00:12:13,919
[huffs]

283
00:12:13,920 --> 00:12:16,599
No, no, no.
I'm never working with that guy again.

284
00:12:16,600 --> 00:12:18,439
It's impossible. He lost my trust.

285
00:12:18,440 --> 00:12:22,119
Don't be so quick to judge Jérôme.
He might be a pain, but he's a good guy.

286
00:12:22,120 --> 00:12:23,959
Have a meeting with him to clear the air.

287
00:12:23,960 --> 00:12:25,519
I despise the man so much,

288
00:12:25,520 --> 00:12:27,639
just mentioning his name
gives me a nosebleed.

289
00:12:27,640 --> 00:12:30,559
Ah, but to make a film,
you need a producer, right?

290
00:12:30,560 --> 00:12:31,679
It's too risky.

291
00:12:31,680 --> 00:12:35,440
<i>- No, don't worry. I'll find someone else.</i>
- What's your plan?

292
00:12:36,480 --> 00:12:39,400
- [Andréa] <i>Find someone in-house.</i>
- [bright music rises]

293
00:12:41,760 --> 00:12:44,199
<i>Did you know Eva Longoria
is a producer here?</i>

294
00:12:44,200 --> 00:12:45,279
[car alarm chirps]

295
00:12:45,280 --> 00:12:47,360
<i>She's looking for French products.</i>

296
00:12:48,760 --> 00:12:49,800
[Andréa] Eva?

297
00:12:50,680 --> 00:12:53,039
- Hey!
- Hello, Andréa. How are you?

298
00:12:53,040 --> 00:12:54,519
- How are you?
- I'm good.

299
00:12:54,520 --> 00:12:56,719
Yeah? How do you like
your new office in Paris?

300
00:12:56,720 --> 00:12:58,999
Oh, I love it. You know I love being here.

301
00:12:59,000 --> 00:13:00,839
Hey, um, I read your script.

302
00:13:00,840 --> 00:13:02,839
- You did? Really?
- Yeah. Mm-hmm.

303
00:13:02,840 --> 00:13:05,199
- What did you think?
- It's amazing.

304
00:13:05,200 --> 00:13:07,839
- No, you liked it?
- Honestly. Honestly. Yes, mind-blowing!

305
00:13:07,840 --> 00:13:09,559
- No, really?
- Yes! Yes!

306
00:13:09,560 --> 00:13:11,359
- Oh gosh. That makes me really happy.
- Aw!

307
00:13:11,360 --> 00:13:13,399
The only thing is, I was thinking,

308
00:13:13,400 --> 00:13:15,679
why does that woman
have to kill her husband?

309
00:13:15,680 --> 00:13:17,719
You know? It gets so dark, so fast.

310
00:13:17,720 --> 00:13:19,919
And then you're in the woods
for a really long time.

311
00:13:19,920 --> 00:13:22,039
And it's like, the cabin and the mud...

312
00:13:22,040 --> 00:13:24,479
I would get to Paris sooner.

313
00:13:24,480 --> 00:13:26,159
- Okay, yeah, I get it.
- Yeah.

314
00:13:26,160 --> 00:13:29,119
'Cause the thing is, it's the story
of a woman on the run.

315
00:13:29,120 --> 00:13:31,319
And you know,
she's surviving in the woods.

316
00:13:31,320 --> 00:13:34,439
And there,
she finds her strength <i>with</i> nature.

317
00:13:34,440 --> 00:13:36,959
- Yeah...
- That's... you know...

318
00:13:36,960 --> 00:13:40,359
Yeah, yeah, but I think she should find
her strength... in Paris.

319
00:13:40,360 --> 00:13:42,839
You know? The magic of Paris.

320
00:13:42,840 --> 00:13:45,239
It's romantic. It's intriguing.

321
00:13:45,240 --> 00:13:46,799
That's what people want.

322
00:13:46,800 --> 00:13:49,559
Oh! And if you need any good writers,
let me know.

323
00:13:49,560 --> 00:13:51,319
I can, uh, hook you up.

324
00:13:51,320 --> 00:13:54,520
- [flatly] Yeah, okay. Thanks, Eva.
- [somber music playing]

325
00:13:55,480 --> 00:13:58,999
[Andréa] <i>Okay, what I really need
is someone who's malleable.</i>

326
00:13:59,000 --> 00:14:00,839
He's an idiot! The man's impossible...

327
00:14:00,840 --> 00:14:03,679
Right there. That.
Is it so difficult to CC everyone?

328
00:14:03,680 --> 00:14:05,839
[Arlette] <i>Someone who will be hands-off.</i>

329
00:14:05,840 --> 00:14:06,799
She signed.

330
00:14:06,800 --> 00:14:09,279
We lose that character
or get a new director. Your call!

331
00:14:09,280 --> 00:14:11,879
[Andréa] <i>Someone who will do what I say.</i>

332
00:14:11,880 --> 00:14:13,719
- [group laughs]
- [upbeat music playing]

333
00:14:13,720 --> 00:14:17,639
- Okay! I've saved the best for last, now.
- [excited chatter]

334
00:14:17,640 --> 00:14:19,360
Ba-ba-ba-ba-boom!

335
00:14:20,000 --> 00:14:21,560
[Arlette] <i>You need a stand-in.</i>

336
00:14:22,240 --> 00:14:24,919
- [Andréa] <i>Someone who obeys.</i>
- Special delivery for your boyfriend.

337
00:14:24,920 --> 00:14:26,839
[group laughing]

338
00:14:26,840 --> 00:14:30,159
- [upbeat music fades]
- Noémie? Noémie? You have a second?

339
00:14:30,160 --> 00:14:31,920
- You're celebrating?
- [sighs] We are.

340
00:14:32,760 --> 00:14:35,239
We're number one in our time slot
for three months straight,

341
00:14:35,240 --> 00:14:37,039
so I got everyone on the crew a present.

342
00:14:37,040 --> 00:14:38,679
- That's really great.
- [chuckles]

343
00:14:38,680 --> 00:14:43,360
And also, I... I think I owe you an apology
because I, uh, finally watched the show.

344
00:14:43,920 --> 00:14:46,320
And, uh... I mean, bravo.
The series is dynamite.

345
00:14:47,040 --> 00:14:48,439
- Ah?
- Mm-hmm.

346
00:14:48,440 --> 00:14:49,519
Well, thanks.

347
00:14:49,520 --> 00:14:52,719
Yeah, it's fresh.
It's lighthearted, and, uh...

348
00:14:52,720 --> 00:14:55,199
Those bright colors feel
like an antidepressant.

349
00:14:55,200 --> 00:14:58,719
All those yellows
and blue and the orange, of course.

350
00:14:58,720 --> 00:15:01,119
[Noémie] Yeah, I agree.
Life is dark enough as it is.

351
00:15:01,120 --> 00:15:02,599
[both chuckle]

352
00:15:02,600 --> 00:15:05,519
You want the number
for the designer, Patou? She's incredible.

353
00:15:05,520 --> 00:15:08,840
No. I wanna bring you on
to produce the feature.

354
00:15:10,440 --> 00:15:12,479
Wait. Uh... what about Jérôme?

355
00:15:12,480 --> 00:15:14,720
Well, Jérôme, he's gray.

356
00:15:15,240 --> 00:15:16,920
And you and I,

357
00:15:18,040 --> 00:15:19,279
we go way back.

358
00:15:19,280 --> 00:15:23,759
You're always so cheerful and bright.
I love that. You're great with logistics...

359
00:15:23,760 --> 00:15:25,999
Hang on...
you love how cheerful I am? Really?

360
00:15:26,000 --> 00:15:28,880
Yeah. I love it. And I always have.

361
00:15:29,640 --> 00:15:33,079
And I think about our time at ASK,
and let's be real,

362
00:15:33,080 --> 00:15:35,559
you were kind of running it
back then, right?

363
00:15:35,560 --> 00:15:37,200
We know Mathias didn't do anything.

364
00:15:38,600 --> 00:15:40,559
[Noémie takes a deep breath]

365
00:15:40,560 --> 00:15:43,079
The writers, uh...
they're actually all busy right now,

366
00:15:43,080 --> 00:15:44,879
working on developing next season.

367
00:15:44,880 --> 00:15:48,640
And I'm not needed,
so... the timing's perfect.

368
00:15:49,480 --> 00:15:51,359
Uh... [chuckles]

369
00:15:51,360 --> 00:15:52,799
It feels like a done deal.

370
00:15:52,800 --> 00:15:54,359
- I'm all yours.
- [claps hands]

371
00:15:54,360 --> 00:15:56,959
- Great. This is great.
- [Noémie giggles]

372
00:15:56,960 --> 00:15:58,839
Where do I start?
Should I call your agent?

373
00:15:58,840 --> 00:15:59,999
[both laughing]

374
00:16:00,000 --> 00:16:01,759
- No need. It's me.
- Perfect.

375
00:16:01,760 --> 00:16:04,560
- Call me if you want to, I mean.
- Voilà! [laughs]

376
00:16:05,360 --> 00:16:07,279
How wonderful. Let's go.

377
00:16:07,280 --> 00:16:08,399
Great. Let's go.

378
00:16:08,400 --> 00:16:10,399
I don't know what to say. It's unreal.

379
00:16:10,400 --> 00:16:13,639
Andréa Martel, Noémie Leclerc.
We're the dream team.

380
00:16:13,640 --> 00:16:16,479
Oh! [laughs]

381
00:16:16,480 --> 00:16:18,600
[Noémie] <i>I feel like she needs me,
you know?</i>

382
00:16:19,240 --> 00:16:21,080
Well, my experience.

383
00:16:21,760 --> 00:16:25,999
Yeah, if I'm honest, this is weird to say,
but, um... she's out of her element.

384
00:16:26,000 --> 00:16:30,919
Can you believe Andréa Martel
sees <i>me</i> as her savior? [chuckles]

385
00:16:30,920 --> 00:16:33,839
But it kinda makes sense, right?
It's her first feature.

386
00:16:33,840 --> 00:16:36,359
The first one is really, really scary.

387
00:16:36,360 --> 00:16:38,839
And also, the film's ambitious.
It's a road movie.

388
00:16:38,840 --> 00:16:39,919
[Mathias sighs]

389
00:16:39,920 --> 00:16:43,519
A lot of locations, so that's tricky.
It's in the South, by the way.

390
00:16:43,520 --> 00:16:46,880
I'm gonna be there for the shoot.
That's great, right?

391
00:16:48,320 --> 00:16:50,839
Mathias... isn't that great?

392
00:16:50,840 --> 00:16:52,520
[Mathias, aloof] Mm-hmm.

393
00:16:54,760 --> 00:16:56,200
[exhales sharply]

394
00:16:58,640 --> 00:17:03,159
- You ready? Zip me up, please?
- What is this for again?

395
00:17:03,160 --> 00:17:06,800
- Babe, it's the Kering Gala.
- The Kering Gala?

396
00:17:07,440 --> 00:17:10,079
For Women in Motion,
celebrating industry women.

397
00:17:10,080 --> 00:17:11,679
- Ah, right, right.
- Uh...

398
00:17:11,680 --> 00:17:13,559
I remember now. Of course.

399
00:17:13,560 --> 00:17:14,879
Now I'm excited.

400
00:17:14,880 --> 00:17:18,000
- [excited chatter]
- [jazzy music playing]

401
00:17:29,360 --> 00:17:33,279
- Hey, Slyti! No way! It's been so long.
- Noémie!

402
00:17:33,280 --> 00:17:36,479
- Hi. I know. Mathias, how are you guys?
- It's so great to see you, my God!

403
00:17:36,480 --> 00:17:39,239
- Sweetie, I'll be at the bar.
- Oh, là là. Wow.

404
00:17:39,240 --> 00:17:41,599
- I'll join you. Great. One second.
- While we're here...

405
00:17:41,600 --> 00:17:42,679
- Let's do it.
- I love it.

406
00:17:42,680 --> 00:17:44,759
- Good idea. Before things get wild.
- I love it.

407
00:17:44,760 --> 00:17:46,319
[overlapping conversations]

408
00:17:46,320 --> 00:17:47,920
- Hey, you good?
- Good to see you.

409
00:17:56,600 --> 00:17:58,519
We always wanted to work together.

410
00:17:58,520 --> 00:18:02,799
[sighs] Still not talking to Gabriel
because he works for Starmédia?

411
00:18:02,800 --> 00:18:04,959
I'm not speaking to the person
who helped bury ASK.

412
00:18:04,960 --> 00:18:07,199
Gabriel wasn't responsible
for burying ASK.

413
00:18:07,200 --> 00:18:10,679
Oh, really? He's not a Nazi,
he just works for the Third Reich?

414
00:18:10,680 --> 00:18:12,399
[Camille] I don't know. I feel bad.

415
00:18:12,400 --> 00:18:15,159
He looks like hell
ever since Sofia left him.

416
00:18:15,160 --> 00:18:16,160
Karma.

417
00:18:16,800 --> 00:18:18,200
You're a monster.

418
00:18:19,000 --> 00:18:21,559
I just got
the updated Wes Anderson shoot schedule.

419
00:18:21,560 --> 00:18:23,359
- It's not gonna work.
- I saw that.

420
00:18:23,360 --> 00:18:27,039
- We have to get Andréa to push the dates.
- Ah, that's impossible.

421
00:18:27,040 --> 00:18:31,199
Laetitia Casta is expected to go to the UK
to star in a major series right after.

422
00:18:31,200 --> 00:18:32,640
[quietly] Ah, damn it.

423
00:18:33,440 --> 00:18:34,559
[sighs]

424
00:18:34,560 --> 00:18:36,559
[smooth R & B music playing]

425
00:18:36,560 --> 00:18:37,839
You had some work done.

426
00:18:37,840 --> 00:18:39,439
- I what?
- You got a lower bleph, right?

427
00:18:39,440 --> 00:18:41,479
- Well, no.
- Who did it? Doctor Marchak?

428
00:18:41,480 --> 00:18:42,999
- [scoffs] No.
- I see...

429
00:18:43,000 --> 00:18:44,119
- God, no.
- Mathias...

430
00:18:44,120 --> 00:18:46,640
- I swear.
- [dryly] All right.

431
00:18:47,160 --> 00:18:48,280
[sighs]

432
00:18:51,080 --> 00:18:53,840
To be honest,
I'm getting worried about Andréa's movie.

433
00:18:54,360 --> 00:18:55,440
Why's that?

434
00:18:55,960 --> 00:18:58,959
I sat down with Laetitia for dinner.
She seems a little unstable.

435
00:18:58,960 --> 00:19:01,559
- Oh, really?
- [inhales sharply]

436
00:19:01,560 --> 00:19:04,799
And sometimes Andréa's stubborn,
and that can be hard to work with.

437
00:19:04,800 --> 00:19:06,119
Stubborn?

438
00:19:06,120 --> 00:19:08,919
I'm speaking
from years of experience. [chuckles sadly]

439
00:19:08,920 --> 00:19:10,599
Now that I think of it,

440
00:19:10,600 --> 00:19:12,959
she wasn't receptive
to any of my notes at the fitting.

441
00:19:12,960 --> 00:19:14,119
She came across rigid.

442
00:19:14,120 --> 00:19:16,360
- Yeah, that's an understatement.
- Mm-hmm.

443
00:19:16,920 --> 00:19:18,799
Her type discriminates against men.

444
00:19:18,800 --> 00:19:21,920
That tracks.
That explains why there was tension.

445
00:19:25,120 --> 00:19:27,080
[Laurent sighs] I don't think
I can do this.

446
00:19:28,160 --> 00:19:29,639
It's too depressing.

447
00:19:29,640 --> 00:19:31,880
That's why you have an agent.
Let me handle it.

448
00:19:33,880 --> 00:19:36,559
[smooth R & B song fades]

449
00:19:36,560 --> 00:19:37,999
Yes. For the overtime...

450
00:19:38,000 --> 00:19:39,639
14 DAYS BEFORE FILMING

451
00:19:39,640 --> 00:19:42,519
"Plus two." "Plus three."
Make it plus three.

452
00:19:42,520 --> 00:19:43,760
Voilà, thanks.

453
00:19:46,200 --> 00:19:47,639
- Hey.
- Hey there.

454
00:19:47,640 --> 00:19:49,719
- She's coming. She's just changing.
- Okay.

455
00:19:49,720 --> 00:19:53,719
She has a poem to memorize this weekend,
so maybe you could help her study it.

456
00:19:53,720 --> 00:19:55,239
All right, sure. No problem.

457
00:19:55,240 --> 00:19:56,840
Are you, um...

458
00:19:58,120 --> 00:20:00,200
- Hey.
- [coldly] Hello.

459
00:20:00,960 --> 00:20:02,280
[footsteps fade]

460
00:20:03,880 --> 00:20:05,959
[chuckles uncomfortably]

461
00:20:05,960 --> 00:20:08,519
And I was hoping that you were available
to meet up this week.

462
00:20:08,520 --> 00:20:10,479
We could get a coffee
before you leave to shoot.

463
00:20:10,480 --> 00:20:12,759
- Just to talk.
- Why? What's going on?

464
00:20:12,760 --> 00:20:15,799
We don't have to get into all of it,
but it's important for Flora.

465
00:20:15,800 --> 00:20:18,319
Ah. If it's really important, tell me now.

466
00:20:18,320 --> 00:20:20,559
It'll save us time
trying to schedule something.

467
00:20:20,560 --> 00:20:24,840
- We're already here in person.
- Uh, okay. Mm...

468
00:20:25,520 --> 00:20:26,599
[sighs nervously]

469
00:20:26,600 --> 00:20:28,159
[clicks tongue] Um...

470
00:20:28,160 --> 00:20:32,040
Lucie just got transferred
after a promotion. To Nantes.

471
00:20:33,160 --> 00:20:34,360
Good for her.

472
00:20:35,440 --> 00:20:36,719
- Yeah.
- Yeah. [scoffs]

473
00:20:36,720 --> 00:20:38,000
Yeah, and because of that, uh...

474
00:20:39,720 --> 00:20:41,639
We found a nice bungalow there
with a yard,

475
00:20:41,640 --> 00:20:42,999
and it could be better for Flora.

476
00:20:43,000 --> 00:20:46,120
More stability,
and quality of life is higher there.

477
00:20:47,320 --> 00:20:50,519
But our arrangement won't change.
You can see her on weekends, vacations.

478
00:20:50,520 --> 00:20:53,039
Do you really think that a nice yard
is somehow better for Flora

479
00:20:53,040 --> 00:20:54,280
than time with her mother?

480
00:20:55,000 --> 00:20:57,839
No, you're right. A yard, a mom.
It's the same thing, right?

481
00:20:57,840 --> 00:20:59,439
- [scoffs]
- What's the difference?

482
00:20:59,440 --> 00:21:00,999
I'm her mother too.

483
00:21:01,000 --> 00:21:03,799
It'll be better for you to have time
to pursue your film career.

484
00:21:03,800 --> 00:21:05,479
Oh, it's good for <i>me</i>? Is it?

485
00:21:05,480 --> 00:21:08,759
You think kidnapping my daughter
is actually better for <i>me</i>?

486
00:21:08,760 --> 00:21:11,039
She's already with me most of the time.

487
00:21:11,040 --> 00:21:15,399
Don't start. I don't give a fuck about
your <i>Lucie</i> getting transferred to Nantes.

488
00:21:15,400 --> 00:21:17,799
What's that got to do with my daughter?

489
00:21:17,800 --> 00:21:20,959
She bikes to Nantes on the weekends,
with her bike with those thick thighs?

490
00:21:20,960 --> 00:21:23,839
We are thinking about our future.
It's something you know nothing about.

491
00:21:23,840 --> 00:21:25,079
Mommy!

492
00:21:25,080 --> 00:21:26,879
My love. [kisses]

493
00:21:26,880 --> 00:21:29,480
- Check out my new water bottle.
- It's incredible.

494
00:21:30,000 --> 00:21:32,999
- It was a gift from Lucie.
- [Andréa coughs]

495
00:21:33,000 --> 00:21:35,799
- You okay, Mommy?
- Yeah, I'm fine.

496
00:21:35,800 --> 00:21:37,799
[gloomy music playing]

497
00:21:37,800 --> 00:21:39,880
- They kept you in for recess?
- [Flora] Yeah.

498
00:21:42,880 --> 00:21:45,879
I'm writing them a note.
Were you talking back?

499
00:21:45,880 --> 00:21:47,440
I didn't. I promise.

500
00:21:48,600 --> 00:21:50,279
- You're sure?
- I'm sure.

501
00:21:50,280 --> 00:21:52,559
[together] One, two, three.

502
00:21:52,560 --> 00:21:54,839
One, two, three. [both laugh]

503
00:21:54,840 --> 00:21:57,199
- I think I'm old enough to have coffee.
- You're not.

504
00:21:57,200 --> 00:21:58,399
[both laugh]

505
00:21:58,400 --> 00:22:01,319
- Why not? I love coffee.
- Okay, fine, but just this once.

506
00:22:01,320 --> 00:22:03,959
- [both laugh]
- And would you like some steak with that?

507
00:22:03,960 --> 00:22:06,479
- Let me see.
- Everybody knows that ducks love onions.

508
00:22:06,480 --> 00:22:08,320
Yeah, everybody knows that.

509
00:22:09,800 --> 00:22:11,120
[Andréa sighs contently]

510
00:22:13,320 --> 00:22:16,480
- Three minutes is too long.
- [giggles]

511
00:22:23,600 --> 00:22:26,959
[whispers] Mommy,
I've been trying, but I can't sleep.

512
00:22:26,960 --> 00:22:27,960
[Andréa] Me too, sweetie.

513
00:22:42,640 --> 00:22:45,240
- [Andréa sighs deeply]
- [gloomy music fades]

514
00:22:51,120 --> 00:22:52,160
[gasps softly]

515
00:22:55,200 --> 00:22:56,839
You really are the greatest.

516
00:22:56,840 --> 00:22:59,559
They want to move her to Nantes,
but are they allowed to do that?

517
00:22:59,560 --> 00:23:02,439
Not without your consent, they're not.
You make your stance clear.

518
00:23:02,440 --> 00:23:05,359
And if you can't come to an agreement,
one that's amicable,

519
00:23:05,360 --> 00:23:07,160
then we take them to court.

520
00:23:08,280 --> 00:23:09,879
How long have you two been separated?

521
00:23:09,880 --> 00:23:12,360
Well, we were at each other's throats
for years.

522
00:23:12,960 --> 00:23:15,359
But officially,
we've been apart six months.

523
00:23:15,360 --> 00:23:16,479
She can't be alone.

524
00:23:16,480 --> 00:23:19,039
We barely broke up
before she started seeing someone.

525
00:23:19,040 --> 00:23:20,679
Are you in a good place financially?

526
00:23:20,680 --> 00:23:24,079
Well, things are so-so. It's fine.

527
00:23:24,080 --> 00:23:26,279
Truth is, it's been difficult
since I switched careers,

528
00:23:26,280 --> 00:23:27,199
so I'm using savings.

529
00:23:27,200 --> 00:23:29,959
Also, um, producers are always late
with payments.

530
00:23:29,960 --> 00:23:32,399
So cash has been a little tight.

531
00:23:32,400 --> 00:23:35,960
But when my movie comes out,
I'll have enough if everything goes well.

532
00:23:39,200 --> 00:23:40,760
That's gonna be a problem?

533
00:23:41,320 --> 00:23:44,159
It will,
but you're gonna finish your movie.

534
00:23:44,160 --> 00:23:47,160
Okay? You'll show them
that you're resilient.

535
00:23:47,720 --> 00:23:49,240
And you won't lose your daughter.

536
00:23:51,440 --> 00:23:52,839
[sighs]

537
00:23:52,840 --> 00:23:55,439
No, I'm telling you.
I tried to talk some sense into Laurent,

538
00:23:55,440 --> 00:23:56,479
but he won't listen.

539
00:23:56,480 --> 00:23:59,999
<i>As soon as they hear "Hollywood,"
these actors lose their minds.</i>

540
00:24:00,000 --> 00:24:04,199
He's passing on the lead in Andréa's film
for a shitty cameo for Wes Anderson?

541
00:24:04,200 --> 00:24:06,999
It's a four-day conflict.
What's the problem? I hope this is a joke.

542
00:24:07,000 --> 00:24:08,639
I know. The dates are spread out.

543
00:24:08,640 --> 00:24:11,119
That's the real reason.
These Hollywood types are crazy.

544
00:24:11,120 --> 00:24:13,759
<i>They demand that the talent be available
for the whole shoot.</i>

545
00:24:13,760 --> 00:24:17,719
Right, you should contact
the legal department soon. Good luck.

546
00:24:17,720 --> 00:24:20,199
He would have to approve wardrobe,
so we're not in breach.

547
00:24:20,200 --> 00:24:23,319
- That's something in the fine print.
<i>- I'm aware of that. Thanks.</i>

548
00:24:23,320 --> 00:24:25,759
Well, I assume you can talk about it
with Noémie, yeah?

549
00:24:25,760 --> 00:24:27,079
<i>It's not my problem anymore.</i>

550
00:24:27,080 --> 00:24:29,040
<i>She's the producer now.
You know that, right?</i>

551
00:24:30,040 --> 00:24:33,439
<i>- You know, right? She must've told you.</i>
- Of course. I know all about it.

552
00:24:33,440 --> 00:24:36,079
<i>Okay, Mathias. I'm gonna let you go.
It's been a long day.</i>

553
00:24:36,080 --> 00:24:37,959
- [grunts]
<i>- Such a pain in the ass.</i>

554
00:24:37,960 --> 00:24:39,199
[call disconnects]

555
00:24:39,200 --> 00:24:41,960
[somber string music rises]

556
00:24:42,480 --> 00:24:44,399
[takes a deep breath]

557
00:24:44,400 --> 00:24:46,799
- What?!
- [Mathias sighs]

558
00:24:46,800 --> 00:24:48,839
That's so unprofessional!

559
00:24:48,840 --> 00:24:51,119
Who does this prick think he is?!
What a fricking asshole!

560
00:24:51,120 --> 00:24:53,119
Honey, I did everything I could
to convince him,

561
00:24:53,120 --> 00:24:54,879
but he won't even consider it.

562
00:24:54,880 --> 00:24:56,679
- You'll be okay, hmm?
- I won't.

563
00:24:56,680 --> 00:24:59,519
Yes, you will. You'll fix this, my love.
I'm certain of it.

564
00:24:59,520 --> 00:25:01,519
- [sighs]
- Look here.

565
00:25:01,520 --> 00:25:03,519
- [pot lid scrapes]
- Mm.

566
00:25:03,520 --> 00:25:05,279
[pot bubbling]

567
00:25:05,280 --> 00:25:07,559
- You made beef stew?
- Yeah, why not?

568
00:25:07,560 --> 00:25:09,760
To make you feel better. Smell that.

569
00:25:10,320 --> 00:25:12,599
- [sniffs] Mm.
- [chuckles]

570
00:25:12,600 --> 00:25:16,000
Ah, it smells so good, honey. [sighs]

571
00:25:16,600 --> 00:25:18,200
- How sweet.
- Mm.

572
00:25:18,960 --> 00:25:20,520
Thank God you're here.

573
00:25:21,680 --> 00:25:23,039
[Mathias] Ah...

574
00:25:23,040 --> 00:25:25,279
[notification chimes]

575
00:25:25,280 --> 00:25:26,400
Oh, it's...

576
00:25:26,520 --> 00:25:29,080
LAURENT LAFITTE:
THANKS FOR YOUR INSIGHT AND ADVICE

577
00:25:31,920 --> 00:25:33,920
- [sighs]
- Wait...

578
00:25:35,280 --> 00:25:37,479
Did you push him to do it?
To quit Andréa's film?

579
00:25:37,480 --> 00:25:39,519
He wasn't texting about that.

580
00:25:39,520 --> 00:25:41,599
I gave him a doctor's number
for his mother.

581
00:25:41,600 --> 00:25:44,800
- Oh, really? Is she okay, the poor woman?
- I think she hurt her leg.

582
00:25:45,520 --> 00:25:48,200
You're a liar.
You're lying right to my face.

583
00:25:49,160 --> 00:25:53,199
You sabotaged my first feature film.
This was mine. Are you out of your mind?!

584
00:25:53,200 --> 00:25:56,119
Uh... I... I know... Uh...

585
00:25:56,120 --> 00:25:59,319
I sort of blew it out of proportion,
but... but I'm all over it.

586
00:25:59,320 --> 00:26:00,879
- The thing is--
- What the hell?

587
00:26:00,880 --> 00:26:04,159
I can't be more successful?
Is that it? Huh?

588
00:26:04,160 --> 00:26:07,039
You want your girl to stay
your little pretty secretary forever, huh?

589
00:26:07,040 --> 00:26:10,119
Okay, hey, cool it, Noémie.
I'll tell you, but it's unforgivable!

590
00:26:10,120 --> 00:26:12,999
But... but... but... but...
I just... I didn't remember it.

591
00:26:13,000 --> 00:26:16,119
I completely forgot
you took over as producer.

592
00:26:16,120 --> 00:26:18,479
I just saw you're always working
on your series, and I--

593
00:26:18,480 --> 00:26:19,960
You forgot about me.

594
00:26:22,040 --> 00:26:23,279
[muffled sob]

595
00:26:23,280 --> 00:26:26,280
Wow. [chuckles sadly]

596
00:26:30,800 --> 00:26:32,000
[exhales shakily]

597
00:26:32,880 --> 00:26:35,000
[footsteps retreat]

598
00:26:36,160 --> 00:26:37,559
{\an8}- [sighs]
- [door slams]

599
00:26:37,560 --> 00:26:40,719
{\an8}A MIDSUMMER NIGHT'S DREAM
DIRECTED BY LUDOVIC KOLLIAS

600
00:26:40,720 --> 00:26:43,040
[ethereal music playing]

601
00:26:44,280 --> 00:26:45,600
[crow caws in distance]

602
00:26:52,880 --> 00:26:55,400
[wind whistling]

603
00:26:56,360 --> 00:26:57,760
Alas...

604
00:27:00,200 --> 00:27:02,760
I've learned something
from reading history.

605
00:27:03,400 --> 00:27:06,680
And from listening... to those I hold dear.

606
00:27:07,600 --> 00:27:08,800
[sighs lightly]

607
00:27:11,040 --> 00:27:14,480
A true love is riddled with obstacles.
It's never easy.

608
00:27:22,800 --> 00:27:25,879
[eerie, ethereal music swells]

609
00:27:25,880 --> 00:27:26,959
[gasps]

610
00:27:26,960 --> 00:27:28,159
[music subsides]

611
00:27:28,160 --> 00:27:32,000
[audience cheering]

612
00:27:35,080 --> 00:27:36,440
[woman] Bravo!

613
00:27:38,880 --> 00:27:39,880
Bravo!

614
00:27:45,280 --> 00:27:46,959
[under breath] Just stop it.

615
00:27:46,960 --> 00:27:48,320
But I've had it.

616
00:27:49,960 --> 00:27:52,119
This proves he doesn't see me
as a real person.

617
00:27:52,120 --> 00:27:53,079
[Hervé] Hm.

618
00:27:53,080 --> 00:27:57,479
To him, I'm just... this convenient woman
that cleans up the house.

619
00:27:57,480 --> 00:27:59,840
A girl who sleeps with him and it's free.

620
00:28:00,720 --> 00:28:03,119
- Well, once in a while.
- Mm-hmm.

621
00:28:03,120 --> 00:28:06,359
Yeah, voilà. It turns out the man I'm with
doesn't know me at all.

622
00:28:06,360 --> 00:28:08,599
And he isn't even masking it.
I didn't see it coming.

623
00:28:08,600 --> 00:28:10,839
But we keep loving them anyway. Why?

624
00:28:10,840 --> 00:28:12,640
- That's the question.
- Hmm.

625
00:28:15,080 --> 00:28:16,640
And what about you and Ludovic?

626
00:28:17,680 --> 00:28:19,639
He broke it off this weekend.

627
00:28:19,640 --> 00:28:20,919
[both sigh]

628
00:28:20,920 --> 00:28:22,959
For an apprentice pastry chef who's 22.

629
00:28:22,960 --> 00:28:24,640
No!

630
00:28:25,400 --> 00:28:27,439
What a selfish piece of trash.

631
00:28:27,440 --> 00:28:29,399
And you still have to do the show
every night.

632
00:28:29,400 --> 00:28:31,279
And matinées. How horrible.

633
00:28:31,280 --> 00:28:35,439
The man is directing the play,
and then he took the main part.

634
00:28:35,440 --> 00:28:39,319
I agree. It's horrible.
The level of torture is medieval.

635
00:28:39,320 --> 00:28:42,040
Hervé, are you coming?
We're meeting for notes.

636
00:28:42,800 --> 00:28:46,399
No. Uh, no, listen. I'm tapping out.

637
00:28:46,400 --> 00:28:48,479
- You're what?
- My friend is visiting me.

638
00:28:48,480 --> 00:28:49,479
The show's opened.

639
00:28:49,480 --> 00:28:51,999
So I'm done with you,
and I'm over your endless judgment, okay?

640
00:28:52,000 --> 00:28:54,439
Hervé, when your tantrum's over,
there's work to be done.

641
00:28:54,440 --> 00:28:56,559
Then go get to work. Without me.

642
00:28:56,560 --> 00:29:00,079
Starting tomorrow, you can find
someone else to play Lysander.

643
00:29:00,080 --> 00:29:03,719
[takes a deep breath] Uh... Adieu, Ludovic.

644
00:29:03,720 --> 00:29:05,920
[hyperventilating]

645
00:29:08,960 --> 00:29:12,079
- It's okay, just breathe.
- [groans] I'm just surprised.

646
00:29:12,080 --> 00:29:14,799
I don't know if I'm happy or suicidal.

647
00:29:14,800 --> 00:29:17,160
I'm staying with you tonight. Okay?

648
00:29:17,800 --> 00:29:19,480
- [grunts]
- [gasps]

649
00:29:20,760 --> 00:29:23,199
I might have screwed up
my unemployment through intermittence.

650
00:29:23,200 --> 00:29:25,999
- I need a few more jobs to qualify.
- Oh no.

651
00:29:26,000 --> 00:29:31,239
[sighs] Yes. That's me.
Free and broke as a joke. Voilà.

652
00:29:31,240 --> 00:29:35,040
I'll start over with my life.
Just like Oscar Wilde.

653
00:29:35,720 --> 00:29:38,279
Hm. I'm gonna help you get
some gigs doing background.

654
00:29:38,280 --> 00:29:41,239
So it'll work out. Don't worry. Huh?

655
00:29:41,240 --> 00:29:45,159
I see a future in this business for you.
Remember, I'm a big-time movie producer.

656
00:29:45,160 --> 00:29:47,879
I will call in favors and make you a star.

657
00:29:47,880 --> 00:29:49,039
[both chuckle]

658
00:29:49,040 --> 00:29:52,119
- Would you really do that?
- Of course. I give you my word.

659
00:29:52,120 --> 00:29:54,319
- You've always had my back.
- Always.

660
00:29:54,320 --> 00:29:56,879
- And I'm willing to do anything.
- That's great.

661
00:29:56,880 --> 00:30:01,999
Background, featured extra,
top of show, supporting roles, lead roles...

662
00:30:02,000 --> 00:30:05,119
I could be a replacement
for Laurent in Andréa's movie if you want.

663
00:30:05,120 --> 00:30:08,999
Right. But... I should wait
till I break the news to her first.

664
00:30:09,000 --> 00:30:10,319
Because, uh...

665
00:30:10,320 --> 00:30:12,039
- Wait, you haven't told her yet?
- No.

666
00:30:12,040 --> 00:30:12,959
Are you nuts?

667
00:30:12,960 --> 00:30:15,879
No, I want to wait till tomorrow.
Let her get some rest, and...

668
00:30:15,880 --> 00:30:18,119
She will rip your head off, Noémie,

669
00:30:18,120 --> 00:30:20,759
if she finds out you sat on this
and decided to keep it from her.

670
00:30:20,760 --> 00:30:23,999
Take out your phone and call.
You have to tear off the Band-Aid.

671
00:30:24,000 --> 00:30:26,119
- You're right. I'll text her.
- You have to call her.

672
00:30:26,120 --> 00:30:28,879
And don't forget,
help her keep things in perspective.

673
00:30:28,880 --> 00:30:31,799
Whenever you have hard news to give,
you have to go in with,

674
00:30:31,800 --> 00:30:34,479
"Okay, it's awful,
but it could be much worse."

675
00:30:34,480 --> 00:30:36,719
Get her thinking it's not that bad.
I'll hold your purse.

676
00:30:36,720 --> 00:30:40,559
That's so true.
I'll just do it. All right. [sighs]

677
00:30:40,560 --> 00:30:43,960
- Call her.
- [softly] Right now. Do it. Do it. Mm.

678
00:30:45,120 --> 00:30:46,440
Her voicemail.

679
00:30:49,000 --> 00:30:51,240
[timidly] Sorry for calling so late,
Andréa.

680
00:30:51,840 --> 00:30:56,599
Every day in France, ten million people
are living in abject poverty.

681
00:30:56,600 --> 00:31:00,919
Every night,
300,000 people sleep in the streets.

682
00:31:00,920 --> 00:31:03,799
No shelter, no mattress, no central air.

683
00:31:03,800 --> 00:31:06,839
Our hospitals won't help these homeless.
They can't afford to...

684
00:31:06,840 --> 00:31:11,240
<i>Elephants, bonobos, gorillas,
manatees are all nearing extinction.</i>

685
00:31:12,000 --> 00:31:14,439
<i>And also, Laurent Lafitte is out.</i>

686
00:31:14,440 --> 00:31:16,879
<i>He chose the Wes Anderson movie.</i>

687
00:31:16,880 --> 00:31:18,599
<i>I know that's terrible for us,</i>

688
00:31:18,600 --> 00:31:21,479
<i>but when you think of
all the global catastrophes...</i>

689
00:31:21,480 --> 00:31:23,999
<i>- It puts things into perspective...</i>
- [Andréa screams]

690
00:31:24,000 --> 00:31:25,799
13 DAYS BEFORE FILMING

691
00:31:25,800 --> 00:31:28,599
[muffled screaming]

692
00:31:28,600 --> 00:31:30,079
Hey.

693
00:31:30,080 --> 00:31:31,919
[gasps, chuckles nervously]

694
00:31:31,920 --> 00:31:34,639
Hello. Here's the latest update.

695
00:31:34,640 --> 00:31:35,839
I called every agent in Paris

696
00:31:35,840 --> 00:31:39,039
to see about the availability
of actors who are bankable.

697
00:31:39,040 --> 00:31:42,399
Specifically, ones free
in the next 12 days.

698
00:31:42,400 --> 00:31:46,000
Gérard Depardieu.
You could resurrect his career.

699
00:31:46,920 --> 00:31:49,520
And... YouTuber Logan Paul.

700
00:31:50,720 --> 00:31:51,959
[exhales nervously]

701
00:31:51,960 --> 00:31:54,079
There. I put it
in black and white for you.

702
00:31:54,080 --> 00:31:58,160
So you can dream a little
about these choices... [sighs]

703
00:32:01,560 --> 00:32:04,039
And Andréa... Andréa, you must remember,

704
00:32:04,040 --> 00:32:06,599
what doesn't kill you
only makes you stronger in the end.

705
00:32:06,600 --> 00:32:08,879
No, Noémie.
What doesn't kill you makes you bleed.

706
00:32:08,880 --> 00:32:11,799
Now I'm without a lead,
which means no film, no financing.

707
00:32:11,800 --> 00:32:14,760
- I'm screwed.
- [sighs glumly]

708
00:32:15,400 --> 00:32:18,079
- I have an idea. Mm...
- [water bubbling]

709
00:32:18,080 --> 00:32:21,480
So, this one's obviously a bit iffy,
but just try to be open.

710
00:32:22,240 --> 00:32:24,800
Possible backup... Vincent Macaigne.

711
00:32:25,760 --> 00:32:28,079
[exhales] Why iffy? I love Macaigne.

712
00:32:28,080 --> 00:32:31,959
The girl at Starmédia made it sound
like he's sort of up in the air right now.

713
00:32:31,960 --> 00:32:33,239
But it's no problem.

714
00:32:33,240 --> 00:32:35,399
I'll give Gabriel a call
and ask him for more details.

715
00:32:35,400 --> 00:32:37,359
Gabriel is his agent? Just forget it.

716
00:32:37,360 --> 00:32:40,039
No, don't continue to be a prisoner
to that hate in your heart.

717
00:32:40,040 --> 00:32:42,280
I'll die before giving him 10%.

718
00:32:43,560 --> 00:32:45,640
- [notification chimes]
- [Noémie sighs]

719
00:32:48,280 --> 00:32:51,799
No fucking way. No fucking way.

720
00:32:51,800 --> 00:32:53,799
- [gasps]
- No fucking way!

721
00:32:53,800 --> 00:32:54,919
What? Oh no!

722
00:32:54,920 --> 00:32:57,279
Don't tell me
Laetitia Casta dropped out as well.

723
00:32:57,280 --> 00:33:01,360
You're finished with your little list
of, uh, French franchise talent?

724
00:33:03,320 --> 00:33:05,439
Because I'm having a sit-down
with George Clooney.

725
00:33:05,440 --> 00:33:07,879
- [Noémie exclaims]
- [chuckles]

726
00:33:07,880 --> 00:33:10,599
I emailed Dujardin
after I heard George was in Paris.

727
00:33:10,600 --> 00:33:14,719
- He set up a meeting. It's for real.
- I mean, on our budget, he's too much.

728
00:33:14,720 --> 00:33:16,999
If we land Clooney,
it won't be a 4-million-dollar film.

729
00:33:17,000 --> 00:33:18,919
It's a 15 million, Noémie.

730
00:33:18,920 --> 00:33:20,559
[gasps] It's 15 million.

731
00:33:20,560 --> 00:33:22,320
- [laughing]
- Oh, you're crazy.

732
00:33:23,560 --> 00:33:28,119
[exclaims] Imagine how Mathias will feel
after George Clooney stars in our feature!

733
00:33:28,120 --> 00:33:30,679
And Laurent Lafitte will choke.
He'll be so jealous, that jerk!

734
00:33:30,680 --> 00:33:35,439
[squeals] Guess who nabbed George Clooney,
stupid losers. [laughs]

735
00:33:35,440 --> 00:33:39,159
[singsong] They don't know who we are!
We're unstoppable! Bam, bam!

736
00:33:39,160 --> 00:33:43,799
Make way! The sky's the limit!
Yeah! We're the new heavyweights.

737
00:33:43,800 --> 00:33:46,719
- Okay, just let me handle it.
- Anything you say. Bam, bam. Knockout.

738
00:33:46,720 --> 00:33:48,999
- [clears throat]
- You done?

739
00:33:49,000 --> 00:33:50,799
Well, I should go put a call in
to Clooney.

740
00:33:50,800 --> 00:33:52,759
They prefer to talk to the producer.
It's better.

741
00:33:52,760 --> 00:33:55,880
No, I'm sorry, but the meeting is mine.
Let me handle George.

742
00:33:57,560 --> 00:33:59,319
Got it. [clicks tongue]

743
00:33:59,320 --> 00:34:02,880
[resolute version of theme music playing]

744
00:34:33,760 --> 00:34:36,079
- Good afternoon. Welcome.
- Hello. I'm meeting Mr. Clooney.

745
00:34:36,080 --> 00:34:37,560
Of course. Right this way.

746
00:34:40,560 --> 00:34:42,399
- There he is.
- [Andréa] Thank you.

747
00:34:42,400 --> 00:34:44,999
- [theme music fades]
- [lounge music playing]

748
00:34:45,000 --> 00:34:46,279
Bonjour, Mr. Clooney.

749
00:34:46,280 --> 00:34:48,679
[chuckles] Andréa, please, call me George.

750
00:34:48,680 --> 00:34:49,759
- Ah, George.
- Yes.

751
00:34:49,760 --> 00:34:51,759
- Sounds better when you say it.
- George Clooney?

752
00:34:51,760 --> 00:34:52,759
- Like it?
- Even better.

753
00:34:52,760 --> 00:34:54,719
- You sit down, please.
- Thanks.

754
00:34:54,720 --> 00:34:59,599
So, Jean tells me
that you used to be his agent.

755
00:34:59,600 --> 00:35:01,999
No, thank you. Yes, I was.

756
00:35:02,000 --> 00:35:05,279
He also told me
that you threatened to kidnap his dog

757
00:35:05,280 --> 00:35:06,799
if we didn't have this meeting.

758
00:35:06,800 --> 00:35:10,359
[chuckles] No, that's not true.
I just said I knew where the dog lives.

759
00:35:10,360 --> 00:35:11,639
[both laugh]

760
00:35:11,640 --> 00:35:13,919
- Hey, listen.
- Wait. Thank you for having me.

761
00:35:13,920 --> 00:35:17,039
[grunts] Do you like olive oil?

762
00:35:17,040 --> 00:35:18,720
- Yeah.
- [softly] Okay.

763
00:35:19,240 --> 00:35:21,919
I want you... to taste this.

764
00:35:21,920 --> 00:35:28,600
This is from our farm in the Var,
and I pressed it myself.

765
00:35:29,360 --> 00:35:31,800
- I love olive oil.
- [chuckles slightly]

766
00:35:39,080 --> 00:35:40,200
So?

767
00:35:41,520 --> 00:35:43,759
Hm. It's interesting.

768
00:35:43,760 --> 00:35:45,960
- Mm.
- There's a...

769
00:35:47,240 --> 00:35:48,840
a strong temper.

770
00:35:49,640 --> 00:35:50,800
You can be honest.

771
00:35:52,720 --> 00:35:55,359
Well, it's not... great.

772
00:35:55,360 --> 00:35:56,720
It's <i>not</i> great?

773
00:35:57,720 --> 00:36:00,959
- No, I'm sorry.
- It's fucking awful, isn't it?

774
00:36:00,960 --> 00:36:03,039
[both laugh]

775
00:36:03,040 --> 00:36:04,559
It's horrible.

776
00:36:04,560 --> 00:36:06,999
I've been giving this
to my friends for months.

777
00:36:07,000 --> 00:36:10,359
And they all tell me how great it is.
It tastes like motor oil.

778
00:36:10,360 --> 00:36:15,599
- No. I wouldn't torture my car with it.
- Sorry. Nobody tells me the truth, Andréa.

779
00:36:15,600 --> 00:36:19,520
After 40 years in this industry,
they think I won't do their project.

780
00:36:20,120 --> 00:36:21,159
Ah, it's...

781
00:36:21,160 --> 00:36:23,639
- Here. Wash this down. [laughs]
- Thank you.

782
00:36:23,640 --> 00:36:25,199
- Thank you so much.
- I'll move it away.

783
00:36:25,200 --> 00:36:26,319
- Please.
- Okay.

784
00:36:26,320 --> 00:36:30,079
- So, tell me about your film.
- Thank you.

785
00:36:30,080 --> 00:36:31,160
[George] Mm.

786
00:36:32,280 --> 00:36:34,519
It's the story of a man, a cop,

787
00:36:34,520 --> 00:36:37,679
tracking down a fugitive woman
he slowly falls in love with.

788
00:36:37,680 --> 00:36:39,599
- [George] Mm-hmm.
- Mm.

789
00:36:39,600 --> 00:36:40,719
It's a true story.

790
00:36:40,720 --> 00:36:41,839
- Ah.
- Mm-hmm.

791
00:36:41,840 --> 00:36:44,919
It's a high-end production, and, um...

792
00:36:44,920 --> 00:36:48,199
I mean, I know you're very interested
in French <i>cinéma</i> of the <i>auteur.</i>

793
00:36:48,200 --> 00:36:51,359
- Mm-hmm.
- And I think it's the film to start with.

794
00:36:51,360 --> 00:36:54,559
Well, I am very much interested.
It sounds exciting to me.

795
00:36:54,560 --> 00:36:56,879
- I am interested in French film.
- Oh no. Oh.

796
00:36:56,880 --> 00:36:59,839
- Hi! Mr. Clooney!
- Oh! [chuckles]

797
00:36:59,840 --> 00:37:01,639
Sorry to interrupt.

798
00:37:01,640 --> 00:37:04,719
I am Noémie Leclerc,
the producer of the film.

799
00:37:04,720 --> 00:37:07,559
Oh, hi, Noémie.
You call me George, please.

800
00:37:07,560 --> 00:37:09,999
Oh. With pleasure, of course. Ah, George.

801
00:37:10,000 --> 00:37:11,439
- Ah.
- [both chuckle]

802
00:37:11,440 --> 00:37:13,399
Yeah, my producer... [chuckles]

803
00:37:13,400 --> 00:37:17,439
And I produce <i>Les Collègues.</i>
It's a new series.

804
00:37:17,440 --> 00:37:20,359
- Very funny, very successful.
- [George] Mm.

805
00:37:20,360 --> 00:37:23,239
- Maybe you know it?
- [George] <i>Les Collègues</i>?

806
00:37:23,240 --> 00:37:26,079
- Oh, yes, sure. Yes, <i>Les Collègues.</i> Yes.
- Yeah!

807
00:37:26,080 --> 00:37:27,879
- Ah! You know!
- Yes.

808
00:37:27,880 --> 00:37:30,279
- Yeah, sure.
- I hate to say it...

809
00:37:30,280 --> 00:37:33,079
- Is it bad if I talk about the show?
- Just drop it. [chuckles]

810
00:37:33,080 --> 00:37:34,359
- And George...
- Ah?

811
00:37:34,360 --> 00:37:37,199
Andréa and me, we are like this.

812
00:37:37,200 --> 00:37:39,759
- Mm-hmm?
- We've worked together for a long time.

813
00:37:39,760 --> 00:37:41,079
- Ah?
- Noémie, thank you.

814
00:37:41,080 --> 00:37:44,359
Um, George and I,
were just talking about the film.

815
00:37:44,360 --> 00:37:46,479
- Yes.
- Oh, it's incredible.

816
00:37:46,480 --> 00:37:51,359
Yesterday, on French TV,
there was your film with Jean Dujardin.

817
00:37:51,360 --> 00:37:54,439
- It's incredible. I saw it last night!
- <i>Monuments Men</i>, yes!

818
00:37:54,440 --> 00:37:56,439
- Yes!
- We did that a long time ago.

819
00:37:56,440 --> 00:37:58,039
How's it hold up? Sit down.

820
00:37:58,040 --> 00:37:59,839
- She doesn't have time. She can't--
- Great!

821
00:37:59,840 --> 00:38:02,599
- Yeah!
- No, you don't. You can't. You don't have...

822
00:38:02,600 --> 00:38:04,999
- I have five minutes. Yes.
- [George] Oh, perfect.

823
00:38:05,000 --> 00:38:06,960
- So, Noémie...
- Yeah?

824
00:38:07,720 --> 00:38:12,160
Tell me, how does the film hold up?
People think I'm too sensitive.

825
00:38:12,800 --> 00:38:15,400
[takes a deep breath] Yeah, I see.

826
00:38:16,920 --> 00:38:17,920
Well...

827
00:38:19,120 --> 00:38:20,839
- It's good.
- Ah.

828
00:38:20,840 --> 00:38:24,079
- I mean, <i>you</i> are good.
- There you go.

829
00:38:24,080 --> 00:38:27,400
- [Andréa] No...
- [Noémie] Very, very good. Amazing.

830
00:38:29,000 --> 00:38:32,200
And, uh, the film, um...

831
00:38:32,800 --> 00:38:36,759
I like it, but it's just a bit... slow.

832
00:38:36,760 --> 00:38:38,239
[George, intrigued] Mm...

833
00:38:38,240 --> 00:38:40,919
[Andréa] It's because
she's not really into war films.

834
00:38:40,920 --> 00:38:45,839
- Okay, let her talk. It's okay.
- I mean, it's... it's a war, so it's normal.

835
00:38:45,840 --> 00:38:50,759
War is heavy and long
and, uh, a little boring.

836
00:38:50,760 --> 00:38:52,239
[both laugh]

837
00:38:52,240 --> 00:38:53,959
Wow. Wow.

838
00:38:53,960 --> 00:38:57,159
But that's not <i>your</i> fault.
It's the director.

839
00:38:57,160 --> 00:38:59,079
- [quietly] Wow.
- Again, you were great.

840
00:38:59,080 --> 00:39:02,039
- I did direct it, so...
- [Andréa] Yeah.

841
00:39:02,040 --> 00:39:04,679
- Yeah. Okay. So, about <i>this</i> film...
- Yeah.

842
00:39:04,680 --> 00:39:09,799
The direction is great.
It's more of a problem with the script.

843
00:39:09,800 --> 00:39:11,799
I wrote it as well.

844
00:39:11,800 --> 00:39:13,719
- [sighs, chuckles]
- [George laughs]

845
00:39:13,720 --> 00:39:17,519
- No, sorry. Because my ADHD is awful.
- Just stop talking, all right?

846
00:39:17,520 --> 00:39:21,199
- I may have confused it in my brain.
- Just stop talking. You done? All right?

847
00:39:21,200 --> 00:39:26,119
Uh... I think... it's just... the ending.

848
00:39:26,120 --> 00:39:27,119
[George] Hm.

849
00:39:27,120 --> 00:39:32,159
You know... the old man,
the older you, 30 years later,

850
00:39:32,160 --> 00:39:34,159
who appears in the light...

851
00:39:34,160 --> 00:39:36,440
- A little bit too much. [chuckles]
- [George] Hm.

852
00:39:37,280 --> 00:39:38,560
That's my father.

853
00:39:40,080 --> 00:39:41,560
My <i>actual</i> father.

854
00:39:42,240 --> 00:39:43,839
Uh...

855
00:39:43,840 --> 00:39:45,800
I made it to honor him.

856
00:39:46,680 --> 00:39:47,840
[scoffs]

857
00:39:50,120 --> 00:39:51,879
- Yeah.
- Oh... Mm-hmm.

858
00:39:51,880 --> 00:39:52,880
Yeah...

859
00:39:55,640 --> 00:39:58,439
Wait! I didn't know he directed the movie.

860
00:39:58,440 --> 00:40:00,639
I was grabbing chocolate
before the movie started.

861
00:40:00,640 --> 00:40:02,759
I missed the credits. [panting]

862
00:40:02,760 --> 00:40:05,199
But you know what?
This might be a blessing.

863
00:40:05,200 --> 00:40:06,519
We're in the clear.

864
00:40:06,520 --> 00:40:09,119
Anyone that touchy isn't gonna be easy
to deal with on set.

865
00:40:09,120 --> 00:40:10,079
It'll be a nightmare.

866
00:40:10,080 --> 00:40:12,519
Andréa, look at me.
Look at me! We'll find someone.

867
00:40:12,520 --> 00:40:15,199
You and I, we can't be stopped, you know?

868
00:40:15,200 --> 00:40:16,960
We're warriors, you and me.

869
00:40:17,760 --> 00:40:19,919
You're an <i>office</i> warrior.
That's where you belong.

870
00:40:19,920 --> 00:40:21,999
Having a little party
with mugs and underwear.

871
00:40:22,000 --> 00:40:23,640
So stand back and leave the work to me.

872
00:40:24,680 --> 00:40:27,040
[melancholic music playing]

873
00:40:29,120 --> 00:40:30,320
[sighs]

874
00:40:38,520 --> 00:40:39,679
You wanted to talk?

875
00:40:39,680 --> 00:40:42,199
Yeah, sit down.
I have something to propose.

876
00:40:42,200 --> 00:40:45,559
If it's a bonus with a vacation
that gets me out of here, then great.

877
00:40:45,560 --> 00:40:47,279
[both chuckle]

878
00:40:47,280 --> 00:40:49,759
- [sighs]
- I'd like you...

879
00:40:49,760 --> 00:40:53,439
No, "I <i>want</i> you" is better...
to sign on as a partner of Starmédia.

880
00:40:53,440 --> 00:40:56,999
But you said partner wasn't on the table.
Uh, that I wasn't hungry.

881
00:40:57,000 --> 00:41:00,159
You proved yourself useful.
You surprised me. Bravo.

882
00:41:00,160 --> 00:41:03,039
- Tell me your offer.
- All right, 5% equity.

883
00:41:03,040 --> 00:41:05,039
Profit share based on performance.

884
00:41:05,040 --> 00:41:08,039
Annual bonus if you keep eating up
all the work in Paris.

885
00:41:08,040 --> 00:41:11,240
- [chuckles] That's very touching.
- [cell phone vibrating]

886
00:41:17,600 --> 00:41:20,039
- Go ahead, pick up. It's all right.
- [sighs]

887
00:41:20,040 --> 00:41:22,879
Ah, no. I'll call 'em right back.

888
00:41:22,880 --> 00:41:24,119
[vibrating continues]

889
00:41:24,120 --> 00:41:26,119
- So, 5% equity?
- Five. What do you think?

890
00:41:26,120 --> 00:41:28,519
Sorry. This is an American producer.
I have to pick up.

891
00:41:28,520 --> 00:41:30,839
- Yeah, do it.
- Yo, buddy, how are ya?

892
00:41:30,840 --> 00:41:32,079
I'm suddenly your buddy?

893
00:41:32,080 --> 00:41:34,799
- [chatter]
- Don't worry about it. What's going on?

894
00:41:34,800 --> 00:41:38,439
Well, what's Vincent Macaigne's
availability the next few weeks?

895
00:41:38,440 --> 00:41:41,399
Ah. Your lead on the film's
giving you trouble already?

896
00:41:41,400 --> 00:41:43,519
Maybe he is. Okay?

897
00:41:43,520 --> 00:41:45,959
Ah, so you need my help, is that it?

898
00:41:45,960 --> 00:41:51,319
<i>- Answer me, Gabriel. Please.</i>
- Listen, uh, Vincent Macaigne...

899
00:41:51,320 --> 00:41:53,359
He's on a secret project currently.

900
00:41:53,360 --> 00:41:56,279
<i>So... we could find another solution.
I have options.</i>

901
00:41:56,280 --> 00:41:58,879
<i>But let's chat over lunch.
You can send me the script if you want.</i>

902
00:41:58,880 --> 00:42:02,559
What happened? "Secret project" is
what we always use for rehab or #MeToo.

903
00:42:02,560 --> 00:42:04,039
No, okay, it's just... [sighs]

904
00:42:04,040 --> 00:42:07,239
Vincent's been going nonstop.
He got tired. He...

905
00:42:07,240 --> 00:42:10,399
He has severe anxiety attacks
due to all the work. He's--

906
00:42:10,400 --> 00:42:11,999
So he's available?

907
00:42:12,000 --> 00:42:16,599
No. Vincent needs some, uh, time away.
He's not ready to shoot. He's fragile.

908
00:42:16,600 --> 00:42:19,159
Well, he could be better.
Did he go to Villa Cambon?

909
00:42:19,160 --> 00:42:20,719
- No.
<i>- Courvoisier?</i>

910
00:42:20,720 --> 00:42:23,719
[scoffs] No, don't...
don't go bothering Vincent, okay?

911
00:42:23,720 --> 00:42:26,359
- Courvoisier, perfect. I'm gonna run.
<i>- No. I'm going with you.</i>

912
00:42:26,360 --> 00:42:29,279
- You're not seeing my client on your own.
<i>- Tomorrow, 4:00 p.m.</i>

913
00:42:29,280 --> 00:42:31,079
- Andréa!
- [dial tone beeps]

914
00:42:31,080 --> 00:42:32,479
[huffs]

915
00:42:32,480 --> 00:42:35,760
[introspective music playing]

916
00:42:38,720 --> 00:42:40,720
[indistinct chatter in distance]

917
00:42:46,760 --> 00:42:48,640
[instructor speaking indistinctly]

918
00:42:50,920 --> 00:42:53,719
[instructor] We were pulled to the earth,
heavy as lead.

919
00:42:53,720 --> 00:42:55,159
Now we're light as feathers.

920
00:42:55,160 --> 00:42:56,599
- Oh!
- [instructor] Light!

921
00:42:56,600 --> 00:42:58,119
- Hey.
- [instructor] Like feathers.

922
00:42:58,120 --> 00:43:00,519
- You're good? I'm coming.
- [instructor] Tiny feathers.

923
00:43:00,520 --> 00:43:02,999
- Feathers.
- [instructor] Fly, fly, fly, fly!

924
00:43:03,000 --> 00:43:05,640
I'm just wired that way.
It comes out of nowhere.

925
00:43:06,600 --> 00:43:08,439
I've always been anxious is the truth.

926
00:43:08,440 --> 00:43:12,119
Yeah? Isn't that right, Gabriel?
You've been sick of me for a while now.

927
00:43:12,120 --> 00:43:15,599
No, it's just that
you're a sensitive soul. Come on.

928
00:43:15,600 --> 00:43:19,079
Lately, I've had these panic attacks
more and more. It's gotten worse.

929
00:43:19,080 --> 00:43:23,959
The stuff with Trump,
the wars, all the floods lately.

930
00:43:23,960 --> 00:43:26,799
If you ask me, I think it'd be weirder

931
00:43:26,800 --> 00:43:28,999
if I <i>wasn't</i> anxious about everything,
you know?

932
00:43:29,000 --> 00:43:31,639
- Right, exactly.
- Uh... the world's gone mad.

933
00:43:31,640 --> 00:43:34,679
If you have a heart
or, you know, actually care about people,

934
00:43:34,680 --> 00:43:36,359
then <i>you're</i> the sick one.

935
00:43:36,360 --> 00:43:39,959
It's crazy. The ones who care
end up committed to mental institutions.

936
00:43:39,960 --> 00:43:41,719
- It's messed up.
- No, it really is.

937
00:43:41,720 --> 00:43:44,840
It's crazy. <i>That's</i> what's crazy. So...

938
00:43:45,680 --> 00:43:48,280
- [ducks quacking in the distance]
- [sighs]

939
00:43:49,240 --> 00:43:50,359
Huh.

940
00:43:50,360 --> 00:43:52,839
There's a wild boar?
Huh. It's written here.

941
00:43:52,840 --> 00:43:54,279
- Right.
- That really connects.

942
00:43:54,280 --> 00:43:55,519
That's my spirit animal.

943
00:43:55,520 --> 00:43:56,679
- No, really?
- Yeah.

944
00:43:56,680 --> 00:43:58,439
I mean, it's the third main character.

945
00:43:58,440 --> 00:44:00,679
- The boar's pivotal to the story.
- Yeah.

946
00:44:00,680 --> 00:44:04,039
Suzanne is hiding, and there is
a wounded boar she nurses to health.

947
00:44:04,040 --> 00:44:06,919
You think a boar will be safe
on a movie set over in the wild?

948
00:44:06,920 --> 00:44:10,039
Uh, it has a personal handler.
Everybody's safety is important.

949
00:44:10,040 --> 00:44:11,479
- Good.
- Laetitia's bonded with him.

950
00:44:11,480 --> 00:44:12,919
They've been interacting.

951
00:44:12,920 --> 00:44:15,639
[hesitates] Laetitia...
Uh, that's Laetitia Dosch, right?

952
00:44:15,640 --> 00:44:20,039
Uh, no, sorry. I forgot to mention,
Laetitia Casta is cast as Suzanne.

953
00:44:20,040 --> 00:44:21,679
[gasps] Ah, it's, uh...

954
00:44:21,680 --> 00:44:23,959
[breathing shakily] Well, I mean...

955
00:44:23,960 --> 00:44:25,839
Um, well, I'm thinking about all of it,

956
00:44:25,840 --> 00:44:28,679
and it's probably
a bit premature for me to... Yeah?

957
00:44:28,680 --> 00:44:31,599
Of course. You have to weigh
your decision, so please take your time.

958
00:44:31,600 --> 00:44:33,679
That's true.
There's no pressure, but I'll say this.

959
00:44:33,680 --> 00:44:36,559
If you feel like you might need nature,
we're in a picturesque forest.

960
00:44:36,560 --> 00:44:39,719
It's absolutely serene.
It's like this, but you'd be free to roam.

961
00:44:39,720 --> 00:44:43,239
And, Andréa, did you tell Laetitia
that you were offering me the role?

962
00:44:43,240 --> 00:44:44,799
- Of course.
- You swear?

963
00:44:44,800 --> 00:44:46,839
We talked about it a lot.

964
00:44:46,840 --> 00:44:47,959
She's thrilled.

965
00:44:47,960 --> 00:44:50,040
Ah. Oh, really? Oh...

966
00:44:50,560 --> 00:44:52,799
Um, but you really heard her say that?

967
00:44:52,800 --> 00:44:56,680
I remember she said, "It's a dream."

968
00:44:59,280 --> 00:45:01,159
[Vincent sighs]

969
00:45:01,160 --> 00:45:03,559
I know. I'm so relieved.
It's the best news ever.

970
00:45:03,560 --> 00:45:06,199
His energy's not like Lafitte.
Macaigne is so different.

971
00:45:06,200 --> 00:45:09,279
Macaigne comes across
as more unpredictable. He's more tortured.

972
00:45:09,280 --> 00:45:11,719
But I think, overall, it makes more sense.
It's way better.

973
00:45:11,720 --> 00:45:14,919
- But he's aware that he's working with me?
<i>- Of course.</i>

974
00:45:14,920 --> 00:45:19,079
He knows. He adores you.
He actually said this, "It's a dream."

975
00:45:19,080 --> 00:45:21,239
A dream? Ah...

976
00:45:21,240 --> 00:45:22,799
- Later.
<i>- Totally.</i>

977
00:45:22,800 --> 00:45:23,919
Great.

978
00:45:23,920 --> 00:45:27,199
<i>- Okay, sounds good. See you soon.</i>
- Great. Goodbye. Kisses.

979
00:45:27,200 --> 00:45:29,479
- [woman] They're okay with it...
- Sorry I'm late, everyone.

980
00:45:29,480 --> 00:45:32,479
Hey, so what happened? Is it confirmed?
Macaigne's doing Andréa's movie?

981
00:45:32,480 --> 00:45:34,719
- Signs point to yes.
- And Vincent, he's okay?

982
00:45:34,720 --> 00:45:37,799
- Yeah. It'll be good for him. You know?
- [woman] Ugh.

983
00:45:37,800 --> 00:45:39,519
And what's the pay rate?

984
00:45:39,520 --> 00:45:41,719
I matched the original rate
they offered Lafitte.

985
00:45:41,720 --> 00:45:43,359
- Oh?
- Yeah.

986
00:45:43,360 --> 00:45:45,319
But urgency costs money, Gabriel.

987
00:45:45,320 --> 00:45:49,559
Oh, it's her debut film.
Small budget. We adapt.

988
00:45:49,560 --> 00:45:52,599
Well, don't worry, darling.
The money's not coming from Andréa.

989
00:45:52,600 --> 00:45:54,599
- You know that? Just saying.
- Okay, let's drop it.

990
00:45:54,600 --> 00:45:56,439
- [laughs]
- I promise I know what I'm doing.

991
00:45:56,440 --> 00:45:59,519
No, but Vincent's okay, so we're good.
It's perfect.

992
00:45:59,520 --> 00:46:01,959
Sorry, but it's not about him.
It's about you, Gabriel.

993
00:46:01,960 --> 00:46:04,679
I think it's been about five years
since she ghosted you.

994
00:46:04,680 --> 00:46:08,399
She comes to you, first sign of trouble.
And you help her. What's going on?

995
00:46:08,400 --> 00:46:11,800
Élise, don't worry.
I know where to go from here, so drop it.

996
00:46:12,480 --> 00:46:14,400
- Okay...
- Okay?

997
00:46:15,920 --> 00:46:18,680
[intriguing string music playing]

998
00:46:28,600 --> 00:46:30,040
[sighs]

999
00:46:37,680 --> 00:46:40,519
Well, how are you, Noémie? It's Gabriel.

1000
00:46:40,520 --> 00:46:43,079
- [music cuts out]
- 200K more to do the part?!

1001
00:46:43,080 --> 00:46:47,159
No wait... Hang on a sec. Gabriel, hold on.

1002
00:46:47,160 --> 00:46:49,839
[muffled] You're a maniac!
That's psychopathic!

1003
00:46:49,840 --> 00:46:52,319
Do you want me dead?!
Are you trying to kill me?!

1004
00:46:52,320 --> 00:46:54,039
After all the years
we've known each other!

1005
00:46:54,040 --> 00:46:56,799
- I just need one second.
- [Noémie] I can't believe you!

1006
00:46:56,800 --> 00:47:00,359
No, do you think I'm some pushover
like Melania?! How dare you!

1007
00:47:00,360 --> 00:47:02,000
Why are you yelling?

1008
00:47:02,520 --> 00:47:06,359
[sighs] I... I...
I just received devastating news.

1009
00:47:06,360 --> 00:47:08,840
They want to cancel
the appointment for my hair.

1010
00:47:09,440 --> 00:47:10,759
[Andréa] Hmm...

1011
00:47:10,760 --> 00:47:13,320
[intriguing string music resumes]

1012
00:47:16,400 --> 00:47:18,399
[music halts]

1013
00:47:18,400 --> 00:47:19,839
[sighs] Oh, shit.

1014
00:47:19,840 --> 00:47:21,959
TWO DAYS BEFORE FILMING

1015
00:47:21,960 --> 00:47:24,759
[woman speaking French on TV]

1016
00:47:24,760 --> 00:47:27,559
[flatly] Why have I done this to myself?

1017
00:47:27,560 --> 00:47:29,479
I was protected,
just being an actors' rep.

1018
00:47:29,480 --> 00:47:32,079
- Why did I think I--
- It was the right call. No doubt about it.

1019
00:47:32,080 --> 00:47:34,040
If I fail, I lose everything.

1020
00:47:35,200 --> 00:47:37,199
My career, my cash.

1021
00:47:37,200 --> 00:47:39,040
My wife, my daughter.

1022
00:47:39,760 --> 00:47:43,279
- My libido. [sighs]
- Sounds like someone's scared.

1023
00:47:43,280 --> 00:47:47,479
I don't see what you see.
You're not scared.

1024
00:47:47,480 --> 00:47:50,079
You've never been scared.
You're a lioness.

1025
00:47:50,080 --> 00:47:52,559
We worked to make sure
the script is tight.

1026
00:47:52,560 --> 00:47:55,800
Now all we have to do is shoot it.
We left nothing to chance.

1027
00:47:56,440 --> 00:47:59,360
You've prepped for it.
You're gonna be dynamite.

1028
00:48:01,000 --> 00:48:02,999
I'm sure of it. Never doubted you ever.

1029
00:48:03,000 --> 00:48:04,760
- [chuckles softly]
- Come on.

1030
00:48:05,560 --> 00:48:07,120
Shake those cobwebs off.

1031
00:48:08,120 --> 00:48:09,599
[funky music playing]

1032
00:48:09,600 --> 00:48:10,640
Cheers.

1033
00:48:11,880 --> 00:48:14,840
DAY ONE OF FILMING

1034
00:48:25,040 --> 00:48:26,919
Slow down. Is that...

1035
00:48:26,920 --> 00:48:28,920
[funky music cuts out]

1036
00:48:29,840 --> 00:48:31,199
Vincent?

1037
00:48:31,200 --> 00:48:34,119
Oh, Andréa. Holy shit. Here we are. Crazy.

1038
00:48:34,120 --> 00:48:37,479
- Why didn't someone offer to get you?
- No, I wanted to bike here.

1039
00:48:37,480 --> 00:48:39,319
Yeah, because driving with all of the gas

1040
00:48:39,320 --> 00:48:41,479
and waste and what it's doing
to the ocean currents...

1041
00:48:41,480 --> 00:48:43,039
- Not for me. Sorry.
- This is a BYD.

1042
00:48:43,040 --> 00:48:46,880
- Don't be scared. It's all electric.
- And riding a bike is exhilarating.

1043
00:48:47,560 --> 00:48:51,439
The feeling is almost like you're, uh...
inside of what you see on a map.

1044
00:48:51,440 --> 00:48:53,359
You're in true communion with the world.

1045
00:48:53,360 --> 00:48:57,719
I'm afraid you're due at hair and makeup
at 9:00, so you're cutting it close.

1046
00:48:57,720 --> 00:48:58,839
I'll race you there.

1047
00:48:58,840 --> 00:49:01,160
[funky music continues]

1048
00:49:07,720 --> 00:49:09,319
- We good?
- [chatter]

1049
00:49:09,320 --> 00:49:11,679
- I'll watch dailies tonight.
- The props are here.

1050
00:49:11,680 --> 00:49:13,639
- Andréa!
- [Andréa] Great. I'll look. Hey.

1051
00:49:13,640 --> 00:49:16,839
- Miss Feature Director. [gasps]
- [Andréa] Mm-hmm.

1052
00:49:16,840 --> 00:49:19,839
- You must be emotional, huh?
- I'd say just focused, actually.

1053
00:49:19,840 --> 00:49:23,479
- It's really here. First day of the shoot.
- Yeah. Pfft.

1054
00:49:23,480 --> 00:49:28,559
- Let's go. I'm ready.
- Wow! Great! Wow! [giggles]

1055
00:49:28,560 --> 00:49:30,799
Do me a favor.
Have her monitor behind makeup.

1056
00:49:30,800 --> 00:49:32,159
Keep her away from set.

1057
00:49:32,160 --> 00:49:33,279
- On it.
- <i>Là là.</i>

1058
00:49:33,280 --> 00:49:35,520
[excited chatter]

1059
00:49:39,640 --> 00:49:42,480
[makeup artist] Pardon me, Vincent.
Your forehead's a little shiny.

1060
00:49:43,480 --> 00:49:45,279
Great, okay. After we go through blocking...

1061
00:49:45,280 --> 00:49:46,199
- Thanks.
- Okay.

1062
00:49:46,200 --> 00:49:47,199
[music fades]

1063
00:49:47,200 --> 00:49:51,639
All right.
This is where you kiss for the first time.

1064
00:49:51,640 --> 00:49:54,120
- Yeah, uh...
- Will an intimacy coordinator be here?

1065
00:49:54,760 --> 00:49:56,799
Yeah, of course.
It's me. I certified for it.

1066
00:49:56,800 --> 00:49:58,479
- [both] Oh.
- Yeah, yeah.

1067
00:49:58,480 --> 00:50:00,919
So, um,
let me remind you of the situation.

1068
00:50:00,920 --> 00:50:05,159
You want to prevent this girl
from being locked up in prison.

1069
00:50:05,160 --> 00:50:07,759
And you, you don't want him to leave.

1070
00:50:07,760 --> 00:50:10,199
You've never felt this before,
and it's... true love.

1071
00:50:10,200 --> 00:50:11,519
- Mm.
- [Andréa] It's in the kiss.

1072
00:50:11,520 --> 00:50:13,639
I want the reality
of a beautiful first kiss

1073
00:50:13,640 --> 00:50:15,359
to capture that feeling.

1074
00:50:15,360 --> 00:50:17,599
- [Vincent] Mm-hmm.
- Can you define "beautiful"?

1075
00:50:17,600 --> 00:50:20,599
- A real, beautiful kiss?
- A real, beautiful kiss is, um...

1076
00:50:20,600 --> 00:50:22,199
- A deep one, right?
- [Laetitia] Mm-hmm.

1077
00:50:22,200 --> 00:50:24,559
Yeah? It's slow and sensual.

1078
00:50:24,560 --> 00:50:27,879
A first kiss lights up this...
this fire inside that wakes you up.

1079
00:50:27,880 --> 00:50:30,559
- And the world melts away.
- [Laetitia] Mm-hmm.

1080
00:50:30,560 --> 00:50:32,599
- Sound familiar?
- Yeah, yeah, yeah.

1081
00:50:32,600 --> 00:50:33,919
- Okay.
- [Andréa] Great.

1082
00:50:33,920 --> 00:50:35,079
- [Laetitia] Yeah.
- Let's shoot.

1083
00:50:35,080 --> 00:50:36,799
- Let's go!
- [Vincent] Wait... Are you--

1084
00:50:36,800 --> 00:50:38,560
- [Laetitia sighs]
- First positions. Go!

1085
00:50:39,560 --> 00:50:40,560
[Vincent exhales]

1086
00:50:41,160 --> 00:50:42,160
{\an8}[Andréa] Action.

1087
00:50:43,440 --> 00:50:44,480
[Vincent grunts]

1088
00:50:48,560 --> 00:50:49,720
I have to go now.

1089
00:50:51,320 --> 00:50:54,199
{\an8}[sighs] I know.

1090
00:50:54,200 --> 00:50:55,800
{\an8}I don't want to.

1091
00:50:57,000 --> 00:50:58,360
{\an8}I don't want to leave you.

1092
00:50:59,520 --> 00:51:00,720
{\an8}Then you can stay.

1093
00:51:01,320 --> 00:51:03,759
{\an8}- [intriguing music rises]
- [Vincent] Mm.

1094
00:51:03,760 --> 00:51:06,200
[music stops suddenly]

1095
00:51:07,920 --> 00:51:09,080
Uh...

1096
00:51:11,920 --> 00:51:13,079
Ah...

1097
00:51:13,080 --> 00:51:14,119
[grunts]

1098
00:51:14,120 --> 00:51:16,559
- Oh. All good.
- Crap! One more. I wasn't in it.

1099
00:51:16,560 --> 00:51:18,439
- Cut, give me a second.
- [Laetitia] Sorry.

1100
00:51:18,440 --> 00:51:20,959
Sorry. That was my fault.
I'm sorry, everyone.

1101
00:51:20,960 --> 00:51:22,599
Sorry. You were a bit too close.

1102
00:51:22,600 --> 00:51:23,879
- What?
- I was here.

1103
00:51:23,880 --> 00:51:25,679
- You okay?
- Yeah, I'm fine.

1104
00:51:25,680 --> 00:51:27,439
- I'll come in from farther away.
- Okay.

1105
00:51:27,440 --> 00:51:29,999
Andréa, for this one,
I want to try coming from further away.

1106
00:51:30,000 --> 00:51:31,239
I'll kiss her with distance.

1107
00:51:31,240 --> 00:51:33,199
- What are you saying?
- It's... [blows kiss]

1108
00:51:33,200 --> 00:51:35,839
Okay, that's an option.
I prefer the one we talked about.

1109
00:51:35,840 --> 00:51:36,759
We'll get there.

1110
00:51:36,760 --> 00:51:39,639
Look. This will take two minutes.
Hey. Quiet on set, okay?

1111
00:51:39,640 --> 00:51:41,079
[assistant] Quiet on set!

1112
00:51:41,080 --> 00:51:43,559
For two minutes,
let's do a sensory exercise together.

1113
00:51:43,560 --> 00:51:45,959
And it'll have
nothing to do with the scene.

1114
00:51:45,960 --> 00:51:47,239
Okay? Uh...

1115
00:51:47,240 --> 00:51:49,839
- Laetitia, may I touch you? Is that okay?
- Sure, of course.

1116
00:51:49,840 --> 00:51:52,000
Vincent, give me your hand.
May I touch you?

1117
00:51:54,160 --> 00:51:57,919
Thanks, voilà. Turn your hand over.
Just take a minute to place your hands.

1118
00:51:57,920 --> 00:52:00,599
Vincent, just place your hand on hers.

1119
00:52:00,600 --> 00:52:03,799
Yes. Yep, that's it.
Just your hands against each other's.

1120
00:52:03,800 --> 00:52:05,039
Close your eyes.

1121
00:52:05,040 --> 00:52:08,279
Good. Don't worry about your emotions.
No acting, all right?

1122
00:52:08,280 --> 00:52:11,959
Just the sensation of your bare skin
touching each other's.

1123
00:52:11,960 --> 00:52:12,959
[Vincent exhales]

1124
00:52:12,960 --> 00:52:15,759
- [Andréa] Quiet on set, please.
- [assistant] Quiet.

1125
00:52:15,760 --> 00:52:18,359
- [Vincent sighs]
- [Andréa] Now, slowly open your eyes.

1126
00:52:18,360 --> 00:52:20,360
[silence falls]

1127
00:52:21,280 --> 00:52:23,639
[bird calling]

1128
00:52:23,640 --> 00:52:26,000
[gently] That's it. That's perfect. Okay?

1129
00:52:26,880 --> 00:52:30,879
Only do that. Understand?
Here we go. All right. Rolling.

1130
00:52:30,880 --> 00:52:31,919
Roll sound.

1131
00:52:31,920 --> 00:52:33,279
- [man] Setting the frame.
- Manu?

1132
00:52:33,280 --> 00:52:34,359
- Set.
- [Andréa] Okay.

1133
00:52:34,360 --> 00:52:35,479
Sound speeding.

1134
00:52:35,480 --> 00:52:39,079
Listen. We come in, three steps each.
Just like before, then we kiss.

1135
00:52:39,080 --> 00:52:40,559
- Okay? Mechanically.
- Got it.

1136
00:52:40,560 --> 00:52:42,879
- When you're ready.
- We can skip it if you don't want to.

1137
00:52:42,880 --> 00:52:44,439
- What do you mean?
- No, I'm just...

1138
00:52:44,440 --> 00:52:45,679
- What?
- You have your reasons.

1139
00:52:45,680 --> 00:52:46,799
- Reasons?
- I can't hear.

1140
00:52:46,800 --> 00:52:47,959
[murmurs quizzically]

1141
00:52:47,960 --> 00:52:50,399
- It's fine. Oh, your mic pack--
- [loud crack]

1142
00:52:50,400 --> 00:52:52,039
What the hell? Motherfucker.

1143
00:52:52,040 --> 00:52:54,239
- Here. Let me see.
- [assistant] Someone get ice!

1144
00:52:54,240 --> 00:52:56,879
- [Vincent] Fuck! I'm sorry.
- [Andréa] We need the set medic.

1145
00:52:56,880 --> 00:52:58,479
- [Vincent] You okay?
- [Laetitia] God!

1146
00:52:58,480 --> 00:53:00,160
- [Laetitia] My nose!
- [Vincent] Idiot!

1147
00:53:00,920 --> 00:53:03,279
- [woman] Vincent...
- No, please. It's fine. I'm fine.

1148
00:53:03,280 --> 00:53:05,559
- [sighs] Okay...
- [woman] They're okay.

1149
00:53:05,560 --> 00:53:06,879
- Laetitia!
- [Laetitia] Get lost!

1150
00:53:06,880 --> 00:53:11,479
Laetitia, I'm so sorry, I...
[sighs] Will you let me come in?

1151
00:53:11,480 --> 00:53:13,520
[gasps] Fuck.

1152
00:53:14,640 --> 00:53:17,239
What have I done? What a fucking idiot!

1153
00:53:17,240 --> 00:53:19,719
Once I see how it looks,
I'll call you right back.

1154
00:53:19,720 --> 00:53:22,159
- Noémie, please forgive me. I'm so sorry.
- Yeah.

1155
00:53:22,160 --> 00:53:24,359
- I'm so sorry. I feel awful.
- Um, yeah.

1156
00:53:24,360 --> 00:53:26,279
- No problem. I'm sure she's fine.
- Yeah, but--

1157
00:53:26,280 --> 00:53:28,159
- Excuse me. I have to check on her.
- Yeah.

1158
00:53:28,160 --> 00:53:30,399
So, go now, Vincent.
I'll check in on you later.

1159
00:53:30,400 --> 00:53:32,559
- Laetitia!
- It's best to just give her some space.

1160
00:53:32,560 --> 00:53:35,759
Oh shit. Fuck, fuck. It's so bad.

1161
00:53:35,760 --> 00:53:38,439
- Andréa, you hate me, right? You're upset?
- Vincent, calm down.

1162
00:53:38,440 --> 00:53:39,479
- Relax. Listen.
- Okay.

1163
00:53:39,480 --> 00:53:42,720
It happens. Everyone breaks
their scene partner's nose the first day.

1164
00:53:44,560 --> 00:53:46,600
Careful. Don't want you
to break yours too.

1165
00:53:47,640 --> 00:53:50,239
- Six days or so?!
- [medic] Uh, well, yes.

1166
00:53:50,240 --> 00:53:52,759
- Six days or so?!
- Right, right, six days or so. Yeah.

1167
00:53:52,760 --> 00:53:55,359
What do we do, delay the shoot
for six days, until she heals?

1168
00:53:55,360 --> 00:53:56,479
[Camille] <i>She has an out.</i>

1169
00:53:56,480 --> 00:53:58,959
<i>Her UK series starts after you wrap.
I told you. We can't.</i>

1170
00:53:58,960 --> 00:54:00,919
- We can't? But...
- The pain is unbelievable.

1171
00:54:00,920 --> 00:54:03,479
Andréa, listen.
We'll find another solution. Yeah.

1172
00:54:03,480 --> 00:54:05,959
When there is intense pressure,
talent makes diamonds.

1173
00:54:05,960 --> 00:54:09,559
- Let's look and shuffle things around.
- She's in every damn scene!

1174
00:54:09,560 --> 00:54:13,119
Well, sure. But I'm sure we have
some cutaways and establishing the cabin?

1175
00:54:13,120 --> 00:54:16,719
Well, that maybe could buy us a day...
Two days, maybe.

1176
00:54:16,720 --> 00:54:19,360
[groans] Oh, the pain.

1177
00:54:19,880 --> 00:54:21,839
[exhales shakily]

1178
00:54:21,840 --> 00:54:25,279
Or it could be part of it.
You're running away and break it.

1179
00:54:25,280 --> 00:54:29,279
We add a scene where you get hurt.
We own that your nose is mangled.

1180
00:54:29,280 --> 00:54:30,359
Put it in the film.

1181
00:54:30,360 --> 00:54:33,399
Your character's a fugitive.
You break your nose falling in the woods.

1182
00:54:33,400 --> 00:54:36,439
- You can't always look stunning.
- Of course. Exactly, that's great.

1183
00:54:36,440 --> 00:54:39,239
- You like it? Really?
- I love it. She's free from self-judgment.

1184
00:54:39,240 --> 00:54:41,879
Right. She's liberated
from beauty by breaking her nose.

1185
00:54:41,880 --> 00:54:44,599
- I'm in awe. Oh, it's so good. Love it.
- It's much more interesting.

1186
00:54:44,600 --> 00:54:46,519
- Then, if you're game, we can...
- [sighs] I'm in.

1187
00:54:46,520 --> 00:54:48,440
- Let's go!
- [startled] Holy fuck.

1188
00:54:51,080 --> 00:54:53,840
- [gasps]
- [Laetitia] Well, it's swollen, but...

1189
00:54:54,640 --> 00:54:56,000
[quietly] I need some air.

1190
00:54:58,000 --> 00:54:59,439
[sighs glumly]

1191
00:54:59,440 --> 00:55:01,439
Gabriel, Vincent's not doing well.

1192
00:55:01,440 --> 00:55:03,919
The guy shouldn't be working.
He's completely unstable.

1193
00:55:03,920 --> 00:55:06,479
[flatly] Oh, really? How shocking.
I'm so surprised, Andréa.

1194
00:55:06,480 --> 00:55:08,879
- Who could've predicted it?
- <i>No, you don't get it, okay?</i>

1195
00:55:08,880 --> 00:55:11,079
First scene,
Vincent shattered Laetitia's nose.

1196
00:55:11,080 --> 00:55:12,639
Oh my God. That sounds awful.

1197
00:55:12,640 --> 00:55:14,839
It's worse than awful.
My whole shoot is up in the air.

1198
00:55:14,840 --> 00:55:17,239
Now I'm in limbo for days
and redoing my schedule.

1199
00:55:17,240 --> 00:55:20,599
<i>- How should I handle him?</i>
- Don't ask me. Want me to go there?

1200
00:55:20,600 --> 00:55:21,719
<i>No, I don't.</i>

1201
00:55:21,720 --> 00:55:23,919
I can't have you telling
your Starmédia buddies

1202
00:55:23,920 --> 00:55:26,079
how bad my shoot is going, Gabriel!

1203
00:55:26,080 --> 00:55:28,639
<i>They're not my buddies. Have it your way.</i>

1204
00:55:28,640 --> 00:55:30,359
Vincent! What are you doing?

1205
00:55:30,360 --> 00:55:32,439
Vincent, get back inside.
Get off of there.

1206
00:55:32,440 --> 00:55:33,879
<i>- What?</i>
- Get off the ledge.

1207
00:55:33,880 --> 00:55:36,079
Ledge? What is he doing?
What does that mean?!

1208
00:55:36,080 --> 00:55:38,679
- I'm just rehearsing. Fuck! Shit!
- [Andréa] No! Let it go!

1209
00:55:38,680 --> 00:55:40,199
I need you here. Let them fall.

1210
00:55:40,200 --> 00:55:41,519
- No! Oh shit!
- [Andréa] Vincent!

1211
00:55:41,520 --> 00:55:43,039
- [Andréa yelps]
- I'll be there.

1212
00:55:43,040 --> 00:55:47,160
- [sensual music playing]
- [grunting]

1213
00:55:51,000 --> 00:55:52,759
[chuckles mischievously]

1214
00:55:52,760 --> 00:55:54,880
[footsteps approaching]

1215
00:55:58,240 --> 00:56:00,519
- [Andréa shouts] What the...
- [splutters]

1216
00:56:00,520 --> 00:56:01,799
[music cuts out]

1217
00:56:01,800 --> 00:56:04,159
Hervé, for fuck's sake!
Why are you in my room?

1218
00:56:04,160 --> 00:56:05,919
I'm mortified.
I thought this was Noémie's.

1219
00:56:05,920 --> 00:56:09,199
- I was just pulling a prank. [huffs]
- It's okay. Don't worry about it.

1220
00:56:09,200 --> 00:56:10,960
- It never happened.
- [chuckles] Yeah.

1221
00:56:12,480 --> 00:56:15,359
And, Andréa, really,
I appreciate the, uh... the work. Uh...

1222
00:56:15,360 --> 00:56:17,799
Gosh, it's a real dream
to be working on your film.

1223
00:56:17,800 --> 00:56:21,359
- You're cast?
- I'm Hunter in the Woods Two. Hm.

1224
00:56:21,360 --> 00:56:25,039
[laughs] If you were looking for 100%,
you've got the man, right here.

1225
00:56:25,040 --> 00:56:26,439
[chuckles gleefully]

1226
00:56:26,440 --> 00:56:30,040
And I was so moved by, uh...
by your original screenplay.

1227
00:56:30,960 --> 00:56:32,039
Brilliant, Andréa.

1228
00:56:32,040 --> 00:56:34,480
I didn't think
you had that in you. Really.

1229
00:56:35,000 --> 00:56:36,639
Because you come across so guarded.

1230
00:56:36,640 --> 00:56:42,160
Sort of like a crab hidden in this shell,
an indestructible, thick shell.

1231
00:56:42,680 --> 00:56:47,840
It was just so moving that you had this...
that you have a heart under it all.

1232
00:56:49,200 --> 00:56:50,240
[softly] Wow.

1233
00:56:54,320 --> 00:56:56,039
[huffs]

1234
00:56:56,040 --> 00:56:59,000
Noémie, do not cast people.
It's not your job.

1235
00:57:06,960 --> 00:57:08,160
[chuckles awkwardly]

1236
00:57:09,200 --> 00:57:12,039
On this film, actors have
to be approved by <i>me</i>, okay?

1237
00:57:12,040 --> 00:57:13,640
Stick to producing.

1238
00:57:15,280 --> 00:57:17,240
[scoffs] Witch.

1239
00:57:18,240 --> 00:57:19,999
[huffs indignantly]

1240
00:57:20,000 --> 00:57:23,079
[imitating Andréa] "I want control
over every single detail of my film."

1241
00:57:23,080 --> 00:57:25,559
"I need control over my film,
my masterpiece."

1242
00:57:25,560 --> 00:57:28,119
"Down to the last hair
on every extra's ass."

1243
00:57:28,120 --> 00:57:31,199
It's true. And the aggressive tone?
She sounds upset all the time.

1244
00:57:31,200 --> 00:57:32,239
It's madness.

1245
00:57:32,240 --> 00:57:35,679
I freeze. I don't know how to respond.
I feel like it's impossible.

1246
00:57:35,680 --> 00:57:38,519
I can't even... It's horrible. What?

1247
00:57:38,520 --> 00:57:39,959
What is that, Noémie?

1248
00:57:39,960 --> 00:57:43,839
- These? These are my newly single panties.
- Oh.

1249
00:57:43,840 --> 00:57:47,559
They're simple, they're comfortable,
and I absolutely love them.

1250
00:57:47,560 --> 00:57:48,839
[takes a deep breath]

1251
00:57:48,840 --> 00:57:51,639
My pussy would get so irritated
in that lacy stuff.

1252
00:57:51,640 --> 00:57:53,399
The G-strings ride up your crack.

1253
00:57:53,400 --> 00:57:55,959
- No more. Ugh.
- So you're leaving Mathias?

1254
00:57:55,960 --> 00:57:57,760
Mm-hmm. We're done.

1255
00:57:58,600 --> 00:58:01,040
It's a fresh start.
Now I'm a liberated woman.

1256
00:58:01,760 --> 00:58:04,359
- Liberated in ugly panties.
- Pure bliss.

1257
00:58:04,360 --> 00:58:07,000
[exhales deeply]

1258
00:58:09,360 --> 00:58:10,560
[Hervé sighs]

1259
00:58:11,200 --> 00:58:13,560
He has to be devastated, the poor guy.

1260
00:58:15,960 --> 00:58:17,840
He can eat shit and die.

1261
00:58:18,360 --> 00:58:23,040
- [Noémie laughing on recording]
- [nostalgic music playing]

1262
00:58:27,080 --> 00:58:30,319
[Camille laughs wildly] Stop.
I'm going to pee my pants!

1263
00:58:30,320 --> 00:58:33,679
- Please, a "hoof-icure" before close-ups.
- I gotta know what I'm missing out on.

1264
00:58:33,680 --> 00:58:36,679
- Have you heard of Fabienne Croc?
- She trains animals, right?

1265
00:58:36,680 --> 00:58:39,399
[Camille] Yeah, she's overwhelmed
between <i>Bambi 2</i> and Andréa's film.

1266
00:58:39,400 --> 00:58:42,719
- [woman] Oh, yeah, she's stressed.
- She needs an agent.

1267
00:58:42,720 --> 00:58:44,519
[women laugh]

1268
00:58:44,520 --> 00:58:47,119
[Camille] Set it up, Paloma.
Come on, please, you have to.

1269
00:58:47,120 --> 00:58:49,759
[Paloma] Yes, Mr. Scorsese.
My client Penny Pig needs a trailer.

1270
00:58:49,760 --> 00:58:52,279
- [Camille] No, it's a boar, Hakuna Matata.
- [Paloma] Stop!

1271
00:58:52,280 --> 00:58:55,399
Accidents happen, and since Laetitia
broke her nose, we will adapt

1272
00:58:55,400 --> 00:58:58,439
and shoot all the parts
that she isn't in, which isn't much.

1273
00:58:58,440 --> 00:59:01,639
Mainly the boar, and we have
some nice shots of nature. That's it.

1274
00:59:01,640 --> 00:59:04,639
<i>- Did it bleed?</i>
- Mm. It bled a little, yeah.

1275
00:59:04,640 --> 00:59:06,959
<i>- I'm getting a dog.</i>
- Really?

1276
00:59:06,960 --> 00:59:09,119
<i>Yeah. When we move to Nantes.</i>

1277
00:59:09,120 --> 00:59:12,479
<i>We'll have a new dog and a yard.
A cocker spaniel.</i>

1278
00:59:12,480 --> 00:59:13,759
That's awesome, sweetie pie.

1279
00:59:13,760 --> 00:59:16,879
You're leaving all your friends behind,
so it better be worth having the dog.

1280
00:59:16,880 --> 00:59:20,759
<i>It's fine. You can make friends anywhere.
Wash your hands for dinner. Okay?</i>

1281
00:59:20,760 --> 00:59:21,800
<i>Mm-hmm. Miss you, Mommy.</i>

1282
00:59:22,640 --> 00:59:25,440
- Miss you more. I love you.
- [Colette] <i>Okay, go wash them.</i>

1283
00:59:28,280 --> 00:59:30,599
It's disgusting. I know what you're doing.

1284
00:59:30,600 --> 00:59:33,119
<i>No, what's disgusting is
the case you built with your lawyer.</i>

1285
00:59:33,120 --> 00:59:35,559
<i>It's full of lies.
You claimed that Lucie's in a cult.</i>

1286
00:59:35,560 --> 00:59:38,359
Yeah. Her cycling club for lesbians
is a cult. It's obvious. Admit it.

1287
00:59:38,360 --> 00:59:39,439
<i>- Andréa.</i>
- Huh?

1288
00:59:39,440 --> 00:59:41,799
<i>Who paid for your move,
deposit, your washing machine?</i>

1289
00:59:41,800 --> 00:59:45,120
<i>- You'll lose. Stop being stubborn.</i>
- I'll see you in court. Bye.

1290
00:59:46,360 --> 00:59:48,879
- A dog. What a bitch.
- [bright music playing]

1291
00:59:48,880 --> 00:59:51,799
Let's get out of crafty, people!
We have to make a movie!

1292
00:59:51,800 --> 00:59:53,039
Let's go. Come on.

1293
00:59:53,040 --> 00:59:55,280
[overlapping conversations]

1294
01:00:01,120 --> 01:00:01,960
Ah.

1295
01:00:04,720 --> 01:00:05,759
Oh.

1296
01:00:05,760 --> 01:00:07,719
[both exclaim and chuckle]

1297
01:00:07,720 --> 01:00:08,720
How are you?

1298
01:00:09,240 --> 01:00:11,079
- I've missed you.
- You too. I miss you a lot.

1299
01:00:11,080 --> 01:00:13,280
- Especially your sweaters.
- [laughs]

1300
01:00:13,800 --> 01:00:15,680
- Oh... Oh, God.
- [chuckles]

1301
01:00:16,520 --> 01:00:17,879
Noémie asked you to come here?

1302
01:00:17,880 --> 01:00:19,559
- [sighs]
- They're firing me, right?

1303
01:00:19,560 --> 01:00:23,439
- I wouldn't be surprised.
- Buddy, not at all. You're golden.

1304
01:00:23,440 --> 01:00:25,519
- It was on the way to see my parents.
- It's just--

1305
01:00:25,520 --> 01:00:27,679
I figured I'd pay a visit
and see my friend Vincent.

1306
01:00:27,680 --> 01:00:30,160
- Oh...
- And voilà. You all right?

1307
01:00:30,920 --> 01:00:32,039
Been better, am I right?

1308
01:00:32,040 --> 01:00:34,079
- I feel terrible about it. Yeah.
- Yeah.

1309
01:00:34,080 --> 01:00:37,280
[exhales anxiously]
She probably hates my guts now.

1310
01:00:38,120 --> 01:00:40,199
I'm at a loss, I... [splutters]

1311
01:00:40,200 --> 01:00:43,639
I'll never make it up to her.
I screwed up so bad. I broke her trust.

1312
01:00:43,640 --> 01:00:47,279
- Vincent, it's a little bump on the nose.
- I would take a lifetime to repair it.

1313
01:00:47,280 --> 01:00:50,720
It's just a few days actually, so...
That's what the rumor mill says.

1314
01:00:51,760 --> 01:00:54,479
Okay. [sighs]
I know what I'll do. I'm good.

1315
01:00:54,480 --> 01:00:55,399
Ah. That's great.

1316
01:00:55,400 --> 01:00:56,759
- Pull myself together.
- Right.

1317
01:00:56,760 --> 01:00:59,559
It's a good time to connect
with what's important.

1318
01:00:59,560 --> 01:01:01,879
- Like nature, humanity.
- [both] Mm-hmm.

1319
01:01:01,880 --> 01:01:03,719
This nonprofit reached out to me.

1320
01:01:03,720 --> 01:01:05,839
They asked for my help. My name and image.

1321
01:01:05,840 --> 01:01:07,239
It's for a video online

1322
01:01:07,240 --> 01:01:10,919
where we take action to alert people
of the imminent danger of climate change.

1323
01:01:10,920 --> 01:01:11,919
- Okay.
- I'm gonna do it.

1324
01:01:11,920 --> 01:01:13,519
- That is noble.
- It's going to... Really?

1325
01:01:13,520 --> 01:01:14,959
- Yes, it's incredible.
- You think?

1326
01:01:14,960 --> 01:01:16,999
Right, but I'd prefer you don't.
There, I said it.

1327
01:01:17,000 --> 01:01:19,599
- Why not?
- Because it's bad for your image.

1328
01:01:19,600 --> 01:01:21,479
When an actor stands
for what they believe in,

1329
01:01:21,480 --> 01:01:22,639
their charisma is ruined.

1330
01:01:22,640 --> 01:01:23,839
It kills the fantasy.

1331
01:01:23,840 --> 01:01:26,319
Well, I've never really been charismatic,
so don't worry.

1332
01:01:26,320 --> 01:01:27,519
[Hervé] I wouldn't say that.

1333
01:01:27,520 --> 01:01:30,079
- Really?
- You do, for sure. You have a "pow."

1334
01:01:30,080 --> 01:01:32,639
- You enter a room, and everyone stares.
- They do?

1335
01:01:32,640 --> 01:01:34,039
- [tentatively] Yeah.
- [sighs]

1336
01:01:34,040 --> 01:01:38,519
Nowadays, when people see an actor,
they assume they're privileged, right?

1337
01:01:38,520 --> 01:01:40,719
And they despise
when the rich lecture them.

1338
01:01:40,720 --> 01:01:43,039
You remember
the rise to fame of Sarah Bernhardt?

1339
01:01:43,040 --> 01:01:45,519
- No.
- She started in the chorus at the Odéon.

1340
01:01:45,520 --> 01:01:48,639
She came to the defense of Victor Hugo
against those damn royalists.

1341
01:01:48,640 --> 01:01:51,800
'Cause at some point,
you have to take action. Right?

1342
01:01:52,400 --> 01:01:54,280
I just won't sit back
while the world burns.

1343
01:01:55,400 --> 01:01:57,239
You want a Xanax?

1344
01:01:57,240 --> 01:01:58,919
- Stéphane, one second.
- [Stéphane] Yeah?

1345
01:01:58,920 --> 01:02:01,039
Can I please get
a slice of strawberry pie?

1346
01:02:01,040 --> 01:02:02,799
- We ran out. Sorry.
- Oh no, really?

1347
01:02:02,800 --> 01:02:05,359
- It looked mouthwatering.
- That's why they devoured it.

1348
01:02:05,360 --> 01:02:06,360
[chuckles]

1349
01:02:07,920 --> 01:02:09,679
[Malik] Voilà, there's one left.

1350
01:02:09,680 --> 01:02:12,240
- Oh. Oh no, you're so sweet. Seriously?
- I was listening.

1351
01:02:13,080 --> 01:02:14,679
How about we split it, then?

1352
01:02:14,680 --> 01:02:17,119
Deal. Just a small bite, okay?

1353
01:02:17,120 --> 01:02:19,839
That's what people say
before eating all of it.

1354
01:02:19,840 --> 01:02:21,840
Uh, no, I swear. It's yours.

1355
01:02:27,240 --> 01:02:28,679
[satisfied] Mm.

1356
01:02:28,680 --> 01:02:31,199
- It's that good? [chuckles]
- This is incredible.

1357
01:02:31,200 --> 01:02:33,640
- Oh, it's like an orgasm.
- Mm.

1358
01:02:34,520 --> 01:02:36,559
- How are you holding up?
- [sighs]

1359
01:02:36,560 --> 01:02:39,119
All right. To be honest, it's hard.

1360
01:02:39,120 --> 01:02:41,079
I'm so zapped, but...

1361
01:02:41,080 --> 01:02:43,040
It'll be worth it in the end.

1362
01:02:43,640 --> 01:02:46,160
Hm. I don't know about that.

1363
01:02:47,000 --> 01:02:50,639
I'm sure of it.
We have you. You're a great producer.

1364
01:02:50,640 --> 01:02:53,839
- [chuckles bashfully]
- No, it's true.

1365
01:02:53,840 --> 01:02:54,959
You're solid.

1366
01:02:54,960 --> 01:02:58,400
You... you never speak down
to anyone on the crew.

1367
01:02:59,280 --> 01:03:01,399
[chuckles softly] You're the best.

1368
01:03:01,400 --> 01:03:03,279
[bright music playing]

1369
01:03:03,280 --> 01:03:04,719
Well, I appreciate it.

1370
01:03:04,720 --> 01:03:05,719
[Malik sighs]

1371
01:03:05,720 --> 01:03:07,759
- And it means a lot.
- [chuckles shyly]

1372
01:03:07,760 --> 01:03:09,000
I meant it, so...

1373
01:03:09,840 --> 01:03:13,079
But it's my hope everybody knows
that I'm looking out for them.

1374
01:03:13,080 --> 01:03:16,759
I truly want the crew
to feel respected, you know?

1375
01:03:16,760 --> 01:03:19,520
And keep, uh... healthy boundaries.

1376
01:03:20,040 --> 01:03:21,080
[Malik] Hmm.

1377
01:03:21,840 --> 01:03:25,199
And honestly, the one who should set
an example on set is the producer.

1378
01:03:25,200 --> 01:03:26,200
It's very important.

1379
01:03:27,680 --> 01:03:29,839
- And boundaries are everything.
- Hm.

1380
01:03:29,840 --> 01:03:32,040
[both chuckle awkwardly]

1381
01:03:33,280 --> 01:03:34,879
[knocking] Noémie?

1382
01:03:34,880 --> 01:03:36,279
[Noémie gasps]

1383
01:03:36,280 --> 01:03:39,479
- [Noémie] Oh no!
- [knocking] Noémie?

1384
01:03:39,480 --> 01:03:40,879
[thuds]

1385
01:03:40,880 --> 01:03:43,239
- [Noémie] Yeah?
- It's Andréa. Can you open the door?

1386
01:03:43,240 --> 01:03:44,560
[Noémie] Uh, one sec!

1387
01:03:46,920 --> 01:03:49,559
- Are you all right? Did something happen?
- Sorry to wake you.

1388
01:03:49,560 --> 01:03:52,079
No, I figured out
what to do about Laetitia's nose.

1389
01:03:52,080 --> 01:03:55,199
We're gonna keep shooting
and just do digital touch-ups in post.

1390
01:03:55,200 --> 01:03:57,919
Uh, no. No, no.
Because our budget's already stretched.

1391
01:03:57,920 --> 01:04:00,599
You're kidding. So when actors use it
for pure vanity, it's okay,

1392
01:04:00,600 --> 01:04:02,599
but not when our lead breaks their nose?

1393
01:04:02,600 --> 01:04:03,999
- Ridiculous.
- Wait, hang on.

1394
01:04:04,000 --> 01:04:06,079
- [Andréa] I can't do this in the hall.
- Don't.

1395
01:04:06,080 --> 01:04:07,600
I thought it went through the--

1396
01:04:08,880 --> 01:04:10,799
- Hey, Malik.
- Ah, hey, Andréa.

1397
01:04:10,800 --> 01:04:12,799
- How you been?
- [Malik] Good.

1398
01:04:12,800 --> 01:04:13,880
[Noémie] Hm...

1399
01:04:14,600 --> 01:04:17,839
- Supporting the crew. That's important.
- Well... [sighs]

1400
01:04:17,840 --> 01:04:20,759
I won't keep you for too long.
So we're going to approve touch-ups?

1401
01:04:20,760 --> 01:04:23,439
It's just, our budget is maxed out,
or I promise you I would.

1402
01:04:23,440 --> 01:04:25,759
I'm curious about
the contingency money we have.

1403
01:04:25,760 --> 01:04:28,960
The extra money left over
producers like to pocket after the shoot.

1404
01:04:29,480 --> 01:04:32,119
Well, I'll, uh, see what I can do
and get back to you on that.

1405
01:04:32,120 --> 01:04:34,120
Thanks, Noémie. Thank you.

1406
01:04:34,640 --> 01:04:36,119
- Night, Malik.
- [Malik] Good night.

1407
01:04:36,120 --> 01:04:37,279
The fake boar, is it ready?

1408
01:04:37,280 --> 01:04:38,479
- Yeah.
- [Andréa] Yeah?

1409
01:04:38,480 --> 01:04:40,119
- We'll talk later.
- Talk to you tomorrow.

1410
01:04:40,120 --> 01:04:41,920
- [Noémie] Voilà.
- Great. Good night.

1411
01:04:43,760 --> 01:04:45,160
[whispering] He's seeing somebody.

1412
01:04:45,960 --> 01:04:48,120
[whispering] I know that.
I'm sure it's fine.

1413
01:04:49,120 --> 01:04:50,400
Got it.

1414
01:04:51,440 --> 01:04:55,079
[resolute version of theme music playing]

1415
01:04:55,080 --> 01:04:56,840
[birds singing]

1416
01:04:57,440 --> 01:04:58,880
I love your nose.

1417
01:04:59,760 --> 01:05:02,239
It's adorable.
God made it look like a tiny butt.

1418
01:05:02,240 --> 01:05:05,839
- Careful now, or I'll slap you. [laughs]
- What's wrong? It's true. [chuckles]

1419
01:05:05,840 --> 01:05:08,600
- Don't. It's a very sensitive subject.
- Yeah?

1420
01:05:10,240 --> 01:05:12,559
[ringtone playing]

1421
01:05:12,560 --> 01:05:14,320
[sighs deeply]

1422
01:05:16,400 --> 01:05:17,800
[groans]

1423
01:05:19,040 --> 01:05:20,759
- [Mathias] Hey there.
- [man] Hey.

1424
01:05:20,760 --> 01:05:23,759
[Mathias] Mathias Barneville.
Nice to meet you. Our boar.

1425
01:05:23,760 --> 01:05:26,399
[Fabienne] Her name is Venus.
She's a girl, so we say "a sow."

1426
01:05:26,400 --> 01:05:28,399
[man] Okay, great.
So we have an area for her...

1427
01:05:28,400 --> 01:05:30,599
- [hushed] Oh my God.
- [indistinct chatter outside]

1428
01:05:30,600 --> 01:05:31,999
Oh my God, oh my God.

1429
01:05:32,000 --> 01:05:33,919
What's wrong? You all right?

1430
01:05:33,920 --> 01:05:36,119
Ah, sorry. Don't worry.
I'm a bit off. It's...

1431
01:05:36,120 --> 01:05:37,839
Pfft. What am I doing?

1432
01:05:37,840 --> 01:05:40,319
It's... Wait.
I have a meeting in three minutes.

1433
01:05:40,320 --> 01:05:44,279
Uh, you really have to go.
Sorry. Please. Uh, this is so bad.

1434
01:05:44,280 --> 01:05:45,480
[sighs]

1435
01:05:46,280 --> 01:05:48,639
- Holy crap!
- I'm leaving.

1436
01:05:48,640 --> 01:05:50,640
[upbeat music playing]

1437
01:05:52,280 --> 01:05:55,359
EXCELLENT WELCOME - 5 STARS
VERY FRIENDLY (AND SEXY) HOST

1438
01:05:55,360 --> 01:05:57,199
[shower running]

1439
01:05:57,200 --> 01:05:59,520
- Hello, Yacine.
- [Yacine] Morning.

1440
01:06:00,280 --> 01:06:02,600
- Hello, Fabienne.
- Oh, Noémie.

1441
01:06:03,840 --> 01:06:07,159
Hello. Let me introduce
my new agent. Too many contracts.

1442
01:06:07,160 --> 01:06:08,479
Mathias. You worked together?

1443
01:06:08,480 --> 01:06:10,279
- No.
- Yes.

1444
01:06:10,280 --> 01:06:13,999
Here we are.
As we agreed, we have the enclosure.

1445
01:06:14,000 --> 01:06:16,519
A pen with some mud for our star.

1446
01:06:16,520 --> 01:06:19,839
Uh, she'll have shade
under this beautiful, uh, tree.

1447
01:06:19,840 --> 01:06:22,559
- Chestnut tree. Huh.
- A little water tank here for her.

1448
01:06:22,560 --> 01:06:24,759
Some straw for her bedding.

1449
01:06:24,760 --> 01:06:27,799
The food buckets are over there.
I believe that's all.

1450
01:06:27,800 --> 01:06:30,359
- If everything looks good, settle in.
- Perfect.

1451
01:06:30,360 --> 01:06:32,119
And for accommodations?

1452
01:06:32,120 --> 01:06:36,319
I'm sorry. I didn't know you were coming,
so we didn't arrange a hotel.

1453
01:06:36,320 --> 01:06:38,319
Ah, it's not for me.
I'm at a nearby hotel.

1454
01:06:38,320 --> 01:06:42,239
- I was asking about a room for Fabienne.
- Ah, yes. You're at the château.

1455
01:06:42,240 --> 01:06:45,119
So, you feel good about everything?
It's all there, correct?

1456
01:06:45,120 --> 01:06:46,719
- It's perfect, yes.
- Perfect.

1457
01:06:46,720 --> 01:06:49,159
- [Fabienne] I'll go get her.
- Excellent.

1458
01:06:49,160 --> 01:06:50,839
Hang on, Noémie.

1459
01:06:50,840 --> 01:06:53,199
Can we talk? I miss you.

1460
01:06:53,200 --> 01:06:55,919
Listen, Mathias.
You know I'm producing this film.

1461
01:06:55,920 --> 01:06:57,479
You're the boar's agent.

1462
01:06:57,480 --> 01:06:59,519
I think it's best
if we keep this professional.

1463
01:06:59,520 --> 01:07:00,440
I'd appreciate it.

1464
01:07:02,720 --> 01:07:03,679
[whistles]

1465
01:07:03,680 --> 01:07:04,759
Hey, agent guy!

1466
01:07:04,760 --> 01:07:07,559
Sort through the scraps.
No onions, okay? It upsets her stomach.

1467
01:07:07,560 --> 01:07:10,279
Of course. One second.
I just have to make an important call.

1468
01:07:10,280 --> 01:07:12,719
- [Fabienne] No leeks either!
- Hey, Noémie?

1469
01:07:12,720 --> 01:07:14,559
Hey, why is Mathias here?

1470
01:07:14,560 --> 01:07:17,599
Get him off my set. What's going on?
Take your couples' drama elsewhere.

1471
01:07:17,600 --> 01:07:20,760
He's the boar's agent.
Mathias signed her. I had no idea.

1472
01:07:21,440 --> 01:07:22,959
Mathias Barneville?

1473
01:07:22,960 --> 01:07:26,720
I was told Fabienne was having trouble
with contracts because of all the work.

1474
01:07:27,440 --> 01:07:30,360
He reps a boar
when his last client was Laetitia Casta?

1475
01:07:30,960 --> 01:07:33,079
- Yeah.
- Ah, finally, some justice.

1476
01:07:33,080 --> 01:07:36,200
- You made my day. I'm happy to hear it.
- [Noémie chuckles]

1477
01:07:39,000 --> 01:07:40,079
Let's go, Pierre.

1478
01:07:40,080 --> 01:07:41,280
[busy chatter]

1479
01:07:44,520 --> 01:07:45,680
[nearby laughter]

1480
01:07:47,200 --> 01:07:49,039
[Malik] You can't tell anyone, okay?

1481
01:07:49,040 --> 01:07:51,759
- [Noémie] No, there's no way.
- [Malik] No, it's terrible. It's bad.

1482
01:07:51,760 --> 01:07:53,920
[Noémie] Here we go.
I have to go check in with camera.

1483
01:07:55,120 --> 01:07:59,319
[Malik] Baptiste? Meet me over at crafty.
I want to go over this.

1484
01:07:59,320 --> 01:08:00,680
[funky music playing]

1485
01:08:01,280 --> 01:08:03,680
[Malik] Here.
Just clear this a little bit. Thanks.

1486
01:08:06,400 --> 01:08:08,639
Hello. We made it. Hey.

1487
01:08:08,640 --> 01:08:10,119
- Ready?
- [Laetitia] Yeah.

1488
01:08:10,120 --> 01:08:12,319
Okay, let's get you in for a rehearsal.

1489
01:08:12,320 --> 01:08:14,999
Vincent, you can put
your coffee down there. Thanks.

1490
01:08:15,000 --> 01:08:17,039
You're gonna enter from right up there.

1491
01:08:17,040 --> 01:08:19,839
Hold the work, everyone.
Venus is on her way!

1492
01:08:19,840 --> 01:08:21,559
Hold all work. Venus is approaching set.

1493
01:08:21,560 --> 01:08:24,679
- [man] Oh damn.
- [surprised chatter]

1494
01:08:24,680 --> 01:08:27,559
- [oinking]
- [Fabienne] Stay calm, all right?

1495
01:08:27,560 --> 01:08:30,239
Please be patient.
Animals can be complicated.

1496
01:08:30,240 --> 01:08:33,319
No sudden movements around her.
Keep your voices down.

1497
01:08:33,320 --> 01:08:35,799
No feeding or petting her. Okay?

1498
01:08:35,800 --> 01:08:39,079
If anybody tries taunting her,
it doesn't matter if you're famous.

1499
01:08:39,080 --> 01:08:41,240
I will punch you in the face. I promise.

1500
01:08:41,800 --> 01:08:43,479
{\an8}- Keep going. Nice.
- [Malik] Slow enough?

1501
01:08:43,480 --> 01:08:45,199
{\an8}[Fabienne] Perfect.
She's calm. We're good.

1502
01:08:45,200 --> 01:08:46,999
{\an8}- Laetitia, take my place.
- [Laetitia] Okay.

1503
01:08:47,000 --> 01:08:50,639
{\an8}My little angel, you remember her, right?
Huh? It's Laetitia.

1504
01:08:50,640 --> 01:08:54,079
{\an8}Good girl. Shh.
It's okay, Venus. It's okay.

1505
01:08:54,080 --> 01:08:57,080
{\an8}- [man] Scene 95, take one. Mark.
- [Manu] We got it on both cameras.

1506
01:08:57,600 --> 01:09:00,400
{\an8}- [Venus grunting]
- They got you, those bastards.

1507
01:09:00,920 --> 01:09:02,239
{\an8}I won't leave you, baby girl.

1508
01:09:02,240 --> 01:09:03,320
{\an8}Breathe.

1509
01:09:03,960 --> 01:09:05,359
{\an8}- [Venus squeals]
- [gasps]

1510
01:09:05,360 --> 01:09:07,359
- [Andréa] Cut. On Laetitia?
- [Manu] Yeah.

1511
01:09:07,360 --> 01:09:10,439
- Stay on her.
- You scared her. Slow down. [sighs]

1512
01:09:10,440 --> 01:09:12,839
Vincent, can you try seeing
how slow you can approach?

1513
01:09:12,840 --> 01:09:13,839
Thanks.

1514
01:09:13,840 --> 01:09:15,519
[grunts]

1515
01:09:15,520 --> 01:09:18,039
Vincent, just drop the hand movement.
It's close-up framing.

1516
01:09:18,040 --> 01:09:19,199
- [Vincent] Good idea.
- Okay?

1517
01:09:19,200 --> 01:09:20,560
{\an8}[Laetitia] Slowly, please.

1518
01:09:21,280 --> 01:09:24,679
{\an8}[Venus grunting softly]

1519
01:09:24,680 --> 01:09:26,319
{\an8}I won't leave you, baby. Just breathe.

1520
01:09:26,320 --> 01:09:27,599
{\an8}- [Vincent] Suzanne...
- [squeals]

1521
01:09:27,600 --> 01:09:29,519
- Oh my God.
- [assistant] Let's cut. Thank you.

1522
01:09:29,520 --> 01:09:32,279
- Hold your positions, please.
- Can we try improvising? The cross?

1523
01:09:32,280 --> 01:09:33,799
- Me, improvise?
- [Vincent] Please.

1524
01:09:33,800 --> 01:09:36,159
- She's already bolting.
- We need to shoot around it.

1525
01:09:36,160 --> 01:09:39,239
She senses tension,
all the hostility you're holding onto.

1526
01:09:39,240 --> 01:09:40,639
- You're being funny?
- [scoffs] No.

1527
01:09:40,640 --> 01:09:42,919
It's clear the boar hates you.
I grew up with them.

1528
01:09:42,920 --> 01:09:45,119
- [Vincent] Oh, really?
- Yeah, in Corsica. Okay?

1529
01:09:45,120 --> 01:09:47,279
No offense, but you made pâté
out of them in Corsica.

1530
01:09:47,280 --> 01:09:49,359
- Be real.
- I brought you that pâté. You loved it.

1531
01:09:49,360 --> 01:09:51,639
The lonzu sausage and figatellu...
"Nom, nom, nom!"

1532
01:09:51,640 --> 01:09:53,519
- What's going on?
- [Vincent] I took a nibble.

1533
01:09:53,520 --> 01:09:56,359
Because I saw how happy it made you.
That's all. All right?

1534
01:09:56,360 --> 01:09:59,239
- You're vegetarian when it suits you.
- [Vincent] Better than a carnivore!

1535
01:09:59,240 --> 01:10:01,719
- [Andréa] I miss something?
- [assistant] They were together?

1536
01:10:01,720 --> 01:10:04,559
- Apparently, they were. Oh God.
- [Laetitia] Yeah, we can't trust you.

1537
01:10:04,560 --> 01:10:05,959
No one here can trust you!

1538
01:10:05,960 --> 01:10:08,759
- Even the boar hates your guts!
- Stop. Take a break.

1539
01:10:08,760 --> 01:10:10,599
- Stop, please.
- Hold.

1540
01:10:10,600 --> 01:10:13,279
[Andréa] Let's take a breather, okay?
Let's talk, the three of us.

1541
01:10:13,280 --> 01:10:16,519
Are you crying?
There it is! He's trying to fool you all.

1542
01:10:16,520 --> 01:10:18,719
Let me explain. Those tears are fake.

1543
01:10:18,720 --> 01:10:21,439
He's gonna pretend to cry.
Cue the crocodile tears.

1544
01:10:21,440 --> 01:10:23,879
Vincent, stop.
You're trying to embarrass me, right?

1545
01:10:23,880 --> 01:10:25,639
Mr. I'm Scared to Be Vulnerable?

1546
01:10:25,640 --> 01:10:27,319
- Loving you is like leprosy.
- Oh, wow.

1547
01:10:27,320 --> 01:10:28,959
- [Laetitia scoffs]
- [crying softly]

1548
01:10:28,960 --> 01:10:31,559
- Wait, Vincent. No. Please.
- I can't do it, Andréa. I'm sorry.

1549
01:10:31,560 --> 01:10:33,639
- Go walk it off, yeah?
- [Laetitia] Run away again!

1550
01:10:33,640 --> 01:10:35,999
Just leave it.
She's always right. I'm used to it.

1551
01:10:36,000 --> 01:10:37,719
- She's right.
- [Laetitia] Coward!

1552
01:10:37,720 --> 01:10:39,919
[Vincent] I don't know
how to get it right around you.

1553
01:10:39,920 --> 01:10:43,959
So I'm better off running.
You want me to be like one of your...

1554
01:10:43,960 --> 01:10:45,399
Just fucking get lost.

1555
01:10:45,400 --> 01:10:48,479
- Just forget about it.
- [Laetitia] Get out of my life forever!

1556
01:10:48,480 --> 01:10:50,079
- [Vincent groans]
- [Noémie] No, Vincent.

1557
01:10:50,080 --> 01:10:51,559
[Andréa] Stop, stop!

1558
01:10:51,560 --> 01:10:55,199
- [Laetitia] Come on! I'm right here!
- [Noémie] No, no, no, no!

1559
01:10:55,200 --> 01:10:57,399
[Laetitia] Coward!
You want your jacket, you asshole?

1560
01:10:57,400 --> 01:11:00,399
- [Noémie] No, wait!
- [Laetitia] Bastard! Such a baby!

1561
01:11:00,400 --> 01:11:01,759
[Noémie] I'm fine!

1562
01:11:01,760 --> 01:11:04,320
["Avec le temps" by Dalida playing]

1563
01:11:11,000 --> 01:11:12,880
[somber French tune continues]

1564
01:11:17,280 --> 01:11:19,760
- Come on.
- It's all right. It's all right.

1565
01:11:21,800 --> 01:11:22,999
[somber song stops]

1566
01:11:23,000 --> 01:11:26,360
[exhales sharply] Fuck. Yeah.

1567
01:11:27,360 --> 01:11:30,119
I had a stupid idea
that love was opening my heart

1568
01:11:30,120 --> 01:11:32,600
and, uh, I would get stronger.

1569
01:11:33,120 --> 01:11:35,360
It'd feel beautiful.
It completely leveled me.

1570
01:11:35,920 --> 01:11:38,840
It was complicated.
That is, <i>he</i> was complicated.

1571
01:11:39,680 --> 01:11:41,160
But I was in love with him.

1572
01:11:42,040 --> 01:11:46,119
We planned, um, this trip to Italy,
but Vincent ghosted me.

1573
01:11:46,120 --> 01:11:48,039
I couldn't get ahold of him after that...

1574
01:11:48,040 --> 01:11:52,000
Okay. Yeah, that's rough.
It's really bad, brutal, but...

1575
01:11:52,520 --> 01:11:54,999
Hey, we found him two weeks ago
in a wellness center.

1576
01:11:55,000 --> 01:11:56,479
He looked horrible.

1577
01:11:56,480 --> 01:11:59,800
It was clear he was heartbroken
by what happened with you two.

1578
01:12:00,640 --> 01:12:03,920
- [sighs]
- Then maybe... call back Laurent Lafitte?

1579
01:12:04,880 --> 01:12:09,759
No, Laetitia. No going back.
We move forward with Vincent.

1580
01:12:09,760 --> 01:12:12,159
And so, please, I'm begging you,

1581
01:12:12,160 --> 01:12:15,439
the anger that sleeps inside,
the Corsican woman who was betrayed,

1582
01:12:15,440 --> 01:12:17,080
let's put her aside.

1583
01:12:17,720 --> 01:12:19,480
And find something new.

1584
01:12:20,000 --> 01:12:23,679
That Protestant Danish warrior,
who appreciates compromise.

1585
01:12:23,680 --> 01:12:25,240
And hypocrisy at times.

1586
01:12:25,760 --> 01:12:28,999
And at the wrap party,
you can beat the crap out of him.

1587
01:12:29,000 --> 01:12:30,840
I'll even hold him down. Okay?

1588
01:12:31,440 --> 01:12:35,079
[muffled scream]

1589
01:12:35,080 --> 01:12:36,399
Getting rid of everything bad.

1590
01:12:36,400 --> 01:12:40,239
This person, surround her,
and the room, with protection.

1591
01:12:40,240 --> 01:12:43,680
Protect her, protect her,
protect her, protect her.

1592
01:12:44,320 --> 01:12:45,480
[gasps]

1593
01:12:48,240 --> 01:12:49,599
Andréa?

1594
01:12:49,600 --> 01:12:52,519
- Are you in the middle of something?
- No, just the hallway.

1595
01:12:52,520 --> 01:12:54,679
Great. I was hoping to talk a bit,
if you don't mind,

1596
01:12:54,680 --> 01:12:56,839
about the role,
my main role of the hunter?

1597
01:12:56,840 --> 01:12:57,959
Thank you again.

1598
01:12:57,960 --> 01:13:03,560
It just feels like he's reduced
to sort of a... a function or a cliché.

1599
01:13:04,160 --> 01:13:09,079
When they dream too. They have desires.
You know what I'm talking about?

1600
01:13:09,080 --> 01:13:12,159
I guess. Right.
Hang on. Do you have lines?

1601
01:13:12,160 --> 01:13:14,679
Of course. [clears throat]

1602
01:13:14,680 --> 01:13:17,960
[shouting] It's over there!
Run, let's get it! Come on!

1603
01:13:18,640 --> 01:13:21,760
Hey, that time
maybe I was a little over the top, but...

1604
01:13:22,480 --> 01:13:26,599
But this hunter, I... I was just thinking,
he must have a wife.

1605
01:13:26,600 --> 01:13:27,679
- Hm.
- For sure.

1606
01:13:27,680 --> 01:13:31,719
A wife with child waiting for him at home.
He's going back there empty handed. Right?

1607
01:13:31,720 --> 01:13:36,039
- He doesn't want to disappoint her.
- I agree. That's good work.

1608
01:13:36,040 --> 01:13:37,839
Are you pulling my leg?

1609
01:13:37,840 --> 01:13:41,279
- No, no, no. Actually, I think it's smart.
- Uh...

1610
01:13:41,280 --> 01:13:43,119
I'm worried
maybe it's not the right angle.

1611
01:13:43,120 --> 01:13:44,759
It seems right on target.

1612
01:13:44,760 --> 01:13:47,359
Of course, I'm here
to support whatever choice you make.

1613
01:13:47,360 --> 01:13:50,040
I'm relieved there's somebody else
who's ready to shoot a film.

1614
01:13:50,640 --> 01:13:51,719
- Hey, uh...
- Yeah?

1615
01:13:51,720 --> 01:13:53,239
- Hunter in the Woods Two?
- Yeah?

1616
01:13:53,240 --> 01:13:54,279
Can I make a suggestion?

1617
01:13:54,280 --> 01:13:55,279
All right.

1618
01:13:55,280 --> 01:13:58,280
I... I was thinking, uh... Germain?

1619
01:13:59,400 --> 01:14:01,039
Great name, Germain. It's perfect.

1620
01:14:01,040 --> 01:14:03,840
- See you tomorrow, Germain.
- [chuckles] Sounds good, Andréa.

1621
01:14:05,640 --> 01:14:08,359
- Come here. Ah, I bet you like that.
- [Venus snorts]

1622
01:14:08,360 --> 01:14:10,520
Look. Look.

1623
01:14:11,640 --> 01:14:12,599
Go on.

1624
01:14:12,600 --> 01:14:14,840
How about this pen area? Huh?

1625
01:14:15,520 --> 01:14:17,400
How do you like it, sweet Venus?

1626
01:14:18,640 --> 01:14:21,239
You're being
a good girl, right? [chuckles]

1627
01:14:21,240 --> 01:14:23,199
And very, very intelligent.

1628
01:14:23,200 --> 01:14:26,999
- [whimsical music playing]
- Yes, you are. Yeah, get in there.

1629
01:14:27,000 --> 01:14:32,599
Yeah, you like that. Get in there.
Hey, you like belly scratches?

1630
01:14:32,600 --> 01:14:36,159
Yeah, you like belly scratches.
Good girl. Feels good, huh?

1631
01:14:36,160 --> 01:14:38,360
Yeah? Yeah? [chuckles]

1632
01:14:40,120 --> 01:14:41,480
Ah, I bet.

1633
01:14:42,520 --> 01:14:45,119
- You nice and comfy? You're sweet.
- [music fades]

1634
01:14:45,120 --> 01:14:47,560
Hey! [clears throat]

1635
01:14:48,080 --> 01:14:50,599
[in a deep voice] Hurry! Get that boar!

1636
01:14:50,600 --> 01:14:52,040
[clears throat]

1637
01:14:53,760 --> 01:14:56,079
[in normal voice] Hey! Hurry!

1638
01:14:56,080 --> 01:14:59,879
It's behind the tree!
Hey! Hurry, get that boar!

1639
01:14:59,880 --> 01:15:02,240
- [bird calls]
- [gasps]

1640
01:15:03,160 --> 01:15:07,439
[clears throat] It's behind the tree.
Hurry up, get that boar! Get that boar.

1641
01:15:07,440 --> 01:15:10,400
- [birds calling]
- [intense music playing]

1642
01:15:11,600 --> 01:15:15,199
- [owl hooting]
- [panting] No, go deeper.

1643
01:15:15,200 --> 01:15:16,759
[pants in a deep voice]

1644
01:15:16,760 --> 01:15:18,719
[gasps]

1645
01:15:18,720 --> 01:15:20,000
[birds calling]

1646
01:15:21,080 --> 01:15:22,319
Germain, it's fine.

1647
01:15:22,320 --> 01:15:24,240
- [roe deer barking]
- [shudders]

1648
01:15:24,760 --> 01:15:26,959
Ah, it's only a little squirrel.
[chuckles]

1649
01:15:26,960 --> 01:15:28,879
Where's my cell at?

1650
01:15:28,880 --> 01:15:30,959
Oh, that's so rude.

1651
01:15:30,960 --> 01:15:32,919
[crow cawing]

1652
01:15:32,920 --> 01:15:34,679
No, where am I? [scoffs]

1653
01:15:34,680 --> 01:15:37,679
Now I'm all turned around.
What was I thinking?

1654
01:15:37,680 --> 01:15:40,039
Where the hell did I go?

1655
01:15:40,040 --> 01:15:42,040
"Because I carry them with me."

1656
01:15:43,360 --> 01:15:45,599
[in bad British accent]
"'Cause I carry them with me."

1657
01:15:45,600 --> 01:15:47,760
"Because I carry them with me."

1658
01:15:48,720 --> 01:15:51,080
[sighs] "And if it destroys me?"

1659
01:15:52,200 --> 01:15:53,160
[huffs]

1660
01:15:56,080 --> 01:15:57,800
[moody music playing]

1661
01:16:00,960 --> 01:16:02,840
What is he doing? [scoffs]

1662
01:16:05,520 --> 01:16:06,959
[Laetitia sighs]

1663
01:16:06,960 --> 01:16:09,880
[softly] He's so stupid.
Where is he going?

1664
01:16:11,200 --> 01:16:12,600
[inhales deeply]

1665
01:16:15,400 --> 01:16:17,280
[panting]

1666
01:16:30,840 --> 01:16:32,880
[Vincent] Okay, so I'm wearing like this?

1667
01:16:35,560 --> 01:16:37,319
- What are you doing?
- You followed me here?

1668
01:16:37,320 --> 01:16:38,479
What's going on?

1669
01:16:38,480 --> 01:16:41,079
It's Extinction Rebellion.
We're staging it on a golf course.

1670
01:16:41,080 --> 01:16:43,279
You better get out of here.
Seriously, come on. Go now.

1671
01:16:43,280 --> 01:16:44,639
- Vincent.
- Yeah?

1672
01:16:44,640 --> 01:16:46,639
- Are you with us?
- Vincent, can we talk, please?

1673
01:16:46,640 --> 01:16:49,479
- She's cool. Sure. What?
- I'm sorry about what I said about you.

1674
01:16:49,480 --> 01:16:50,679
- I didn't mean it.
- I'm okay.

1675
01:16:50,680 --> 01:16:52,279
- It was unacceptable. Okay?
- No. Please.

1676
01:16:52,280 --> 01:16:54,999
- But you protesting is dangerous.
- Calm down. I'm okay. I have to.

1677
01:16:55,000 --> 01:16:57,560
- Vincent, we're ready. Let's go.
- Yeah, coming. Great. Coming.

1678
01:16:58,240 --> 01:16:59,879
- Vincent!
- [Vincent] Yeah, yeah.

1679
01:16:59,880 --> 01:17:01,239
I gotta go. Uh...

1680
01:17:01,240 --> 01:17:03,879
- [huffs]
- [protester 1] Action, reaction!

1681
01:17:03,880 --> 01:17:05,399
[Laetitia scoffs]

1682
01:17:05,400 --> 01:17:09,239
- ["Don't Worry about Me" playing]
<i>- ♪ If we're gonna get along, can't we... ♪</i>

1683
01:17:09,240 --> 01:17:12,279
[protester 2] Go, go, go!
This is our course now. Go!

1684
01:17:12,280 --> 01:17:15,599
[Vincent] They come out here,
and they do their handshake deals.

1685
01:17:15,600 --> 01:17:17,679
They have no right to steal the water!

1686
01:17:17,680 --> 01:17:19,999
Big shots playing their games
in polo shirts on the grass?

1687
01:17:20,000 --> 01:17:23,719
We do it through film.
That's powerful. We make cinema.

1688
01:17:23,720 --> 01:17:26,000
<i>♪ Back on track, baby
Don't worry about me ♪</i>

1689
01:17:26,840 --> 01:17:28,079
<i>♪ With all the worry... ♪</i>

1690
01:17:28,080 --> 01:17:30,399
WATER BELONGS TO EVERYONE

1691
01:17:30,400 --> 01:17:32,879
[Vincent] If one person
could use this water...

1692
01:17:32,880 --> 01:17:38,559
<i>♪ But if you want to have change
For yourself, well, don't worry about me ♪</i>

1693
01:17:38,560 --> 01:17:42,239
<i>♪ Don't worry about me
Don't worry about me... ♪</i>

1694
01:17:42,240 --> 01:17:44,359
[Vincent] You remember how we met?

1695
01:17:44,360 --> 01:17:46,159
My first thought was, "Wait a minute."

1696
01:17:46,160 --> 01:17:49,319
"It's impossible for a woman like you
to be into a man like me."

1697
01:17:49,320 --> 01:17:51,959
It's the truth. I'm a short, fat guy

1698
01:17:51,960 --> 01:17:55,199
who always has greasy hair
and acts in the theater.

1699
01:17:55,200 --> 01:17:59,040
I... did a few movies, but... you're a...

1700
01:17:59,600 --> 01:18:00,920
you're a light.

1701
01:18:01,480 --> 01:18:03,080
You're a miracle on earth.

1702
01:18:03,600 --> 01:18:06,839
You know, when I waited for that train...

1703
01:18:06,840 --> 01:18:08,239
[sighs nervously]

1704
01:18:08,240 --> 01:18:10,160
- Where you left me waiting.
- I know.

1705
01:18:10,960 --> 01:18:12,439
I just kept worrying about you.

1706
01:18:12,440 --> 01:18:14,839
I kept asking myself, "Is he okay?
What could've happened?"

1707
01:18:14,840 --> 01:18:16,480
I know. [sighs]

1708
01:18:17,400 --> 01:18:19,119
I waited there.

1709
01:18:19,120 --> 01:18:21,160
I stood there like a stupid girl.

1710
01:18:21,680 --> 01:18:24,959
[voice breaking] I was hoping
to go to Italy with you, but I couldn't.

1711
01:18:24,960 --> 01:18:26,679
It's because I was carrying this shame.

1712
01:18:26,680 --> 01:18:29,880
The shame of being truly happy,
even a little bit.

1713
01:18:30,520 --> 01:18:35,559
I kept thinking, "The world is burning,
and I'm gonna go have an Aperol Spritz."

1714
01:18:35,560 --> 01:18:36,799
I'm sorry.

1715
01:18:36,800 --> 01:18:38,280
I... I'm tired of running.

1716
01:18:38,840 --> 01:18:40,440
The truth is, I love you.

1717
01:18:41,240 --> 01:18:44,519
I'm madly in love. I'm so sorry.

1718
01:18:44,520 --> 01:18:46,520
[breathing nervously]

1719
01:18:47,640 --> 01:18:49,159
<i>♪ Don't worry about me ♪</i>

1720
01:18:49,160 --> 01:18:52,280
- [sobbing]
- Shh, shh, shh, shh, shh.

1721
01:18:53,840 --> 01:18:55,080
[gently] Hey.

1722
01:18:55,840 --> 01:18:58,599
<i>♪ I won't worry about you ♪</i>

1723
01:18:58,600 --> 01:19:01,399
<i>♪ Don't worry about no, no, no, no ♪</i>

1724
01:19:01,400 --> 01:19:03,040
<i>♪ Don't worry about me ♪</i>

1725
01:19:04,120 --> 01:19:06,040
<i>♪ Don't worry about me ♪</i>

1726
01:19:06,920 --> 01:19:10,799
<i>- ♪ I won't worry about you... ♪</i>
- [protesters shouting]

1727
01:19:10,800 --> 01:19:13,440
- [protester 3] Go, go!
- [officer] Get down! Watch out!

1728
01:19:14,120 --> 01:19:15,440
[screaming]

1729
01:19:16,920 --> 01:19:18,400
[officer] Get out of the way!

1730
01:19:19,600 --> 01:19:22,239
- [crowd clamoring]
- [protester 4] Go, go, go, go!

1731
01:19:22,240 --> 01:19:24,000
[both laughing]

1732
01:19:24,920 --> 01:19:26,920
[indistinct shouting]

1733
01:19:27,720 --> 01:19:29,080
Whoa!

1734
01:19:29,600 --> 01:19:30,999
[cheery music fades]

1735
01:19:31,000 --> 01:19:32,679
[Vincent] I love you, Laetitia!

1736
01:19:32,680 --> 01:19:34,279
I love you!

1737
01:19:34,280 --> 01:19:36,000
- I love you!
- [officer] You're under arrest.

1738
01:19:36,840 --> 01:19:38,599
{\an8}Um... Unbelievable.

1739
01:19:38,600 --> 01:19:40,039
{\an8}MAKING A MOVIE

1740
01:19:40,040 --> 01:19:41,720
{\an8}That makes sense, of course.

1741
01:19:43,040 --> 01:19:43,960
[knocking]

1742
01:19:45,280 --> 01:19:48,679
Please, Noémie, hear me out.
Give me two minutes.

1743
01:19:48,680 --> 01:19:49,919
[exhales sharply]

1744
01:19:49,920 --> 01:19:51,880
One minute is all. Please.

1745
01:19:54,520 --> 01:19:55,720
I'm listening.

1746
01:19:56,720 --> 01:19:58,760
I'm aware what I've done
is completely unforgivable.

1747
01:19:59,600 --> 01:20:02,239
These last few months
at the agency have been really hard.

1748
01:20:02,240 --> 01:20:03,519
I got overwhelmed.

1749
01:20:03,520 --> 01:20:05,279
I can feel it.

1750
01:20:05,280 --> 01:20:07,999
I'm getting older, and I just hate it.

1751
01:20:08,000 --> 01:20:10,519
[scoffs] How bizarre.
Because everyone <i>loves</i> getting older.

1752
01:20:10,520 --> 01:20:12,480
[sighs sadly]

1753
01:20:14,720 --> 01:20:16,040
It's okay.

1754
01:20:16,880 --> 01:20:18,319
But I just... I did so much.

1755
01:20:18,320 --> 01:20:19,399
Gave so much for us,

1756
01:20:19,400 --> 01:20:21,720
and I put your needs first
instead of mine.

1757
01:20:22,600 --> 01:20:25,400
It's funny. When I'm having a hard time,
I still think of you.

1758
01:20:26,000 --> 01:20:31,439
If you have a hard time, pfft!
You forget me. [chuckles sadly]

1759
01:20:31,440 --> 01:20:33,519
You know. Oh well, that's life.

1760
01:20:33,520 --> 01:20:34,480
Adieu.

1761
01:20:35,160 --> 01:20:36,400
Don't worry about it. I'm good.

1762
01:20:38,400 --> 01:20:40,240
VERY FRIENDLY (AND SEXY) HOST

1763
01:20:45,360 --> 01:20:46,440
[exhales sharply]

1764
01:20:54,440 --> 01:20:55,600
[gulps]

1765
01:20:56,720 --> 01:20:59,399
See? I can forget about you as well.

1766
01:20:59,400 --> 01:21:00,839
[exhales shakily]

1767
01:21:00,840 --> 01:21:02,360
[sighs glumly]

1768
01:21:04,040 --> 01:21:05,639
[officer 1] Name?

1769
01:21:05,640 --> 01:21:06,919
- Casta.
- [officer 1] Hmm.

1770
01:21:06,920 --> 01:21:09,679
- [officer 2] With a K?
- With a C, Officer.

1771
01:21:09,680 --> 01:21:12,360
- First name?
- Laetitia.

1772
01:21:12,880 --> 01:21:15,560
- Like the model?
- That's me. [chuckles]

1773
01:21:17,040 --> 01:21:19,439
[softly] She doesn't look like the model.

1774
01:21:19,440 --> 01:21:20,440
Yeah.

1775
01:21:21,320 --> 01:21:23,280
So, I recently broke my nose.

1776
01:21:23,800 --> 01:21:26,559
I'm sure.
Uh, do you have some identification?

1777
01:21:26,560 --> 01:21:28,959
- Uh, no, I don't have my ID on me.
- [officer 2] Mm.

1778
01:21:28,960 --> 01:21:32,079
- Mm-hmm. Too bad.
- I'm in the area, shooting a movie.

1779
01:21:32,080 --> 01:21:33,839
- Ah. Okay, a movie.
- I should have guessed.

1780
01:21:33,840 --> 01:21:35,640
- Yeah, right.
- [chuckles softly]

1781
01:21:36,160 --> 01:21:39,639
I can empathize with her.
I mean, I feel like I'm really Will Smith.

1782
01:21:39,640 --> 01:21:41,040
[both snicker]

1783
01:21:41,600 --> 01:21:43,040
Look it up online. It's right there.

1784
01:21:51,560 --> 01:21:52,560
It's my smile.

1785
01:21:53,160 --> 01:21:55,360
- The teeth.
- She's committed, huh?

1786
01:21:55,880 --> 01:21:58,240
I already explained who I am,
but... they didn't buy it.

1787
01:21:58,960 --> 01:22:01,519
<i>Listen, my passport is at home.
My son should be there.</i>

1788
01:22:01,520 --> 01:22:03,519
- Okay.
- Yeah, he'll let you in.

1789
01:22:03,520 --> 01:22:04,759
Drop by the house.

1790
01:22:04,760 --> 01:22:05,999
I should take it up there?

1791
01:22:06,000 --> 01:22:08,479
<i>Yeah, I know it's last minute.
I'm sorry, but...</i>

1792
01:22:08,480 --> 01:22:10,639
- But I missed the last train.
<i>- Uh, yeah...</i>

1793
01:22:10,640 --> 01:22:11,759
Okay.

1794
01:22:11,760 --> 01:22:13,919
Great, then, uh, get a taxi?

1795
01:22:13,920 --> 01:22:16,319
- But it's 800 kilometers away.
- <i>Right. Okay.</i>

1796
01:22:16,320 --> 01:22:17,439
- Yeah.
<i>- Listen, it's fine.</i>

1797
01:22:17,440 --> 01:22:20,759
- I can bother Mathias. He always helps.
- No, it's fine.

1798
01:22:20,760 --> 01:22:21,959
<i>- Really?</i>
- I'm on it.

1799
01:22:21,960 --> 01:22:23,519
<i>- Thank you. You're the best.</i>
- Yeah.

1800
01:22:23,520 --> 01:22:25,079
- Best agent in the world.
<i>- No problem.</i>

1801
01:22:25,080 --> 01:22:27,639
- Goodbye. You're my savior. Thanks.
- I got you.

1802
01:22:27,640 --> 01:22:28,800
[call disconnects]

1803
01:22:29,760 --> 01:22:31,439
Crap. [groans]

1804
01:22:31,440 --> 01:22:33,999
[Andréa] Okay, so the big chase scene.

1805
01:22:34,000 --> 01:22:36,319
Laetitia is running. She hears gunshots.

1806
01:22:36,320 --> 01:22:38,599
She hides over there,
and then we reveal the hunters.

1807
01:22:38,600 --> 01:22:41,359
Let's set the camera up here,
grab the wide of Laetitia,

1808
01:22:41,360 --> 01:22:43,439
and turn around
for the tracking shot of the hunters.

1809
01:22:43,440 --> 01:22:44,559
- I love it. Okay.
- Okay?

1810
01:22:44,560 --> 01:22:46,119
Okay. Where will you put Vincent?

1811
01:22:46,120 --> 01:22:47,519
- Vincent, he's trailing--
- Andréa?

1812
01:22:47,520 --> 01:22:48,759
[Andréa] One second.

1813
01:22:48,760 --> 01:22:50,359
Uh, Vincent will be up here.

1814
01:22:50,360 --> 01:22:53,639
Because he falls behind,
so he'll have a cross from there. Yeah?

1815
01:22:53,640 --> 01:22:56,599
- Okay. Easy.
- Hang on. It says we could get heavy rain.

1816
01:22:56,600 --> 01:22:58,559
Around 11:00. We have to get going.

1817
01:22:58,560 --> 01:23:00,879
Okay, here we go.
Get everyone ready. Come on.

1818
01:23:00,880 --> 01:23:02,559
- Andréa?
- What?

1819
01:23:02,560 --> 01:23:05,679
- Sorry, there's an issue. It's serious.
- [Andréa] Hm.

1820
01:23:05,680 --> 01:23:11,240
Uh, Laetitia and Vincent...
well, to put it simply... disappeared.

1821
01:23:12,000 --> 01:23:13,600
[sighs] What the hell are you saying?

1822
01:23:14,320 --> 01:23:16,919
I've called.
Both of their cells go to voicemail.

1823
01:23:16,920 --> 01:23:18,679
Nobody's seen them all morning.

1824
01:23:18,680 --> 01:23:19,759
I searched the hotel,

1825
01:23:19,760 --> 01:23:22,799
so I asked everybody,
and no one's really seen them anywhere.

1826
01:23:22,800 --> 01:23:24,080
[sighs nervously]

1827
01:23:26,160 --> 01:23:27,959
Noémie! Call their agents!

1828
01:23:27,960 --> 01:23:31,159
Fuck! Are these two idiots trying
to give me a heart attack?!

1829
01:23:31,160 --> 01:23:33,719
Everyone. Places!
We'll shoot without them!

1830
01:23:33,720 --> 01:23:37,600
[thunder rumbling]

1831
01:23:44,240 --> 01:23:46,439
- Is it leaking in?
- [man] What do you mean, leaking in?

1832
01:23:46,440 --> 01:23:49,079
[woman] I don't think cables
are a good idea. Try wireless lavs.

1833
01:23:49,080 --> 01:23:51,360
[concerned chatter]

1834
01:23:52,320 --> 01:23:53,919
[in deep voice] Hurry! Get that boar!

1835
01:23:53,920 --> 01:23:56,679
What do you mean, you don't know?
<i>I</i> know because we have experts here.

1836
01:23:56,680 --> 01:23:57,799
[indistinct shouting]

1837
01:23:57,800 --> 01:23:59,519
Okay, everyone! Let's do it!

1838
01:23:59,520 --> 01:24:01,559
Hunters, over there!
Cameras, start rolling!

1839
01:24:01,560 --> 01:24:03,639
All right, go to first positions!
Let's do this!

1840
01:24:03,640 --> 01:24:06,439
- [assistant] You're endangering the crew.
- [Manu] We can't do this.

1841
01:24:06,440 --> 01:24:07,919
- Not possible.
- It's not safe.

1842
01:24:07,920 --> 01:24:09,879
It's perfect the way it is.
Let's get the shot.

1843
01:24:09,880 --> 01:24:13,039
Laetitia. Hold on, Andréa!
No, it's impossible.

1844
01:24:13,040 --> 01:24:16,199
- We can't. The rain's too much.
- It's a great moment in cinema.

1845
01:24:16,200 --> 01:24:17,759
- Roll the camera!
- Hang on.

1846
01:24:17,760 --> 01:24:19,119
[Andréa] Start the engine!

1847
01:24:19,120 --> 01:24:21,519
I need you rolling! Hunters, get in place!

1848
01:24:21,520 --> 01:24:23,519
- Here. Follow me!
- [assistant] What are you doing?

1849
01:24:23,520 --> 01:24:26,319
You're gonna get behind me
to cheat Laetitia like we planned.

1850
01:24:26,320 --> 01:24:29,199
Okay, so stay behind me.
Come, come, come, slate it!

1851
01:24:29,200 --> 01:24:32,319
{\an8}I'll use my hands. It's fine.
Scene 92, A. Take one!

1852
01:24:32,320 --> 01:24:34,079
{\an8}Action on hunters. Action on me!

1853
01:24:34,080 --> 01:24:36,919
{\an8}Hey, I'm not ready with the camera!

1854
01:24:36,920 --> 01:24:39,559
- Fuck.
- Let her get one, and we'll call it.

1855
01:24:39,560 --> 01:24:42,479
- [Andréa] Are we rolling, or what?
- [Manu] I'm getting the frame now.

1856
01:24:42,480 --> 01:24:44,959
{\an8}- [Andréa shouts] Action! Action!
- [dogs barking]

1857
01:24:44,960 --> 01:24:48,839
{\an8}[in deep voice] Hurry. Get that boar!
Over there, behind the tree! Hurry!

1858
01:24:48,840 --> 01:24:50,999
{\an8}[barking grows louder]

1859
01:24:51,000 --> 01:24:52,439
{\an8}[shouts]

1860
01:24:52,440 --> 01:24:53,999
{\an8}[loud crash]

1861
01:24:54,000 --> 01:24:55,559
{\an8}Oh! [grunts]

1862
01:24:55,560 --> 01:24:58,040
[Malik] The river overflowed!
The area's flooding!

1863
01:24:59,760 --> 01:25:01,439
- Help me with this!
- Dear God!

1864
01:25:01,440 --> 01:25:03,559
Andréa! Andréa, cut!

1865
01:25:03,560 --> 01:25:06,039
{\an8}No! We're getting the shot! Follow me!

1866
01:25:06,040 --> 01:25:07,839
[epic music playing]

1867
01:25:07,840 --> 01:25:10,679
Oh! Maybe I'm falling with the dolly!

1868
01:25:10,680 --> 01:25:12,040
[man 1] Hurry! Save the camera!

1869
01:25:14,480 --> 01:25:16,480
[crew clamoring]

1870
01:25:19,800 --> 01:25:21,959
{\an8}[indistinct shouting]

1871
01:25:21,960 --> 01:25:23,279
{\an8}[Andréa] Shit!

1872
01:25:23,280 --> 01:25:24,639
{\an8}- You okay?
- [woman] I'm fine.

1873
01:25:24,640 --> 01:25:27,920
{\an8}How about the camera? Is it all right?
You're still rolling? Here!

1874
01:25:28,640 --> 01:25:30,359
[man 2] Look out! Careful!

1875
01:25:30,360 --> 01:25:32,919
{\an8}[crew shouting]

1876
01:25:32,920 --> 01:25:34,720
[screams]

1877
01:25:35,920 --> 01:25:38,320
[Manu screaming]

1878
01:25:39,160 --> 01:25:41,080
[all clamoring]

1879
01:25:45,160 --> 01:25:47,839
Holy fuck! Hold on.

1880
01:25:47,840 --> 01:25:49,000
[yelps]

1881
01:25:51,320 --> 01:25:53,079
Hey! [screams]

1882
01:25:53,080 --> 01:25:56,359
Are you fucking kidding me?!
This was the one shoot day I had!

1883
01:25:56,360 --> 01:25:58,839
The one shot I have! What's going on?!

1884
01:25:58,840 --> 01:26:02,639
[Noémie] Where are the cards?
The dailies! The hard drives are gone.

1885
01:26:02,640 --> 01:26:04,199
- [screams]
- [music fades]

1886
01:26:04,200 --> 01:26:05,439
[worried chatter]

1887
01:26:05,440 --> 01:26:07,519
Who's a good doggy?

1888
01:26:07,520 --> 01:26:10,440
[gloomy music playing]

1889
01:26:34,680 --> 01:26:36,120
[man] What a mess.

1890
01:26:53,000 --> 01:26:54,040
[Andréa sighs nervously]

1891
01:27:00,280 --> 01:27:01,280
All right.

1892
01:27:02,520 --> 01:27:03,680
Oh!

1893
01:27:04,320 --> 01:27:07,119
- Andréa. I was just coming to see you.
- Okay, just tell me already.

1894
01:27:07,120 --> 01:27:11,719
Right. Yeah. So about our insurance...
Okay, we obviously do have insurance.

1895
01:27:11,720 --> 01:27:13,599
- That's great.
- We do, yeah.

1896
01:27:13,600 --> 01:27:15,559
But the contract, the contract...

1897
01:27:15,560 --> 01:27:18,359
[sighs] It's, uh, minimal.

1898
01:27:18,360 --> 01:27:20,799
Well, rain's
pretty much the minimum, right?

1899
01:27:20,800 --> 01:27:22,000
Absolutely, yeah.

1900
01:27:22,640 --> 01:27:25,520
And this was a flood, so, uh... no.

1901
01:27:26,320 --> 01:27:28,719
Hang on.
Uh, what kind of insurance do we have?

1902
01:27:28,720 --> 01:27:30,159
- Show me.
- No. No, wait.

1903
01:27:30,160 --> 01:27:31,919
- What?
- Offices are closed.

1904
01:27:31,920 --> 01:27:33,159
I'll try it in the morning.

1905
01:27:33,160 --> 01:27:35,239
You know, uh...
Over there, it's a lot later.

1906
01:27:35,240 --> 01:27:37,840
What the hell does that mean?
What are you talking about?

1907
01:27:39,560 --> 01:27:42,240
Because their main office is in Chișinău.

1908
01:27:43,120 --> 01:27:45,240
[hesitates] In Moldova.

1909
01:27:47,520 --> 01:27:49,760
You bought insurance
from Moldova for my film?

1910
01:27:50,760 --> 01:27:52,479
That's right. It's cheaper.

1911
01:27:52,480 --> 01:27:54,119
- But... but...
- I had a tough decision.

1912
01:27:54,120 --> 01:27:56,159
It was very complicated after our recast.

1913
01:27:56,160 --> 01:27:59,559
I mean, Gabriel demanded
this really, really high fee for Vincent.

1914
01:27:59,560 --> 01:28:02,159
And, well... we were running out of time.

1915
01:28:02,160 --> 01:28:04,239
The cost for insurance was sky-high.

1916
01:28:04,240 --> 01:28:08,079
So I searched average expected rainfall.
It was low for the last 20 years.

1917
01:28:08,080 --> 01:28:11,559
In the application online,
I never clicked the box to opt in.

1918
01:28:11,560 --> 01:28:13,200
But it shouldn't have mattered.

1919
01:28:14,600 --> 01:28:17,039
It's not my fault.
The climate is totally effed.

1920
01:28:17,040 --> 01:28:19,199
[Andréa] You put my film in danger
to get commission.

1921
01:28:19,200 --> 01:28:20,759
Huh? That's bullshit. What?

1922
01:28:20,760 --> 01:28:23,359
Is that a fun little game
you all play at Starmédia?

1923
01:28:23,360 --> 01:28:25,279
Is that what you sit around doing?

1924
01:28:25,280 --> 01:28:27,919
"There's still life in her.
Let's drain her to the last drop. Ha!"

1925
01:28:27,920 --> 01:28:29,479
"Killing dreams is so funny!"

1926
01:28:29,480 --> 01:28:31,919
But wait, I was just doing my job.
What are you saying?

1927
01:28:31,920 --> 01:28:34,119
But you know better
than anyone what the deal is.

1928
01:28:34,120 --> 01:28:36,519
Exactly. I know you choose
whether to gouge for commission.

1929
01:28:36,520 --> 01:28:38,479
Either you're behind a movie
and support it,

1930
01:28:38,480 --> 01:28:40,959
or you choose to behave like scum
and take advantage.

1931
01:28:40,960 --> 01:28:43,399
This is my fault, huh?
Does that make the truth easier?

1932
01:28:43,400 --> 01:28:45,119
Pretending that you're not a tyrant?

1933
01:28:45,120 --> 01:28:47,599
Well, you're a coward.
You bailed on everybody at ASK.

1934
01:28:47,600 --> 01:28:50,839
Because of money and optics, right?
Petty crap over loyalty and friends!

1935
01:28:50,840 --> 01:28:52,919
Yeah, and you're perfect.
You're the next Buddha.

1936
01:28:52,920 --> 01:28:55,399
Always worried about others.
It's very admirable.

1937
01:28:55,400 --> 01:28:57,959
Maybe look in a mirror.
You've broken their spirits!

1938
01:28:57,960 --> 01:28:59,559
You don't listen to anybody else!

1939
01:28:59,560 --> 01:29:01,959
You're a bulldozer!
You steamroll everyone!

1940
01:29:01,960 --> 01:29:04,719
You even managed to bomb your own film!
It's dead now.

1941
01:29:04,720 --> 01:29:06,559
You point fingers,
but you're to blame here!

1942
01:29:06,560 --> 01:29:09,079
My film isn't dead, Gabriel! [sighs]

1943
01:29:09,080 --> 01:29:11,479
Take that back! I'm finishing my film!

1944
01:29:11,480 --> 01:29:15,039
Yeah, leave! That's what you do!
Go lick some boots at Starmédia, jackass!

1945
01:29:15,040 --> 01:29:17,680
Nobody wants you here! Get the fuck out!

1946
01:29:20,760 --> 01:29:23,359
Dead? I'll complete my film.

1947
01:29:23,360 --> 01:29:25,559
We'll shoot on a phone
if we have to. Yeah?

1948
01:29:25,560 --> 01:29:27,879
Because for us,
it's not about money. It's art!

1949
01:29:27,880 --> 01:29:30,079
It's okay if nobody gets paid!

1950
01:29:30,080 --> 01:29:33,040
No. I can't, sorry. We can't do it.

1951
01:29:33,640 --> 01:29:34,679
But why, Manu?

1952
01:29:34,680 --> 01:29:35,719
[sighs]

1953
01:29:35,720 --> 01:29:38,759
Why not? Jeanne!

1954
01:29:38,760 --> 01:29:42,719
[crying] I can't do it. I'm sorry.
I'm sorry, Andréa. [sniffles]

1955
01:29:42,720 --> 01:29:44,039
[Andréa sighs deeply]

1956
01:29:44,040 --> 01:29:47,080
Listen, uh, I... I talked to, uh, Jérôme.

1957
01:29:48,000 --> 01:29:51,360
He looked over the insurance policy
in depth.

1958
01:29:51,880 --> 01:29:53,240
They won't cover it.

1959
01:29:53,760 --> 01:29:56,959
We're in default.
I have to shut down production.

1960
01:29:56,960 --> 01:29:59,759
We have to wait
for the adjusters to arrive tomorrow...

1961
01:29:59,760 --> 01:30:03,160
And then, after they make
their assessment here,

1962
01:30:04,080 --> 01:30:06,920
it'll be necessary to send the crew home.

1963
01:30:07,800 --> 01:30:09,160
[Andréa exhales sharply]

1964
01:30:10,960 --> 01:30:13,239
[crying softly]

1965
01:30:13,240 --> 01:30:15,400
[somber music rises]

1966
01:30:18,600 --> 01:30:22,360
<i>Hello, gorgeous.
It's Arlette. How's the shoot going?</i>

1967
01:30:23,080 --> 01:30:24,480
<i>You must be thrilled.</i>

1968
01:30:26,680 --> 01:30:28,319
[pigeon coos]

1969
01:30:28,320 --> 01:30:31,920
<i>Call me back, dear. Give me some news.</i>

1970
01:30:32,800 --> 01:30:36,040
<i>You're a stubborn one, aren't you?
Naughty girl.</i>

1971
01:30:37,520 --> 01:30:38,759
[knocking]

1972
01:30:38,760 --> 01:30:41,239
- Yeah?
- [Mathias] Sorry to interrupt.

1973
01:30:41,240 --> 01:30:44,559
I wanted to speak about Venus leaving
and Fabienne's payment.

1974
01:30:44,560 --> 01:30:47,080
Yeah, of course.
Uh, I was just working on that.

1975
01:30:47,840 --> 01:30:52,879
Don't worry, we're gonna make sure
that everyone is paid for their work.

1976
01:30:52,880 --> 01:30:55,679
I just can't find her, uh, time sheet.

1977
01:30:55,680 --> 01:30:58,079
It's here somewhere. One sec.

1978
01:30:58,080 --> 01:30:59,520
Um...

1979
01:31:02,520 --> 01:31:04,920
[muffled sobbing]

1980
01:31:09,600 --> 01:31:11,440
I'm worthless.

1981
01:31:12,600 --> 01:31:14,799
You'll be fine. It's fine. Don't say that.

1982
01:31:14,800 --> 01:31:16,999
Wait. It's not your fault.
You couldn't have known.

1983
01:31:17,000 --> 01:31:18,759
[Noémie] I'm a loser.

1984
01:31:18,760 --> 01:31:20,439
Why did I do that?

1985
01:31:20,440 --> 01:31:22,159
Such a fucking loser!

1986
01:31:22,160 --> 01:31:24,279
It'll be all right. These things...

1987
01:31:24,280 --> 01:31:26,520
It's a disaster. I screwed everything up.

1988
01:31:28,200 --> 01:31:29,440
[sighs deeply]

1989
01:31:37,240 --> 01:31:40,160
Listen, uh... [sighs]

1990
01:31:41,360 --> 01:31:43,239
Uh, I know it, um...

1991
01:31:43,240 --> 01:31:44,920
I know how self-centered I was.

1992
01:31:45,840 --> 01:31:50,240
That I'm... closed off, rigid.

1993
01:31:50,760 --> 01:31:52,520
I'm better because of you.

1994
01:31:54,200 --> 01:31:56,039
You made me look around.

1995
01:31:56,040 --> 01:32:00,639
And, uh... see
beyond this little world of mine.

1996
01:32:00,640 --> 01:32:02,319
[exhales sharply, scoffs]

1997
01:32:02,320 --> 01:32:04,000
And stop being an asshole.

1998
01:32:07,600 --> 01:32:10,120
I saw how you carry yourself on set.

1999
01:32:11,360 --> 01:32:12,520
I <i>saw</i> you.

2000
01:32:14,160 --> 01:32:16,919
- [chuckles] You're so amazing.
- Oh... [scoffs]

2001
01:32:16,920 --> 01:32:18,119
- You <i>are</i>.
- No.

2002
01:32:18,120 --> 01:32:20,999
You're beautiful. You're alive.

2003
01:32:21,000 --> 01:32:24,120
You're so damn alive and free.
It's incredible.

2004
01:32:25,040 --> 01:32:26,200
[sighs softly]

2005
01:32:27,760 --> 01:32:28,920
[quietly] I don't know.

2006
01:32:29,520 --> 01:32:30,840
Maybe we... [sighs]

2007
01:32:32,400 --> 01:32:35,880
We've both, through this... grew a little?

2008
01:32:38,000 --> 01:32:41,240
I love you, Noémie, just as you are.

2009
01:32:42,760 --> 01:32:45,439
All of you. Everything.

2010
01:32:45,440 --> 01:32:50,039
I love your explosions and your disasters.
I want it all.

2011
01:32:50,040 --> 01:32:53,879
Because I want forever.
I want us to grow old together.

2012
01:32:53,880 --> 01:32:55,560
[both breathing shakily]

2013
01:32:58,440 --> 01:33:00,519
Me too, love. I want that too.

2014
01:33:00,520 --> 01:33:01,960
Please forgive me.

2015
01:33:04,160 --> 01:33:06,680
[intriguing music playing]

2016
01:33:10,920 --> 01:33:13,319
[harp version of the theme music playing]

2017
01:33:13,320 --> 01:33:14,440
[Noémie sighs]

2018
01:33:15,560 --> 01:33:17,240
Welcome, Arlette, dear.

2019
01:33:18,080 --> 01:33:19,040
[kisses]

2020
01:33:20,520 --> 01:33:22,480
[sighs] I'm glad you came.

2021
01:33:26,080 --> 01:33:28,439
- Andréa?
- [theme music fades]

2022
01:33:28,440 --> 01:33:31,560
It's Arlette. Can I come in?

2023
01:33:32,920 --> 01:33:34,399
[sighs]

2024
01:33:34,400 --> 01:33:36,480
- [whispers] What's she doing?
- I have no idea.

2025
01:33:38,440 --> 01:33:39,680
Andréa!

2026
01:33:40,720 --> 01:33:41,799
I'm coming in.

2027
01:33:41,800 --> 01:33:44,719
If you're naked,
put some clothes on. [grunts]

2028
01:33:44,720 --> 01:33:46,240
[pigeon wings flapping]

2029
01:33:49,200 --> 01:33:50,320
[Noémie] Andréa?

2030
01:33:52,840 --> 01:33:53,880
Andréa?

2031
01:33:55,040 --> 01:33:57,040
[pigeons cooing]

2032
01:34:00,440 --> 01:34:01,440
Andréa?

2033
01:34:03,960 --> 01:34:05,920
Oh no. Oh no!

2034
01:34:07,040 --> 01:34:08,160
[screams, gasps]

2035
01:34:08,760 --> 01:34:10,759
- Down here.
- You scared me half to death.

2036
01:34:10,760 --> 01:34:14,039
- Why are you under there?
- It's 'cause the birds fly in.

2037
01:34:14,040 --> 01:34:15,920
They like to shit on my head, so...

2038
01:34:17,360 --> 01:34:18,679
[sighs]

2039
01:34:18,680 --> 01:34:21,160
[somber music playing]

2040
01:34:25,760 --> 01:34:27,439
[Camille knocking] Andréa?

2041
01:34:27,440 --> 01:34:28,919
- Hmm?
- [door opens]

2042
01:34:28,920 --> 01:34:31,000
You have a train to Paris, so get ready.

2043
01:34:32,880 --> 01:34:35,080
Your car's coming.
You have that hearing tomorrow.

2044
01:34:35,720 --> 01:34:36,720
[flatly] That's right.

2045
01:34:37,760 --> 01:34:39,640
I think you could maybe hop
into the shower.

2046
01:34:40,280 --> 01:34:41,999
- A bath, for sure.
- [Camille] There you go.

2047
01:34:42,000 --> 01:34:44,360
Without my film, I'm finished.

2048
01:34:45,120 --> 01:34:47,519
They'll never grant me custody of my girl.

2049
01:34:47,520 --> 01:34:48,439
[music fades]

2050
01:34:48,440 --> 01:34:51,799
Why go all the way there to be humiliated
by a judge?

2051
01:34:51,800 --> 01:34:53,639
I'll pass on that. [sighs]

2052
01:34:53,640 --> 01:34:55,560
She doesn't care about the film.

2053
01:34:57,280 --> 01:34:58,520
She wants her mom.

2054
01:35:01,600 --> 01:35:06,360
Andréa, nothing impacts a kid worse
than a parent who lets you down.

2055
01:35:07,200 --> 01:35:11,479
Look at me. My father neglected me
for 15 years, and now,

2056
01:35:11,480 --> 01:35:13,840
no matter how hard he tries to connect,

2057
01:35:14,520 --> 01:35:16,320
and admitting I was his...

2058
01:35:18,560 --> 01:35:19,840
[sighs deeply]

2059
01:35:21,320 --> 01:35:23,000
The anger's still there.

2060
01:35:24,520 --> 01:35:27,279
It's like a bottomless pit of rage.

2061
01:35:27,280 --> 01:35:28,680
[Andréa sighs]

2062
01:35:29,280 --> 01:35:32,279
[sobs softly, sniffles]

2063
01:35:32,280 --> 01:35:33,600
Go hop in the shower.

2064
01:35:34,920 --> 01:35:36,320
[Andréa sighs]

2065
01:35:39,360 --> 01:35:41,599
[footsteps descending stairs]

2066
01:35:41,600 --> 01:35:43,559
[Noémie] Gabriel, Camille,
I emailed earlier

2067
01:35:43,560 --> 01:35:48,399
about, uh, the compensation, uh, proposals
for, uh, Laetitia and Vincent.

2068
01:35:48,400 --> 01:35:50,639
Let me know if that works for you.

2069
01:35:50,640 --> 01:35:53,319
We have no other options.
I'm sorry about that.

2070
01:35:53,320 --> 01:35:55,559
Why tell the insurance the truth?

2071
01:35:55,560 --> 01:35:56,599
[Noémie sighs]

2072
01:35:56,600 --> 01:36:00,039
[Camille] People always bend the truth
a bit with insurance companies, right?

2073
01:36:00,040 --> 01:36:02,879
Haven't you ever told a fib to,
you know, get a proper repair?

2074
01:36:02,880 --> 01:36:04,359
- Yeah.
- It's human. We all--

2075
01:36:04,360 --> 01:36:06,559
Yeah, but this isn't like water damage
in the kitchen.

2076
01:36:06,560 --> 01:36:08,559
I'd be risking our company if we did that.

2077
01:36:08,560 --> 01:36:11,759
I'd, uh...
I would risk my job, my reputation...

2078
01:36:11,760 --> 01:36:14,560
Not completing the film, that will
cost you your job and reputation.

2079
01:36:16,640 --> 01:36:18,719
[loud trumpeting sound]

2080
01:36:18,720 --> 01:36:20,839
What's that? Was that sound Andréa?

2081
01:36:20,840 --> 01:36:22,559
Earlier, I heard her making throat noises.

2082
01:36:22,560 --> 01:36:25,359
It sounded like a tracheotomy gone wrong.
It was disturbing.

2083
01:36:25,360 --> 01:36:27,879
No, but we can't let this happen, guys.

2084
01:36:27,880 --> 01:36:29,639
She'll never recover.
She's gonna drop dead.

2085
01:36:29,640 --> 01:36:31,359
There's more at stake than you realize.

2086
01:36:31,360 --> 01:36:33,720
The amount of money
would be a million euros.

2087
01:36:34,360 --> 01:36:37,439
There's my own interest.
I'm not about to go to jail for the movie.

2088
01:36:37,440 --> 01:36:38,719
Why are you quiet?

2089
01:36:38,720 --> 01:36:42,919
I don't want to interfere.
I respect your decision, Noémie.

2090
01:36:42,920 --> 01:36:44,719
He's going through deconstruction.

2091
01:36:44,720 --> 01:36:47,080
- [group chuckles]
- That's not necessarily my opinion.

2092
01:36:48,320 --> 01:36:51,639
If it were me,
I'd be considering that option.

2093
01:36:51,640 --> 01:36:52,679
What? Really?

2094
01:36:52,680 --> 01:36:54,599
We just need to claim
something that's covered.

2095
01:36:54,600 --> 01:36:57,999
If we can show credible damages
to the tune of one million euros, okay.

2096
01:36:58,000 --> 01:36:59,799
Not easy, but you'd get paid out.

2097
01:36:59,800 --> 01:37:03,039
We have to use our talents
and stage it so it feels real.

2098
01:37:03,040 --> 01:37:04,399
[chuckles]

2099
01:37:04,400 --> 01:37:06,159
- I say we do it.
- [group chuckles]

2100
01:37:06,160 --> 01:37:10,159
We'd have to be ready
before the adjusters arrive.

2101
01:37:10,160 --> 01:37:12,279
- Tomorrow morning. Seven hours.
- [Camille] Mm-hm.

2102
01:37:12,280 --> 01:37:14,839
- And keep it a secret.
- Oh, great, now I'm turned on.

2103
01:37:14,840 --> 01:37:16,359
[group laughs]

2104
01:37:16,360 --> 01:37:17,600
[Camille] We got this.

2105
01:37:20,880 --> 01:37:23,119
- What do we got?
- No, it's, uh... It's nothing.

2106
01:37:23,120 --> 01:37:25,880
We were... we were just talking
about actor compensation.

2107
01:37:26,720 --> 01:37:28,639
Ah, so what's got you turned on?

2108
01:37:28,640 --> 01:37:30,479
Oh, what turned me on? Well...

2109
01:37:30,480 --> 01:37:32,759
It was about that, um... pretty halberd.

2110
01:37:32,760 --> 01:37:35,759
It's looking down at me
from across millennia.

2111
01:37:35,760 --> 01:37:37,400
So much history in that wall axe.

2112
01:37:38,360 --> 01:37:41,519
I wanted to tell you all,
the fault is mine and mine alone.

2113
01:37:41,520 --> 01:37:43,760
- I'm brutal at times.
- That's true.

2114
01:37:44,560 --> 01:37:47,639
- Mm-hmm. Hardheaded.
- Also true.

2115
01:37:47,640 --> 01:37:51,359
Sorry to interrupt you.
It's just, you're also a bit snobby.

2116
01:37:51,360 --> 01:37:54,000
- [chuckles] If I'm being honest.
- Contemptuous.

2117
01:37:54,600 --> 01:37:55,600
Right, voilà.

2118
01:37:56,920 --> 01:38:00,679
My actions put us in this situation,
so I want to apologize to everyone.

2119
01:38:00,680 --> 01:38:02,919
- [Noémie] Hm.
- [Gabriel] Hmph.

2120
01:38:02,920 --> 01:38:08,439
[sighs] And I also had to go to court.
I need to be there at nine o'clock.

2121
01:38:08,440 --> 01:38:09,919
- In Paris.
- [Gabriel sighs]

2122
01:38:09,920 --> 01:38:14,040
I need a little favor.
Can someone please drop me at the station?

2123
01:38:14,560 --> 01:38:16,839
But, Andréa,
it's already 1:00 in the morning.

2124
01:38:16,840 --> 01:38:18,720
Um, the trains aren't running. Uh...

2125
01:38:20,000 --> 01:38:21,360
All right, then.

2126
01:38:22,200 --> 01:38:24,560
The idea was stupid.
It wouldn't have made any difference.

2127
01:38:25,680 --> 01:38:27,759
Andréa, I'll take you there.

2128
01:38:27,760 --> 01:38:30,640
If you jump on the first train,
you can get to the hearing.

2129
01:38:33,240 --> 01:38:35,319
- Thanks, Gabriel. That's really nice.
- Yeah, yeah.

2130
01:38:35,320 --> 01:38:37,719
- [gentle pop music playing on radio]
- [sighs]

2131
01:38:37,720 --> 01:38:39,760
- What I said was horrible.
- [scoffs]

2132
01:38:41,560 --> 01:38:43,280
- I'm sorry.
- [quietly] Yeah.

2133
01:38:45,640 --> 01:38:48,199
After you showed up here
to look after Vincent...

2134
01:38:48,200 --> 01:38:51,160
Oh, don't beat yourself up.

2135
01:38:53,840 --> 01:38:56,000
Everything I said about you was true.

2136
01:38:56,760 --> 01:38:58,360
[both chuckle softly]

2137
01:39:02,960 --> 01:39:04,799
I resigned from Starmédia.

2138
01:39:04,800 --> 01:39:06,920
I reached my limit. [sighs]

2139
01:39:08,440 --> 01:39:12,759
[exhales deeply] Honestly, I'm surprised
I made it as long as I did.

2140
01:39:12,760 --> 01:39:14,519
[chuckles slightly]

2141
01:39:14,520 --> 01:39:18,160
I remember how pissed you were
when I walked from ASK to work there.

2142
01:39:19,720 --> 01:39:24,280
I stayed at that crappy job to prove
I didn't make a mistake like you said.

2143
01:39:24,920 --> 01:39:26,880
[sighs] That's pride.

2144
01:39:27,640 --> 01:39:29,040
It'll screw you up.

2145
01:39:31,440 --> 01:39:32,480
[chuckles softly]

2146
01:39:33,880 --> 01:39:36,240
Do you know
how many times I wanted to call?

2147
01:39:37,840 --> 01:39:39,200
But I never did.

2148
01:39:40,880 --> 01:39:43,040
- Pride, I guess.
- [scoffs]

2149
01:39:44,440 --> 01:39:46,720
- We really are a couple of morons.
- Mm.

2150
01:39:47,920 --> 01:39:50,959
- We're complete morons.
- [exciting music rises]

2151
01:39:50,960 --> 01:39:55,559
- These are prototypes. We better try them.
- [Mathias] It's this one. Okay. Hang on.

2152
01:39:55,560 --> 01:39:58,199
- [Camille] Just memorize the lenses.
- [Mathias] No problem.

2153
01:39:58,200 --> 01:40:00,120
- [Hervé] Mathias.
- [Arlette] Oh.

2154
01:40:00,840 --> 01:40:02,959
- There.
- Oh, it is for me. Thanks.

2155
01:40:02,960 --> 01:40:04,359
Right, we're the core team.

2156
01:40:04,360 --> 01:40:06,879
Here's your coffee. It's hot, so careful.
How's it look?

2157
01:40:06,880 --> 01:40:10,279
And, ah... Wait. Ah.
We need to agree. Nobody can ever know.

2158
01:40:10,280 --> 01:40:11,839
- Not the crew, not anybody.
- No.

2159
01:40:11,840 --> 01:40:13,279
It's important, not the actors.

2160
01:40:13,280 --> 01:40:14,920
- It's 2:00 already.
- Yes, I'm aware.

2161
01:40:15,920 --> 01:40:17,200
Good luck.

2162
01:40:20,160 --> 01:40:22,399
- [Hervé] What's this?
- [Noémie] Do you hear that?

2163
01:40:22,400 --> 01:40:24,919
- There. That's good. Stop.
- [Mathias] It's tilting. Careful.

2164
01:40:24,920 --> 01:40:27,880
[Camille] The lenses, hand me them.
Pass me the tripod.

2165
01:40:28,560 --> 01:40:31,399
- [Hervé] Okay, look out.
- [Noémie] Don't go to one side. Easy.

2166
01:40:31,400 --> 01:40:33,639
[Hervé and Noémie] The cameras!

2167
01:40:33,640 --> 01:40:36,839
- [Camille] Where should I do it?
- [Noémie] Same area. Makes it believable.

2168
01:40:36,840 --> 01:40:38,719
- [Hervé] Camille! Fuck!
- [strains]

2169
01:40:38,720 --> 01:40:40,079
- [Noémie] Wow.
- [Hervé] Wow.

2170
01:40:40,080 --> 01:40:43,840
<i>♪ You ain't got nothin' to lose ♪</i>

2171
01:40:47,040 --> 01:40:50,800
<i>♪ Now it's time for you to choose... ♪</i>

2172
01:40:54,760 --> 01:40:55,960
[sighs deeply]

2173
01:40:58,040 --> 01:40:59,719
[Noémie] Hello, welcome.

2174
01:40:59,720 --> 01:41:01,199
[speaks Romanian]

2175
01:41:01,200 --> 01:41:03,119
- Bonjour.
- Ah, you speak French.

2176
01:41:03,120 --> 01:41:03,960
Morning.

2177
01:41:05,000 --> 01:41:07,879
So you know, I'm Noémie Leclerc,
the producer of the film.

2178
01:41:07,880 --> 01:41:10,199
- And here are the department heads.
- Hi.

2179
01:41:10,200 --> 01:41:12,879
- Sednaoui, director of photography.
- [inspector] Bonjour.

2180
01:41:12,880 --> 01:41:15,919
Arlette Azémar. I'm Andréa Martel's agent.

2181
01:41:15,920 --> 01:41:16,920
[Andréa] Sorry.

2182
01:41:19,840 --> 01:41:22,359
Don't mention the movie. Okay?

2183
01:41:22,360 --> 01:41:24,119
Show that you're competent.

2184
01:41:24,120 --> 01:41:25,560
Everything is going well.

2185
01:41:26,160 --> 01:41:27,280
This courtroom.

2186
01:41:31,520 --> 01:41:32,640
What's wrong?

2187
01:41:33,160 --> 01:41:36,239
- I need to use the ladies' room.
- But we're running late.

2188
01:41:36,240 --> 01:41:39,199
- [sighs]
- Behind there. Be quick.

2189
01:41:39,200 --> 01:41:40,560
[Andréa] Oh, fuck.

2190
01:41:43,880 --> 01:41:45,120
[inhales sharply]

2191
01:41:46,320 --> 01:41:47,320
Andréa.

2192
01:41:48,440 --> 01:41:49,840
Colette. [sighs]

2193
01:41:51,560 --> 01:41:52,760
[Andréa huffs]

2194
01:41:56,640 --> 01:42:00,159
You should brush your hair
before going in. [scoffs]

2195
01:42:00,160 --> 01:42:01,240
Oh, right.

2196
01:42:02,080 --> 01:42:03,280
Thanks.

2197
01:42:04,680 --> 01:42:06,000
[clears throat]

2198
01:42:08,400 --> 01:42:09,680
[huffs]

2199
01:42:11,360 --> 01:42:12,360
How's filming?

2200
01:42:13,600 --> 01:42:15,640
Great. It's really quite amazing.

2201
01:42:18,400 --> 01:42:19,400
They shut us down.

2202
01:42:21,320 --> 01:42:23,640
Just tell your lawyer.
Put me out of my misery.

2203
01:42:26,280 --> 01:42:28,840
- I'm really sorry.
- Well, you shouldn't be.

2204
01:42:30,720 --> 01:42:33,000
You're moving to Nantes,
and that'll be great.

2205
01:42:33,960 --> 01:42:35,959
Flora will love it there.

2206
01:42:35,960 --> 01:42:38,319
I found a good subletter
to take my apartment in Paris

2207
01:42:38,320 --> 01:42:40,759
a few times a month
and come spend time with her.

2208
01:42:40,760 --> 01:42:42,559
Uh, you looked into a subletter?

2209
01:42:42,560 --> 01:42:44,920
Well, yeah.
I plan on visiting my daughter.

2210
01:42:45,840 --> 01:42:48,679
[gasps softly] Sorry about going to court.

2211
01:42:48,680 --> 01:42:50,360
It wasn't my wish. This is horrible.

2212
01:42:51,520 --> 01:42:54,240
I'm not even completely sold
on going to Nantes.

2213
01:42:56,280 --> 01:42:59,480
- [sighs] You made me so furious.
- I was angry as well.

2214
01:43:03,360 --> 01:43:04,520
[sighs]

2215
01:43:05,960 --> 01:43:08,400
There must be another way.
I'm done fighting.

2216
01:43:09,520 --> 01:43:10,720
[sighs deeply]

2217
01:43:11,680 --> 01:43:13,120
[softly] I'm with you.

2218
01:43:14,240 --> 01:43:15,480
[sighs]

2219
01:43:18,400 --> 01:43:19,919
[both chuckle softly]

2220
01:43:19,920 --> 01:43:22,280
[tender music playing]

2221
01:43:35,200 --> 01:43:36,680
[judge] Are they here?

2222
01:43:38,080 --> 01:43:40,880
[tender music swells]

2223
01:43:48,200 --> 01:43:51,879
[Noémie] So yeah, on the day,
we were getting ready to shoot scene 83...

2224
01:43:51,880 --> 01:43:54,039
[man interpreting in Romanian]

2225
01:43:54,040 --> 01:43:58,479
I have the schedule, our planned shoot day
with our crew's call sheet.

2226
01:43:58,480 --> 01:44:01,959
This shot is paramount.
The scene is the climax of the story.

2227
01:44:01,960 --> 01:44:04,079
[interpreting]

2228
01:44:04,080 --> 01:44:07,199
- You can imagine the disaster.
- [interpreting]

2229
01:44:07,200 --> 01:44:09,479
It's the heart of the film.
We send our hero off.

2230
01:44:09,480 --> 01:44:10,559
[interpreting]

2231
01:44:10,560 --> 01:44:13,759
It's the scene where the police officer
gives Suzanne her fake papers

2232
01:44:13,760 --> 01:44:14,839
so she can leave,

2233
01:44:14,840 --> 01:44:17,279
giving her the chance
to return to society.

2234
01:44:17,280 --> 01:44:20,239
It breaks your heart that she realizes
how much he has done for her.

2235
01:44:20,240 --> 01:44:22,439
And she knows
how they're soul mates, right?

2236
01:44:22,440 --> 01:44:25,159
But they'll never ever
see each other again.

2237
01:44:25,160 --> 01:44:27,679
So the actors were
over on the beach by the tree,

2238
01:44:27,680 --> 01:44:30,560
and Andréa wanted to shoot
from the middle of the lake.

2239
01:44:31,440 --> 01:44:33,079
On a telephoto lens.

2240
01:44:33,080 --> 01:44:34,359
[Mathias] We used the paddleboat.

2241
01:44:34,360 --> 01:44:35,599
We rowed into the middle,

2242
01:44:35,600 --> 01:44:38,679
pretty much right in the center there
to frame up the shot.

2243
01:44:38,680 --> 01:44:41,639
With all of the, um...
All of the equipment on the boat.

2244
01:44:41,640 --> 01:44:42,639
[interpreting]

2245
01:44:42,640 --> 01:44:44,839
And as we were looking at the shot,

2246
01:44:44,840 --> 01:44:47,839
when I made the lens change
for the shot, business as usual,

2247
01:44:47,840 --> 01:44:49,279
it shifted, bam!

2248
01:44:49,280 --> 01:44:52,279
I lost my balance.
The camera started slipping away.

2249
01:44:52,280 --> 01:44:55,279
The boat nearly toppled
and swung back portside.

2250
01:44:55,280 --> 01:44:56,600
[continues interpreting]

2251
01:44:57,240 --> 01:44:58,520
And ploof.

2252
01:44:59,320 --> 01:45:01,920
- [interpreting] And ploof.
- [Noémie sighs]

2253
01:45:07,040 --> 01:45:08,560
[inspector takes a deep breath]

2254
01:45:10,040 --> 01:45:11,440
[in Romanian] And ploof.

2255
01:45:12,360 --> 01:45:15,959
[both whispering and laughing]

2256
01:45:15,960 --> 01:45:18,559
[animated chatter in Romanian]

2257
01:45:18,560 --> 01:45:21,000
[chuckles] What happened?

2258
01:45:22,360 --> 01:45:24,599
- Is there a problem?
- No, it's just the story.

2259
01:45:24,600 --> 01:45:25,799
It's, uh, amusing.

2260
01:45:25,800 --> 01:45:28,279
- Ah.
- Why is it amusing?

2261
01:45:28,280 --> 01:45:29,600
[speaking Romanian]

2262
01:45:33,920 --> 01:45:36,159
She says the French are all romantics.

2263
01:45:36,160 --> 01:45:38,999
The impossible love. Always.

2264
01:45:39,000 --> 01:45:41,319
- Mm!
- What the hell?

2265
01:45:41,320 --> 01:45:42,599
[interpreter speaking Romanian]

2266
01:45:42,600 --> 01:45:44,759
<i>- "Oh, là là là là là là!"</i>
- [group laughs]

2267
01:45:44,760 --> 01:45:46,759
- Why are you laughing?
- Pardon?

2268
01:45:46,760 --> 01:45:49,319
No, no, it's fine.
Maybe you want to go rest, Arlette?

2269
01:45:49,320 --> 01:45:51,559
No, no. I feel fine,
but what do you think is funny?

2270
01:45:51,560 --> 01:45:53,919
We can tell you
because the director's not here,

2271
01:45:53,920 --> 01:45:56,039
but, um, we read the whole story.

2272
01:45:56,040 --> 01:45:57,239
Right.

2273
01:45:57,240 --> 01:45:58,759
[interpreter] It's too far-fetched.

2274
01:45:58,760 --> 01:46:01,599
The woman, the story.
Uh, it would never happen.

2275
01:46:01,600 --> 01:46:04,600
Is this a screenwriting lesson,
or what? Why don't you zip it?

2276
01:46:05,760 --> 01:46:07,319
You've never killed anyone, have you?

2277
01:46:07,320 --> 01:46:09,279
[interpreting in Romanian]

2278
01:46:09,280 --> 01:46:12,360
Have you survived alone
in the middle of the forest?

2279
01:46:12,880 --> 01:46:14,999
My God, I'll show <i>you</i> far-fetched.

2280
01:46:15,000 --> 01:46:17,760
[shouting in Romanian]

2281
01:46:19,240 --> 01:46:20,479
Wait!

2282
01:46:20,480 --> 01:46:23,999
- Come on, please. No. Hold on.
- [Arlette] No, don't leave. I apologize.

2283
01:46:24,000 --> 01:46:25,959
It's just the story.

2284
01:46:25,960 --> 01:46:27,160
[sighs]

2285
01:46:28,000 --> 01:46:29,520
The fugitive was...

2286
01:46:30,200 --> 01:46:31,960
The fugitive was me, there.

2287
01:46:35,400 --> 01:46:36,799
It's my story.

2288
01:46:36,800 --> 01:46:39,400
[interpreter speaking Romanian]

2289
01:46:40,720 --> 01:46:42,399
[Arlette] My real name is Marthe.

2290
01:46:42,400 --> 01:46:45,159
- [somber music playing]
- Marthe Lazard.

2291
01:46:45,160 --> 01:46:48,439
All my life,
I've been afraid of being found out.

2292
01:46:48,440 --> 01:46:50,639
Despite my fake ID.

2293
01:46:50,640 --> 01:46:52,640
And statute of limitations.

2294
01:46:53,160 --> 01:46:56,720
I was always afraid someday
a policeman would say, "Follow me."

2295
01:46:57,240 --> 01:47:00,960
But that means that you...
you murdered somebody? Your husband?

2296
01:47:04,120 --> 01:47:06,359
- He was a cruel man.
- [gasps]

2297
01:47:06,360 --> 01:47:09,599
Since I couldn't have children,
he made me pay for it.

2298
01:47:09,600 --> 01:47:11,439
Through humiliation.

2299
01:47:11,440 --> 01:47:12,639
[music fades]

2300
01:47:12,640 --> 01:47:13,920
And beatings.

2301
01:47:15,160 --> 01:47:19,160
And so, I defended myself one day.

2302
01:47:19,760 --> 01:47:22,040
We beat each other like savages.

2303
01:47:23,080 --> 01:47:25,280
It took a bad turn, and...

2304
01:47:26,000 --> 01:47:28,919
I knew I wouldn't stand a chance in court.

2305
01:47:28,920 --> 01:47:31,000
He was an important man.

2306
01:47:31,760 --> 01:47:34,919
I was nobody. So I ran.

2307
01:47:34,920 --> 01:47:37,999
I ran and I hid in the mountains
for almost two years.

2308
01:47:38,000 --> 01:47:41,319
It was horrible.
The worst time of my life.

2309
01:47:41,320 --> 01:47:45,320
When it was over... maybe it was a blessing.

2310
01:47:45,960 --> 01:47:47,680
Because I persevered.

2311
01:47:49,000 --> 01:47:51,480
Because I didn't break.
I managed to survive.

2312
01:47:52,000 --> 01:47:54,360
Because I discovered I was a force.

2313
01:47:56,000 --> 01:47:57,640
Not some nobody.

2314
01:47:58,160 --> 01:48:00,719
What made you go to Paris after that?

2315
01:48:00,720 --> 01:48:01,880
[Arlette] My detective.

2316
01:48:03,000 --> 01:48:04,280
[sighs]

2317
01:48:05,640 --> 01:48:07,200
My detective.

2318
01:48:08,920 --> 01:48:12,519
He put everything on the line.
He helped me get a new identity.

2319
01:48:12,520 --> 01:48:14,040
Fake papers.

2320
01:48:14,560 --> 01:48:18,920
And he said,
"Go to Paris. There, you'll be anonymous."

2321
01:48:21,040 --> 01:48:22,960
I never saw him after that.

2322
01:48:25,040 --> 01:48:26,399
[sighs]

2323
01:48:26,400 --> 01:48:28,400
I made new friends in Paris.

2324
01:48:29,880 --> 01:48:33,239
The artists, the outcasts,
and jazz musicians.

2325
01:48:33,240 --> 01:48:34,719
[thunder rumbling]

2326
01:48:34,720 --> 01:48:35,880
I made a living.

2327
01:48:36,400 --> 01:48:38,199
I washed dishes for a while.

2328
01:48:38,200 --> 01:48:41,879
I worked checking coats.
I was a barmaid in a jazz club.

2329
01:48:41,880 --> 01:48:44,639
I'd go to the cinema as much as possible.

2330
01:48:44,640 --> 01:48:45,840
[Andréa] Hmm.

2331
01:48:46,760 --> 01:48:48,080
And then,

2332
01:48:49,120 --> 01:48:51,600
- I was introduced to Samuel Kerr.
- Mm.

2333
01:48:54,320 --> 01:48:57,719
- Hm.
- Oh my goodness. We created ASK.

2334
01:48:57,720 --> 01:48:58,840
[Gabriel sighs]

2335
01:49:00,080 --> 01:49:02,560
I shared my life story with Andréa.

2336
01:49:03,080 --> 01:49:04,600
We wrote my memoir.

2337
01:49:06,200 --> 01:49:08,199
Then we wrote the film.

2338
01:49:08,200 --> 01:49:10,999
Wait a second.
<i>You</i> were pushing for the film.

2339
01:49:11,000 --> 01:49:14,680
[chuckles] Considering what happened,
maybe I shouldn't have.

2340
01:49:16,040 --> 01:49:17,840
- [Andréa] Hm.
- Poof.

2341
01:49:18,440 --> 01:49:19,800
A tragedy.

2342
01:49:20,400 --> 01:49:21,879
No more movie.

2343
01:49:21,880 --> 01:49:24,039
- [sighs]
- We still have each other.

2344
01:49:24,040 --> 01:49:28,120
- [dreamlike music rises]
- [Camille sighs]

2345
01:49:36,000 --> 01:49:39,040
- [exhales deeply]
- [cicadas chirping]

2346
01:49:44,840 --> 01:49:46,360
[chuckles]

2347
01:49:49,280 --> 01:49:50,400
[Mathias sighs]

2348
01:49:56,360 --> 01:50:00,520
We're still waiting to hear back on it.
Whether or not we resume filming.

2349
01:50:01,280 --> 01:50:03,120
<i>You can have my money, look.</i>

2350
01:50:03,800 --> 01:50:05,440
<i>It's 64 euros.</i>

2351
01:50:07,440 --> 01:50:08,919
You'd give me that?

2352
01:50:08,920 --> 01:50:10,599
<i>Yeah, all of it.</i>

2353
01:50:10,600 --> 01:50:12,399
That's very nice, sweetie.

2354
01:50:12,400 --> 01:50:14,200
So how's Laetitia?

2355
01:50:15,600 --> 01:50:19,320
- How were the terms on that UK contract?
- There's no more contract.

2356
01:50:20,760 --> 01:50:22,999
- She decided to pull out of the series.
- Hm.

2357
01:50:23,000 --> 01:50:24,880
Yeah. Plans to go to Italy with Vincent.

2358
01:50:25,600 --> 01:50:26,640
[Mathias] Hm.

2359
01:50:28,520 --> 01:50:30,919
Well, I tried changing her mind,
and she refused.

2360
01:50:30,920 --> 01:50:34,199
[chuckling] Oh no, I mean... Good for her.

2361
01:50:34,200 --> 01:50:35,599
[Camille chuckles]

2362
01:50:35,600 --> 01:50:39,160
It's an important life decision.
We have to show we support them.

2363
01:50:39,760 --> 01:50:41,960
[Camille sighs] Hm.

2364
01:50:42,920 --> 01:50:43,919
[urinating]

2365
01:50:43,920 --> 01:50:45,879
[sighs]

2366
01:50:45,880 --> 01:50:47,080
[cell phone vibrating]

2367
01:50:49,040 --> 01:50:50,120
Oh no!

2368
01:50:50,880 --> 01:50:52,119
[gasps]

2369
01:50:52,120 --> 01:50:53,919
[straining]

2370
01:50:53,920 --> 01:50:55,160
[groans]

2371
01:50:56,400 --> 01:50:57,919
[sighs]

2372
01:50:57,920 --> 01:51:00,200
[vibrating continues]

2373
01:51:01,680 --> 01:51:03,799
- [Noémie shrieks]
- [group exclaims]

2374
01:51:03,800 --> 01:51:04,919
[Camille] Hmm?

2375
01:51:04,920 --> 01:51:06,319
- [Hervé] What's going on?
- What?

2376
01:51:06,320 --> 01:51:08,439
- It could be a viper!
- [Hervé] Noémie! Where is she?

2377
01:51:08,440 --> 01:51:10,679
- We did it! We got the money!
- [Hervé] What?!

2378
01:51:10,680 --> 01:51:13,279
The film is saved! [squeals]

2379
01:51:13,280 --> 01:51:16,759
- We can make the movie!
- [all cheering]

2380
01:51:16,760 --> 01:51:20,519
- [Gabriel] Andréa!
- [Noémie laughing and exclaiming]

2381
01:51:20,520 --> 01:51:22,040
[Gabriel] The film is saved!

2382
01:51:22,560 --> 01:51:23,919
[group laughing]

2383
01:51:23,920 --> 01:51:26,000
Andréa, the film is back on!

2384
01:51:26,840 --> 01:51:29,919
- Yes! Yes!
- [dreamy music rises]

2385
01:51:29,920 --> 01:51:32,479
- [exclaiming]
- [Noémie] Yes! Yes!

2386
01:51:32,480 --> 01:51:34,719
- [Gabriel shouts]
- Whoo-hoo-hoo!

2387
01:51:34,720 --> 01:51:35,879
[Mathias laughs]

2388
01:51:35,880 --> 01:51:38,119
[chuckles gently]

2389
01:51:38,120 --> 01:51:39,999
[crying softly]

2390
01:51:40,000 --> 01:51:42,520
- [squealing]
- [group cheering]

2391
01:51:44,560 --> 01:51:47,600
- [both crying]
- My God. You're the best.

2392
01:51:50,920 --> 01:51:52,999
We're gonna finish your movie!

2393
01:51:53,000 --> 01:51:55,080
- Thank you.
- [laughing]

2394
01:52:05,400 --> 01:52:07,079
[Andréa sighs deeply]

2395
01:52:07,080 --> 01:52:10,839
[upbeat, rhythmic music playing]

2396
01:52:10,840 --> 01:52:13,680
THE FUGITIVE
ANDRÉA MARTEL

2397
01:52:18,840 --> 01:52:21,200
[inaudible dialogue]

2398
01:52:25,520 --> 01:52:27,160
[resolute theme music playing]

2399
01:52:35,800 --> 01:52:37,280
[inaudible dialogue]

2400
01:52:52,080 --> 01:52:54,320
[inaudible dialogue]

2401
01:53:09,640 --> 01:53:12,040
{\an8}[funky music playing]

2402
01:55:10,320 --> 01:55:12,640
[upbeat rhythmic music playing]

2403
01:55:57,360 --> 01:56:00,840
[energetic music playing]

2404
01:57:11,760 --> 01:57:13,760
[music stops]